Contemplative Inquiry

This blog is about contemplative inquiry

Tag: Poetry

POEM: A WINTER EDEN

Warmest wishes to everyone for the festive season and the coming year. Here and now I don’t have a ‘deep midwinter’ feeling, despite the short days. I’ve been walking by my local canal in a largely green world, with a defining image of sunlight on ivy. Alders are growing catkins. Midges abound. Robert Frost’s poem below, in a snowy New England setting, celebrates the exuberance of life whenever it gets a chance.

A winter garden in an alder swamp,
Where conies now come out to sun and romp,
As near a paradise as it can be
And not melt snow or start a dormant tree.

It lifts existence on a plane of snow
One level higher than the earth below,
One level nearer heaven overhead,
And last year’s berries shining scarlet red.

It lifts a gaunt luxuriating beast
Where he can stretch and hold his highest feat
On some wild apple tree’s young tender bark,
What well may prove the year’s high girdle mark.

So near to paradise all pairing ends:
Here loveless birds now flock as winter friends,
Content with bud-inspecting. They presume
To say which buds are leaf and which are bloom.

A feather-hammer gives a double knock.
This Eden day is done at two o’clock.
An hour of winter day might seem too short
To make it worth life’s while to wake and sport.

Robert Frost

KABIR: ECSTATIC FLUTE

I know the sound of the ecstatic flute,

But I don’t know whose flute it is.

A lamp burns and has neither wick nor oil.

A lily pad blossoms and is not attached to the bottom!

Where one flower opens, ordinarily dozens open.

The moon bird’s head is filled with nothing but thoughts of the moon,

And when the next rain will come is all that the rain bird thinks of.

Who is it we spend our entire life loving?

Kabir Ecstatic poems Boston, MA: Beacon Press, 1992 (The English translations are free enough for Robert Bly to call them ‘versions by Robert Bly’. There is an earlier set of translations published by MacMillan in New York in 1915 by Rabindranath Tagore assisted by Evelyn Underhill under the title Songs of Kabir. Whilst I don’t follow Bly in calling the English of the earlier work “useless”, I do find that Bly’s interpretation has more passion and power. The Bly work includes an insightful afterword Kabir and the transcendental Bly by John Stratton Hawley).

POEM: WOMAN TO LOVER

I am fire

Stilled to water

A wave

Lifting from the abyss

In my veins

The moon-drawn tide rises

Into a tree of flowers

Scattered in sea-foam

I am air

Caught in a net

The prophetic bird

That sings in a reflected sky

I am a dream before nothingness

I am a crown of stars

I am the way to die.

Kathleen Raine Collected Poems Counterpoint Press, 2011

NOTE: Rupert Spira* uses this poem to illustrate “the dissolution of the separate self which is the essence of all intimacy”. Given that the poet is Kathleen Raine, I accept this as a fair interpretation of her work. But of course her own language is more resonant and compelling, and suggests more than it says – as is the way of poetry.

*Rupert Spira The Nature of Consciousness: Essays on the Unity of Mind and Matter Oxford: Sahaja Press, 2017

POEM: THE SADNESS OF THE GORGES

Above the gorges, one thread of sky;

Cascades in the gorges twine a thousand cords.

High up, the slant of splintered sunlight, moonlight;

Beneath, curbs to the wild heave of the waves,

The shock of a gleam, and then another,

In depths of shadow frozen for centuries;

The rays between the gorges do not halt at noon;

Where the straits are perilous, more hungry spittle.

Trees lock their roots in rotted coffins

And the twisted skeletons hang tilted upright;

Branches weep as the frost perches

Mournful cadences, remote and clear.

A spurned exile’s shriveled guts

Scald and seethe in the water and fire he walks through.

A lifetime’s like a fine-spun thread,

The road goes up by the rope at the edge.

When he pours his libation of tears to the ghosts in the stream

The ghosts gather, a shimmer on the waves.

Meng Chiao (751 – 814) in Poems of the Late T’ang Harmondsworth: Penguin, 1965 (Translated with an Introduction by A. C. Graham)

POEM: PIUTE CREEK

One granite ridge

A tree, would be enough

Or even a rock, a small creek,

A bark shred in a pool.

Hill beyond hill, folded and twisted

Tough trees crammed

In thin stone fractures

A huge moon on it all, is too much.

The mind wanders. A million

Summers, night air still and the rocks

Warm. Sky over endless mountains.

All the junk that goes with being human

Drops away, hard rock wavers

Even the heavy present seems to fail

This bubble of a heart.

Words and books

Like a small creek off a high ledge

Gone in the dry air.

 

A clear, attentive mind

Has no meaning but that

Which sees is truly seen.

No one loves rock, yet we are here.

Night chills. A flick

In the moonlight

Slips into Juniper shadow.

Back there unseen

Cold proud eyes

Of Cougar or Coyote

Watch me rise and go.

 

Gary Snyder. From The Poetry of Impermanence, Mindfulness and Joy edited by John Brem. Somerville, MA: Wisdom Publications, 2017

 

POEM: THE GOOD DARKNESS

There is great joy in darkness.

Deepen it.

…..

Keep your deepest secret hidden

in the dark beneath daylight’s

uncovering and night’s spreading veil.

 

Whatever is given you by those two

is for your desires. They poison,

eventually. Deeper down, where your face

gets erased, where life water runs silently,

there’s a prison with no food and drink,

and no moral instruction, that opens on a garden,

where there’s only God. No self,

only the creation word BE.

 

You, listening to me, roll up the carpet

of time and space. Step beyond,

Into the one word.

In blindness, receive what I say.

Take ‘There is no good…’

for your wealth and strength.

Let ‘There is nothing’ be

a love-wisdom in your wine.

 

Sanai, in The Hand of Poetry: Five Mystic Poets of Persia. New Lebanon, NY: Omega Publications, 1993. (Translations from the poems of Sanai, Attar, Rumi, Saadi and Hafiz by Coleman Barks.

MINDFULNESS AS A WAY OF LIFE

According to Thich Nhat Hahn’s Community of Interbeing (1) “mindfulness is the energy of being aware and awake to the present moment. It is the continuous practice of touching life deeply.” This approach turns mindfulness from a set of practices into a way of life, and this view of mindfulness has helped to draw me in to the local sangha of the COI as a fellow traveler.

That said, we have five formal practice arenas: mindfulness of breath, mindfulness of eating, mindfulness of walking, mindfulness of the body and mindfulness of bells. A lot of this is familiar to me. For the last seven years my daily practice has included some form of sitting meditation, walking meditation and body/energy work. I already include outside walking meditation and exercise. I use bells in my dedicated sacred space at home, and love the liminal after echo as they pass out of hearing. But bringing things together within this community encourages me to refine and deepen this work.

Checking in with myself, I notice that I have been only half-conscious about eating. In this community, eating mindfulness is not just about slow and appreciative eating. It is also about the global context, “reflecting deeply on what we buy and what we eat”. The COI gold standard is to be vegan. This is a hot button topic in Druidry and Paganism too. It’s an area that I feel nudged to look at again.

I also notice that I’ve done less conscious relaxation than I would like. Yet I know its softening, opening, and enabling effects – a balance to rectify there, I feel. Mindfulness may sound like an effortful regimen, but it doesn’t have to be that way. On sitting meditation specifically, the COI website approvingly quotes Matsuo Basho, the seventeenth century Japanese poet, when he writes:

Sitting quietly

Doing nothing

Spring comes

And the grass

Growsc

By itself.

(1) https://coiuk.org

POEM: WONDER

10 October is dedicated to the 17th century Anglican mystic Thomas Traherne. Here are the first three verses of his poem, ‘Wonder’, where he sees the world through the eyes of a child. He seems never to have lost this capacity, and this was a factor in his mysticism.

How like an Angel came I down!

How bright are all things here!

O how their GLORY me did Crown?

The World resembled his Eternitie,

In which my Soul did Walk;

And evry Thing that I did see,

Did with me talk.

 

The Skies in their Magnificence,

The Lively, Lovely Air;

Oh how Divine, how soft, how Sweet, how fair!

The Stars did entertain my Sence,

And all the Works of GOD so Bright and pure,

So rich and Great did seem,

As if they ever must endure,

In my esteem.

 

A Native Health and Innocence

Within my Bones did grow,

And while my GOD did all his Glories show,

I felt a Vigour in my Sence

That was all SPIRIT. I within did flow

With Seas of Life, like Wine;

I nothing in the World did know,

But ‘twas Divine.

 

From: Happiness and Holiness: Thomas Traherne and his Writings edited by Denise Inge Norwich: Canterbury Press, 2008

POEM: THIS WORLD OF DEW

 

This world of dew

is only the world of dew –

and yet … oh and yet.

Kobayashi Issa (1763-1828), translated from the Japanese by Robert Hess. From The poetry of impermanence, mindfulness and joy edited by John Brem. (Wisdom, kindle edition, undated.)

 

POEM: PRICELESS GIFTS

 

An empty day without events.

And that is why

it grew immense

as space. And suddenly

happiness of being

entered me.

 

I heard

in my heartbeat

the birth of time

and each instant of life

one after the other

came rushing in

like priceless gifts.

 

Anna Swir (1909-1989). Translated from the Polish by Czeslaw Milosz and Leonard Nathan. From The poetry of impermanence, mindfulness and joy edited by John Brem. (Wisdom, Kindle edition, undated.)

 

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