contemplativeinquiry

This blog is about contemplative inquiry

Tag: OBOD

ANOTHER DAWN

It is the dawning of 18 January 2021. The stark, bare beauty of the trees is set against a promising sky. Is the world beginning to open up? I can see a leaning in to Imbolc in this dawn, and a loosening in the hold of winter as the year moves on.

I cannot run out into this dawn, as I would like. I am in formal isolation, with a home testing kit for Covid-19 winging its way from NHS/Amazon. My symptoms are ambiguous. Covid-19 may not be the cause, but there is a real chance that it might. Meanwhile people in my 70’s age group are about to get vaccinated. Interesting times, for sure.

For me, the best way of addressing this is day at a time, whilst also assessing possible challenges sufficiently to be prepared for them. From a Druid perspective, I am finding the nemeton of my practice circle a tremendous resource. From the beginning of this year I have had both a morning and an evening circle. The former is built around energising myself and affirming both being and world. The second is contemplative, and built around both walking and sitting meditation. Each lasts for about half an hour.

I notice that I draw on Druid (largely OBOD) liturgy (1) , with modifications, quite a lot – for example, the approach to sacred space and use of the Druid prayer. This locates me within a training and community which add strength even at a distance. There are also aspects of practice drawn from other traditions and others which I have developed myself. The package overall retains a basic simplicity. It is a distillation of my contemplative inquiry – in a sense re-telling its unique story twice a day. I am finding this enormously helpful. I am reminded that the journey is what I had hoped it would be. This recognition holds me up, and is a dawning in itself.

(1) http://www.druidry.org/

(2)  https://contemplativeinquiry.blog/2020/08/27/my-druid-prayer/

DRUID ALCHEMY

“In the foreground we see Brighid. She is both Brighid Goddess of the Holy Flame and Holy Well, and a woman in her service, a Fferyllt, or Druid Alchemist, who combines the powers of fire and water to create harmony, balance and transformation.

“In the traditions of the nineteenth and twentieth century Druid revival, the Fferyllt were Druid alchemists who were said to live in the magical city of Dinas Affaraon, in the mountains of Snowdonia. Much of the work of DruidCraft can be seen as an alchemical process of uniting and combining different elements of the self to achieve wholeness, illumination and a release of our creative potential.” (1)

The words and illustration above are from The Druidcraft Tarot, where the writers are Philip and Stephanie Carr-Gomm and the illustrator Will Worthington. The card in question is the trump numbered fourteen, conventionally named Temperance. Here, after the manner of C. G. Jung, it points to the work of psycho-spiritual development. Affirming the fundamental unity of spirit and matter, it encourages us to extend the bandwidth of our experience beyond that provided by our early conditioning in modern mainstream culture. This work is placed in the context of modern Druidry and modern Druid training – specifically that offered by OBOD (see http://www.druidry.org/}.

Philip Carr-Gomm discusses this further elsewhere: “Alchemical Magic involves working on yourself. It is called alchemical because in alchemy the idea is to change ‘base metal’ into gold, the ordinary into the extraordinary. Our goal is to do this with our own lives, our own selves.  That is much of the purpose of following a path such as Druidcraft. … The idea in alchemy is that you start with the ‘base metal’ that is equivalent to all the raw material that you possess as a personality and a soul. Then, by following a spiritual path, you gradually transform this into a quality of being which literally radiates. That is why people who are on this path often have a quality of youthfulness and life which is almost tangible.” (2)

To this day, I have a section in my regular practice liturgy in which I say: “a blessing on my life; a blessing on the work; a blessing on the land”. My use of ‘work’ is an alchemical reference, invoking the classical alchemical opus as a transformative metaphor. I experience this as among other things a healing work, in a healing container, though it might not always feel that way. We can take the legacy of painful, problematic and confusing experiences and find the hidden gold within them.

There can be another discovery too. Jungian-influenced therapist Matt Licata writes: “through this exploration, we come to discover that although suffering feels and is personal, it is also archetypal and, as the Buddha noted, universal in human experience. The invitation is to allow our broken hearts, confused minds and vulnerable emotional bodies to serve as a bridge to a place where we make embodied, loving contact with the ‘others’ in our lives – not only the external others but the inner others who have become lost along the way.”

(1) Philip and Stephanie Carr-Gomm The DruidCraft Tarot: Use the Magic of Wicca and Druidry to Guide Your Life London: Connections, 2004. Illustrated by Will Worthington.

(2) Philip Carr-Gomm The Magic of Wicca and Druidry Lewes, UK: Oak Tree Press, 2013

(3) Matt Licata A Healing Space: Befriending Ourselves in Difficult Times Boulder, CO: Sounds True, 2020

MY DRUID PRAYER

I am fond of the Druid prayer despite my discomfort with petitionary prayer as a genre. This post looks at the prayer and describes a recent reframing for solo use.

The prayer dates back to the eighteenth-century origins of modern Druidry. I first encountered it in 1993 on joining OBOD (1). The custom there is to extend the ‘Grant O God’ opening to include Goddess and Spirit as alternatives.

Grant O God/Goddess/Spirit, your protection,

And in protection, strength,

And in strength, understanding,

And in understanding, knowledge,

And in knowledge, the knowledge of justice

And in the knowledge of justice, the love of it

And in the love of it, the love of all existences

And in the love of all existences, the love of God/Goddess/Spirit and all goodness”.

When using the prayer in group settings I use Goddess as a Pagan statement in a world where most religious movements still lean heavily towards patriarchy. I have noticed that Goddess and Spirit tend to be the preferred options among Druids today, with at least a few people finding time to say God and Goddess. God by himself is somewhat out of fashion.

In most religious movements this petitionary pluralism would likely seem disconcerting, but it is one of the things that I have appreciated in OBOD and Druid culture more widely. At a deeper level, I am not at ease with prayers to higher powers however they are named. I do not find myself standing congruently behind them. I can stay in a gathering and participate, acknowledging the good intentions of the occasion, but I am not 100% there, in the moment of petition.

On the other hand I like the values expressed in the prayer, as it develops from its base-line in hoped-for protection into that quality of strength which leads on to understanding, knowledge, justice, and – through the love of justice – the love of all existences. Protection and strength, as values, are thereby dissociated from ideologies of dominance and submission, or of power-over as the answer to anxieties and problems. Instead, they point to something fuller, where strength becomes the basis for a generous stance in life. The prayer both affirms the web of life and promotes justice within the web. The principles of the prayer call strongly to our own time.

My recent work has made it possible for me to use the prayer in solo practice. The key word is the sense of ‘Oneness’ as an expression of universal interbeing, or connectedness, rather than a singularity or monad: a Oneness (which I am willing to capitalise) that can manifest in ‘no boundary’ experiences yet also has room for the arrival and passing of individuals, collectives and relationships.

I am aware that, within the web, we find built-in elements describable as parasitic and predatory. Sentient life is necessarily stressed. But as a human I can be aware of this and create, of my own volition and with the aid of allies and available cultural resources, a values-based response. For me, the recognition of ‘Oneness’, as I have described it, widens the circle of care. This recognition may begin as intuited or as conceptual. Either way, I find that it changes the breadth and depth of experience – its taste, texture, tone and colouration. The state of ‘at-homeness in the flowing moment’ (2) points me to, and enables, the recognition Oneness in this sense. It opens the way to a form of the Druid prayer that I can fully embrace.

In the recognition of Oneness,

May I find protection,

And in protection, strength,

And in strength, understanding,

And in understanding, knowledge,

And in knowledge, the knowledge of justice

And in the knowledge of justice, the love of it

And in the love of it, the love of all existences

And in the love of all existences, the love of Oneness and all goodness.

In the light of recognition, the phrase ‘May I …’ asks me to take responsibility for my part in the Oneness. In one sense I am small and transient, in another sense timeless and unboundaried. There is something available beyond the little me, and I can affirm an intention in its name.

I notice that this approach to the prayer also reframes ‘goodness’. It loses any after echo of childhood obedience and a child’s hope of reward for being good. Indeed, it is not used here primarily as an ethical term – too vague, for one thing: ethical criteria need to be specified and their implications worked through, as in systems like virtue ethics or Buddhism’s eight-fold path. Although implying an ethics of empathy, this goodness is about flourishing at the personal, relational, collective and universal levels. The point of any ethics is to support this flourishing.

I will use and test this version of the prayer, as part of my inquiry, and see how it works as part of my practice.

(1) Order of Bards, Ovates and Druids: http://www.druidry.org/

(2) https://contemplativeinquiry.blog/2019/08/10/at-homeness-revisited/

‘ABOUT’ FOR 2020

A happy New Year to all readers, as we begin to navigate the 2020’s! May we find compassionate and creative ways to flourish in the days ahead.

As my contemplative inquiry evolves, I update the ‘About’ section for this blog. Below is my revision for the beginning of 2020.

“I am James Nichol and I live in Stroud, Gloucestershire, England. The Contemplative Inquiry blog started in August 2012, and includes personal sharing, discursive writing, poetry and book reviews. I began my contemplative inquiry within modern British Druidry and my book, Contemplative Druidry: People, Practice and Potential, was published in 2014.  https://www.amazon.co.uk/contemplative-druidry-people-practice-potential/dp/1500807206/

“Over time my inquiry became a wider exploration of contemplative spirituality, identified for a period as a Sophian Way. It drew on the enduring wisdom of many times and places and I came to experience it as a path of healing, peace and illumination. In particular, my inquiry identified an ‘at-homeness’ in the flowing moment. Such at-homeness is not dependent on belief or circumstance, but on the ultimate acceptance that this is what is given. I have found that, for me, the realisation of this at-homeness has supported a spirit of openness, an ethic of interdependence and a life of abundant simplicity.

“The discovery of at-homeness emerged from an inward inquiry arc: noticing myself perceiving, making meaning, and finding a language to articulate my experience. Now I am on an outward arc. I am turning to a greater focus on relationships, community, culture, and the wider web of life. Druidry, as a modern eco-spirituality receptive to ancient wisdom, is renewing its importance in my life.”

REVISED ‘ABOUT’: INQUIRY UPDATE

In my spiritual life, inquiry is one of the disciplines. This is why my contemplative blog is called a ‘contemplative inquiry’. As inquiries run through cycles, and aims are in some sense achieved, my direction needs to be revised and updated. This means that revising the blog’s ‘About’ statement from time to time is a necessary part of the process. When I make revisions I try to make the history clear as well as indicating the new direction. Sometimes, like now, I also want to indicate the shift through posting the new ‘About’ to existing readers. This revision adds a third paragraph to an already existing two – and changes tenses a little in the second.

“I am James Nichol and I live in Stroud, Gloucestershire, England. The Contemplative Inquiry blog started in August 2012, and includes personal sharing, discursive writing, poetry and book reviews. I began my contemplative inquiry within modern British Druidry and my book, Contemplative Druidry: People, Practice and Potential, was published in 2014.  https://www.amazon.co.uk/contemplative-druidry-people-practice-potential/dp/1500807206/

“Over time this blog became a wider exploration of contemplative spirituality, and I identified my path as a Sophian Way. Drawing on the enduring wisdom of many times and places, I have experienced it as a path of healing, peace and illumination. It has encouraged a spirit of openness, an ethic of interdependence and a life of abundant simplicity.

“The most recent phase of my inquiry has been solitary and inward. It had to be. But now I sense a change. As my Sophian Way develops, I am becoming more attentive culture, community and the wider world. Here, the influence of Druidry, as an animist Earth spirituality, takes on a renewed importance. ”

REVISED AND EDITED FRIDAY 6 DECEMBER 2019

INTEGRATION

This is my grail image. I can see a chalice against a formless yet shape-creating background, or I can see two beings, with an enabling space between them. Two worlds; one image. Flicking rapidly between them, there comes a point where I can see them both, in the same place, at the same time.

I see the whole as an image of integration. Myth making just a little, I can point to a primal void, from which I am in no way separate, a cosmic mother, from whom I am distinct yet also in no way separate, and the birth of multiple individual forms of which I am one. With individuality comes otherness – and a world of connection/separation, community/exile, love/hate, joy/fear, generosity/contraction, conflict/co-operation, solidarity/predation. By integration I don’t here mean making the bad stuff go away, though efforts in that direction are immensely important. I am pointing, rather, to a capacity to hold all experience in presence and awareness: the deep experiential acceptance that all of the above, right up to void and creation, are happening here and happening now. They are the reality within which I awaken.

The Christian grail quest, which concerns the healing of the soul and its opening into spirit, partly evolved from older stories about the healing of the land, and maintains a wasteland motif. In Mahayana Buddhism enlightenment makes no sense if any sentient being is left behind. The modern Western Mystery tradition provides ways of bringing these stories together, with more of a tilt at this point in our history towards the collective dimension. I have written before that “for me the grail represents the presence and energy of Sophia”*, and has power for me on my Sophian Way. On this way, the ‘inner’ and ‘outer’ work go hand in hand: these are in any case conventional and limiting terms.

I understand the future as demanding cultures of resilience. Because of that I am glad that I have retained a foothold in Druidry and Paganism, because I see them as cultures of possibility in this regard. My Sophian Way has been a personal one, arising unexpectedly within my Druid education, and given some scope for recognition because of the way my Druid education worked. It fits better into the OBOD community, with its Universalist opening and invitation to learn from all traditions, than into any Christian, Gnostic or New Age community that I know of.

Yesterday I made a symbolic re-connection with OBOD (for I had never really left) by taking out a subscription to its magazine Touchstone after a lapse. Here at least I can name the Sophian Way unequivocally as a Goddess devotion without going through flips and twists about what ‘divine feminine’ might mean. At the same time, the name Sophia does reference insights and influences from other traditions, including secular philosophy, as befits a Goddess of Wisdom. For me, this is another kind of integration, whose fruits will manifest over time.

NOVEMBER REFLECTIONS

In recent years, I have experienced November as a special month. Moving on from Samhain, it begins winter, and where I live it sees most of the fall. It is a reorientation towards darkness and inwardness. I began my contemplative inquiry, at first limited to OBOD, then to Druidry more widely, finally becoming universal, in November 2011 following a Samhain ritual.

I find November calmer than December, where I tend to feel jangled by the agitated dominance of capitalist consumerism and its appropriation of a Christian festival, itself the appropriation of a Pagan one. The old festivals had an offer for everyone, at least in principle. Now you have to have money to participate, and increasing numbers of people don’t. So I find December an awkward, uneasy time, a ‘festive season’ that, collectively, doesn’t quite ring true.

This sense of a problematic December has made the whole month of November special to me, and powerful for my inquiry. This year I have rejigged my daily practice and replaced a long morning session with shorter sessions in the morning and evening. In the morning I wake up and greet the day with a slightly ritualised (thanks to Druidry) set of exercises. Before going to bed I do a yoga nidra meditation, listening to an audio download. Both practices are grounded in what I would now call a sacrament of presence, and awareness that every experience points towards a source of being from which I am not separate. In this intersection of time and eternity I find my home. I don’t need special ‘spiritual’ experiences. This spirituality doesn’t require them: the work is to enhance my capacity to welcome any experience, including my resistance to negative ones, and find ways to respond. Hence I look to simple, regular practices that provide pragmatic benefits and also remind me of this core insight.

I find that the inquiry aspect of my contemplative inquiry is shifting its focus to personal life, relationships, culture and nature. What’s going on? How am I placed? How am I responding? What difference does my Sophian Way – with contemplative inquiry as its main expression – actually make? These are my November reflections for 2019.

BOOK REVIEW: SEEK TEACHINGS EVERYWHERE

This post is about Philip Carr-Gomm’s Seek Teachings Everywhere: Combining Druid Spirituality with Other Traditions. I highly recommend this book to anyone interested in the specific topic and/or the development of modern spiritual movements more generally.

Elegantly and accessibly presented, the book testifies both to a personal journey and a key role in developing modern British Druidry. Both the journey and the role are an interweaving of Pagan and Universalist threads. PCG’s approach has been to adopt Druidry as a ‘meta-path’, one able “to transcend religious distinctions”, and allowing of involvement in other paths as well. The Jain path, shared with his Druid mentor Ross Nichols, is the one given the greatest individual attention in the book, in a long section on Druidry and Dharmic traditions. This section touches also on other Indian derived movements and practices (Buddhism, Yoga Nidra) and speculates on ancient cultural and linguistic resonances between early Indian traditions and early European Druidry. PCG dedicates other sections of the book to Christianity and Wicca, with suggestions about how they too can harmonise with Druidry.

This overall approach is reflected in the lived culture of the Order of Bards, Ovates and Druids (OBOD), which PGC has led for thirty years. He is now in a process of stepping down from the role, and so the book is a timely account of both vision and legacy. He says: “each spiritual way has gifts to offer, and some people find in Druidry all the spiritual nourishment they need. Others combine their Druidry with other approaches, such as Wicca, Taoism, Christianity, Buddhism, Hinduism or Jainism”. OBOD’s ancestry as a movement derives from Celtic and Western Way currents within early twentieth century theosophy. The Order remains true to that heritage – as evidenced by a website that actively describes synergies with other paths and provides links to them – see www.druidry.org/ .

My personal takeaway from the book concerns PCG’s substantial presentation of Jain ethics, grounded in three key principles: ahimsa, aparigraha and anekant, here described as the Triple A. PCG explains: “Ahimsa is the doctrine of harmlessness or non-violence, made famous by Gandhi, and espoused by the other Dharmic traditions of Buddhism and Hinduism”. Aparigraha, the doctrine of non-attachment, non-possessiveness or non-acquisition, likewise appears in these other schools. Anekant, a doctrine of many-sidedness, multiple viewpoints, non-absolutism or non-one-sidedness, is unique to The Jains. The three principles can be seen as completing each other – with many-sidedness an aspect of non-violence and non-attachment, and so on.

PCG recommends these principles for our time. They inform his own vision of Druidry. “We know that the world suffers from too much conflict, too much fundamentalism, and too much consumption. This suffering can be alleviated by applying the Triple A doctrines: seeking non-violent solutions, respecting and learning from others’ opinions and beliefs, and reducing consumption to sustainable levels”. In the Jain tradition, such an approach to life is supported by practices of ritual and meditation that work towards the release of negative attachments. PCG recommends versions of these as well.

Part of the beauty of this book is that different readers will find different reasons to take note and learn from it. I have found it valuable both as an authoritative record of a current in modern Druidry, and as a personal inspiration.

Philip Carr-Gomm Seek Teachings Everywhere: Combining Druid Spirituality with Other Traditions Lewes, UK: Oak Tree Press, 2019 (Foreword by Peter Owen Jones)

SOPHIAN REMINISCENCE

For me, sacred images are sometimes filled with life and potency and sometimes not. The important ones  explode as gifts from the hinterlands of the psyche. They are intensely moving, perhaps shocking, certainly state altering. They may be nurturing and easy to welcome. They may be surprising and demand unlooked-for adjustments. Over time they may continue to be influential, changing and developing with me. They may become formal and emblematic – no longer living yet still anchoring insight. Eventually they may fade. Such images are not possessions. Attempts to grasp or hoard them do not work.

I call my path a Sophian Way. I have an icon of Sophia on my desk and I check in with her from time to time. It still feels authentic and makes sense to me. At the same time, I am aware of how much has changed since Sophia erupted into my life twelve years ago.

In the summer of 2007, I was immersed in my OBOD Druid studies. It was one of the few times in my life when I have cleared whole days for ritual work, and whole days for recovering afterwards. I found the work generating its own momentum, in some ways fulfilling the agenda of my course and in some ways pointing in a different-seeming direction. Images and dreams of dove feathers, either falling or lying on the ground – and then their actuality – became very prominent. Key images and ankh images were present as well.

The powerful dove imagery evoked Goddess associations from the Pagan tradition and Holy Spirit from the Judaeo-Christian one. To honour both, I found a reference in a modern Gnostic group ( www.thepearl.org/ ) that seemed to fit:

“Mortals have been created to dwell in the Garden of delights. … In the Garden stands the holy Tree of Life. High in its branches sings a bird. Listen to the voice of the bird, for when you are properly aligned with heaven and earth, she will tell you all things. … This bird or dove is also called Sophia”.

This felt like an authentic, and unifying, message for me because of its attitude towards the Garden. I as a human belong there. My belonging is not in question. There is one tree, the tree of life. The ‘knowledge’ aspect, such a disaster in mainstream Christianity, is very different here. There’s no apple to pick from the bough, but a bird who will sing to me. But something is expected of me, all the same, if I want to enhance my life and understanding. I am asked to align myself with heaven and earth. If I do this, I am assured that “she will tell you all things”. I don’t understand this as a discourse on metaphysics. I understand it as me listening in another key, listening to bird song in this metaphor, and so refining my sensitivity. For me, the imagery of the tree and the singing bird high in its branches is as resonant of a Shamanic or Pagan world view as it is of a Gnostic or Christian one. I do not have to choose.

The Pearl website turns to Joseph Campbell, a modern spokesman for the meaning of myth, on this point. He says: “people say that what we’re all seeking is the meaning of life. I don’t think that’s what we’re really seeking. I think that what we are seeking is an experience of being alive, so that our life experiences on the purely physical plane will have resonances within out innermost being and reality … as we get to know our innermost being we receive the keys that open up a life that is truly Life, for it is everlasting”.

My own sense of the ‘Life everlasting’ doesn’t pre-suppose an afterlife, re-incarnation, or any other world. Eternity, if anywhere, is present in the now. The song of the bird represents a neurosomatic wisdom, not a cognitive one, of living connectedness within one stream of life.

What I like about this reminiscence is that I have been given a chance to renew my sense of Sophia by returning to source. The original work is well-documented, so I haven’t had to rely on memory. I had completely forgotten about the ‘Pearl’ group. I’m also glad that I’ve seen more than first time round in terms of the tree and birdsong. At the time, I just recorded the images and threw down the references. It has renewed my relationship to the Sophia image in the now.

For information about OBOD see

http://www.druidry.org/

POEM: RAPT FORM

FIRE upon Night the way flashing

Cove within Earth the seed receiving

South into North of us –

Eagle upon mountain and the light ascending

The Bowl of the daily dark descending

Stars beyond the shore of us

The Centre stays and the pattern fixes

The Centre moves and the diagram mixes

For many and more of us.

The Eye shines as the cast is shining

The Bowl gathers darkness as the shade is spreading

The Pentagram weaves its tent overheading

The stars and the Polestar turning and twining

Until the rotating of day.

O day and night O night of time

[the weft upon the warp of rhyme}

I backward step to the abyss

Where Form ends and Nothing is –

Where Nothing ends and All-Thing is.

Ross Nichols Prophet Priest and King: The Poetry of Ross Nichols Lewes: The Oak Tree Press, 2001 (Edited and introduced by Jay Ramsay)

“Ross Nichols, who was a contemporary of Eliot, and rated highly by many including Edwin Muir, was Chief of the Order of Bards, Ovates and Druids (OBOD) until his sudden and unexpected death in 1975. An accomplished prose writer, essayist, editor and water colourist who exhibited at the Royal Academy, we can now see him as one of the ‘Apocalypse poets’ of the 1940’s As Chief of the Order from 1964, his contribution was substantial, re-introducing into modern Druid practice the Winter Solstice Festival and the four Celtic Fire Festivals, which he led at London and in Glastonbury.”(Book blurb)

For information about OBOD see http://www.druidry.org/

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