ANIMATE, INANIMATE AND INTENSELY ANIMATE
“The wood thrush has a complex throat that allows it to sing two notes at the same time and harmonize with its own voice.
“Ancient poets in Sumer composed in more than one dialect, and the dialects were gendered. … For example, in Inanna’s Descent when a god or the (male) narrator speaks they use one dialect; when a goddess speaks, her words are in another mode. Noticing the difference between their tongues was a breakthrough that led to the decipherment of broken clay tablets that had long laid separated in museums across the world. I wonder how the artists performed the voices when poetry was sung.
“The score of musical Sumerian speech expands still further. ‘Wood’ had its own symbol in Sumerian, distinguishing it from the other raw materials or swaying trees. Signs expressed the difference between what is animate, inanimate, and intensely animate, in other words, divine.
“Intensively alive clay tablets on museum shelves burrow between Mesopotamian stone seals and terra cotta plaques, bearing nature symbols everywhere. We find compassion, delight, and danger in them: sea-Nammu, storm-Enlil, date palm-Inanna. Bird men on trial before bull-helmeted gods. Feather-skirted goddesses brandishing clusters of heavy fruit. Out of their shoulders leap lightning, grain, sunrays, and fishy streams.
“Humbaba* radiates melam, the vigor of being intensely alive, and Inanna radiates date palm blossoms, arrows, or bolts of energy from her shoulders. The symbol for divinity looked like a star. It radiated the vigor of uniquely dynamic forms of life.
“Look deep into life forms and see shimmering, pulsating cell membranes, the ceremonial fringed dancing-capes of being. Long before we saw a cell shimmer under a microscope, we saw life shimmer in myth”.
Dianna Rhyan Staff of Laurel, Staff of Ash: Sacred Landscapes in Ancient Nature Myth Winchester, UK & Washington, USA: Moon Books, 2023 (I plan to write a review of this book when I have had more time to digest it.)
*Humbaba is a ‘monstrous, though anthropomorphic, guardian of the Cedar Forest in Lebanon, equipped with superhuman powers in the form of 7 ‘auras’ (or ‘terrors’). In the Epic of Gilgamesh He is defeated (in some versions through trickery) by Gilgamesh and his companion Enkidu, who go on to cut down the forest. The domain of the ‘intensely animate’ is thereby shrunken as heroic ‘civilisation’ marches arrogantly on. Gilgamesh will learn lessons later in the epic.
See: The Epic of Gilgamesh: The Babylonian Epic Poem and Other Texts in Akkadian and Sumerian translated by Andrew George Penguin Random House UK, 2020 (2nd ed. First ed. 1999)