contemplativeinquiry

This blog is about contemplative inquiry

Tag: Love

PATTERNS OF MIND

William Anderson’s Green Man poem (1) describes winter branches as like “veins in the brain” making “patterns of mind” on the sky. This is the bleak beauty I see through my bedroom window. Anderson uses imagery of this kind to affirm an aspect of his Green Man’s identity.

“I am thought of all plants”, says the Green Man.

“I am thought of all plants”, says he.

I am experiencing a beautiful bleakness right now, grounded, lethargic, and shut away from the world – yet keenly sensitive to “patterns of mind”, or rather bodymind. As I wrote in my last post (2) I strained my back two weeks ago, without any obvious triggering event, and have only just recovered my normal mobility. My recovery process has been slower, with more setbacks, than similar processes in the past, in part I am sure as a consequence of ageing. My sleeping patterns have been disrupted and not well calibrated to times of night and day. Within a weatherperson’s ‘dry spell’ on Wednesday, I found that simply being able to leave the house and sweep leaves off a garden path gave me a great sense of pleasure and accomplishment. I began to feel confident of recovery, and my recovery has gathered pace from that time.

At the same time, I believe there is a larger context for my sense of vulnerability to stresses and strains. My contemplative life is centrally about giving myself to the flowing moment, as living presence in a field of living presence. The moment holds everything. If the Green Man is ‘thought of all plants’, we as humans hold the life of the world, and its collective stresses and strains, within our extended sensitivities. At the personal level I ask myself, how much can I hold? Intuitively I answer that I am already holding more, like it or not, than I allow myself to realise. ‘Can’ doesn’t come into it. I speak from a place, individually, of relative safety and security, for which I am very grateful. But this personal life is only part of the story. I am involved, too, in a larger life. My current vulnerabilities have their own unique features, and also reflect the vulnerabilities of the world. I don’t feel alone in this experience. I believe that I share it with many other people, each with their own story about how it presents itself.

(1) William Anderson Green Man: archetype of our oneness with the Earth Harper Collins: London & San Francisco, 1990. See:

https://contemplativeinquiry.blog/2017/05/11/poem-green-man/

(2) https://contemplativeinquiry.blog/2020/11/10/bare-bones-bare-experience/

AUTUMN EQUINOX 2020: HAZEL, SALMON, AWEN

In the outer circle of my mandala of the year (1), hazel presides over the days from 16 September to 8 October.

In the middle circle, divided into quarters, the one beginning at Lughnasadh/Lammas is represented by a salmon.

In the inner circle, where there is no sub-division, I have three seed pearls standing for the Awen. The Autumn Equinox is a time when images from the three layers of the mandala line up particularly well. (See NOTE below)

The lore and legend surrounding hazel have a stronger hold on me than the physical tree, though I do find hazels in my locality. For the ancient Celts, the tree was linked with wisdom and known as the food of the gods. Irish tradition (2,3) speaks of the sacred salmon who swim in a pool surrounded by nine hazel trees. This pool was known as Conla’s Well or the Well of Segais and it is the source of the River Boyne. When the trees drop their nuts into the water below, the salmon eats them and so carries them into the sea and back in their annual spawning run. “The cycle was seen as a metaphor for the passing of wisdom from age to age and from person to person” (2). The ancient Druid temples of Newgrange, Knowth and Dowth are to be found in the Boyne Valley.

Ireland and Western Britain are watery places, well-located for intimations of wisdom in watery forms. In modern Druidry, circle work makes links between the west, water and autumn, understood as the quarter following Lughnasadh/Lammas. There are suggestions, too, of love and intuition flowing together in harmony. The Autumn Equinox stands at the point where the light half of the year gives way to the dark half – not suddenly, or violently, but as part of a gentle transition, where the qualities are more or less balanced on both sides of the divide. Tradition also gives us the image of the Well of Segais  as “a shining fountain, with five streams flowing out of it” (3). Here, the invitation, at least for ‘the folk of many arts’, is to drink from the five streams (the five senses) and from the fountain itself (the source of life). In a nutshell, our wisdom is best served by drawing on both the life of the senses and on the flow of inner inspiration (Awen). Neither needs to be sacrificed to the other.

(1) See the ‘house’ section of: https://contemplativeinquiry.blog/2020/08/12/meditation-wisdoms-house/

(2) John Matthews & Will Worthington The Green Man Oracle London: Connections, 2003. Also source of the image at the top.

(3) Philip and Stephanie Carr-Gomm The Druid Animal Oracle: Working with the Sacred Animals of the Druid Tradition London: Fireside, 1994 (Illustrated by Will Worthington)

NOTE The two pictures below give a rough sense of the mandala, and of relationships at the Autumn Equinox, though not the way it looks as a mosaic in my innerworld. The tree images are taken from The Green Man Tree Oracle (2). They stand in for the ones in my mandala, which are more naturalistic and sometimes involve more than one plant: hazel, west; rowan, west-north-west, yew, north-west; elder, north-north-west; holly, north; alder, north-north-east; birch, north-east; ash & ivy, east-north-east; willow, east; blackthorn, east-south-east; hawthorn, south-east; beech & bluebell, south-south-east; oak, south; gorse, south-south-west; apple, south-west; blackberry & vine, west-south-west. The selection as a whole is based on my personal experience of trees in the neighbourhood as well as traditional lore. The elemental images are from R. J Stewart The Merlin Tarot London: Element, 2003. Illustrated by Miranda Grey.

BOOK REVIEW: SOUL LAND

Highly recommended to anyone who values the poetry of place. Natalia Clarke’s Soul Land: Nature, Scotland, Love (1) is a chapbook featuring 22 poems about her connection with Scottish landscape. That connection is intense, and shared in these poems through a powerful and distinctive voice.

The poet grew up in Siberia, enjoying “immersive life and experiences with nature and magic” (2), before being exposed to “intense emotions of love and loss at a tender age”. Her journey took her to England and its publishing industry with a later shift into the field of psychotherapy and a personal spiritual awakening. This is the context for the visit to Scotland “that changed me on a profound level”. She fell in love with what she came to call her “Soul Land”.

In the poem Love Everlasting, she writes:

“My knees touched the greenness

of your body and in

awe I stood amidst a stone

circle feeling protected and

contained.

I lowered myself into your

cooling stream imagining I

washed myself anew”.

The words have both erotic and mystical resonances: perhaps it misses the point even to make the distinction. In another poem The Land of Me, she talks of the land “stealing my soul” and how this theft feels like “the gentlest fall into paradise”.

This is not a song of life and work within a landscape and the human culture it has shaped, and which has shaped it in turn. It is a personal I-Thou connection with a sacred space that the poet visits from time to time. Natalia Clarke is clear and sensitive about this, as shown in Through the Eyes of A Highlander, where we find a different consciousness of place, and in his case, its human history: “Where I see beauty he sees barren landscape … where I feel silence he shudders with sorrow”. Natalia Clarke knows that her sense of home, in this for her newly discovered land, is bound up with her own life and longing, and what she brings to the encounter.

In the later poems we find a closer observation of detail – “water silky soft and the colour of silver … green pine needles hitting my senses with clean potent fragrance”. The land feels more maternal – even, in a sense grandmaternal. In the poem In My Dreams You Visit Me the poet finds herself “transformed into the old Cailleach walking the hills and mountains with deer by her side”.

Natalia Clarke feels blessed in this wild space: “inhaling paradise, assured, grounded, humble, in your exquisite perfection”. Although led by her intuition and her feelings, she shows how her experience of the Scottish landscape has indeed grounded her.

“’All is well,’ the land whispers

into my soul spreading her

seasons around me”.

In a prose conclusion to the collection, Natalia Clarke also spells out the conceptual basis of her way of experiencing and relating. The key terms are ‘home’, ‘soul’s calling’ and ‘nature’. Home is “our secure ground, safety and knowing” with a feeling-tone that is “contented and contained”. She speaks here as a person who has lost her link with her “original motherland” and has needed to find ‘home’ elsewhere. A soul call is “very impulse driven, animalistic and instinctual”, asking us “to be more, to feel more” and join “something beyond yourself, new, meaningful and expansive”. Nature is not simply about solace. Deep understanding of nature can bring both peace and turmoil into our souls, “as processes are parallel within nature and if we tune into nature’s rhythms, we risk deeper understanding of ourselves”. True homecoming, the homecoming that involves soul, asks us to take risks as well as offering safety. For Natalia Clarke, Nature favours the brave.

(1) Soul Land: Nature – Scotland -Love Kibworth, UK: Matador, 2020

(2) https://rawnaturespirit.com/ (The collection can be ordered from this site by clicking on ‘publications’.)

GNOSIS AND LOVE

This post looks at two sentences from the Gospel of Thomas and concludes a series of three posts about this text and how I read it.

“Yeshua said: When you bring forth that within you, then it will save you. If you do not, then that will kill you”. (From saying 70)

What is ‘that’? I could jump in and say the experience of ‘living presence’, in contact with the ‘bubbling source’ discussed in earlier posts on this theme, and this feels right to me. But I also find my understanding extended by translator and commentator Jean-Yves LeLoup, who offers two meanings for that, gnosis and love. Although he doesn’t fully spell it out, the sense I get from him is that they are co-arising and belong together. LeLoup understands gnosis, as Yeshua uses this term, to be “a consciousness that arises directly from knowledge of ourselves, of the ‘Living One’ within us”. He also describes it as “a transparency with regard to the ‘One who Is’ in total innocence and simplicity”. He adds: “this is why the qualities of the gnostic are said to be unconditioned, to resemble those of ‘an infant seven days old'”. Without gnosis, “the universe remains radically alien and incomprehensible”. With gnosis, love is free to flourish. LeLoup describes those who live in gnosis and love as “able to marvel at the vast richness in the tiniest manifestation of being”, graced with what seems like “unreasonable abundance”. In the absence of gnosis and love, we are vulnerable to experiencing life as stale, depleted and desolate. Yeshua is uncompromising on this point. This is the core of his teaching.

When encountering the Yeshua of this text, I have tried to let go of all other associations with the names Yeshua or Jesus. I have striven for a pristine response, as if I had not heard of this teacher before and knew nothing of the points of view claimed for him by the Thomas writer vast numbers of other people over the centuries. I haven’t found this easy. When I succeed, at least relatively, and respond to this text alone, I experience a fiercely and impatiently compassionate teacher who wants to shock people into an awakening to that – gnosis and love, in the sense understood in this text.

Yeshua’s compassion lies in his deep appreciation of the benefits of being awake, and the wish that others would share them. The impatience, perhaps a slightly wounded and bewildered one, comes from the way in which most people seem to be finding endless ways of not joining Yeshua in the sweet place where he dwells. So he uses a hyperbolic language in which that will either save you if you take it on or kill you if you don’t. Commentators say that, as a man of his place and time, Yeshua drew both on his Jewish inheritance and a Greek tradition of radical Stoicism, known as Cynicism (the modern definition is misleading) (2). Both had elements of exasperation with the public and lack of deference to the ruling class. People could be wiser and better than they are. So, why aren’t they? – and what can be done?

Hence the gospel of gnosis and love is not all about the inner life. Saying 3 of Thomas says; “the Kingdom is inside you, and it is outside you”. Jean-Yves LeLoup salutes this as “the wisdom of non-dualist language”: ‘inside’ alone “would give one-sided privilege to inner experiences and meditations. This would encourage us to flee the world, to disregard what is going on around us”. But ‘outside’ alone would encourage us to transform the world and convert others at all costs, “and it would be selfishness to sit in silence and listen to the song of the Living One in our heart”. We are asked to work with both dimensions, in this teaching, for gnosis and love to flourish.

(1) The Gospel of Thomas: the Gnostic Wisdom of Jesus (Translation from the Coptic, introduction and commentary by Jean-Yves LeLoup. English translation by Joseph Rowe. Foreword by Jacob Needleman) Rochester, VT: Inner Traditions, 2005

(2) The Gospel of Thomas: the Hidden Sayings of Jesus (New translation with introduction and notes by Marvin Meyer. Interpretation by Harold Bloom). San Francisco, CA: HarperSanFrancisco, 1992. “The Cynics emerged from the philosophical tradition of Socrates as social critics and popular philosophers who lived a simple life and employed sharp, witty sayings in order to make people raise questions about their own lives. The influence of the Cynics and other Hellenistic thinkers is evident in the Galilee of the first century; Jewish wisdom literature itself bears the marks of Hellenistic concerns.”

NOTE: This post continues a discussion begun at https://contemplativeinquiry.blog/2020/3/28/living-presence/ and continued at https://contemplativeinquiry.blog/2020/4/02/wisdom-writing/ and https://contemplativeinquiry.blog/2020/4/04/the-bubbling-source/

PUBLISHED: April 4, 2020

MEDITATION AND HEALING

“The healing journey is not about ‘getting rid’ of the unwanted and ‘negative’ material within us, purging it until we reach a perfect and utopic ‘healed state’. No. That is the mind’s version of healing. Healing is not a destination. True healing involves drenching that very same ‘unwanted’ material with love, presence and understanding.   For what we attend to, we can love.

“Meditation just means looking with fresh eyes, being aware and awake to what is, flushing our embodied experience with attention, and thus can only ever happen in the newness of the present moment.

“You can drop into this space of meditation wherever you are and whatever you are doing. On the bus or train or resting cross-legged and eyes-closed in your living room, walking through the forest or through a shopping centre, or sitting on a park bench or in a doctor’s waiting room.

“You can do it alone or with others. Every moment of your life, there is always the wonderful possibility to slow down, breathe deeply and get curious about where you are. To begin again, to see life through the eyes of not knowing. To stop thinking about your life in the abstract, to stop seeking some other state or feeling, to stop running towards another moment, and really fully experience this unique instant of experience.”

Jeff Foster The Joy of True Meditation: Words of Encouragement for Tired Minds and Wild Hearts Salisbury, UK: New Sarum Press, 2019

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