contemplativeinquiry

This blog is about contemplative inquiry

Tag: Presence

ALERT REST IN THE LIGHT OF EARLY SPRING

Crocuses are appearing, harbingers of spring. In the middle of the day, I feel the power of the sun. In my own life, I am getting used to a smaller and lighter living space. The work of moving is almost done. I shed calculation and care, making room for curiosity and glee.

Some of this is visual. I track changes in daylight from misty early morning to strong sunlight and vivid blue sky at noon. Subtle shifts moment to moment lead to big changes over the hours.

A personal mood of renewal fits the change of season, now that we are clearly in a rising year. The difference is that I am allowing myself to experience a tiredness that I had not fully acknowledged when our moving process was at its height. I am also aware that there are still things to be done. I am not fully in a get-up-and-go frame of being. What I need most, right now, is an alert kind of rest.

I have a sense of coming to a place, and settling, and embracing the experience I am offered here. I’ve been working to refine my personal understanding of Eckhart Tolle’s use of ‘Presence’. For me, it seems to combine an immersion in the flow of experience and a communion with it. Not only bare awareness but also relationship. Being alive in a living cosmos. Opening up to gratitude and love.

This is a key aspect of my contemplative inquiry within the modern Druid tradition, though the experience pointed to is universal. Uncovering what is hidden in plain sight by polishing the lenses of perception. An alert kind of rest.

THE VIEW FROM HOME

This, now, is our view from home. It helped to sell a compact apartment to us. It is a place of light and sunshine for much of the time, and allows us to see beyond the perimeters of our small historic city. Looking out, I see an expanse of energised space, providing room for the fecundity of nature. A wonderful gift for an old Druid.

Tilting my gaze a little downwards, I have more sense of our neighbourhood and the inevitable presence of cars. There was once an elegant square here, now somewhat sacrificed for a modest amount of parking space. But I do like the sense of an outlook on everyday life. I don’t want to be cut off from it. I’m glad that it’s there.

Elaine and I have not fully moved in as yet. This is a transitional moment. There’s still much work to be done. But there seems to be a shift in gravity now, and the promise of a benign base. As I se it, human flourishing enables the spiritual path too. It supports our capacity to be present in and to the web of life. At times in the journey, deprivation may need to be faced. But it is not a virtue, and in this moment I am glad of a space where the heart can easily open. Feeling gratitude, I wonder how this adventure will unfold.

MIDWINTER CONTEMPLATION 2022

The picture above, taken in the mid-afternoon of the recent Winter Solstice, shows a local water meadow after heavy rain. My eyes are drawn downwards, to the reflections in the water and beyond. But height is there too, with trees and an early sunset sky. All with a sense of stillness. I felt in touch with the unknown within and beyond me, and open to the world.

Earlier in the day I had already been profoundly moved by the live-streamed funeral of John Heron, an elder for me in the field of humanistic and transpersonal psychology, and also in what he called ‘participatory spirituality’. This describes a ‘spiritual animation’ that occurs ‘between people, between people and place and other kinds of beings in place’. He saw this as a spiritual inquiry process, largely outside the traditions.

Over the last several days, I have been contemplating words, not by John himself but by Carl Rogers, the originator of person-centred counselling, about this kind of openness and its power. He wrote them in continuous prose, but I have re-arranged the spacing to help with my contemplative process. I find that they help me to better understand both my failures and my successes. They are a kind of direction for me. Although they are about being with people, they have become linked also with this landscape, because of the openness I felt there, in this liminal space.

“I find that

when I am closest to my intuitive self

when I am somehow in touch with the unknown in me

then whatever I do seems full of healing.

Then simply my presence is releasing and helpful to the other.

When I can be relaxed and close

to the transcendental core of me

it seems that my inner spirit has

reached out

and touched

the inner spirit

of the other.

Our relationship transcends itself

and becomes a part of something larger.”

THE ALBION SAILS ON COURSE (NOVEMBER 2016)

“The Albion sails on course. Black script on white wall. The spill-zone around Corbridge Crescent, the painted devil heads and hybrid monsters, the bare-breasted pin-ups from naughtier times mouthing Situationist slogans, are captured and made fit for purpose by film crews and television set-dressers, lighting technicians and catering caravans, responding to dissent as exploitable edge.

“LOADED WITH/ MEMORIES/ I WAS NOT AFRAID/TO SET OFF/ AN ADVENTURE/ ANY MORE.

“14 November 2016: the words I copied into my notebook yesterday are painted over with white undercoat, so that professionals can create rebellion suitable for television. For example, a Worholist head of Che Guevara – CHE GAY – inflated to cover an entire wall, with fake yelps about eating the rich to replace the groundwork of RIP and the Secret Society of Super Villains and Artists. NO PIGS ….

“The outlaw in his shack on the ledge by the canal sleeps through the entire fuss. He learnt his lesson after the first Immigration Enforcement raid. Now his shelter looks like the detritus of a lumberyard. ….

“A young boy cycles uncertainly to school, in the wake of his mother, wearing a silver skull mask. Welcome to the comic world, Hackney. At the base of the image swamp we find the sinister clown: child-catcher, grinning molester. The public joke, the big-haired politician who dissolves into the Joker of DC Comics.

“Extinguish fire with petrol. One of the latest Andrews Road defacements is a poster: SILENT BILL MUSE WANTED. Silence against the noise of imagery? The meditation of a hooded man sitting all day on a bench? Or another who dreams the fading city through all the hours in an Arsenal-branded sleeping bag? ‘Be silent in that solitude,’ said Edgar Allan Poe. ‘Let them come. The restless spirits of the dead are in death around thee’.” (1)

Iain Sinclair has a reputation as a leading figure in the practice of psychogeography, though he has now somewhat distanced himself from the word itself. He is quoted as saying (2) that “I buy into a union of writing and walking” and identifying with “the kind of writers who very definitely have, within their writing, this rhythm of journeys and walks and pilgrimages and quests”.

Sinclair’s work often celebrates London’s neglected and overlooked spaces, and draws on a visionary tradition of London writers from William Blake to Arthur Machen as well as the French situationists who developed psychogeography as a concept. His early reputation rests on the prose poem Lud Heat (1975) which was also influenced by Alfred Watkins and the earth mysteries school that followed in his wake. This work describes lines of force between Hawksmoor’s London churches to reveal the hidden relationship between the city’s financial, political and religious institutions. Peter Ackroyd drew on these themes for his later Hawksmoor (1985).

Last London (2017) is grittier and more concerned with a November 2016 witnessing of social breakdown in Hackney, a London borough that is being simultaneously gentrified. In the UK, it is also the year of the Brexit referendum (the Albion sails on course?) and in the US the month, November, of Donald Trump’s election as president (“at the base of the image swamp we find the sinister clown”).

Why am I drawn to this work? I lived in London for 17 years, from the late 1970s to the mid 1990s: there’s an element of nostalgia, and also of grief. Beyond that, my contemplative inquiry has led me in recent years to a practice of walking and writing. Are there lessons for me in Sinclair’s tradition?

My contemplative inquiry is not just about resting in the eternal moment – it also concerns life in place, time and culture. I’ve always liked walking meditation, mobile and open-eyed. Ideally, the still point and the moving line are both present, together as one. Often I stumble around between them, but that’s part of the journey: learning to be present in a field of living presence. I have a lot to learn.

(1) Iain Sinclair The Last London: True Fictions from an Unreal City London: OneWorld Publications, 2017

(2) Merlin Coverley Psychogeography Harpenden: Oldcastle Books Ltd, 2018 (first edition 2006) In his last chapter, Psychogeography Today, the author devotes a section to Iain Sinclair and the Re-branding of Psychogeography.

LIFE-FORCE: A TAOIST UNDERSTANDING

“Three subtle energy currents:

Twin helixes around a jade pillar.

This glowing presence

Is the force of life itself.

“Deep in meditation, it is possible to become aware of the life-force itself. You can see it if you learn to look within. To describe it as electricity, or power, or light, or consciousness is all somewhat correct. But such descriptions are inadequate. You have to see it for yourself. You have to feel it for itself. You have to know it for yourself.

“To be in its presence is to be in something primeval, basic, mysterious, shamanistic and profound. To be in its presences makes all references mute and all senses slack, leaving only deep awe. One is drawn to it in utter fascination. It is the mighty flame to our mothlike consciousness.

“This column of energy that coils around itself holds all the stages of our growth. It is our soul; it is the force that animates us and gives us awareness. If you want to engage your life completely, it is essential for you to come to terms with this inner power. Once you harmonize with it you can blend with the dynamics of being human.”

Deng Ming-Tao 365 Tao: Daily Meditations New York, NY: HarperOne, 1992

STRENGTH IN SIMPLICITY

In recent days, living a pared down life, I have seen the strength in simplicity. Both my contemplation and my inquiry are reflecting this. I have a few simple practices adapted from a variety of sources. At first under the pressure of illness, I have moved away from the kind of system building that was drawing my attention a month ago (1). Now I have reminded myself that customising, using a light touch, and keeping practice relatively simple has been my generally preferred way of responding to influences. It helps me to avoid half-awarely ventriloquising teachers and to maintain my own discernment.

As an example (2), I describe a simple meditation. It focuses on the breath because that is something I am busy with – and ambivalent about thanks to my COPD. In it I draw on the understanding that breath and spirit share the same word in some languages (e.g pneuma in Greek). No more than ten minutes is needed for a session.

Although simple, the practice does have a liturgical framing – for instance adapting one of Stewart’s Qabalistic crossing forms from The Miracle Tree. I also draw on my OBOD background, especially the commitment to finding peace. This kind of framing helps. In formal practices like this, I am not just plunging into raw experience. I have other opportunities for that. Rather, the practice affirms an already existing perspective, developed over time, and this is what the words proclaim.

(1) https://contemplativeinquiry.blog/2022/04/05/towards-an-integration/

(2) See text below:

Crossing, using my right hand, I say: In the name of Wisdom (forehead), Love (pubic bone), Justice (right shoulder), Mercy (left shoulder), and the Living Breath (both hands over upper chest). I enter stillness. Then I say: Deep within my innermost being, I find peace. Silently, within the stillness of this space, I cultivate peace. Heartfully, within the wider web of life, may I radiate peace.

I do a breath exercise*, and then say: I am a movement of the breath and stillness in the breath; living presence in a field of living presence: here, now, and home.

Then, I begin slow, deep breathing, as if inviting the Cosmos to breathe through me. I may use the I AM mantra. For me it affirms the non-separation of the finite life and the Source, and the gift of a place within the ecology of being.

On completion I repeat the Crossing and say: I give thanks for this meditation. May it nourish and illuminate my life. May there be peace throughout the world.

*11x breathe in through nose, counting to 8; hold, counting to 8; out through mouth, counting to 8, hold, counting to 8.

WISDOM’S HOUSE

Two people hold each other in mutual gaze. Both their mutuality and their individuality are very clear. The space between them defines a chalice, or grail. In stillness they are present to each other, within a dynamic field of I-Thou relationship. The gestalt is one of communion. Their world has come alive.

Eckhart Tolle speaks of a wisdom that is not the product of thought, and which comes with the ability to be still. “Just look and listen. No more is needed. Being still, looking and listening activates the non-conceptual intelligence within you. Let stillness direct your words and actions” (1).

He goes on: “wisdom is not the product of thought. The deep knowing that is wisdom arises through the simple act of giving someone or something your full attention. Attention is primordial intelligence, consciousness itself. It dissolves the barriers created by conceptual thought, and with it comes the recognition that nothing exists in and by itself. It joins the perceiver and the perceived in a unifying field of awareness. It is the healer of separation”.

I think of wisdom, in this sense, as the healer in the heart. Not the organ that continues to pump at a not-too-elevated rate when my blood oxygen declines, and therefore a resiliency factor for my physical health. It is, rather, the heart of awareness – personified again as it has been before by a Goddess of Wisdom. She came to me, at night, at a wakeful time when my breathing was particularly laboured and I felt like a freshly landed fish. She acted as a discreetly background presence, pointing me to the vision of a radiant grail, palpably emanating the energy and resources of all four elementary powers.

Pragmatically I felt empowered to weather a challenging experience. Beyond that, the Goddess invites me to let go of identification with the mind-made ‘little me’ as a limited and confining construct. The reward is an expansion into love, joy, creativity and inner peace. I have bounced back from my COPD flare-up in the last few days and will do what I can to rebuild my physical capacity. But the lesson, that healing is not the same as being physically fixed, and asks for a different kind of commitment, applies both in bad times and good.

(1) Eckhart Tolle Stillness Speaks Novato, CA, USA: New World Library & Vancouver, BC, Canada: Namaste Publishing, 2003

LIMITS AND BLESSINGS

In my world, this is a time of laboured breath and limited capacity for walking. While medical investigations are underway, I am constrained in what I can do. But walking outside, taking slow deep breaths, and drinking plenty of water are medically and spiritually recommended. Today I went outside for the first time in some days, water bottle to hand, and a rhythm of slow, deep breathing established.

I walked in my neighbourhood and a nearby local park. The picture above is a treescape from that park. For me, it is images solidity and endurance alongside blue sky and spring growth. In itself, it occupies a unique niche in the web of life. I enjoy its company, and the opportunity to record its presence here.

My world may seem, at least for the time being, to have shrunken. My own presence in it, and my perceptions when present to it, do not have to shrink along with the physical distance I can cover. A necessary slowing down contains it own opportunities. I have space and time to enjoy the willows here, their leaves, and the shadows of their leaves. I am constrained to take notice. I appreciate the experience of noticing. I am reminded that I am just outside the period assigned to willow in my personal tree mandala (1,2), but of course it is not too late to connect and commune. There are compensations nested in my unwanted condition.

I find the houses and their surrounding plant life photogenic, not least under a blue April sky. The season has been advancing, the equinox now well past. Around me, I find an energetic acceleration towards summer. Hildegard von Bingen called this kind of natural power viriditas. I can recognise and enjoy it even when I’m lagging behind.

Very close to home I encounter the ruins of Gloucester’s Franciscan Priory, sadly with a nondescript mid C20th building tacked on behind them. They are a landmark for me on my return. I’m tired. I’ve about reached my limit. Although I’m sad that my walking distance is so limited, I feel blessed and nourished by what I find within the limitations. I am also glad to sit down and recognise feeling at once refreshed and exhausted.

(1) https://contemplativeinquiry.blog/2021/tree-mandala/willow/

(2) The mandala is based on my personal experience of trees in the neighbourhood as well as traditional lore. Moving around the spring quarter from 1 February, the positions and dates of the four trees for this quarter are: Birch, north-east, 1-22 February; Ash & Ivy, east-north-east, 23 February – 16 March; Willow, east, 17 March – 7 April; Blackthorn, east-south-east, 8 – 30 April. The summer quarter then starts with Hawthorn at Beltane. For a complete list of the sixteen trees, see https://contemplativeinquiry.blog/2020/autumn-equinox-2020-hazel-salmon-awen/

POEM: ASTONISHED BY THE ORDINARY

A discarded flowerhead, wet mud and grass.

I am drawn down into seeing,

And,

Astonished by the ordinary,

I am opened up to awe.

CATCHING A MOMENT

Above, inside looking out. Below, outside looking in – with added reflections.

Below again, from a little further back, the full richness of a sunlit moment, in a particular time and place. For me, it becomes the image and feeling-tone of its day, and, later on, a soft thought in memory.

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