Contemplative Inquiry

This blog is about contemplative inquiry

Tag: Nature mysticism

ROSE, PEWTER & NATURE MYSTICISM

In my introduction to Contemplative Druidry (1) I describe “a wholly unexpected and not at all dramatic epiphany … triggered simply by noticing and contemplating a wild rose”. Although the experience lasted for only a few moments, “for some weeks I woke up every day with a sense of joy and connection”. It was a shift in my spiritual centre of gravity.

This happened on a midsummer morning in 2007, just outside the Scottish Border town of Melrose on the bank of the Tweed. It is a place loaded with religious and mythic reference – Melrose Abbey with its Green Man carvings and the heart of Robert the Bruce; the Eildon Hills, those hollow hills where the Queen of Efland took True Thomas, making it clear to him that she was not the Queen of heaven.

I had chosen to walk away from those, and towards a riverside path. My experience of the rose was entirely natural, in this legend laden land. In that sense I can call it an instance of nature mysticism, and a nudge towards a contemplative Druidry largely shorn of mythic narrative for the sake of a clearer eye. Looking back, I understood my experience as a lesser form of the one reported by the German mystic Jacob Boehme, who “fell into a trance upon looking into a burnished pewter plate that reflected the sun. In his ecstasy he saw into the very heart of nature itself and felt totally at harmony with creation” (2). Unusually for a seventeenth century Protestant, Boehme had a sense of the Divine feminine, and thought of Sophia as “the visibility of God”. He went on to be a key inspiration in a growing movement for a kinder, gentler version of the reformed faith despite the trials and trauma of his time. Boehme’s work finally appeared in English in 1662 and gave rise to a group called the Philadelphians, less known or numerous than the home grown Quakers.

Now I have entered another, different, phase. It is marked by a demystification of mysticism itself. It involves a deeper, more conscious inquiry into what I mean by ‘nature’ – the nature I see, the nature I am, and the relationship between them. On 23 May 2014 I scribbled down some words attributed to the 20th. Century teacher and sage Nisargadatta Maharaj and posted on the Science and Nonduality website. I thought of working them into the text of Contemplative Druidry. But though I found them inspirational, I hadn’t tested them or assimilated them into my experience, and so I left them out. These words are: “Love says ‘I am everything’, Wisdom says ‘I am nothing’. Between the two, my life flows. Since at any point of time and space I can be both the subject and the object of experience, I express it by saying that I am both, and neither, and beyond both”.

My new connection with the Headless Way, with its simple, transparent processes, provides a framework for doing the work I had not done two years ago. My readiness to do it owes much to my experience of contemplative Druidry during the intervening time, just as my earlier work with contemplative Druidry probably helped me to recognize the value of Nisargadatta’s words in 2014. As I move forward, I increasingly see the threads of continuity in my overall inquiry, and this gives me confidence and energy for the work itself.

  • James Nichol Contemplative Druidry: People, Practice and Potential Amazon/KPD, 2014 (Foreword by Philip Carr-Gomm)
  • Caitlin Mathews Sophia Goddess of Wisdom, Bride of God Wheaton IL: Quest Books, 2001

POEM: BUMBLE BEE

 

Crawling

among blackthorn stars,

the bumble bee is drunk.

 

Petals float

from her blunders.

 

Her wings

move in and out of humming.

 

On her body is the glory

of the sun’s

wet shine.

 

From Colin Oliver High River Sudbury, Suffolk: Downstream Press, 2006.

 

WESTERN WAYS II: MOVING TOWARDS SOPHIA

In my earlier Western Ways post I talked about a distinction between a ‘Native’ Tradition and a ‘Hermetic’ one, acting as “complementary opposites”. The first was said to be concerned with “ancestral earth-wisdom”, whilst the second was described as a “path of evolving consciousness”. (1)

I am influenced by this idea and the distinction that is being drawn. But I have a different sense of the detail, and a different experience of how these themes have played out in my life. My original choice to ground myself in Native tradition resulted from an experience in the Orkney’s. I was allowed to hold an ancient eagle claw necklace and an extraordinary energy shot through me – ancestral power, certainly, and a lesson in taking the heritage of land and ancestors seriously. However my current  of Druid doesn’t directly follow on from this experience, but is, rather, a contemplative nature mysticism. This is spacious and gentle and from my perspective generally works well in both its personal and collective versions. I feel satisfied with what I am doing and, in a good way, my inquiry energy for it is waning, even as my practitioner energy is present and available..

For me, now, the call of Sophia is more dynamic. It is a call from the other half of the Western Way – though not strictly Hermetic, because not concerned with the Greek-Egyptian figure Hermes Trismegistos. So I have decided to make my Way of Sophia the focus of a new  personal inquiry cycle. It is not like starting something new. It is more about making this aspect of my spirituality more focused and specific.

In my private sacred space I will establish a Temple of Sophia and this will be separate from from my involvement in Druidry. Ultimately there will be an integration and unity, but I’m aiming to craft a coherent overall Way. I’m not happy to treat pick’n’mix eclecticism and pluralism as more than a staging post. I want to give the Goddess her due and discover for myself how these apparently diverse approaches fit together. I hope that this may be of interest to other Druids, since many of us have a simultaneous engagement with other traditions.

I will report developments in this blog, and I will also continue to write posts outside the inquiry, including book reviews, poems, Druid contemplative developments, and other news and events.

  • Caitlin & John Matthews (1986) The Western Way: A Practical Guide to the Western Mystery Tradition: Volume 2 – the Hermetic Tradition London: Arkana

POEM: VISITING A HERMIT AND NOT FINDING HIM

 

Where the dogs bark

By roaring waters,

Whose spray darkens

The petals’ colours,

Deep in the woods

Deer at times are seen;

 

The valley noon:

One can hear no bell.

But wild bamboos

Cut across bright clouds,

Flying cascades

Hang from jasper peaks;

 

No one here knows

Which way you have gone:

Two, now three pines

I have lent against.

 

Li Po (701-62)

 

‘Visiting a Hermit and Not Finding Him’ is a common theme in Chinese poetry. The full title for the particular poem above is: ‘On Visiting a Taoist Master in the Tai T’ien Mountains and Not Finding Him’. Li Po is regarded as one of China’s greatest poets and wrote it between the ages of 17 and 19.

According to translator Arthur Cooper, such a poem is more than a ‘nature poem’ but “relates in its thought to the ‘spirit journeys’ of which Li Po himself was particularly fond and which are to be found in early Chinese poetry”.  In such poems the wise hermit ‘teaches without telling’, by letting the poet wait and not even meet him. Awakening to the landscape (external or internal) carries more spiritual meaning than speculation about the whereabouts of the hermit.

Another approach to the same theme is offered in a famous poem by Chia Tao (777-841):

 

Under a pine,

I asked his pupil

Who said, “Master’s

Gone gathering balm

 

Only somewhere

About the mountain:

The cloud’s so thick

That I don’t know where.

 

Li Po and Tu Fu Poems Selected and translated with an introduction and notes by Arthur Cooper. Harmondsworth: Penguin, 1973

 

POEM: A WITHERED TREE

Not a twig or leaf on the old tree,

Wind and frost harm it no more.

A man could pas through a hole in its belly,

Ants crawl searching under its peeling bark.

Its only lodger, the toadstool which dies in a morning,

The birds no longer visit in the twilight.

But its wood can still spark tinder.

It does not care yet to be only the void at its heart.

 

By Han Yü (768-824)

From: Poems of the Late T’ang translated from the Chinese with an introduction by A.C. Graham Harmondsworth: Penguin, 1965

Han Yü was primarily an essayist and polemicist, and initiated an ultimately successful Confucian revival at a time of Buddhist cultural dominance. When writing verse, he adopted devices traditionally confined to prose and to fu (prose poems) and sought to attend to the social and human content of poetry.

CONTEMPLATIVE DRUIDRY IN 3 SENTENCES

Elaine and I were recently asked by a non-Druid local group to define contemplative Druidry in 3 sentences.  This is what we came up with.

“Contemplative practice in Druidry supports what has been called ‘the Nature mysticism of modern Druidry’. Our understandings of what this means are provisional and inquiring – those of us who follow the Druid way are encouraged to craft our own practices in accordance with our inner guidance, our needs and wishes. Practices in the Stroud-based group include group meditation, personal sharing, outside walking meditation, chanting and contemplative arts.”

This mix of practices also forms the basis of our retreat days for the wider Druid and fellow-travelling community. This year we are running two such days – one in London on Sunday 7 February and the other in Stroud on Saturday 1 October together with Nimue and Tom Brown. See also http://contemplativedruidevents.tumblr.com

We owe the phrase ‘the Nature mysticism of modern Druidry’ to Philip Carr-Gomm, who leads the Order of Bards, Ovates and Druids (OBOD), who used it in his foreword to Contemplative Druidry: People Practice and Potential. He also pointed out that the Druid way as a whole is one where we take responsibility for crafting our own practices. We see this a something we need to emphasise, since this approach is still unusual in spiritual movements as a whole.

 

CONTEMPLATIVE DRUIDRY 2016

The next month is a busy one for contemplative Druidry. Our group in Stroud has its first meeting next Tuesday. Towards the end of January Elaine and I will be working with another local group that meets to explore sacred traditions. Then on 7 February we are running  a Dark of the Moon Workshop day retreat in London, at Treadwell’s Bookshop’s workshop space, 33 Store Street, London WC1 E7BS. Our specific intent is to  greet the dark of the moon at the time of Imbolc and the first stirrings of the Earth. The programme will include contemplative exercises, subtle energy work, silent sitting and Awen space group meditation. As with all of our public events, anyone willing to work within a Druid framework for the day is welcome.

The end of January also sees the publication of a new Moon Books anthology Pagan Planet: Being Believing and Belonging in the 21st. Century – see http://www.moon-books.net  and Nimue Brown’s presentation of the book. I have a piece in it on practising contemplative Druidry. Since I wrote it I have become even more convinced that contemplative Druidry is not a distinct form of Druidry, but rather a flavour, or way of working within it. We can create specific environments and practice frameworks that enable contemplative practice, and understand them as an option within a range of options.

More broadly, I think that the contemplative meme is now well recognised. My 2014 book Contemplative Druidry: People Practice and Potential is still finding new audiences. The Contemplative Druidry Facebook group, which I stopped administering in 2013, continues to thrive, now with a membership of over 1100. Elaine’s blog at http://contemplativedruidevents.tumblr.com/ and the Contemplative Druid Events Facebook page have received increasing increasing attention in the last couple of months, perhaps in part due to the Contemplative Druidry article in the Samhain 2015 edition of Pagan Dawn. Other events are planned for later in the year.

I’ll continue writing about these and other developments in this blog.

ANAM CARA

This post is about the anam cara, or spiritual friend in Gaelic tradition, and about the use of language. Recently I wrote about allowing more space and using fewer words. This wasn’t a renunciate view of language, which I value highly. My hope was that “more space” would allow “something new to emerge”, and that my words, though fewer, would be better chosen.

I am starting to see some fruits from this strategy. I’ve also recently said that I experienced Sophia “as a psychopomp or inner guru”. Now I would say, “anam cara”. This term is known from the early days of Christian monasticism in Ireland and is in current use within the Scottish-based Celie De – see http://www.ceilede.co.uk/

It is a mentoring relationship, not a peer one, but it includes the sense of a real personal connection, not just a role. People speculate about whether it is an inheritance from indigenous Druidry. Subjectively, my relation with Sophia feels like this: much more than psychopomp or inner guru. In my understanding ‘anam cara’ is gentler, subtler and less formal.

The Sophia I experience is not a rhetorical device (personification) or a glove puppet arbitrarily selected by me. She is also not – in my sense of things – a mind independent celestial being. Rather she is the felt presence, the voice, and at times the image of a deeper nature – and my inner link with the Oran Mor (the song of what is). From a personality perspective, this deeper nature is ‘not me’ and not owned and controlled by ‘me’, so I have to work at relationship.

From the perspective of deeper nature, the separation doesn’t exist. At times Sophia can point beyond herself and then I may enter the subjectivity of deeper nature and experience the world differently. The little ‘I’ and the anam cara are as one, beyond separation and immersed in the song. But most of the time that’s not how it is in my subjective life world, and a link to that fuller reality is provided by Sophia and her nudgings and promptings.

I don’t make any fundamental distinction between nature and spirit. All, for me, is contained in the word nature (or terms like the Oran Mor).  Nothing is lost. Cosmos, relationship and practice remain the same. But the use of a nature language is truer to my experience.

TOWARDS A CONTEMPLATIVE NOTE: REFLECTIONS ON 3 OCTOBER

I sense that we are finding a contemplative note in Druidry. To an extent we have had it for a while, but it’s becoming more assured. Last Saturday we had an open contemplative day in Stroud for Druids and fellow travellers willing to join us. I worked with Elaine Knight and Nimue Brown as co-facilitators. Some of the participants travelled a considerable distance for the event. Many of those present were new to each other. Some were new to this kind of event.

Yet the day felt very cohesive. For me, the group note resonated strongly though also softly. The vibration was a subtle one, interwoven with silence and stillness, whilst also clear and distinct. Building community together, and working together, we were more than the sum of our parts. We created a group identity, and sounded our note. I understand this as our small contribution and offering to the Oran Mor, the great song of what is.

I’ve been reflecting on how this happened, and on lessons to take forward. The main single factor has to be that everyone in the group understood the offer, was open to the experience, and wanted it to work. This is such an obvious aspect of a success that it can go unrecognised, like the so-called ‘placebo’ effect in healing: people engage their good will, almost unconsciously, and it has a strong positive effect.

On the facilitator side, there are several things we got right and that I want to remember. Having a record will help that.

We made a good choice of venue for the occasion, and this was supplemented by the blessing of a golden autumn day. The programme relied on activities, which someone at another of our events named as “simple but profound”. This choice is definitely part of our note. The building of our ritual container, whist still ‘lean’, was just a little bit more elaborate than in our local group. It clearly marked our sacred space and our expectations about how we would work in it.

I also found myself casting our circle in ‘the contemplative grove of druids’. This time I was careful to avoid the term ‘grove of contemplative druids’.  I have found naming ‘contemplative druidry’ to be a useful way of classifying a sub-set of interests within druidry. But I now believe that to think of people themselves as ‘contemplative druids’, a separate species within larger druid genus, is potentially divisive and doesn’t allow individuals to have inconveniently multiple interests. At the same time, when we join together in a contemplative event, we are indeed being intentional about contemplative practice. I have come to think of Contemplative Druid Events as a vehicle for a latent grove, a grove which constellates during our events and therefore deserves to be named. This grove provides space for our emerging note.

The note was considerably enriched when Nimue led a session that involved us in finding simple personal sounds and vocalising them over an extended period of time. After a while we could sense those diverse and discordant seeming sounds (our individual notes) come together as a collective sound where people spontaneously worked together. So the group note was worked for, discovered and explored in an absolutely literal way – and one which changed the atmosphere of the room. Later in the day, Elaine took the group through a version of an energy body exercise that went on to identify and reinforce the energetic connections between people, linking us as a group at subtle levels before moving into an animistic exercise. In my experience as a participant, these sections of the day were simple, profound and powerful too.

We made sure that we varied the pace of the day. Some of the work was relatively intense, but we had more leisurely and relaxed spaces as well, enjoyed time outside and made sure of an abundant supply of refreshments. For me, 3 October 2015 was a step forward in the evolution of our work. My heartfelt thanks to everyone involved.

THE PEACE OF SOPHIA

This post is about contemplation and peace – peace as lived experience, rather than as hope or idea. I am discovering the peace of Sophia.

In my practice I experience Sophia as a psychopomp or inner guru. Conventionally she is a guide of light. Actually she is a guide of dark as well. Either way she points beyond herself. Generally using a method of subtle prompts and suggestions, she opens my way to a deeper nature.

Just recently she has been showing me a way to peace as an inner space, like a well-spring at the core of being. This is not a new idea, nor yet a new experience. But there’s more clarity around it, more definition – also, in a felt sense, more weight.

It began with an intense vision of braided threads – black, white and red, the traditional goddess colours. I felt nudged to identify the colours with peace, joy and love. Peace had some primacy. Although this is a triadic image, I began to see it as a four: black, white, red and black. Here the peace of the Goddess is defining. It is linked both to origin and return, and to spaces within and between other forms of experience. It may seem like simple negation. But it is an active force, like the ‘emptiness’ in some Asian traditions.

The good news is that ‘peace’ does not depend on external conditions. It can be accessed and developed within, both individually and collectively. This is why, to a certain extent, practices like meditation can be a protective or resiliency factor in relation to bad outside conditions. The trick here is to avoid a descent into the wrong kind of magical thinking and expect too much. Challenges still have to be dealt with at their own level: it’s just that having a baseline of inner peace tends to make practitioners more resourceful in dealing with the busy apparent world.

Cultivating the peace of the Sophia is currently centre stage in my solo work. In his foreword to Contemplative Druidry Philip Carr-Gomm quoted the well-known line “Deep peace of the quiet Earth”. My extension of that thought, based my current experience, is to say ‘as without, so within’. I believe this double recognition is necessary. To the extent that I am a nature mystic, the aspect of nature with which I am most concerned is me, in particular a deeper nature behind the surface personality.  Only by attending to both this nature within and nature around and beyond me can I refine the relationship between them and so identify any gift I might have for the world.

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