Contemplative Inquiry

This blog is about contemplative inquiry

Tag: Spiritual inquiry

‘SELVING’

For me, ‘self’ is a vulnerable, unstable, temporary construct – yet one we are still programmed to develop, and as real as anything in the apparent world.  Speaking for ‘myself’ I might put it like this: arising from a chaos of confused and contradictory perceptions, needs and desires; easily stressed and distressed, prone to distorted assessments of the world and my place in it, the process of ‘selving’ is nonetheless a necessary personal and social skill. For better and for worse, it makes me human.

So I’m not a fully paid up subscriber to the view of ‘self’ as simply a misguided idea (though I do go along with ‘no separate self’). But I can value the pure version of the no-self approach as an occasional lens to use. A good look can yield valuable insights.  The radical non-dualist writer J. Jennifer Matthews shows how:

“‘Selving’ is a misunderstanding which causes us to problematize our experience. As soon as we postulate an independent and closed self, we start to bother ourselves.

“Allow me to speak for myself. I have been possessed by a kind of madness. This madness takes shape as a definite tendency to fixate on a person or way of life as my salvation. I abandon the ordinary; the day-to-day. I go for the highest, the most intense experiences, which allow me the most special and rarefied self-images. I reject what is right in front of me, and situate passionate dedication into the receding future.

“Oh alienating desire, that poison of the mind, which makes my friends’ faces foreign; the blue sky dull, food tasteless, and my passions mere shades, however fervently I pursue them! When I am in this particular, er, frame of mind, I keep trying to get to the part of the story where the heartache stops, as Gordon Lightfoot would say. And when I finally manage to stop this, or to use my favourite phrase, when I finally ‘start stopping’ here is the mystery. Right here.

“These crows cawing outside my window, have they always been here? And what about this rain, making soft riplets in the puddles on the walk?”

J. Jennifer Matthews (2010) Radically condensed instructions for being just as you are

‘DRUID CONTEMPLATIVE VOICES’: THE BOOK

‘Druid Contemplative Voices’ is a book project in which I have brought together 15 people with an active, practitioner interest in Druidry and contemplative practice. This post is to introduce the book and share something about working methods, ethics concerning participants and their contributions, and the context of the work.

The book is largely based on a set of questions (answered in live interviews or through written responses). These explore people’s links with Druidry and other traditions and the role of meditation and other contemplative practices in their lives. They also look at the potential advantages of such practices for the wider Druid movement. This part of the project is almost complete. The last two contributions are due by the end of this month.

I am adopting a themed approach for the writing, rather than presenting a succession of individual contributions. While this book has no pretensions to be academic, I have started to analyse the material and identify themes in a way combines a certain intellectual formality with an intuitive tuning in to what is emerging. I have some background, including a PhD about transition into later life, in ‘qualitative’ health and social research. Qualitative, here, means research focused on people’s own sense of their lived experience – and this can include ‘insider’ research (where I am part of part of the group under consideration). Although the context and relationships here are different, I find this discipline helpful. Far from being an abstracting and alienating process, it keeps me alert and in integrity.

I am writing the book and responsible for its content, but everyone else will have a chance to look at the text and comment before it is published. Where they are directly quoted (which will be a lot and at length, in the approach I am using) participants will need to be satisfied that I am presenting their contributions accurately and in context – and that they are still happy to stand behind them in print. If not they can be amended (within a timeframe) or withdrawn. The book will also include two appendices drawn from early threads in the life of the Contemplative Druidry Facebook group. In this case I sought, and gained, positive specific permission from each contributor to these threads before going ahead.

Druid contemplative voices is the latest stage of the ‘contemplative exploration’ launched in the OBOD* magazine Touchstone in April 2012. Connections made through the article led to a ‘contemplative exploration’ day in Stroud, Gloucestershire, England on 7 July 2102. The Contemplative Druidry Facebook group was launched on 1 August 2012, and this blog https://contemplativeinquiry.wordpress.com on 28 August of that year. In each case, one of their aims has been to champion the contemplative meme within Druidry and support the wider contemplative exploration. By the beginning of 2014 an expanded local group in Stroud had a regular meeting cycle of two full days each year (in May and November) with shorter monthly meetings in between. 11 of the contributors to the book have been involved in this group. Druid Contemplative Voices will include an appendix that looks at the group’s structural frameworks and programmes.

*Order of Bards, Ovates and Druids

NB This I am blogging a day early, ahead of Druid Camp.

THE ROSE SANCTUARY

It is two years since the Stroud based Druid ‘contemplative’ group first met. On 7 July 2012 six Druids met for a day of meditation and personal sharing in sacred space and began a tradition in which 16 people are now involved. As reported in an earlier post (‘A Brief and Luminous Tea Time’, 15 January 2014) we currently have monthly meetings, mostly for two hours on the second Tuesday of the month. In two months – May and November – we meet for a whole day, so far always on a Saturday. We had 11 people on 10 May this year.

Today was one of our Tuesday meetings, held in a dedicated space called the Rose Sanctuary, a new environment for us. We sat there through a summer storm, seeing flashes of lightning through the windows, hearing the thunder rolling in the distance, and then listening to the rain falling on the roof – first hard, then soft. The scene outside, insofar as it was visible, was lush and glistening, albeit a little dusky for the time of day. Inside, the space was one of elegant simplicity, a natural container for contemplation and reflective sharing.

There were seven of us present, two from the original group and five others who have joined since. The group reconstitutes itself at each meeting, building its culture a little more each time, developing its sense of what a Druid contemplative group looks and feels like. This time we began with an extended check-in and a five minute shared silence for attunement, rather than a long meditation. Then we chanted together, finding our shared resonance and the resonance of the space, sensing the pulse and vibration of the Awen in this place and time. We entered a period of intermixed silence and creative sharing, which this time included song, chanting, and accounts of numinous experiences in both outer and inner worlds. Every meeting finds its own note.

For me, it felt like a good second anniversary.

BOOK REVIEW: WITCHCRAFT TODAY – 60 YEARS ON

jhp530b85f08e66fThis is a timely addition to Pagan literature, highly recommended to anyone interested in the modern heritage of witchcraft, paganism and new (or new old) spiritual movements more generally. This book celebrates the 60 years since the publication of Gerald Gardner’s Witchcraft Today in 1954, affirming the confidence, dynamism and increasing openness of this growing tradition from a diverse range of insider perspectives.

The book is divided into two parts. The first, ‘Forms, Themes and Values’, begins with an account by Philip Heselton of how Gardner came to write Witchcraft Today. It goes on to look at ten specific forms of modern witchcraft that diverge from Gardner’s own, starting with Alex Sanders and going on to look at more radical departures like  Seax Wica and the feminist Dianic tradition. Some of the other paths described are less formal and ceremonial than the original models. Some are group based and others solitary.

Some can be distinguished from witchcraft altogether (the Egyptian Magical Tradition and Hekatean practice based on the approach of the Chaldean Oracles, to name two). The same issue arises at the end of the book, where a contributor talks about a journey through an Ovate Grade training in the Order of Bards, Ovates and Druids (OBOD).  In each case, it matters to the practitioner that they are practising these traditions as a form of witchcraft.  Their inclusion in the book affirms the value of self-identification in spirituality and adds to an overall feel of inclusiveness. Any question would be about the potential weakening of the term witchcraft itself, in a context of such porous boundaries.

Part 1 also includes a chapter on the male experience of witchcraft and ends with one on ‘Witchcraft Tomorrow’ by David Salisbury, which demonstrates optimism about future possibilities and explores the issues of community building and leadership. Common themes in Part 1 include tensions between ‘preservation’ and ‘invention’ in lineage development, and ways of reconciling them. Common values include an avoidance of evangelism and a commitment to the ultimate autonomy of the practitioner.

Part 2, ‘Journey on a Crooked Path’, presents ten personal journeys.  It is particularly good at describing the ways in which people sense unmet spiritual needs in early life and make the connections (through reading, significant life events or personal encounters) that lead them on to their chosen paths. Throughout the book, there’s the sense of person and path choosing each other. They know when it’s right – and often have to go to some trouble to find their home.  The finding is reflected in the enthusiasm and commitment of the many people who have contributed to this valuable book.

BOOK REVIEW: ELEN OF THE WAYS (SHAMAN PATHWAYS)

jhp5135021762fb1Highly recommended both to a core readership interested in British indigenous Shamanism and to anyone uneasy with a world where loss of connection with nature (and thus spirit) is so prevalent.  Author Elen Sentier describes herself as “awenydd, a spirit weaver and tale keeper from a long family lineage”. The word is from British Celtic tradition, but it is being used to name a quality of being extending back much further in time, and of universal application. “Walking the deer trods is to learn how close we are to nature … how we are connected to anything whether or not it appears inanimate and this is what the awenydd knows”. The presiding spirit of this path is the elusive deer goddess  Elen of the Ways, who the author encountered as a young adult, thereby entering a lifetime of service to her. This book is about both context and story of this service, an invitation to “open yourself to Elen’s complex, multiple and beautiful ways”.

Elen Sentier takes us back to an archaic northern world in which most people lived by following herds of reindeer on their migrations – following rather than leading or managing: the deer decided when and where to go. She evokes the culture and spirituality of this relationship, describing a hunter gatherer society that once lived well without private property or long hours of work. She talks about communities that understood reciprocity and interdependence and lived by a practice of gift-giving and receiving both in the everyday world and that of spirit – themselves seen as hardly separated from each other. She sees this as a culture of sensitivity to all life, including the interconnectedness of “what you eat and what eats you”, and alive to the energies of the land itself.

The book traces this history through iconography and myth – with the figure of the antlered reindeer goddess standing for the Sovereignty of the land. It also describes “journeying” as a here-and-now practice for being in natural settings, tuning in with respect, entering relationship, preferably with a minimal reliance on satnavs, compasses and maps. Here is nourishment for spirit, available if we are.

CONTEMPLATION AND ACTION

I’ve been thinking about action and contemplation – and their relationship. I think they belong together. Both modes are engaged. Neither is passive or indifferent.  I am coming to see them as qualities that arise together and remain interdependent, rather like the paired opposites described in the Tao Te Ching:

For being and non-being arise together

Hard and easy complete each other

Long and short shape each other

High and low depend on each other

Note and voice make the music together

In progressive Christian circles, this kind of relationship is demonstrated in organisations such as Richard Rohr’s Centre for Action and Contemplation. Andrew Harvey would be another example.  In my ‘contemplative Druidry’ home group, I’ve noticed that a high proportion of the members are politically and socially engaged (mostly in the kind of causes currently packaged as ‘Green’). And I’ve also noticed that these different commitments support each other, rather than getting in each other’s way. On the one side it’s something about self-care, time for refreshment and renewal , and remembering to pause a little, able to maintain a spacious rather than frantic or tunnel-visioned awareness. On the other side it’s about enacting our interconnectedness and service, our commitment to the life of the world.  Right now it’s nudging me in the direction of activity.

BOOK REVIEW: DANCING WITH NEMETONA

jhp52e769df7b29aThis is my Amazon book review for Joanna van der Hoeven’s latest book.

Highly recommended. With an ease and lightness of touch, this book reflects on the sacred in relation to physical and subtle space, relationships and boundaries, safety and risk, liminality and letting go. Sacred time too – I liked the author’s definition of ritual as “taking a moment, taking time out, to celebrate or honour a specific moment of time”.

A modern Druid, Joanna van der Hoeven uses her personal journey to illustrate her themes and suggests practices to explore them – within the home, within the forest and within the inner world. These practices, and the book as a whole, are accessible to beginners or non-aligned seekers as well as those already grounded in Druid and Pagan tradition. This is helped by the careful arrangement of the book in six chapters: Lady of Boundaries and Edges; Lady of Hearth and Home; Lady of the Sacred Grove; Lady of sanctuary; Lady of Ritual: Lady of Everything and Nothing.

The last chapter opens the way to reflections on personal identity and the no self/true self paradox of Zen and other non-dual traditions. To enter into “immersion into the entirety of being … to be at one with existence, to truly experience life”, there seems to be a necessary letting go of our customary self-sense and a finding of true self through being in the moment, returning to the core. In this way the book continues the journey of the author’s earlier and well-received Zen Druidry.

A BRIEF AND LUMINOUS TEA TIME

Last March I talked about a Druid contemplative day in Gloucestershire, England, and the way in which “our meeting grew out of the still simplicity of the space and our shared contemplative intent”. We now have a regular group, which meets for two hours in the afternoon on the second Tuesday of every month, except for May and November.  In those months we meet for a full Saturday, sometime after the festivals of Beltane and Samhain. These days offer an introduction to new members, and also attract people from outside our local catchment area.  Sixteen people are now at least provisionally involved, about half of whom attend our Tuesday sessions.

I feel very blessed to have a group of ‘like intent’ for contemplative practice.  It supports and extends my solo practice, without simply replicating it at a collective level.  I feel recognised and nurtured by the presence of fellow travellers and the strength of a commonly held intent.  I also feel more confident in my note and in the value of sounding it

Our Tuesday pm gatherings – which do include a slot for tea and cake as a very English soul food – have so far had a very simple structure.  We have a personal check in, make an unfussy entry into sacred space and sit in meditation together for about 20 minutes. After that (and this is the Druid bit) we tune into our individual and relational presence within awen. Traditionally awen has connotations of divine inspiration, especially in the fields of poetry, music and prophecy. For modern Druids awen can be also seen as the manifestation of the immanent divine, the breath of the Goddess (Shakti, Shekinah), the enlivening presence of spirit or more simply the way in which space can be palpably and numinously enlivened by people of like intent.

In terms of the practice, we discover ourselves, touched or inspired by awen, in an enlivened relational field with each other, as well as in the space and within ourselves.  Sometimes we share it in silence and sometimes we are moved to speak, finding an authentic here-and-now language for our felt sense of connection. I can see a possibility of moving on to other expressions of this connection – chanting, toning and movement as the group develops.  The practice is open-ended, but tends to go on for 35-40 minutes.

We then exit sacred space, celebrating and also grounding ourselves with tea and cake.   These meetings have prompted me into a greater intentionality about my wider inquiry, which includes sharing it through this blog.

CONTEMPLATIVE DAY

A small group in Gloucestershire, England, mostly with Druid backgrounds, held a contemplative day yesterday, on Saturday 16 March. Most of us were local, but we also had members from further afield including (for the first time) London.

Once gathered, we spent some of our time together indoors and part of it alone, walking in neighbouring woods and fields.  For this outside time we caught a beautiful sunlit spring interlude in the later morning.  We had periods of silence, periods of chanting, periods of talking and periods of eating.  (The day included a magical shared lunch).

I loved it when, early on, JJ talked of our connection as based on ‘like intent’ rather than ‘like mindedness’.  It felt to me very much as if our meeting grew out of the still simplicity of the space and our shared contemplative intent.

I think that this approach to a contemplative day, together with our previous one which had more focus on weaving our stories, are good ways to go in developing  these events.  I look forward to more of them.

WILLOW

Some systems of training – R.J. Stewart in ‘The Way of Merlin’ and the OBOD Ovate Course for example – ask us to develop a long term relationship with a specific tree.  In my case it was a willow.  At that time I had already made a willow wand from wood that had fallen off another tree, and though I don’t use wands or other tools much in circle casting, I do use this wand occasionally.  It’s a wood that I find it easy to connect with.

My willow stands on the banks of the Avon at Bristol, in sight of the Clifton suspension bridge and the gorge.  I was living within walking distance of it at the time.  In terms of ‘head knowledge’ I wasn’t quite sure whether it was technically a weeping willow or a hybrid and decided it didn’t matter.  Its branches certainly bowed to the flowing Avon water and to the ground.  Through dedicated tree hugging practice I discovered a strong Nwyfre  or life force, running up and down the tree.  This was about the time of the Spring Equinox in a prematurely warm and burgeoning year.  I had the pleasure of watching catkins and early leaves growing and of active bees.  So I created an energetic bond with the physical tree, at the edge of a public park, greeting it and fare-welling it at each encounter without developing a detailed botanical knowledge.

I also did inner work with the tree, through visualization.  Usually the visualization was an idealized version of the physical reality, prompting a slightly different set of feelings and reflections.  There was one major difference.  During a gale, the wind broke one of the major branches from the tree.  I was very distressed to see that branch partly on the ground and partly hanging on to the rest of the tree by thin strands of bark.  Then the branch got chopped off.  I was in mourning.  Yet my visualization didn’t change.  At that level, the tree was still there and whole.  And in fact the physical changed and grew new branches, not in quite the same place, to fill the gap of the big one that had gone.  I supplied the distress and mourning.  The tree simply adapted.  Throughout the physical process, I felt little difference in its energy.

In the back of my mind I was also aware of traditional knowledge, both specific to Ogam lore and the more diffuse inheritance of popular tradition.  I tended to hold this lightly, feeling imaginatively enriched whilst putting personal lived experience first.  I do know that leaning against the tree whilst looking across the water to the bridge and the gorge were (and are) good for refreshment, reverie and lazy, half conscious forms of reflection.  Out of this can come a creativity that doesn’t come from the willed marshaling of correspondences.  And to be fair, the traditional willow correspondences say as much, when they talk of openness and receptivity to Otherworld and the inspiration of the Goddess.  When I first knew the willow, it was at a time of fecundity – I’ve already mentioned the vibrancy of catkins and new leaves, the early appearance of bees.  So I’m not surprised that William Anderson’s green man poem says, for the period running from 13 April to 10 May:

 In and out of the yellowing wands of the willow

The pollen-bright bees are plundering the catkins;

‘I am honey of love’, says the Green Man

‘I am honey of love’, says he.

It doesn’t surprise me at all that in the Romanian Gypsy Festival of Green George (needless to say on 23 April)  a young and leafy willow, already felled, is erected and decorated with streamers and ribbons.  The community’s pregnant women gather around the tree, each laying out one piece of clothing.  If, overnight a leaf falls from the tree on to the clothing, it is said that the goddess of the tree promises both an easy delivery and a gifted child.”

Such associations are in the background of my relationship to Willow if not the foreground.  They touch my imagination, especially the parts that are nurtured by a sense of place and of history.  They amplify my direct here-and-now experience, adding emotional texture to sensory immediacy.  They extend what’s already there, in the tree, the setting, my presence, and our connection.

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