HAIKU FOR LATE AUTUMN

Exquisite moment
Of this briefly heightened light:
Then the dusk descends.

Exquisite moment
Of this briefly heightened light:
Then the dusk descends.

Physically I am in a familiar place. Imaginally I am at a threshold. The early morning mist, where the water adjusts it’s course, gives me a sense of mystery and the unknown.
This sense is compounded by the presence of swans. A family of four are sitting near the entrance to a water margin woodland. It feels as though they are protecting a liminal space.

The pictures above were taken on Sunday 1 November, the morning after the ancient festival of Samhain, also known as Halloween (Hallows Eve). In the Christian calendar, 1 November is All Hallows Day, a remebrance of saints and martyrs. 2 November is All Souls Day, a wider remembrance of the dead. In both Pagan and Christian traditions, the veil between the worlds is thin.
The ancient Irish tale The Dream of Oenghus, tells of a beautiful British Celtic girl, Caer Ibormeith (Yewberry) changing into a swan every other year at the time of Samhain. To win her, Oengus, the god of love, becomes a swan too and they both fly to his house – Brugh na Boyne, now known as New Grange. According to The Druid Animal Oracle (1), the swan (Eala) “brings us the qualities of soul – of love and depth, grace and beauty. Being associated with the Druid festival of Samhain, the swan is also a bird of the threshold, and represents that part of us that can travel into the Underworld”.
Contemplating the images of misty winding waters and swans at the edge of the woods, I feel the call of the imaginal realm, the realm of what is traditionally called soul. For me, the Underworld/Otherworld (experienced primarily as depth not height) is a dimension of available experience rather than a separate place.
‘Love and depth, grace and beauty’ feel to me like enabling descriptions of this realm. Being open to wonder and ready to embrace enchantment are my ways in, grounded in an cultivated willingness to recognise different realities in one space. This seems to be the main fruit of my personal contemplatve inquiy, now exactly 15 years old. In an apparent world that seems to be getting worse, I am held up and sustained.
(1) Philip and Stephanie Carr-Gomm The Druid Animal Oracle: Working with the Sacred Animals of the Druid Tradition Simon Schuster (Fireside Book), 1994. Illustrated by Bill Worthington

I am aware, now, of leaving October. In Druidry Samhain, the third and final harvest festival, acts as the gateway to winter. I am experiencing this change all around me.
The picture above shows the hard, nutty fruit of a tree. The two pictures immediately below show elegant bare branches. The three together, for me, illustrate the transition from autumn to winter.


This tree is indigenous to South Central and Southeast China, where it lives in mountainous mixed forests. It is moderately fast-growing, reaching a height of 20-25 metres (66-82 feet). Fossils have been found dating back to the Upper Cretaceous period (66-100 million years ago).
Armand David, a French missionary and naturalist, took note of the species 2,000 metres (6,562 feet) up a mountain and sent dried specimens to Paris in 1871. The official species name became Davidia involucrata. It was not introduced to Europe and North America until 1904, where it became a popular ornamental tree in parks and large gardens.
One of the nicknames given to this tree is ‘The Ghost Tree’, which I find irresistible at this time of year. Yet the name references the late spring, the exact opposite end of the year The picture below shows the ghosts, white bracts (modified or specialised leaves) performing the function of petals. Hanging beneath horizontal branches, on a breezy day, they are said to flutter in the wind. As the Wheel continues to turn, I look forward to seeing them in six months time.


8.20am Sunday 25 October. After two dark, wet and windy days when a storm passed through, we were gifted a clear blue sky. I felt refreshed and invigorated when walking out into a bright and breezy morning.
Our official summer time ended overnight. I like this transition, when it comes. I sleep a little longer. The sunrise is an hour earlier. When I venture out, the new 8.20 is the old 9.20. On a day like today, the return to the more natural time is welcome. Today specifically, I have experienced a kind of post deluge renewal.
It won’t last. There will be other storms. The light will finally desert our evenings here. The greater seasonal story is one of warmth and light diminishing, the contemplation of death, and remembering those who have gone before us. Yet the bright morning of today holds its own blessing and I am grateful for it.

For the last few days I have been laid low by a bug of some kind. I am housebound. A compensation is that I can look out of windows. The picture above was taken at 7.55 am, just after sunrise and facing east. It shows balcony railings touched by golden light. What’s outside isn’t clear. The railings seem like golden bars in a magical confinement. Am I being tested?
Later, I stand on another balcony, a little after 4pm. I am facing a little south of west. I feel partially liberated as I am able to encounter the sky in its different moods. It’s late afternoon and still two hours from sunset. But the clouds are louring and the sun on a descending trajectory.


All of this will change next Sunday when our clock time falls back. Sunsets will start around 5pm and then get earlier, in exchange for the temporary gift of an earlier sunrise.
Yet the balcony flowers, so lovingly tended by my beloved wife Elaine, seem to be unchanging to an onlookers view. It isn’t true of course. They are assiduously pruned. Pots are changed. Yet they are a lasting aspect of the apartment. It’s not a prison at all.



During the turn
Before the fall
Strong light
Deep shade
Shorter days
Sunny and cool
A time among trees
Close to my heart
The presence of peace
In a space I love



The Main Basin at Gloucester Docks is silting up. This is despite a large scale dredging programme earlier this year carried out by the Canal and River Trust, a charity (1) that manages the Docks and the Gloucester-Sharpness Canal (2). The old normal was a depth of 15 feet, with canal barges and small motor boats happily tied up here. The immediate crisis is driven by silt pumped from the River Severn by Bristol Water (3), a private company tasked with providing clean water to the people to Bristol. The context is this summer’s drought. These two agencies, neither of them part of UK national or local government, have contradictory interests. Criticism has been aimed at both of them.
This real cause is climate breakdown. Summer drought is here to stay. Some of the discussions I have seen acknowledge this in passing but still slide away from full recognition. It’s as if some problems are too big to contemplate. As the UK government finally learns to be strategic about climate breakdown, and to see it as existential and not just another ‘issue’, the UK will have to be more hands-on. Developing creative means of adaptation and implementing them can’t be left to charities and private companies with divergent incentives.
Meanwhile the dock’s avian population remains a little bemused, making the best of their changed situation.

(1) https://www.canalrivertrust.org.uk
(2) https://contemplativeinquiry.blog/2024/10/09/waterfront-change/

I stand in brightness. It is 4.15pm on 3 October 2026. I see and feel the power of holly – shiny red berries and deep evergreen leaves against a clear blue sky. I am filled with a pleasantly unseasonal vtality.
Looking in another direction, I contemplate Gloucester Cathedral, set against a greater expanse of blue sky. The old Cathedral stone is awash with sunlight, and yearns upwards to what its builders saw as a greater light. Like the holly, though in another manner, this building models an energetic exuberance.

In this blog, I follow the wheel of the year. I acknowledge festivals, though I am drawn more to the day to day progress of the seasons as they unfold. Each year has always had its unique story. Now, in every part of the world, we are losing our familiar parameters. Here, this has been illustrated by our extended high summer heatwaves. I have no idea of what the rest of October is going to be like. So, bearing witness to whatever happens stands at the heart of my wheel of the year practice.
I see the evolution of life on Earth as a miracle, whatever else may be happening or has happened or may yet happen in the universe/multiverse as a whole. For us earthlings times are changing radically and I want to reverence and proclaim the miracle for as long as I live. I hope (without any sense of certainty) that this miracle continues to manifest itself long after I have gone.

wild and broken light
defies the surrounding dark –
I thank the full moon
music that celebrates Earth and speaks to the heart
Follow the Moon's Cycle
Meeting nature on nature's terms
A little bit of Mark Rosher in South Gloucestershire, England
A monastic polytheist's and animist’s journal
Selkie Writing…
Images and words set against a backdrop of outsider art.
living purposefully during metacrisis and collapse
The pagan path. The Old Ways In New Times
Spiritual journeys in tending the living earth, permaculture, and nature-inspired arts
a magickal dialogue between nature and culture
The gentle art of living with less
Thoughts about living, loving and worshiping as an autistic Hearth Druid and Heathen. One woman's journey.
An place to read and share stories about the celtic seasonal festivals
Just another WordPress.com site
Exploring our connection to the wider world
Become more grounded and spacious with yourself and others, through your own body’s wisdom
Good lives on our one planet
News for the residents of Hopeless, Maine