contemplativeinquiry

This blog is about contemplative inquiry

Tag: contemplative Druidry book

‘ABOUT’ FOR 2020

A happy New Year to all readers, as we begin to navigate the 2020’s! May we find compassionate and creative ways to flourish in the days ahead.

As my contemplative inquiry evolves, I update the ‘About’ section for this blog. Below is my revision for the beginning of 2020.

“I am James Nichol and I live in Stroud, Gloucestershire, England. The Contemplative Inquiry blog started in August 2012, and includes personal sharing, discursive writing, poetry and book reviews. I began my contemplative inquiry within modern British Druidry and my book, Contemplative Druidry: People, Practice and Potential, was published in 2014.  https://www.amazon.co.uk/contemplative-druidry-people-practice-potential/dp/1500807206/

“Over time my inquiry became a wider exploration of contemplative spirituality, identified for a period as a Sophian Way. It drew on the enduring wisdom of many times and places and I came to experience it as a path of healing, peace and illumination. In particular, my inquiry identified an ‘at-homeness’ in the flowing moment. Such at-homeness is not dependent on belief or circumstance, but on the ultimate acceptance that this is what is given. I have found that, for me, the realisation of this at-homeness has supported a spirit of openness, an ethic of interdependence and a life of abundant simplicity.

“The discovery of at-homeness emerged from an inward inquiry arc: noticing myself perceiving, making meaning, and finding a language to articulate my experience. Now I am on an outward arc. I am turning to a greater focus on relationships, community, culture, and the wider web of life. Druidry, as a modern eco-spirituality receptive to ancient wisdom, is renewing its importance in my life.”

REVISED ‘ABOUT’: INQUIRY UPDATE

In my spiritual life, inquiry is one of the disciplines. This is why my contemplative blog is called a ‘contemplative inquiry’. As inquiries run through cycles, and aims are in some sense achieved, my direction needs to be revised and updated. This means that revising the blog’s ‘About’ statement from time to time is a necessary part of the process. When I make revisions I try to make the history clear as well as indicating the new direction. Sometimes, like now, I also want to indicate the shift through posting the new ‘About’ to existing readers. This revision adds a third paragraph to an already existing two – and changes tenses a little in the second.

“I am James Nichol and I live in Stroud, Gloucestershire, England. The Contemplative Inquiry blog started in August 2012, and includes personal sharing, discursive writing, poetry and book reviews. I began my contemplative inquiry within modern British Druidry and my book, Contemplative Druidry: People, Practice and Potential, was published in 2014.  https://www.amazon.co.uk/contemplative-druidry-people-practice-potential/dp/1500807206/

“Over time this blog became a wider exploration of contemplative spirituality, and I identified my path as a Sophian Way. Drawing on the enduring wisdom of many times and places, I have experienced it as a path of healing, peace and illumination. It has encouraged a spirit of openness, an ethic of interdependence and a life of abundant simplicity.

“The most recent phase of my inquiry has been solitary and inward. It had to be. But now I sense a change. As my Sophian Way develops, I am becoming more attentive culture, community and the wider world. Here, the influence of Druidry, as an animist Earth spirituality, takes on a renewed importance. ”

REVISED AND EDITED FRIDAY 6 DECEMBER 2019

SEEING: CONTEMPLATIVE DRUIDRY

There is a dance between experience and meaning. Experience informs meaning, yet the meaning given to significant experiences can change over time, in the light of later experiences. Looking back at my introduction to Contemplative Druidry (1), I now sense that my contemplative journey was triggered by a kind of Wild Seeing, long before I encountered the work of Douglas Harding (www.headless.org/ ). Here is what I wrote.

“On 22 June 2007 my centre of gravity shifted. It was late morning. I was just outside the Scottish Border town of Melrose, drawn in three possible directions. One was up the hills at the back of the town – the Eildon Hills, the hollow hills where the Queen of Efland took Thomas the Rhymer; True Thomas as he became. The second was the fine, if half-ruined, Abbey and its grounds; a place of Green Man carvings, fruit trees, and the heart of Robert the Bruce. The third was the banks of the Tweed.

“I took the third option and walked into a wholly unexpected and not at all dramatic epiphany. It was triggered simply by noticing and contemplating a wild rose, growing on the banks of the river. It lasted a few moments, just long enough for me to register it, and to experience a subtle shift of awareness in consequence. For some weeks I woke up every day with a sense of joy and connection. Months later, I wrote the verse that expressed it:

I am Rose. I am wild Rose.

I am Rose at Midsummer.

The river flows by me.

Fragile, I shiver in the wind.

And I am the heart’s core, mover of mountains.”

I was aware at the time that I was contrasting three choices in a fairy tale kind of way. The first was the path of magic (the Queen of Elfland). The second was the path of contemplative religion (Melrose Abbey). The third was the path of direct experience (wild rose on the riverbank). I chose the third. The poem best shows the import of this deceptively simple experience, especially in the last line. ‘I am the heart’s core; mover of mountains’ is more than a nature mysticism. I speak not only as the rose, but as the heart’s core, mover of mountains. I speak from the source.

During its collective life, contemplative Druidry did take its stand in direct experience. It was also very open – we talked of being of like intent rather than like mind; there was no consensus cosmology or belief. On the whole we were naturalistic, but not quite in the humanist or materialist sense. The use of terms like ‘Earth spirituality. ‘nature mysticism’. pantheism’ and ‘animism’ pointed to something more expansive. Now my experiences of  Seeing, support the view advocated by Douglas Harding and described as nondualist and panentheist. In everyday terms we can say that we have two identities, one as humans and the other as the ground of being. Ultimately, there is no separation and so only one true identity. Seeing is offered as a skilful means of learning to recognise this identity, and then to live from it.

My Sophian Way is now firmly in this territory. My challenge is to cleave to the experiential practice and its fruits whilst staying open about metaphysical claims. The intelligence of the heart is nourished by this view and is attracted by the reassurance of a clear and simple narrative. The mind wants to stay agnostic and provisional. When mobilised, it can ferret out weaknesses in the view. The Sophian Way is a way of wisdom, as well as a salute to the cosmic mother and healer in the heart. Wisdom invites me to trust the process – maintaining just enough scepticism to avoid attachment to views.

(1) James Nichol , Contemplative Druidry: People, Practice and Potential, Amazon/Kindle, 2014.  https://www.amazon.co.uk/contemplative-druidry-people-practice-potential/dp/1500807206/

REVISED ‘ABOUT’ APRIL 2019

Over the lifetime of this blog I have made frequent revisions of its ‘About’ statement. Most are small. Occasionally, I make a major revision which I also publish as a post. Below is my revised and edited ‘About’ of 19 April 2019.

I am James Nichol and I live in Stroud, Gloucestershire, England. The Contemplative Inquiry blog started in August 2012, and includes personal sharing, discursive writing, poetry and book reviews. It explores contemplative themes and their role in human flourishing within the web of life.

In my own journey, I have found an At-Homeness in a flowing now, not linked to any specific doctrine. For me, this experience and stance enable greater presence, healing and peace. They also support imaginative openness and an ethic of aware interdependence.

I began this work within British Druidry. I continue to follow an earth-centred and embodied spiritual path, ‘secular’ rather than ‘religious’. I draw on diverse traditions, especially resonating with naturalist, eco-existentialist, pantheist and animist currents within and beyond modern Paganism.

I am wary of metaphysical truth claims, including materialist ones, with an ultimate stance of openness and unknowing. At the time of this revision, I am exploring a tradition initiated by the Greek Pagan philosopher Pyrrho of Elis, who developed his own school of contemplative scepticism after a visit to India.

My book, Contemplative Druidry: People, Practice and Potential, was published in 2014.  https://www.amazon.co.uk/contemplative-druidry-people-practice-potential/dp/1500807206/

WHAT IF …?

In my first post of 2018, I said, ‘I have woken from my hibernation but am not yet out of my cave’ (1). Getting out of the cave has been a slow and tentative process this year. We have reached Beltane, and I can at last say that I have done it. Gratitude to the Merry Month!

In the same post I also sensed that I had ‘reached peak inquiry’. It looked that way at the time. But now I find myself unsatisfied with the place that I have reached. I have a vision of an abundance in simplicity, reached through a closer focus on direct experience, and better ways of writing about it. I ask myself: what will happen if I identify myself as a ‘secular contemplative’, centring myself within a space of ‘bio-spirituality’?

Following on from this, I ask, ‘how much continuity will I find, and how much change? What new possibilities will open? Will a stance of ‘spirituality without religion’ support the simplicity and closeness to experience that I aim for?

There are certainly points of continuity. The Contemplative Druid Group* (disbanded early in 2017) used simple, flexible methods. These were meditative, without featuring long meditations, and modelled a minimalist approach to ritual. The project saw itself as an innovation within modern Druidry and did not claim the mantle of Celtic language speakers in ancient or medieval times. Above all, it was nature-oriented, an Earth spirituality, and followed the wheel of the year as it happened – in and out of festival times.

This blog was linked to that culture, whilst always reaching out to other traditions as well. It has been an exploration of contemplative spiritualities, where ‘contemplative’ points to practices that train attentiveness, open spaces for wonder, and provide opportunities to reflect. When I looked at posts which people were reading, I identified a universalist rather than tribal approach, and ‘a readership more inspired by poetry and parables rather than sermons and sutras. Poetry tends to be suggestive rather than dogmatic and speaks directly to the heart’.

Going forward, I will continue to give Druidry and other traditions space in this blog, drawing on their creativity, healing power and wisdom. I have thoughts about new kinds of material to include as well. I’ll be looking at the same view from a different seat and using a slightly different language to describe what I see. That is my direction for contemplative inquiry now.

(1) https://contemplativeinquiry.wordpress.com/2018/01/05/contemplativeinquiry-setting-a-direction/

*The story of the development of Contemplative Druidry, its views and practice, is told in my book, Contemplative Druidry: People, Practice and Potential, published in October 2014.  https://www.amazon.co.uk/contemplative-druidry-people-practice-potential/dp/1500807206/

AUTHENTICITY IN MODERN DRUIDRY

“Contemporary Druidry is a flourishing creative spirituality that is inspiring people the world over. Is it a closed system that was only open to new inputs several thousand years ago? Or is it an open system that allows for development and evolution?” Philip Carr-Gomm, Chosen Chief of OBOD (1) explores these questions in his foreword to ‘Contemplative Druidry’ (2) adding, “Scratch the surface of any religion and you find that it is made up of a number of influences and elements. Examine a ritual text or liturgy and you can see the bricolage at work.” Moving deeper into the world of Celtic spirituality, he goes on to say:

“Mgr. Mael, the founder of the Celtic Orthodox Church in Brittany … received a series of meditative physical exercises in a vision and taught these as a system of ‘Celtic Yoga’. Are such attempts valid? … And are they not ‘fake’, having been so recently invented, while the Eastern systems are clearly genuine having been around for centuries? As regards validity, a method that is valid is one that works, however young or old it is. As regards inauthenticity, if a method is pretending to be one thing, while in reality being another, then that is indeed inauthentic. If Mgr. Mael had pretended his system of Celtic Yoga was practiced by the ancient Druids, this would have been inauthentic. But since he clearly stated he had received the exercises in a series of dreams, his system is what he authentically stated it to be: a method received in an altered state of consciousness. A false claim to an ancient lineage made for a system that has only been recently created renders it inauthentic, but if no such claim is made, can we use the term Druid to describe it?

“… Modern Druidry has been growing and evolving for the last three hundred years and if we were to throw out any additions to its body of teachings and ritual practice made during this time, we would be left with a small and unworkable set of conjectures. If we didn’t allow ourselves to call something Druidic that has only recently been created, we would have no Druidry to practice. But this shouldn’t mean that we can simply call anything Druidic. Druidry has specific features which help to define what it has become and how it is evolving. … Druidry has developed into a spiritual and philosophical approach that embraces embodiment and does not deny the gifts of the physical world and the body. In addition, it cultivates both inwardness and outwardness – an appreciation of the inner and outer worlds that fosters an engagement with the Earth and with community as much as it encourages an exploration of the depths of the soul and merging with the Divine. The evidence of the centrality of this approach can be found in Druidry’s love of Nature, its reverence for the Earth, and its cornerstone ritual observance: the Eightfold Wheel of the Year. These characteristics define Druidry and they also tell us what it is not.”

Specifically on contemplative Druidry he suggests:

“When it comes to the subject of this book, contemplation and meditation within Druidry, it seems perfectly reasonable to me to talk in terms of ‘Druid meditation’ or to describe techniques and approaches as Druidic, if they fall within the ethos of Druidry, because that ethos is specific: it does not try to subjugate, transcend or deny they body. There is no emphasis on the illusory nature of the physical world. The goal in Druidry, and hence in meditation for Druids, is to enhance our engagement with our embodies life, not to distance or separate ourselves from it.”

  • Order of Bards Ovates and Druids druidry.org/
  • James Nichol Contemplative Druidry: People, Practice and Potential Amazon/CreateSpace, 2014 (Foreword Deep Peace of the Quiet Earth: The Nature Mysticism of Druidry by Philip Carr-Gomm)

CONTEMPLATIVE DRUIDRY REVISITED

I experience this season as one of endings, fruitions and threads of continuity. I’m looking back at Contemplative Druidry (1), self-published on 9 October 2014, and currently with sales of just under 1200 – mostly through Kindle.

For me, the book feels true to its moment, a time when the ‘contemplative’ meme was still relatively unfamiliar in Druidry, but where we had already had two years to explore and develop it. The book drew on the experience of a local group in Stroud, Gloucestershire, England and the thoughts of the Contemplative Druidry Facebook Group in its formative period. Much of it was about people and their feelings, thoughts, identifications and values in the process of development.

The book offered no teachings or collective community line about contemplative Druidry. But it did offer a picture of who was involved, where they stood and what they did. I identified a tentative consensus that Druid contemplative practice happened in three main ways: formal sitting meditations (both ‘pathworking’ and ‘mindful’); being in nature and walking the land; and the contemplative use of creative arts. Practice could be solo or in groups, and the book itself helped to develop templates for group sessions and day retreats.

To balance this anarchic approach to spiritual development, I was lucky enough to have a foreword by Philip Carr-Gomm, who leads the Order of Bards, Ovates and Druids (OBOD), to which I belong. Instead of the expected few words, he sent me his beautiful and inspirational essay Deep Peace of the Quiet Earth: The Nature Mysticism of Druidry. A treasure in itself, it has a deepening effect on the book as a whole.

Although the contemplative project, as a project, is finished, I am glad to know that the notion of a contemplative aspect in Druidry is no longer controversial. Within a few hours of launching the Contemplative Druidry Facebook group in 2012, I was challenged by two influential people in the Druid world. Now it has over 2,000 members and no-one turns a hair. The contemplative meme is there to stay, for its time, until it fades out again. The third anniversary of Contemplative Druidry finds me content.

(1) James Nichol Contemplative Druidry: People, Practice and Potential Amazon/KDP, 2014

ANOTHER SHORE?

 

My sacred space at home has undergone a complete makeover. I am effectively in a different place. It happened this way. On 7 May, I ordered a statue of Guanyin, partly as a birthday present to myself and partly with reference to ‘the true thought of the heart’. Perhaps the true thought of the heart is the real gift. In a blog post I wrote on that day (1), I described Guanyin as sitting on a crescent moon, playful and androgynous. I said: “it is the note that I am looking for”.

When the statue arrived from China, it was much bigger than I expected. It was over two metres high and quite broad, because Guanyin is sitting on a crescent moon, which takes up space. Caught up in the elegance of the design, I had completely misread the dimensions. No room in my room for the true thought of the heart?

Making room involved a complete clearing and cleaning of the place, and a considerable re-arranging of furniture. During an afternoon, I reshaped the space entirely with Guanyin as the predominant focus. Other imagery is still there. The Western Way is still well represented. A Green Man represents our oneness with the Earth, and our apparent separation from it and need for healing stories. A somewhat Marian (both of them) Sophia is there, imaging sacred fertility, sacramental relationship and the challenge to awaken. So are other familiar objects – a dragon sitting on an egg, an abstract and geometrical mandala picture, a tiny wooden Buddha, (not new) contained and serene. (A hopefully only slightly larger and more expansive laughing one is on his way.) Around the walls I find a C17th map of Somerset, my native county; pictures of Glastonbury Tor and the Eildon Hills; a small painting of a crane; and a painting I commissioned in the early 1990s of the Pictish Dancing Sea Horses from the Aberlemno Stone in Angus.

Yet the defining presence is now Guanyin. It happened as if by itself. The rest of the room is familiar and understood. She by contrast is numinous, dynamic and unknown, as well as large. The relationship is not yet established. Close-up, she is indeed playful and androgynous, but she is much more than that. As Guanyin, s/he hears the cries of the world. In her male aspect, s/he is Avolokitesvara, who shared the wisdom gained from deep practice in The Prajnaparamita Heart Sutra. S/he opens the way to the whole tradition of Mahayana Buddhism and its Vajrayana or Tantric variants. Thich Nhat Hanh reminds us of the seeming riddle of this path. “The Prajnaparamita Sutra says, ‘The Bodhisattva helps row living beings to the other shore but in fact no living beings are being helped to the other shore’ (2). Inevitably, it seems, I am drawn by this proposition. Necessarily, it seems, I am gathering Buddhist resources and accessing Buddhist networks, now attracted to the path as well as the Bodhisattva. I did not anticipate this.

This transcends contemplative inquiry, whilst emphatically including it. The Guanyin Oracle (3) tells me that I am under a God’s protection, and gives me a verse called After the Rain.

“After a long rain, we joyously watch the heavens clear.

The sun and moon grow slowly brighter.

The gloomy days are over, so be happy and joyous.

You will bound through the Dragon Door in one leap.

I am reminded of Penny Billington’s use of the term ‘egrigore’ in Contemplative Druidry (4). In Chapter 4 Druid Identity and Values, she says that spiritual movements have an egrigore, “an inner reality made up not only of the ideas of the members, but also the invisible influences from the other realms that resonate with that ‘flavour’ of spiritual thought; and as Druids we are dedicated to making connections not only in the natural world but on the other planes as well, other states of consciousness.” I certainly find that images and their associations can have a tremendous power if I am open to them, and for me, now, the Guanyin image is one of those. It is focusing my energy and attention, and making a Buddhist inspired matrix of references, aspirations, values, traditions and practices vividly present to me. This kind of process works much faster than ordinary thinking. Assembling a new Chinese statue out of three separate parts, cleansing and reordering a room, took me into a new space, and here I still am.

  • https://contemplativeinquiry.wordpress.com/2017/05/07/sophia-and-guanyin/
  • Thich Nhat Hanh The miracle of mindfulness: a manual on meditation London: Rider, 1991
  • Stephen Karcher The Kuan Yin Oracle: the voice of the Goddess of compassion London: Piatkus, 2009
  • James Nichol Contemplative Druidry: people practice and potential Amazon/KDP, 2014 (Foreword by Philip Carr-Gomm)

AWEN AND CONTEMPLATIVE DRUIDRY

A Contemplative Druidry (1) reader has asked me to say more about Awen, which had a chapter in the book. Introducing interview extracts in my Awen chapter, I wrote, “Awen is classically seen in Druidry as the power of inspiration, and in particular the creative force for poetry and prophecy. It is what transformed the boy Gwion – though not before further trials and transformations – into Taliesin, the radiant browed Bard. Many of the participants in this work uphold this tradition in its conventional form. Others seek to extend the traditional meaning better to express their own experiences and aspirations. Some don’t connect with Awen experientially and treat it as a convention – mainly as a shared chant, which brings Druids together”.

My self-criticism here is that the chant is itself an experience, frequently state-altering for both the chanters and in a sense for the space. I might have done better to say, ‘some don’t connect with it conceptually’. I see from my interview questions appendix that the Awen question was about meaning. If I did this work again, I would start with the sound, the feeling, and senses of occasion, and work out from those.

Pondering Awen afresh, I find myself drawn to deep human ancestry, and especially the early emergence of speech and music. These brought a new kind of identity: new experiences, new awareness, new feelings, new understanding, new forms of connection and solidarity – new worlds. Unsurprisingly, many cultures have subsequently developed creation stories linking origin with sound. In India, the phrase Nada Brahma tells us that God is sound/the world is made of sound. OM is the primordial sound form, the vibratory essence from which the universe emanates – and the universe needs to emanate only the smallest step (if any) to get to us. Kabir said, “if you want the truth, I’ll tell you the truth. Listen to the secret sound, the real sound, which is inside you” (2). A major philosophical school, Kashmir Shaivism, is referred to as ‘the doctrine of vibration’ (3). It talks of ‘spanda’ as “the primordial vibration at the root of all manifestation, a form of Shakti” (a term equally meaning ‘power’ or ‘goddess’).

Welsh Bardistry gives us Awen and the Taliesin story, which can be read as working with related themes, whilst diverting our main attention to the Bard as trickster/hero. In the old Gaelic world, we have the term Imbhas, equivalent to Awen, and a more touching story about the eating of the salmon of wisdom, in which the old Bard (as I read it) sets himself up to pass on the true nourishment to a promising youth. We also have the notion of the Oran Mor (Song of the World). Frank MacEowan (4) writes: “a conscious knowing of the ancient ‘music behind the world’ has always been woven into the daily awareness of the adherents of various Celtic traditions. In the words of Stuart Harris-Logan, a Gaelic healer, scholar, and author of Singing with Blackbirds, ‘out on the Isle of Barra, the people have long spoken of the Oran Mor as one of the old names of God. The Oran Mor is the Great Song from which all things have arisen’”.

Jason Kirkey (5), an associate of Frank MacEowan, treats ‘Oran Mor’ and ‘Divine Ground’ as synonymous both with each other and with David Bohm’s ‘implicate order’, in which the world of space, time and individual particles are enfolded into an undifferentiated wholeness that provides the holographic pattern (each part contains the pattern of the whole) by which reality unfolds. In Ireland, a sense of the Oran Mor could legitimately continue into Christian times. St. John’s Gospel begins, “In the beginning was the Word, and the Word was with God and the Word was God.” (6) This greatly moved John Scotus Eriugena, the great Irish philosopher/theologian of the ninth century – the time of Viking invasions in north west Europe. In his commentary on the Gospel he says, “John, the theologian – ascends beyond all visible and invisible creation, passes through all thought and intellect, and deified, enters into God who deifies him … John, the observer of the inmost truth, in the paradise of paradises, in the very cause of all, heard the one Word through which all things are made … Therefore, most confidently he cried out, ‘in the beginning was the Word.” (7) True knowledge and experience of the primal Word are divinizing – a remarkable statement for a western Christian of the day. John Scotus had learned Greek at a monastic school in his native Ireland (then not an available option elsewhere in western Europe) and was familiar with neo-Platonist thought. Perhaps that and his indigenous culture together allowed an understanding that the Word calls us to recognize our own divinity.

Modern Druidry was Universalist before it was Pagan, and retains a willingness to learn from other traditions. I believe that we can use the wider cultural history I’ve identified to inform our sense of what we are invoking when we chant the Awen. This chanting is something which Druid contemplative practitioners share with other Druids. Our unique practice is the ‘Awen space’ that follows the chant. Like other Druids, we do not require people to gather together under the umbrella of a common cosmology. It is OK to have different understandings, and it is OK for us to change and develop our personal understandings over time. That said, I end this piece with a reflection about the broad intentions behind our inherited Celtic spirituality, to provide a cultural context for Awen/Imbhas and where they might fit. It’s from Frank MacEowan (8): “The ancient Celts … were … ever yearning to connect with divine inspiration (imbhas), and ever longing to live a life of beauty imbued with connection and spirit. We are also on this path, and the fulfillment of our collective task as a human community lies in the process of actualizing a deeper communion with these same life-affirming powers. Celtic spirituality is an ongoing initiation into a life of beauty and a mindful preparation for the passage of death. The ancient spirituality of the Celtic peoples has always been a dynamic orientation to the ebb and flow of the seasons, daily practices that foster an awareness of the passage of our lives and of thanatology (a vision and study of our death and dying). This vision is of a life ending in a wondrous death journey to a home we have all been away from. When death is really an experience of going home, what is there to fear?”.

(1) James Nichol Contemplative Druidry: people, practice and potential Amazon/KDP, 2014 (Foreword by Philip Carr-Gomm)

(2) Sally Kempton Meditation for the love of it: enjoying your own deepest experience Boulder, CO: Sounds True, 2011 (Foreword by Elizabeth Gilbert)

(3) Mark S.G. Dyczkowski The Doctrine of vibration: an analysis of the doctrines and practices of Kashmir Shaivism Delhi, India: Divine Books, 1987

(4)Frank MacEowan The Celtic way of seeing: meditations on the spirit wheel Novato, CA: New World Library, 2007 (Foreword by Tom Cowan)

(5) Jason Kirkey The Salmon in the spring: the ecology of Celtic spirituality San Francisco, CA: Hiraeth Press, 2009 (Foreword by Frank MacEowan)

(6) Holy Bible (authorized version)

(7) The voice of the eagle: John Scotus Eriugena’s homily on the prologue to the gospel of St. John Great Barrington, MA: Lindisfarne Books, 2000 ed. (Translated by Christopher Bamford, foreword by Thomas Moore)

(8) Frank MacEowan The mist-filled path: Celtic wisdom for exiles, wanderers and seekers Novato, CA: New World Library, 2002 (Foreword by Tom Cowan)

GLASTONBURY REMEMBERED

I am five or six years old, the year 1954/1955. I live in Yeovil, Somerset. My mother wants me to have proper shoes. When my feet are measured up in the local Clark’s shop, we find that I need a broad fitting (E) and they don’t have quite the right shoe for me in stock. After talking to the manager, who makes a phone call, my mother decides we are going to the factory shop in Street.

A day or two later, we walk to the Yeovil Town railway station and board a train for Glastonbury & Street. We are going to make a half day of it. So leaving the train  we first take a short bus ride from the station to Street and get the shoes. Then we take a longer bus ride to Glastonbury and I get my first glimpses of the Tor and Abbey. Somewhere in town, we stop for tea and cake, possibly ice cream. Then a brief bus ride back to the station and the journey home. I remember liking the visit. It was a bit special, but I don’t remember it being particularly magical or numinous.

Two years ago I gave a talk in the Glastonbury Assembly Rooms to the OBOD Winter Gathering about contemplative Druidry and my book of that name. Later in that day I found myself in the car park in town. I remembered childhood visits to the town and, looking up, I saw the railway station roof. And I thought, ‘how did that get here?’ (I have since discovered that it was moved there as a means of conservation).  I  felt a pang of loss for industrial age Glastonbury, with its good railway connections and neighbouring Street with its solid manufacturing base. (Yeovil Town was closed in 1962. Glastonbury & Street went in 1966.) Clarks shoes were a highly respected local employer, with a national and indeed international name. They are still around, still respected, but no longer a local (or national) manufacturer.

It’s happened before of course. For many centuries, the Abbey, as landowner and pilgrim destination, was the economic centre of the town as well as the spiritual one. Henry VIII’s re-arrangement of his own and the nation’s life ended that at a stroke. But the Abbey will always be remembered. Glastonbury is a pilgrim’s town again, though after another fashion. I just wonder if the culture of my childhood, of easy local train rides and proud local shoe making, will be remembered in quite the same way. At least the station roof is something.

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