Seasonal Festivals | contemplativeinquiry

October 6, 2022

LEARNING ABOUT OUR PAGAN ANCESTORS, AND LEARNING FROM THEM

Recently I watched Ronald Hutton’s first Gresham College lecture about Gods of Pagan Britain on youtube (1). It sets the scene for a series, raising questions about what we can know about the spiritual lives of our ancestors, what we can fruitfully imagine, and how to tell the difference.

Professor Hutton explores two specific topics. The first is our current archaeological understanding of the Stonehenge monument on Salisbury Plain, England, together with its legendary history and place in the public imagination. The second is the case of the Lindow Man, who was violently killed and thrown into a peat bog in Derbyshire, thus partly preserving his body for conceivably (but probably not) 2,000 years. He has been widely considered, including at times by archaeologists, to be the victim of a Druid sacrifice, though Hutton points out that there are good reasons to question this.

I was drawn to this lecture, both informative and entertaining, by my interest in learning from an ancestral culture without its own texts, as well as about it. This is part of my reason for following a modern Druidry that embraces indigenous themes long pre-dating the Druidry of the Celtic iron age. The people who built Stonehenge in the third millennium BCE bequeathed us the wheel of the year, with its circle and cycles, and its focus on the solstices and equinoxes. We can be inspired by this and honour the ancestors by embedding it in our own lives in ways that suit our time and culture.

For readers who have not yet seen and heard the lecture, I recommend that you take a look at the video.

(1) https://youtube.com/watch?v=QjC0lGr4h04&t=5s/

Ronald Hutton is Professor of History at the University of Bristol, a specialist in Pagan and Druid studies, and enjoys a very high reputation within both the academic and Pagan communities.

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September 21, 2022

ALBAN ELFED: A TIME FOR RECEPTIVITY?

Blessings of the season! Where I live, the sun is descending but still has a certain power. We have entered the period of the Autumn Equinox, honoured by modern Druids in the festival of Alban Elfed. Traditionally, the emphasis has been on harvest, but Dana O’Driscoll (1) suggests ‘receptivity’ as a resonant theme, “because with receptivity, rather than cultivating an expectation of what we want and expect to come, we are open to what is and what comes our way”.

She relates her approach to the changes that the world is experiencing now. “It is a counter balance to the effort-reward cultural narrative that is tied to the Fall Equinox and themes of harvest. There is one enormous problem with the effort/reward theme on a larger cultural level. It belongs to a different age. It belongs to the Holocene, an 8,000-11,000 year period of stable climate that allowed humans to develop agriculture, allowed humans to have some predictability about their surroundings, and allowed us to develop symbolic understandings like those drawn upon for the modern wheel of the year. … But we are not in the Holocene any longer, both climate-wise and culturally; we’ve moved on to the Anthropocene … characterized by human-driven planetary changes which destabilize every aspect of our lives.”

I find the call to receptivity challenging. Part of me wants the late Holocene back, in a reformed version – socioeconomically, culturally, technologically. Part of me accepts that it has gone for good but doesn’t want to acknowledge the speed and severity of the transition. Currents of anger, fear and grief cry out for recognition. These are as much part of my life-world as are the climate crisis itself, initiatives for adaptation, and the forces undermining those initiatives. I somehow have to find a receptive space for all of the above, without being overwhelmed.

The good news is that my ‘receptivity’ seems to be sourced by a deep peace at the heart of experience, a peace that grows rather than diminishes with time. In my daily practice as a modern Druid I call for peace in the east, south, west, north, deep earth & underworld [below], and starry heavens [above]. Then I say: “I stand in the peace of the centre, the bubbling source from which I spring, and heart of living presence”. These words are vibrant with life for me however often I declaim them. I experience this deep peace as a fruit of my contemplative inquiry. Perhaps there is a harvest aspect here after all.

Certainly, to stand in such peace empowers my receptivity, linking it to other qualities like reverence, delight and awe. None of this changes the world. But it allows me to contemplate it with an underlying confidence, and to face its challenges in a more resourceful way. I am very happy to mark Alban Elfed as a feast of receptivity.

(1) https://thedruidsgarden.com/ – see Fall Equinox: a Spirit Walk and its internal reference to Equinox on Receptivity

NOTE: Pennsylvania-based Dana O’Driscoll is steeped in Druidry and the US homesteading movement. She is Grand Archdruid of the Ancient Order of Druids in America (AODA) and an OBOD Druid. She is a Mount Haemus scholar, lecturing on Channeling the Awen in 1912.

For AODA, see: https://aoda.org/

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September 12, 2022

STATES OF LIGHT

This is the face of dawn outside my window, just after 6.30 a.m. I welcome the mid September day, appreciating this moment in the year. I like the infusion of pink into grey clouds, and the suggestion of warmth in the old church tower.

I have now grown used to getting up in the dark, and to beginning my morning practice with an awareness of darkness outside. The nurturing dark and enabling light are both part of my experience. A transient time of balance has begun. It feels numinous to me, and a time of great potential. I am energetically alert and alive.

Later, a little before 9 a.m., I am walking by the Gloucester-Sharpness canal. I notice light on leaves, and its influence on the gaps between trunks. The view, here, is over water. But it is the influence of sunlight that makes the greatest impression on me – captured in the picture as well as in real time.

By contrast, the spaces furthest away from the light source are able to show their earthiness, their woodiness and the depth of their green. The light is everywhere, but it is subtle and not over-bearing. It reveals its influence in different ways. Rather than radiating raw power, it allows possibilities in this small, fragile habitat. Contemplating autumnal states of light, as I approach the autumn equinox, I have been shown something about power and its manifestation.

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July 27, 2022

LUGHNASADH 2022: RE-ENCHANTING TIME

A familiar sight at this time of year: a family of swans, adolescent cygnets with their parents. A superficial glance at the picture gives me a satisfying sense of near completion, of an annual cycle showing its results. It is a still image, literally a snapshot. Nothing in it can change.

Yet when I took the photo, the swans were highly mobile, constantly shifting their relative positions while sometimes gliding elegantly along the canal and sometimes pausing to investigate its banks. I also foresaw their likely passage through a more extended time. Soon enough, the cygnets will be grown up and on their own. A new beginning enabled by an ending.

I live in southern England, where daylight hours have begun noticeably to shorten. Lughnasadh (Lammas) marks the beginning of August. This festival initiates a quarter that moves through the autumn equinox and ends at Samhain. These three months embrace decline, decay and eventually death, whilst also celebrating grain and fruit harvests and (in past times) the culling of livestock to see us through the winter. The themes belong together.

I treasure this attunement to cycles of time. Part of my contemplative life rests in the timeless. Another part, more worldly, enriches my experience of time. By contrast mainstream western culture characterises time as a limited resource to be measured and priced; to be ‘spent’ productively and not ‘wasted’. The phrase ‘time is money’ comes to mind. This time hurtles onwards like a runaway train into a future always packaged as better, even redemptive, but now looking increasingly dystopian.

But any time we can know is a matter of human perception, and therefore malleable. There are, and have been, many ways for humans to live in time. For me, living the cyclical time of the eightfold wheel of the year, widely practised in Druid and Pagan culture, continues to be a re-enchanting experience.

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June 24, 2022

MIDSUMMER CELEBRATION 2022

The place is called Lower Parting, though it is actually a joining. The parting is 3km (just under two miles) up river. There, the River Severn divides into two channels, east and west, to flow around Alney Island. When taking the picture above, I was standing near the point where the channels meet again. It was around 9 a.m. on 22 June. I had not been there before.

Although every time and place is ultimately sacred, some times and places are easier for me to honour. In my experience this is partly a property of the times and places, partly down to culture and tradition, and partly to do with my own inner and outer availability.

On this occasion, I was within a midsummer period which for me lasts from a day or so before the solstice until around 25 June. I like to acknowledge the stasis (standstill) element within the solstice experience. It is not just about a point of time. Like its midwinter opposite and twin, my midsummer allows an extended pause before the wheel of the year turns. My walk on 22 June was an intentional celebration of the midsummer stasis, something between an outdoor walking meditation and a miniature festival pilgrimage. It was built around my first encounter with an intuited special place, now that I am fit enough once more to walk the required distance.

I can easily understand why people in many parts of the world have seen water, especially flowing water, as sacred. I am on a quiet part of a quiet island in the middle of Gloucester city. The wetland here is blissfully unfit for development, and now a nature reserve. I was able to stand here and look out at the joining of the waters, under a blue sky, and surrender to a benign spirit of place. I didn’t have to attend to my attention. In this extended, flowing, moment, nature was doing that for me. I found, here, a generous horizon, and a living peace that invites participation. I am glad and grateful to have discovered this place on this day.

In my tradition, at every seasonal festival, we are asked to think not only of the time we are celebrating, but also of its opposite. Walking back from Lower Parting, I see features in the landscape that help me. My pictures below do not evoke winter, but they do show light and shade within a single image. On planet Earth, the time of my summer is the time of someone else’s winter. These are both ways in which opposites complement each other in an interconnected world.

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December 26, 2021

STILLNESS IN A TURNING WORLD

Late on Christmas morning, I went out for a midwinter walk. It was relatively warm outside (8C/46F). The world seemed static and still. Yet I had the sense of a new year quietly being born, somewhere under the surface. Ripples in the water seemed to me to confirm this.

The midwinter season that I observe in nature can be like that – superficial dullness masking dynamic transformation. Life is strong in this watery place. The wheel continues to turn. There may be harsh weeks ahead, but the overall movement of time is already leaning towards regeneration, rather than the seasonal dying of late autumn and early winter.

At times like this I sense the presence of an ancient cosmic motherhood that gives me hope for the coming year. May all beings be blessed.

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October 31, 2021

A DANCE OF LIGHT AND SHADE

Sunday, 31 October. Hallowe’en. Greetings of the season! A chance for a ghost tree to move and dance?

Where I live, a change in clock time has made the morning a little lighter, wet and gloomy though it might be. The evening, of course, will be darker. It will launch an endarkening seven weeks for those open to the spiritual opportunities of this time.

I am noticing a dance of light and shade, at moments not defined by heavy cloud and rain. In these recent pictures I sense a yin/yang contrast where clear shafts of light illuminate, but do not dominate, spaces inclined to be shady. For me there is a living balance here – one thing that still pictures do not show is that the detail is constantly changing.

I celebrate the miracle of existence – my ability, or life’s ability, to see a world and be immersed in it. To respond to it and to share it. Sometimes this seems enough, with no need for any framework to explain or contextualise this astonishing fact. Here, from identifying a dance of light and shade, I can notice how this dance has different effects in different settings, a small sample of the vast diversity in our living world. As we move without illusions into the Cop26 summit, may it be preserved and protected!

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July 29, 2021

TOWARDS THE SEASON OF HARVESTS: 2021

In the northern hemisphere we will soon be entering a quarter of harvests and waning light, starting with Lughnasadh/Lammas. In the south there will be the energy of rising light and growth. In the manner of the yin/yang symbol. a taste of that energy is present here too. As I approach Lughnasadh/Lammas this year, I am living largely day-at-a-time, and sense only the faintest outlines of what might be coming into my life. I intuit change, but not its nature, scale. or specific form.

So I look to harvesting possibilities that are within my power. I wrote recently that Druidry and the Eckhart Tolle Community are currently my key points spiritual reference. This invites a new synthesis and integration of spiritual practice and understanding. Druidry remains primary. It is the container. But there are two areas in which the Tolle work has strongly influenced me.

The first is through reframing my understanding of meditation. Instead of being a specialist activity, it has become the gateway to living from what Tolle calls ‘stillness’, ‘presence’ and the ‘Deep I’. These simple terms are pointers to a way of experiencing the world that cannot be accurately languaged but is easy to recognise if we are open to it. Meditation, here, is a state of openness and availability. It does not require extended time or any specific form.

I still value formal daily practice. It is a way of keeping fit in this domain. But while, in the past, I have seen meditation as a specific activity, I now see that anything can be a meditation if it is a gateway to stillness, presence, or the Deep I. Tolle tells a story about his early days as a teacher, when he would sometimes make presentations to the Theosophical Society in London. The first time he showed up with a set of notes virtually amounting to a script. His eyes were frequently on it and although he was received respectfully, many of his listeners’ eyes were glazing over. The next time he abandoned this approach, faced his listeners and simply waited, open and trusting, for the words to come. They did. He connected. Energy levels in the room were high, and the presentation was successful.

I’ve been taught versions of this lesson a number of times in my life, but I clearly needed to hear it again with a new and different language. For my second Tolle influence concerns ‘awen’. As a Druid I might want to use ‘awen’ in the context of Tolle’s story. But it doesn’t feel right. I love the awen chant and the awen symbol. I love the alchemy of the Hanes Taliesin and the way it points to possibilities of human transformation. But it belongs in a world that is not my own, that of Brythonic bardistry and seership. I feel more connected to my own experience when I use Eckhart Tolle’s language. It holds more possibilities for me. I do not count myself as among the awenyddion. But I can speak from stillness. I can speak from the Deep I.

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July 15, 2021

HIGH SUMMER 2021

It is some time since the solstice. Where I live, the time between sunrise and sunset has shortened by about 20 minutes. Though the change is still slow, it is noticeable now. But I do not yet feel a pull towards Lughnasadh/Lammas. I took these pictures on 11 July, and this is its own time, a time of abundance and ripening. They give me the sense of a summer that has kept its promise and is managing to mature despite a year of patchy weather.

At this stage, the willows below, early to leaf, remain majestic in their abundance – whilst hinting at a tiredness that will manifest in late summer, when energy starts to withdraw, and turn inwards.

But this isn’t the case with the treescape as a whole. In the woods I continue to find the fresh green of a vigorous life energy. It is the time when I get the strongest sense of a canopy, even in a relatively small and modestly wooded space. It hints at the glories of old forest, even though it isn’t one.

Whilst there is a sense of flora moving into new stages of their cycle, the process is gradual. There is time and leisure for slow change. There is no sense of having to be perfectly one thing and then, immediately, perfectly another.

Above all. I notice subtle differences in shape and colour within a setting of predominantly green growth. My gaze is drawn by intricacies of variation, contrast and patterning within this always astonishing display of life, and its natural will to be and become.

In mid-July, life rests in its moment, with harvesting some way off.

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July 9, 2021

TREE MANDALA: GORSE

In my wheel of the year tree mandala (1), gorse covers the period from 9-31 July. It is the last tree of the summer quarter, handing over to apple at Lughnasadh/Lammas on 1 August. The illustration is from The Green Man Tree Oracle (2).

I know from my childhood that gorse can make a tame, gently sloping hill seem wild and edgy. Navigating through gorse requires an eye to self-care. Flowering gorse is not confined to summer, but for me it is anchored to summer in memory. Seen from afar, gorse was a vivid harbinger of the summer holidays with days of warmth (rising to heat) and freedom to roam. It carried a hint of adventure and disinhibition. Sometimes the promise was fulfilled. Sometimes there was a hot heavy dullness broken by only storms, and a degree of frustration. July days were unpredictable.

Gorse (ogham name Onn) was sacred to the Irish god Lugh, and thus to light, to all manner of skills, and to the fire in the head of ecstatic creativity. Lugh has a trickster aspect, and can be seen in certain lights as more a god of lightning than of the sun. He has a cousinship with the Brythonic Lleu Llaw Gyffes, the warrior magician of the fourth branch of the Mabinogi. He has also been linked to the Norse Loki, for tricksterism is an aspect of the smouldering fertile mind.

Gorse makes good fuel and so has an obvious role in fire festivals. In Brittany, 1 August was marked by the Festival of the Golden Gorse and gorse has has strong associations with the faery folk. It is a plant of power. We cannot make assumptions about how we stand with it. A wary respect might be wise.

NOTE: This post brings to an end a year in which I have featured the sixteen trees in this mandala. I began on 16 July 2020 with an out-of-sequence Rowan (3), because I had had a vivid encounter with a rowan tree in the woods. (Its time in the mandala is 9-31 October.). Then I moved on to apple (4) and blackberry (5). From the Autumn Equinox (1) the enterprise became more systematic. As a blogger, I won’t be repeating the cycle in the same way in the coming year. Once for the record feels enough.

(1) This mandala is based on my personal experience of trees in the neighbourhood as well as traditional lore. Moving around the summer quarter from Beltane, 1 May, the positions and dates of the four trees are: Hawthorn, south-east, 1-23 May; Beech & Bluebell, south-south-east, 24 May – 15 June; Oak, south, 16 June – 8 July; Gorse, south-south-west, 9 – 31 July. The autumn quarter then starts with Apple at Lughnasadh/Lammas. For a complete list of the sixteen trees, see https://contemplativeinquiry.blog/2020/autumn-equinox-2020-hazel-salmon-awen/

(2) John Matthews & Will Worthington The Green Man Tree Oracle London: Connections, 2003

(3) https://contemplativeinquiry.blog/2020/rowan/

(4) https://contemplativeinquiry.blog/2020/three-trees/

(5) https://contemplativeinquiry.blog/2020/mr-bramble/

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Tag: Seasonal Festivals