Contemplative Inquiry

This blog is about contemplative inquiry

Month: February, 2020

REBLOG: FIRST LEAVES — DRUID LIFE

Reblog of a recent Druid Life post, about the turning of the Wheel in the Stroud district of the English Cotswolds, and the way it is being influenced by the climate crisis. “It feels too early. I’d expect the fruit trees to start flowering around now, but there are leaves unfurling on a number of trees as well – most notably the elders in the more sheltered spots. I can remember springs when there were very few leaves until April and one year, May. Spring did not […]

First leaves — Druid Life

ANIMISM IS A HARD-WORKING WORD

Introducing The Handbook of Contemporary Animism (2013)* editor Graham Harvey describes animism as “a hard-working word”. For him, “it identifies a range of interesting phenomena but also labels several distinct ways of understanding such matters”.

Harvey’s own interest was sparked by postdoctoral research among varied groups of Pagans, which brought him into contact with people who identified as animists. It seemed to him that the word was being used in two contrasting ways. “Some Pagans identified animism as the part of their religious practice or experience which involved encounters with tree-spirits, river-spirits or ancestor-spirits. This animism was metaphysical … Other Pagans seemed to use ‘animism’ as a shorthand reference to their efforts to re-imagine and re-direct human participation in the larger-than-human, multi-species community. This animism was relational, embodied, eco-activist and often ‘naturalist’ rather than metaphysical.”

Fast-forward seven years to now, and ‘animist’ is clearly an important identifier for considerable numbers of people. many of whom draw on both kinds of understanding distinguished by Harvey. Accelerating environmental degradation, species loss and the ever more obvious climate crisis have given the second understanding greater salience and urgency, even when not reinforced by the first.

The Handbook gives valuable information about the history and hinterland of a word that I and my spiritual community use. For ‘animism’ did not arise as a term for people to describe their own experience. It comes from 19th century anthropology, developed by people from a dominant culture (largely European/North American, with a mix of Christian and secular ideas) to study the traditional practices of other people, most of whom were in the process of becoming colonial subjects and living in cultures under stress. Even in the current collection, with its de-colonised anthropology and room for first nations voices, ‘animism’, however positively reframed, is still an awkward piece of labelling for some contributors. One says, “we just call it tradition”.

So ‘animism’ is not innocent. Yet despite this dubious history, it is clear that animism does have inspirational potential as a positive term in our faltering 21st century world. Regardless of where we stand in our metaphysics, any of us can work to re-imagine and re-direct our “participation in the larger-than-human, multi-species community” in a way that is “relational, embodied” and, if we so choose, “eco-activist”. How we do these things is up to us. I will look at the work of some of the individual contributors in future posts.

  • Graham Harvey (ed.) The Handbook of Contemporary Animism London & New York: Routledge, 2014 (First published by Acumen in 2013)

POEM: FIELD

They will not mesh, the very small and the large.

They will not converge.

On that side of the mirror, flickering fringes –

Superposition, quantum probabilities,

Shimmering light and dark; on this,

Nature has made its choice.

Time, space –

They will not bend both ways at once.

When the little ideas slip into bodies like clothes

They step through the mirror, enter

An irreducible level of noise –

Gravitational decoherence, dependent on mass.

Worlds, how sad we are to leave our dreaming behind.

So lovely we were then, so light, so playful.

But how compelling to have a body. In fact,

Irresistible.

From: Katrina Porteous Edge Hexham, Northumberland: Bloodaxe Books, 2019

Blurb note: “Edge contains three poem sequences, Field, Sun and the title sequence, which extend Porteous’s previous work on nature, place and time beyond the human scale. They take the reader from the micro quantum worlds underlying the whole Universe, to the macro workings of our local star, the potential for primitive life elsewhere in the solar system on moons such as Enceladus, and finally to the development of complex consciousness on our own planet. As scientific inquiry reveals the beauty and poetry of the Universe, Edge celebrates the almost-miraculous local circumstances which enable us to begin to understand it. All thre pieces were commissioned for performance in Life Science Centre Planetarium, Newcastle, between 2013 and 2016, with electronic music by Peter Zinovieff.”

SIGNS OF BLOSSOM

In my neighbourhood, there is a distinct mid-February period. Blossom, particularly cherry blossom, is developing. Whatever the weather I feel confidence in the coming of spring.

Humanly, I enjoy a shared experience of extended Valentine. When my partner Elaine and I decided to marry after a decade together, we chose 17 February (three days after Valentine) as our wedding date. So now a four day moment in the year celebrates ever-renewing relationship.

I imagine that most people who consciously live the wheel of the year include dates where a private significance flavours, extends, or indeed reframes a natural or tribal one. Mid February is such a time for me.

ENDANGERED AND EXTINCT

Val Hunt is a creative recycling artist, currently exhibiting at Stroud’s Museum in the Park. Her theme is ‘Endangered and Extinct’, and the work features – both poignantly and joyfully – a rich variety of flora and fauna. The sculptures have been made from a selection of throwaway materials, especially the artist’s favourite medium, drinks can metal. Recycling, with its somewhat utilitarian image, is turned into a form of celebration.

I dropped in to the museum whilst walking in the park, without prior knowledge of the exhibition. I had no preconceptions about it, and immediately liked the vividness and exuberance of the sculptures in a context that can easily take me into states of solemnity and distress. Instead, I found an affirmation of life and creativity – the very things that we are looking to preserve and protect. I had never imagined that drinks can metal could be so thoroughly transformed.

Val Hunt can be found at http://www.arthunt.co.uk and the museum, frequently the site of good exhibitions, is at http://www.museuminthepark.org.uk

WOODLAND HAIKU

This lone shape

emerging from under-wood:

Who am I?

LIGHT ON TREES

Bright light as a valley experience. Sunlight on trees. February 6, the day I took this picture, provided my first experience of intense sunlight this year. It got through to me even in a shady place. My eyes were dazzled and my head struck by an unexpected warmth.

I noticed mixed feelings. Yes, I celebrated the return of the light. Yes, it was a reference experience for the spring aspect of Imbolc in my part of the world. More visceral than snowdrops, the sun truly reached me and not just my nature-observant sensibilities. It was almost shocking.

Looking out, after that first moment, my world filled up with light on trees. I wondered if they too had any resistance to waking up and being visible and called upon to grow and change and open to the light more fully. I don’t know what it’s like to be a tree. Not really. Withdrawing my projections, I am turned back to my own responses. Parts of me have reservations about immersion in the light. Perhaps they have a wisdom of their own.

RUMI: THE MORNING WIND

The morning wind spreads its fresh smell.

We must get up and take that in,

that wind that lets us live.

Breathe, before it’s gone.

From the collection Unseen Rain: Quatrains of Rumi translated by John Moyne and Coleman Barks Putney, VT: Threshold Books, 1986

BIOCENTRISM

Biocentrism (1) and the follow-up Beyond Biocentrism (2) are science-referenced explorations of cosmos and consciousness. Unusually, they present a ‘consciousness first’ view. In the first book authors Robert Lanza and Bob Berman work through the evidence and identify seven principles of biocentrism.

“If one removes space and time as actual entities rather than subjective, relative and observer-created phenomena, it pulls the rug from the notion that an external world exists within its own independent skeleton. Where is this external objective existence if it has neither time nor space? we can, at this point formulate seven principles:

“First Principle of Biocentrism: What we perceive as reality is a process that involves our consciousness. An ‘external’ reality if it existed, would – by definition – have to exist in space. But this is meaningless, because space and time are not absolute realities but rather tools of the human and animal mind.

“Second Principle of Biocentrism: Our external and internal perceptions are inextricably intertwined. They are different sides of the same coin and cannot be divorced from one another.

“Third Principle of Biocentrism: The behaviour of subatomic particles – indeed all particles and objects – is inextricably linked to the presence of an observer. Without the presence of a conscious observer, they at best exist in an undetermined state of probability waves.

“Fourth Principle of Biocentrism: without consciousness, ‘matter’ dwells in an undetermined state of probability. Any universe that could have preceded consciousness only existed in a probability state.

“Fifth Principle of Biocentrism: the structure of the universe is explainable only through biocentrism. The universe is fine-tuned for life, which makes perfect sense as life creates the universe, not the other way around. The ‘universe’ is simply the complete spatio-temporal logic of the self.

“Sixth Principle of Biocentrism: Time does not have a real existence outside of animal-sense perception. It is the process by which we perceive changes in the universe.

“Seventh Principle of Biocentrism: Space, like time, is not an object or a thing. Space is another form of our animal understanding and does not have an independent reality. We carry space and time around with us like turtles with shells. Thus, there is no absolute self-existing matrix in which physical events occur independent of life.”

Beyond Biocentrism summarises and extends Biocentrism. It does not repeat the principles, but elegantly summarises the perspective of biocentrism and takes the argument into new territory. An appendix to the book lists its major topics as: the exploration of time; the unreality of death; the nonreality of space; the nature of consciousness; science proofs of biocentrism; asking about awareness in machines (probably no) and plants (certainly yes).

When I contemplate biocentric thinking, I feel engaged and intrigued – without taking a stance on its truth claims. I can see how the universe of the space/time continuum, and within it the earth that I love, may be but a bubble of local, provisional reality. In the light of this narrative, simply experiencing life, being part of it, feels vividly magical. The effect is to ground me even more in my earth spirituality, gratefully celebrating the experienced here and now.

(1) Robert Lanza, MD, with Bob Berman Biocentrism: How Life and Consciousness are the Keys to Understanding the True Nature of the Universe Dallas, TX: Benbella Books, 2009

(2) Robert Lanza, MD, with Bob Berman Beyond Biocentrism: Rethinking Time, Space, Consciousness, and the Illusion of Death Dallas, TX: Benbella Books, 2016

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