Sacred trees | contemplativeinquiry

The Innerworld has its own times and seasons. When I attune myself carefully, it speaks to me through images in the DruidCraft Tarot (1). Today (20 July) I encountered the 7 of Pentacles (above), with its image of winter harvest. A Druid, equipped with a golden sickle, takes mistletoe from a tree. Where is the wisdom here? What am I being told?

‘Take note of the obvious’ is an early thought. ‘Be willing to state it’. After ten years of contemplative inquiry, I am still anchored in Druidry. Yes: my practice forms are idiosyncratic and contemplatively inclined. Yes: my inquiry process is personal and self-directing. Yes: I continue to learn from other traditions and sources outside the traditions. But what I do comes out of an immersive OBOD training of many years and would not be the same without it. I continue to belong to the Order and identify with the modern Druid tradition. Being clear about this is a fruit of my inquiry.

The form of words that we know as the St. Patricks’ Prayer, alternatively as the Cry of the Deer, runs: “I arise today through the strength of heaven, light of sun, radiance of moon, splendour of fire, speed of lightning, swiftness of wind, depth of sea, stability of earth and firmness of rock”. In my own usage I think of ‘heaven’ simply as a sky or firmament word, majestically naturalistic. But my greatest sense of support comes from the words ‘stability of earth and firmness of rock’. The 7 of Pentacles Tarot image includes seven pentacle signs carved on to mossy rock. It is a strongly earth-related image. I feel grounded and affirmed by this powerfully Pagan imagery.

There is much more to be learned from the 7 of Pentacles image, but these obvious recognitions, easily taken for granted and thus overlooked, are a good place to start. They have allowed me to identify some fundamental understandings that my inquiry has provided, and to clarify its direction for the future.

(1) Philip and Stephanie Carr-Gomm The DruidCraft Tarot: Use the Magic of Wicca and Druidry to Guide Your Life London: Connections, 2004 (Illustrated by Will Worthington)

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July 9, 2021

TREE MANDALA: GORSE

In my wheel of the year tree mandala (1), gorse covers the period from 9-31 July. It is the last tree of the summer quarter, handing over to apple at Lughnasadh/Lammas on 1 August. The illustration is from The Green Man Tree Oracle (2).

I know from my childhood that gorse can make a tame, gently sloping hill seem wild and edgy. Navigating through gorse requires an eye to self-care. Flowering gorse is not confined to summer, but for me it is anchored to summer in memory. Seen from afar, gorse was a vivid harbinger of the summer holidays with days of warmth (rising to heat) and freedom to roam. It carried a hint of adventure and disinhibition. Sometimes the promise was fulfilled. Sometimes there was a hot heavy dullness broken by only storms, and a degree of frustration. July days were unpredictable.

Gorse (ogham name Onn) was sacred to the Irish god Lugh, and thus to light, to all manner of skills, and to the fire in the head of ecstatic creativity. Lugh has a trickster aspect, and can be seen in certain lights as more a god of lightning than of the sun. He has a cousinship with the Brythonic Lleu Llaw Gyffes, the warrior magician of the fourth branch of the Mabinogi. He has also been linked to the Norse Loki, for tricksterism is an aspect of the smouldering fertile mind.

Gorse makes good fuel and so has an obvious role in fire festivals. In Brittany, 1 August was marked by the Festival of the Golden Gorse and gorse has has strong associations with the faery folk. It is a plant of power. We cannot make assumptions about how we stand with it. A wary respect might be wise.

NOTE: This post brings to an end a year in which I have featured the sixteen trees in this mandala. I began on 16 July 2020 with an out-of-sequence Rowan (3), because I had had a vivid encounter with a rowan tree in the woods. (Its time in the mandala is 9-31 October.). Then I moved on to apple (4) and blackberry (5). From the Autumn Equinox (1) the enterprise became more systematic. As a blogger, I won’t be repeating the cycle in the same way in the coming year. Once for the record feels enough.

(1) This mandala is based on my personal experience of trees in the neighbourhood as well as traditional lore. Moving around the summer quarter from Beltane, 1 May, the positions and dates of the four trees are: Hawthorn, south-east, 1-23 May; Beech & Bluebell, south-south-east, 24 May – 15 June; Oak, south, 16 June – 8 July; Gorse, south-south-west, 9 – 31 July. The autumn quarter then starts with Apple at Lughnasadh/Lammas. For a complete list of the sixteen trees, see https://contemplativeinquiry.blog/2020/autumn-equinox-2020-hazel-salmon-awen/

(2) John Matthews & Will Worthington The Green Man Tree Oracle London: Connections, 2003

(3) https://contemplativeinquiry.blog/2020/rowan/

(4) https://contemplativeinquiry.blog/2020/three-trees/

(5) https://contemplativeinquiry.blog/2020/mr-bramble/

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June 14, 2021

TREE MANDALA: OAK

“Green man becomes grown man as flames of the oak

As its crown forms his mask and its leafage his features;

‘I speak through the oak’, says the Green Man.

‘I speak through the oak says he'” (1)

In my wheel of the year tree mandala (2), oak covers the period from 16 June-8 July and thus includes Alban Hefin, the summer solstice. I am starting to bring it in. The oak has many associations – regal strength, for example – but for me the sense of the green man, the archetype of our oneness with the earth, speaking through the oak, is the most numinous. At Dodona in ancient Greece (3) an oak shrine was “guarded by priestesses who interpreted the future from the rustling of leaves on the great tree, the voice of the sacred spring that rose at its root and the behaviour of birds in its branches”. Celtic tradition describes a number of sacred oak trees, themselves roosting places for sacred birds. I like the sense that the oak does not stand alone and autonomous in these stories. For leaves to rustle, the wind is needed. Birds and springs may also participate in the ecology, of a distributed wisdom – a wisdom of interdependence, of interbeing. The oak’s great branches are matched by still greater roots, and therefore an underground network of communication and exchange that we now know sustains a mature forest (4).

The ogham name for oak, duir, means door in both Sanskrit and Gaelic (5). This can bespeak solidity and protection, for the oak can survive lightning. It was sacred to Taranis, the Celtic god of lightning and storms, to Thor in the Nordic pantheon. and to Zeus among the Greeks. But a door isn’t just defensive. It is there to be opened as well, with a sense of welcome and relationship. Dagda, father god of Ireland, was associated with the oak and never failed to give hospitality to those who asked for it.

For Druids (whose name means ‘oak wisdom’) oak was the central tree in their mysteries. There is a theme, in these mysteries, of communication between worlds, with a sensed Otherworld being less than a heart beat away. The power of the oak combines strength and sensitivity. My mandala links oak to the period in which the light has its greatest expression, and then gives way, at first very slowly, to its necessary descent into the dark. The tree bears witness as the wheel continues to turn.

(1) William Anderson Green Man: Archetype of Our Oneness with the Earth Harper Collins: London & San Francisco, 1990.

(2) This mandala is based on my personal experience of trees in the neighbourhood as well as traditional lore. Moving around the summer quarter from Beltane, 1 May, the positions and dates of the four trees are: Hawthorn, south-east, 1-23 May; Beech & Bluebell, south-south-east, 24 May – 15 June; Oak, south, 16 June – 8 July; Gorse, south-south-west, 9 – 31 July. The autumn quarter then starts with Apple at Lughnasadh/Lammas. For a complete list of the sixteen trees, see https://contemplativeinquiry.blog/2020/autumn-equinox-2020-hazel-salmon-awen/

(3) John Matthews & Will Worthington The Green Man Tree Oracle London: Connections, 2003.

(4) https://contemplativeinquiry.blog/2021/05/23/suzanne-simard-finding-the-mother-tree/

(5) Liz & Colin Murray The Celtic Tree Oracle: a System of Divination London: Eddison/Sadd Editions, 1988 (Illustrated by Vanessa Card)

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May 26, 2021

TREE MANDALA: BEECH AND BLUEBELL

In my wheel of the year tree mandala (1), beech and bluebell together cover the period from 24 May-15 June – taking over from hawthorn and handing on to oak. In this instance, I am drawn by the powerful visual effects of bluebells carpeting woodland in which beech is the dominant tree.

The picture above is an old one. The last year in which Elaine and I went into this space (2018 or 2019) the wood felt weird. Part of it – not quite the area in the picture – was a scene of desolation. A lot of the trees had been taken down, with a kind of ragged insensitivity. It felt like a bad moment in Lord of the Rings. I don’t know the story behind this. Perhaps there was disease, or some other genuine need for a thinning out of trees. It was certainly systematic, with notices about the work being done – the result of management, and not of vandalism, in the conventional usage of our language.

The beech is an elegant tree, and I experience it as having a soft energy. It has been traditionally feminised, and thought of as ‘Queen of the Woods’, sharing the place of honour with the kingly oak according to The Green Man Tree Oracle (2). The same source says that “slivers of beech wood and leaves were once carried as talismans to bring good luck and increase creative energy”. Local British traditions associate the beech (ogham name phagos) with serpents “probably because of its long serpentine root systems”, they add – and I wonder too about the archaic link between the Goddess and serpent power in many cultures.

My personal connection with the tree itself is limited. It concerns this time of year and the association with bluebells. Indeed the bluebell is my main focus, with the beech as complementary. If they are separated, I follow the bluebell, and the picture below is a recent one, of the Spanish variety, from our garden. For me, it represents a favourite moment in the year, to be appreciated while it lasts. It reminds me simultaneously of the poignancy of impermanence (including my own) and the beauty of the eternal present (within which I am held).

(2) John Matthews & Will Worthington The Green Man Oracle London: Connections, 2003.

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April 23, 2021

REMEMBERING THE GLASTONBURY THORN

In my wheel of the year tree mandala (1), hawthorn presides from 1-23 May. It celebrates Beltane and the rising strength of the sun. Looking forward to that time, I think particularly of a specific tree, the Glastonbury thorn at Wearyall Hill, to represent that period. But the tree is gone, and is now unlikely to return, though ever-living in my heart and imagination..

It was a variety of common hawthorn (crataegus monogyna biflora) that flowered twice a year – first around Christmas and then in spring. I took the photograph in a misty Imbolc moment in 2007, between flowerings. It is the only one I will ever have, and for that reason I treasure it. The much revered tree was vandalised in 2010. New shoots appearing from March 2011 mysteriously disappeared. A new sapling, grafted from a descendent or the original tree, was planted in 2012 and consecrated – only to be snapped in half and irreparably damaged 16 days later. In May 2019, after some years of hesitation, the tree was entirely removed by the landowner in a final acceptance that the tree was lost. Sacred thorn trees, said to be descended from the same original, can still be found in the ruins of Glastonbury Abbey and at the Church of St. John.

I particularly liked the Wearyall Hill tree, because it was physically removed from the bustle of Glastonbury as a twenty-first century spiritual centre. The hill just seemed quietly natural – pagan, if you wanted to think of it that way, or Christian, if you wanted to link it to the story of Joseph of Arimathea’s staff, and how it came to life and flowered when planted in a new land. I was shocked by the violence against the tree and against other people’s love for it.

An ancestor of thee thorn (the individual plants do not last forever) had been cut down before, probably in 1647 by a Parliamentary soldier in England’s civil war. For the thorn was strongly linked to royal patronage, the miracle of a Christmas flowering, and a link between sacred land and sacred kingship. The kind of Royalism represented by this constellation of ideas and images was strong in Somerset at that time, but so was religious Puritanism, allied to a wish for constitutional change. The war was bitterly fought within the county. The legend of the thorn, cultivated by one group of people, made it vulnerable to another group of people identified with different loyalties.

The modern destruction of the thorn also seems not to have been casual, or it wouldn’t have been repeated so systematically. But I am not sure of the motivation. I find myself understanding a seventeenth century act of violence better than the modern one. Was this venerated tree the victim of a current human culture war? Are there potential lessons for Avalonians? Whatever the case, I am still in mourning.

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April 8, 2021

TREE MANDALA: BLACKTHORN

In my wheel of the year tree mandala (1), blackthorn (ogham, straif) covers 8-30 April, the final twenty-three days before Beltane. It has a beautiful white flower and elegant sharp thorns. I have seen descriptions of the latter as ‘vicious’, but they only hurt us if we invade the blackthorn’s space. The plant is not a triffid. It doesn’t come after us. So I don’t follow the line of tradition that links blackthorn to harsh fate. Blackthorn doesn’t ask to be turned into guardian hedges or crowns of thorn. That is down to our fellow humans.

The picture above comes from my magic year of 2007, happily well documented, when I was much engaged with trees and Druid study. I felt a pull towards blackthorn, more than towards the generality of hawthorn during that period. (I will write about the Glastonbury Thorn, the exception, at Beltane, my last tree mandala with a ‘memory lane’ theme).

I am drawn particularly to the strand of tradition that links blackthorn to powerfully creative magic – for it was long used in the making of wizards’ staffs. The text of The Green Man Oracle (2) suggests that “we have forgotten the magic that lies within us”. Blackthorn in particular has the ability to “foster waking dreams”. The Oracle adds that, “to access this personal magic, we must step away from busy, surface consciousness, and sink deeply into the ever flowing stream of our magical dreams. The ideas, scenes and presences that throng the deepest levels of our understanding require intense listening” Such magic, the Oracle continues, brings a light into the darkest places. For me that would mean just enough light to illuminate them, and not so much as to dazzle them into negation. How otherwise can the denizens of the dark be offered a welcome home if they want it, and in any event a better understanding?

(1) This mandala is based on my personal experience of trees in the neighbourhood as well as traditional lore. Moving around the spring quarter from 1 February, the positions and dates of the four trees are: Birch, north-east, 1-22 February; Ash & Ivy, east-north-east, 23 February – 16 March; Willow, east, 17 March – 7 April; Blackthorn, east-south-east, 8 – 30 April. The summer quarter then starts with Hawthorn at Beltane. For a complete list of the sixteen trees, see https://contemplativeinquiry.blog/2020/autumn-equinox-2020-hazel-salmon-awen/

(2) John Matthews & Will Worthington The Green Man Oracle London: Connections, 2003.

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March 17, 2021

TREE MANDALA: WILLOW

I walk past these willows and they awaken my joy in natural beauty. Their full splendour may yet be to come, but they are already abundant with new life and growth. I am lifted by the promise that’s in them.

In my mandala of the year (1), willow presides over period from 17 March to 7 April. Working with trees in my Druid training, I developed a close contact with a willow near to where I then lived in Bristol. I also made a willow wand, from a dead branch I found lying around in another part of town.

In the course of this work I developed a sense of willow that does not exactly match our inherited lore. My records tell me that my main personal impressions concerning willow were of “resilience and generativity” and of “vibrancy in early spring”. Those impressions still stand. I don’t link myself so much to associations with the dark side of the moon (and moon goddess) or the many uses of wicker.

I do make connections between willow and the energy of water, and I can know of willow as a portal to gently magical experiences. Below, I offer a digitised picture of my Bristol tree, taken on 21 March 2007, and an account of time spent with it that afternoon. I enjoy the chance to share this fourteen year old memory, and bring a small piece of my personal Druid history into the present. Intentional reminiscence can be a deeply satisfying here-and-now experience.

“This afternoon I went out to see the trees – beautiful sunshine. The willow I’ve connected with looked very willowy – buds, leaves, catkins. It seemed solid, vibrant, pulsing. Leaning against the trunk from shoulder to hip, I sensed a resonance connected to the contact. Tuning in, I began to make a sound. The note that developed was light and optimistic, but strong enough fully to reach me in the belly. It had a potency that surprised me. I felt carefree, I could take in the cool equinoctial breeze with the warm equinoctial sun and enjoy a moment of holy idleness after a time of rushing around and work.”

I avoid talking about this experience in the language of relationship with the tree, though part of me would like to. I do not know what it is like to be a willow tree, but I am sure it is like something. I know of no way to check in with the tree that allows it to contradict my own precious intimations of communion, should it want to. I suspect that it barely noticed me. Yet the experience felt healing, and I have never forgotten it.

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January 8, 2021

ALDER (FEARN) PROTECTION

Within my mandala of the year (1) Alder (2) is the fourth and final tree for the winter quarter that begins at Samhain. The overall movement of this quarter, in my world, is through death to regeneration. Alder presides from 8-31 January and links the regenerative aspect to a continuing need for protection already signalled by Holly (3). There is something foundational about protection. The late eighteenth century Druid prayer (4), which set the note for modern Druidry, begins by asking for protection, as the beginning of a journey that leads through the quest for justice to a place of universal love.

I live in a watery place and there are alders around, though – in contrast to willow – I have never been on hugging terms with this tree. But the oily and water resistant timber is well-adapted to its surroundings, and for humans has provided good timber for boats, bridges, and underwater foundations. Many medieval cathedrals were built on alder piling. Although the wood makes poor fuel, it is good for charcoal.

Round alder shields were once used as protection for warriors in Ireland, and “in Celtic myth, we read of palisades of alders that deter invasion of keep prisoners confined, and these fences are sometimes described as being decorated by a row of severed human heads” (2) . The Welsh hero Benedegeit Bran (Bran the Blessed) is reputed to have used his body to span the River Linon, forming a bridge to raise his followers above the dangerous waters, as the wood does when used as a building material. Later, when mortally wounded in a battle against the Irish, he gave them instructions to cut off his head and carry it with them. They were rewarded with song and prophecy from the head over many years.

Much more can be said about Bran (whose name means raven). My overall learning from alder is about a willingness and capacity to hold boundaries Bran adds sensitivity and openness to the larger context in which events are playing out. Placed at the end of the winter quarter, I see alder as guarding the tentative return of spring, as the light slowly returns and we find increasing signs of growth in the natural world. The weeks before Imbolc can be cold and dreary, but life is stirring both outwardly and inwardly. Alder reminds me of the need for protected spaces to nurture a latent abundance.

(1) The image is from: John Matthews & Will Worthington The Green Man Oracle London: Connections, 2003.

(2) This mandala is based on my personal experience of trees in the neighbourhood as well as traditional lore. Moving around the winter quarter from 1 November, the positions and dates of the four trees are: Yew, north-west, 1-23 November; Elder, north-north-west, 24 November – 16 December; Holly, north, 17 December – 7 January; Alder, north-north-east, 8 – 31 January. The spring quarter then starts with birch at Imbolc. For a complete list of the sixteen trees, see https://contemplativeinquiry.blog/2020/autumn-equinox-2020-hazel-salmon-awen/

(3) https://contemplativeinquiry.blog/2020/12/23/holly-tinne-the-turn/

(4) https://contemplativeinquiry.blog/2020/08/27/my-druid-prayer/

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December 23, 2020

HOLLY (TINNE) THE TURN

Holly (1) is a vivid, vital plant, and especially so at midwinter with its rich spiky evergreen leaves and its blood red berries. It is not afraid to take a strand in the world. Tradition names it as fiery in nature and it is described as ‘best in the fight’. In Celtic times the wood of the holly was used to fashion spear shafts. Amergin, the warrior bard and shaman who invaded Ireland, links himself to holly when declaring that ‘I am a battle waging spear’ among his many identifications.

Within my mandala of the year (2) holly initiates a major change of energy and direction. The winter quarter beginning on 1 November is a time of dying and regeneration, in the life of the land that I live in and in some sense in me. Elder has completed the work of descent into a form of death already signalled by the yew. Now, from 17 December to 7 January, it is for the holly energy to ignite my regenerative potentials and aid my birth into the life of another year.

Holly helps me with its vitality, strength, clarity of direction and balance. My worry this year has been about my own capacity to step up. But now, on 22 December, I feel the first stirrings of renewal. Under the aegis of holly I am in protected space and time. I can draw strength from the holly and regenerate in safety, during an extended holiday sheltered from the world. A blessing, indeed.

(1) The image is from: John Matthews & Will Worthington The Green Man Oracle London: Connections, 2003.

(2) This mandala is based on my personal experience of trees in the neighbourhood as well as traditional lore. Moving around the wheel of the year from 1 November, the positions and dates of the trees are:

Yew, north-west, 1-23 November

Elder, north-north-west, 24 November – 16 December

Holly, north, 17 December – 7 January

Alder, north-north-east, 8 – 31 January

Birch, north-east, 1 – 22 February

Ash & Ivy, east-north-east, 23 Feb. – 16 March

Willow, east, 17 March – 7 April

Blackthorn, east-south-east, 8 – 30 April

Hawthorn, south-east, 1 – 23 May

Beech & Bluebell, south-south-east, 24 May – 15 June

Oak, south, 16 June – 8 July

Gorse, south-south-west, 9 – 31 July

Apple, south-west, 1 -23 August

Blackberry & Vine, west-south-west, 24 August – 15 September

Hazel, west, 19 September – 8 October

Rowan, west-north-west, 9 – 31 October.

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December 16, 2020

ELDER AGAIN

I am drawn to write again about the elder, the tree of the caileach, or crone (1). In my sixteen tree mandala of the year, it covers the period from 24 November to 16 December. I am writing on the last day, tuning into the image more deeply, open to an intuitive personal response.

I see grief, loss and limitation there, in a face both haunted and haunting. Survival at a price. It is what it is. I see neither the pretence of a good time, nor the shadow of self pity. The tree is alive and bearing fruit – alchemical fruit which is poisonous raw and safe after cooking. Perhaps it is the fruit of severity. In the face of a sacred tree, I see a face of the Goddess – an ageing, winter face, yet one that is strong and indomitable. I see this mirrored outside, and also within. Something in me is like this too.

From about the beginning of November, I have been dealing with a succession of minor health problems, not dangerous, but draining in their cumulative effects. I have had frequent experiences of lethargy and a kind of fog in the brain. I move between fundamental acceptance of the experience I am given, and a pragmatic need to push back. I am working at reduced capacity, I have some frustrations about this, and I am finding a new balance. I am glad to have made the core of my life and practice simple and easy to maintain. For me, simplicity allows focus on what really matters. Focusing on what really matters is what I need to do.

(1) The image is from: John Matthews & Will Worthington The Green Man Oracle London: Connections, 2003.

Yew, north-west, 1-23 November

Elder, north-north-west, 24 November – 16 December

Holly, north, 17 December – 7 January

Alder, north-north-east, 8 – 31 January

Birch, north-east, 1 – 22 February

Ash & Ivy, east-north-east, 23 Feb. – 16 March

Willow, east, 17 March – 7 April

Blackthorn, east-south-east, 8 – 30 April

Hawthorn, south-east, 1 – 23 May

Beech & Bluebell, south-south-east, 24 May – 15 June

Oak, south, 16 June – 8 July

Gorse, south-south-west, 9 – 31 July

Apple, south-west, 1 -23 August

Blackberry & Vine, west-south-west, 24 August – 15 September

Hazel, west, 19 September – 8 October

Rowan, west-north-west, 9 – 31 October.

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contemplativeinquiry

Tag: Sacred trees

July 20, 2022

INNERWORLD HARVESTING

July 9, 2021

TREE MANDALA: GORSE

June 14, 2021

TREE MANDALA: OAK

May 26, 2021

TREE MANDALA: BEECH AND BLUEBELL

April 23, 2021

REMEMBERING THE GLASTONBURY THORN

April 8, 2021

TREE MANDALA: BLACKTHORN

March 17, 2021

TREE MANDALA: WILLOW

January 8, 2021

ALDER (FEARN) PROTECTION

December 23, 2020

HOLLY (TINNE) THE TURN

December 16, 2020

ELDER AGAIN