Kashmir Shaivism | contemplativeinquiry

‘MAGIC/DELIGHT’

“When we see a magic trick – or anything else that catches us off guard in a magical way – in the moment of surprise our mind stops, and there is a flash of delight. We are in a state of mute wonder.

“The same bliss of wonder, delight, and amazement is the focus of this meditation. We use our response to propel ourselves into a state beyond the mind, a state where we see the magical nature of life.

Our delight in what we are seeing, coupled with an amazed mind, become a doorway into an intuitive flash in which we remember that life itself is like a magic show, a dream – and not at all what our worries little self was thinking it to be!

“This meditation encourages us to attend to all the moments of surprise and delight that occur throughout our day.

“The following contemplation can help prepare us to take full advantage of these moments.

“Practice thinking of delight

“Bring to mind a memory of a time when you experienced surprise and delight;

“Focus on your reaction – feel fully your surprise and the wonderful sensation of your delight;

“In this thought-free moment, let the great bliss remind you of the true nature of reality;

“Remain alert for these moments as they occur throughout the day.” (1)

(1) Meditation 43 from: Lee Lyon The 112 Meditations from the Book of Divine Wisdom: the Meditations from the Vijnana Bhairava Tantra with Commentary and Practice Santa Fe, NM: Foundation for Integrative Meditation, 2019. See http://www.integrativemeditation.org

Lee Lyon’s introduction describes the Vijnana Bhairava Tantra as “a compendium of meditations from the 8th century Shaivite tradition in Kashmir. Acknowledged as one of the supreme jewels of the Tantric tradition of northern India, this much loved text had remained largely obscure until its rediscovery last century. … One of the great hallmarks of this tradition is its … enthusiastic engagement with all aspects of our life experience, even the ‘unspiritual’, as wonderful, natural gateways into our true nature”.

The basic teaching is to move through the surface appearance of our lives into “the pure energy behind form”. It is through engaging “the deeper energy in any experience, pleasurable or difficult, ecstatic or terrifying, that we move through the appearance of separation into the ever present Oneness.”

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January 16, 2023

SKY

“Isaac spent all his time reading in a dark house, refusing to go out into the sunshine. His next-door neighbor was a hidden spiritual master, who periodically dropped by to say to Isaac, ‘don’t spend your whole life hunched over your desk in this dark room. Get out and look at the sky!’ Isaac would nod and keep on reading. Then one day his house caught fire. Grabbing what possessions he could, he ran outside. There, he saw the master, pointing upwards. ‘Look,’ said the master, ‘Sky!’ In this story, there are three elements that represent the process of awakening: the fire, the master, and the sky. Kali is all of them.” (1)

(1) Sally Kempton Awakening to Kali: The Goddess of Radical Transformation Boulder, Colorado: Sounds True, 2014

Sally Kempton belongs to the tradition of Kashmir Shaivism, and has described her path as a contemplative and devotional Tantra. For this tradition, a subtle vibratory energy is the substratum of everything we know, and the expression of a divine feminine power called Shakti. This power has five faces – the power to be conscious, the power to feel ecstasy, the power of will or desire, the power to know, and the power to act.

All of these powers come together in the act of cosmic creation, when divine intelligence spins a universe out of itself in Shakti’s dance. Her powers are constantly at play in ourselves and the world, nudging us towards an evolution of consciousness, with which we must align when we seek conscious transformation. Shakti, the formless source of everything, takes multiple forms. Indeed the whole complex Indian pantheon, gods and goddesses alike, are forms of Shakti.

Sally Kempton says that anthropologists have identified two basic versions of Kali, specifically, in popular Indian religion. There is a forest and village Kali represented as scary and half-demonic, and the urban and more modern Kali Ma – “a benign and loving source of every kind of boon and blessing”. Here, her wildness is largely symbolic. Kempton’s Kali seems to be a challenging, ruthlessly compassionate teacher and guide.

In a recent post I wrote: “it is as if I am resourced by a timeless, unboundaried dimension from which I am not separate”. (2) It is my current experiential understanding of the spiritual approach knowns as ‘non-dualism’. Kashmiri Shaivites, Including Sally Kempton, are non-dualists. They are entirely at ease with deity devotion as part of the path.

I am wondering now if, and how, a greater element of deity oriented and devotional practice might add to my own path. Just over three years ago I let go of a ‘Way of Sophia’ thread, with some pain, because it no longer felt authentic. All that’s left is my address to the Goddess (Primal Cosmic Mother, Lady Wisdom) in the Druid’s prayer. Something is missing, I think, and I feel close to another shift. Frankly, I feel nudged.

(2) https://contemplativeinquiry.blog/2022/12/31/a-direction-for-2023/

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May 30, 2021

LEARNING FROM OTHER TRADITIONS: KASHMIR SHAIVISM

My Druidry is an earth pathway and a nature mysticism – and it is more than that. It is concerned with recognising, and living from, a divine identity in a divine world. I practice a panentheist, non-dual, Druidry. But few of the mystical traditions known to history have fully held the two aspects together as one. Kashmir Shaivism, a form of traditional Indian Tantra, is an exception. Sally Kempton (1) explains.

“Rejecting the Vedantic view that the material world is illusory, an empty dream, the sages of Kashmir Shaivism saw all forms of the universe as manifestations of divine creative energy, of Shakti, the dynamic female principle. They worshipped Shakti in themselves, in the earth, and in every substantial and insubstantial thing, and they looked for the pulsing heart of divine bliss within all domains of experience. Astute seekers of the tradition knew innumerable pathways for uncovering the experience of the divine. They knew how to extract it from states like terror or pleasure or in the high point of a sneeze; the knew how to find the pulsation of ecstasy in empty space, in fixed attention, and in the sensations that come from swaying or twirling, or enjoying music or the taste of food.

“But the crucial insight of Shaivism is the recognition that when human consciousness lets go of its identification with the body and reflects back on itself, it is revealed as a perfect, if limited, form of the supreme ‘I’, which is God. By expanding their own I-consciousness beyond its limits, past its tendency to cling to narrow definitions of itself, yogis of the Shaivite path experienced God as themselves.

“Because they saw the world as divine, the Shaivite yogis of Kashmir had no difficulty enjoying life in all its different flavors. In this they differed from their Vedantic cousins and from the Madhyamika Buddhists who inhabited the same region of India. Shaivism was not a traditional renunciate’s path. Abhinavagupta (975-1025 CE), the preeminent genius of the tradition, was not only a philosopher and a widely revered guru but also an aesthetician, and artist and musician, and the center of a circle where sensory experience – including art, music and drama – was constantly being transmuted into yoga.

“It is this insight – that a serious practitioner of yoga does not reject their world, but instead transforms daily experience through their practice – that sets Kashmir Shaivism apart from many Indian yogic traditions, and has made this system particularly resonant for our time.”

(1) Sally Kempton Meditation for the Love of It: Enjoying Your Own Deepest Experience Boulder, CO: Sounds True, 2011

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September 14, 2020

THE SPACE BETWEEN BREATHS

“When a pendulum swings, there is a fraction of a moment at the end of each swing when the movement stops, before the pendulum starts to swing back. That moment of pause is the madhya, the central still point out of which the pendulum’s movement arises. All movement – whether the swing of an axe, the movement of the breath, or the flow of thought – arises out of such a point of stillness.

“That still point is an open door to the heart of the universe, a place where we can step into the big Consciousness beyond our small consciousness. As the medieval English saint Julian of Norwich wrote, ‘God is at the midpoint between all things’.

“… Such points exist at many different moments. One of these is the pause between sleeping and waking, the moment where we first wake up before we become fully conscious. Another is the moment before a sneeze or at the high point of a yawn. Another is the space between thoughts.” (1)

For Sally Kempton, this is the inner realm that mystics and sages have called the Heart – not the physical heart, or even the heart chakra, but “the Great Heart that contains All-that-is … the consciousness that underlies all forms”. Her recommendation to meditators is to follow the breath, and to enter the madhya in the spaces between the inhalation and the exhalation, and between the exhalation and the inhalation. Focusing on the sound of the breath with a subtle and relaxed attention, we find the gaps and over time, without forcing the process, we find them expanding.

Sally Kempton’s Meditation for the Love of It has companioned me for the better part of a decade, and I am grateful for her influence on me as a contemplative practitioner. I do not follow her path of Kashmir Shaivism and the Tantric philosophy that underpins it. But I have always liked her framing of ‘meditation for the love of it’, which I see as a Druid and Pagan friendly approach. I also like the quality of her writing, and many of her practical recommendations.

In the present instance, I have found that the space between breaths is indeed a portal – placing me, in my own language, as ‘living presence in a field of living presence’. My experience is that the discovery of the space between breaths can lead on to a discovery of stillness even within the breath as it rises and falls. Stillness in the breath, co-existent with the movement of the breath, is potentially available at all times. It is largely through Sally Kempton’s work that I learned this lesson, and I am grateful to her for the experience and insight that I have gained.

(1) Sally Kempton Meditation for the Love of It: Enjoying Your Own Deepest Experience Boulder, CO: Sounds True, 2011

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February 9, 2018

TANTRIC MEDITATION

“There are many schools of tantra, but the tantric tradition that I follow is at its heart a methodology, a set of yogic practices that aim at yoking us (yoga means ‘yoke’) with the numinous energy at the heart of things. One fundamental premise of tantra is that a skilful practitioner can use anything – any moment, any feeling, any type of experience – to unite with the divine.” (1)

When exploring the ‘Direct Path’ approach late last year (2), I mentioned Tantra, especially the tradition of Kashmir Shaivism. I said : ‘if the Vedantic path is the path from I am something (a body and a mind) to I am nothing, the Tantric path could be said to be the path from I am nothing to I am everything. If the Vedantic path is one of exclusion and discrimination, the Tantric path is one of inclusion and love. The Direct Path brings them together.’ The consequence for me has been a further tilt towards Tantra. After working with Rupert Spira’s contemplations (3) – for me, still Vedantic in flavour – I went on to work with another audio resource, offered by Sally Kempton (4). This is a modern presentation of practices from a classic Tantric text (5). I also re-acquainted myself with Sally Kempton’s Meditation for the Love of It (1), which I first worked with some years ago. In her introduction, quoted at the beginning of this post, she goes on to say:

“The core tantric strategy is to harness and channel all our energies, including the apparently distracting or obstructive ones, rather than trying to suppress or eliminate them. When we do that, the energy within thoughts, within emotions, in our moods, and even in intense feelings like anger or terror or desire, can expand and reveal the ground that underlies everything, the pure creative potential of consciousness itself. Tantrikas call that creative potential shakti.

“Shakti, the so-called feminine aspect of divine reality (often personified in Hindu tradition as a goddess), is the subtle pulsation of creative potency that permeates all experience. It is normally so subtle and hidden that tuning in to shakti can feel as if the veils came off your senses, or like that moment in The Wizard of Oz when the landscape goes from black-and-white to Technicolor. In our reflective moments, the felt sense of shakti can be accessed by sensing the life force that pulses in the breath, and that is often experienced as energy currents moving in the body. In the yoga traditions, this internal shakti is called kundalini. It is quite literally the power that impels spiritual evolution. Though kundalini has hundreds of facets, one of the simplest ways we experience is as a subtle energetic pull – sometimes called the ‘meditation current’ – that draws the mind inward when we meditate. Many of the practices in this book help draw your attention to this energetic presence in the mind and body.”

The result of this work is a sense of closure for my contemplative inquiry, as an inquiry about path and practice. At the end of it, I find my home in a modern Pagan Druidry that fully integrates Tantric features, whilst also responsive to the wisdom of other traditions. My practice has a contemplative core. It continues to include formal meditation, body/energy work and an intuitive Goddess devotion. I live the wheel of the year. My inquiry energy is now turning outwards, wondering about new forms of engagement in the world.

(1) Sally Kempton Meditation for the Love of It: Enjoying Your Own Deepest Experience Boulder, CO: Sounds True, 2011 (Taken from the author’s preface.)

(2) https://contemplativeinquiry.wordpress.com/2017/11/21/intensive-inquiry/

(3) Rupert Spira Transparent Body, Luminous World – The Tantric Yoga of Sensation and Perception Oxford: Sahaja Publications, 2016

(4) Sally Kempton Doorways to the Infinite – the Art and Practice of Tantric Meditation Boulder, CO: Sounds True, 2014

(5) Jaideva Singh Vinanabhairava or Divine Consciousness: a Treasury of 112 Types of Yoga Delhi: Motilal Banaridass, 1979

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January 7, 2018

CONTEMPLATION AS SACRAMENT

Everything is sacred, but dedicated time and space provide a focus. They deepen our recognition of what is already true. Sacrare in Latin means ‘to hallow’ and I feel hallowing to be mostly about my quality of attentiveness. Although, subjectively, I am always here and always now, I can be here and now, and relate here and now, in a more conscious and loving way, when the time and space are dedicated.

Since beginning contemplative inquiry in November 2011, I have had a morning practice that has been structurally constant whilst varying in specifics. It is framed by a minimalist Druid liturgy to establish and hold the nemeton, the dedicated sacred space. It includes exercise and energy work, walking and sitting meditations, and a brief loving-kindness meditation. These activities have referenced different traditions at different times, whilst preserving a consistent outline and intent.

This practice is the heart of what I do in formal contemplative practice. Since I draw on diverse traditions, this solo practice has developed within an overall context and narrative determined by and for me. I have never worked through a simple adoption of ‘teachings’, to me a somewhat infantilising term, and a residue of authoritarian spirituality. I have always maintained an independent approach, which I find necessary to a critical and creative culture of inquiry. It necessarily includes a meta level of evaluating traditions as well as a normative one of learning their views and practices.

I will continue with the same practice structure post-inquiry. Fundamentally (in I hope a good sense) I understand my practice as a sacrament, celebrating ordinary incarnation in this world. It works on two levels. The first is the dedication and framing of the whole practice. The second, more intensive level, is within my sitting meditation. This now uses a Shaivite Tantric rather than Buddhist form. It is an eyes closed meditation, aligning the breath to a mantra – which is something I’ve quite often done over the years, including the use of the Druid ‘awen’*. Here I use ham-saa. Traditionally this invokes Shiva as the empty awareness of the Cosmos and Shakti as its energy and form. My own sense is of deepened appreciation of the miracle of being and becoming, and a sense of how this is at once personal and universal.

I sometimes find that all my attention dissolves into the mantra. Its pulse and vibration become all that exists in my awareness. The meditative disidentification from world and perception, body and sensation, feeling and thought, leaves this one reality. The experience here is of existence acknowledging itself, in a way that doesn’t seem to be about me, as such, or in any sense a personal possession. Whether or not the experience happens in full, or whether the practice simply points to it, this mantra meditation hallows my contemplative practice. It is the heart of its heart.

Paradoxically, as this practice deepens, my ‘inquiry’ energy begins to fall away. Where I am now feels like a destination. Though I still have work to do in the integration of experience and understanding, I am no longer looking for new frameworks or resources. On completion of the inquiry, my contemplative life will continue, but it will have a different note.

https://contemplativeinquiry.wordpress.com/2014/10/14/awen-mantra-meditation/

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November 21, 2017

INTENSIVE INQUIRY

Over the past two years, I have worked with three traditions apart from Druidry. These are Sophian Gnosticism, The Headless Way, and the Vietnamese Zen of Thich Nhat Hanh. Diverse as they are, they have all valuably nudged me in my current direction, which is one of intensive inquiry.

Through this inquiry, I am finding that what I call the Direct Path* is uniting the concerns of these three traditions, in a way that resolves the difficulties they raise for me, described below:

WAY OF SOPHIA To the extent that it is connected to a method, the Sophian (or Magdalenian) journey is a Christian Kabbalist one, a Jacob’s ladder from the apparent world to a Void beyond describable divinity and back again to a new experience of the world as kingdom, transfigured by a super-celestial vision. To the extent that I find a problem with this method, it is a tendency for the reality of my true nature to seem remote and hidden, obscured by a too-vivid myth making. The spirit gets drowned in the cocktail. When working with the image of Sophia, I found a more playful and free-spirited energy, not fitting easily in formal Gnostic Christian tradition. So, the system, as a system, doesn’t quite work for me.

HEADLESS WAY Richard Harding’s Headless Way – http://www.headless.org/ – is apparently non-mythic, and a variant, home-grown form of the Direct Path, or at least its first half. It is based on a set of experiments, which kick-start a non-dual recognition from the visual perception/brief shock of ‘not having a head’, and go on to further to develop the implications of this perspectival shift. The exercises worked brilliantly for me when I first did them. I experienced a powerful figure/ground shift, with the cultural common sense of subject-verb-object language very briefly driven out of me as the world sat on my shoulders. This then became narratized as the opening into an I AM, an ultimate identity of ‘clear awake space, and capacity for the world’.

Precisely this narrative brought about my fall. I could feel the counter coup of my demoted ‘third person’ as it happened. The Monkey King learned to become the Monkey Emptiness and take up a geographically familiar position in the vacant space above my neck. I ended with a sense of ‘fool’s gold’, though in retrospect this seems unfair. I had an important shaking up because of not having a head. Returning to the same territory through different means, I now resonate with Rupert Spira’s understanding that Consciousness cannot know itself as an object. I had tried to become, as a sentient being in the apparent world, absolutely the eye of spirit and although I AM the eye of spirit, I could not become it in that way, because becoming it makes it a conceivable object in the finite mind. I can only enact it through what I call the sacrament of the present moment. It is more as if the finite mind – not separate, yet also not identical – offers itself as a vehicle.

MAHAYANA BUDDHISM: After an interval, I turned to Buddhism, in the form of Thich Nhat Hanh’s Community of Interbeing, – https://coiuk.org/ – which renewed an occasional relationship with one or another Buddhist sangha going back for over twenty years. This time round the wheel I made sure that I studied the Emptiness teachings directly and wasn’t satisfied with meditation manuals and the modern version of Buddhist psychology. My study included Thich Nhat Hanh’s 2014 commentary on the Heart Sutra, (1) Jay Garfield’s translation of and commentaries on Nagarjuna’s Fundamental Wisdom of the Middle Way (2) and Vasubandhu’s Thirty Verses on Consciousness Only, (3) a Yogacara practitioner text presented by Ben Connelly with a new translation by Weijen Teng. I didn’t, this time, work with the Zen literatures of China and Japan.

The result of my study was that in meditation I got a much fuller sense of consciousness being the underlying reality, which thoughts, feelings, perceptions and sensations passed through. This pointed beyond ‘no separate self-nature’ in the sense of Thich Nhat Hanh’s psycho-social-ecological view of ‘Interbeing’, to a fuller sense of Consciousness Only. This experience, a fruit both of study and of practice, helped warm me up to my present encounter with the Direct Path.

I consulted the Science And Non-Duality (SAND) website – https://www.scienceanndnonduality.com/ – since I knew that many Direct Path teachers are linked to that network. First, I took a brief online meditation course with Peter Russell – www.peterrussell.com/ – to find out what basic breath meditation would feel like in an Advaita context rather than a Buddhist one. It felt soft and spacious. But my main concern was with the kinds of inquiry into core identity associated with the Advaita approach, having run into problems with the Headless Way experiments and traditional self-inquiry (‘Who am I?), since I could quickly come up with a rhetorically ‘right answer’ without it meaning very much experientially. I soon came across a new work by Stephan Bodian – https://www.stephanbodian.org/ (4), a former Zen monk, who went on to train in Western psychotherapy and became a student of Direct Path teacher Jean Klein*. He provides a bridge from Zen to the Direct Path and his book is rich in carefully crafted practice suggestions. I also worked with the inquiry suggestions in Greg Goode’s Direct Path (5). Greg Goode – https://greg-goode.com/ is a student of Francis Lucille, himself a student of Jean Klein.

Now I am working with Rupert Spira’s – https://non-duality.rupertspira.com/ Transparent Body, Luminous World (6) contemplations, clear that the Direct Path is the centre of my inquiry. Rupert Spira is another pupil of Francis Lucille, and for me does most to bring out the Tantric as well as Advaita aspects of Klein’s teaching. For him, Direct Path realization is just as much about finding love in sensation and feelings, or beauty in perception, as it is about finding truth in inquiry. All is held in Consciousness. Once we know this, really feeling and tasting the understanding, the question becomes: how do we celebrate and live from this reality? This is the point at which the sense of an embodied spirituality, animist, Earth honouring, with a view of deep ecology, indeed Druidry, come back into their own, held within a Tantric understanding.

I’m moving towards a decision about whether to anchor myself in this world view. Once that decision is made (if it is made), my primary attention will move to the outward arc – here called the Tantric one. This will likely change my practice. The intensive contemplative inquiry will burn itself out, leading to a new spiritual centre of gravity that includes contemplation and inquiry but is no longer defined by them.

*DIRECT PATH: I am specifically referring to the lineage begun by Jean Klein, combining Advaita Vedanta, India’s classical renunciate spirituality, with Kashmir Shaivism, a form of Tantra. The Direct Path is an exploration of objective experience in the light of our enlightened understanding, rather than a turning away from our experience in favour of its background of pure Awareness, as is the case of the Vedantic approach. If the Vedantic path is the path from ‘I am something’ – a body and a mind – to ‘I am nothing’, the Tantric path could be said to be the path from ‘I am nothing’ to ‘I am everything’. If the Vedantic path is one of exclusion and discrimination, the Tantric path is one of inclusion or love. The Direct Path brings them together.

(1) Thich Nhat Hanh The Other Shore: A New Translation of the Heart Sutra with Commentaries Berkeley, CA: Parallax Press, 2017

(2) Nagarjuna The Fundamental Wisdom of the Middle Way: Nagarjuna’s Mulamadhyamakakarika New York & Oxford: Oxford University Press, 1995

(3) Ben Connelly Inside Vasubandhu’s Yogacara: A Practitioner’s Guide Somerville, MA: Wisdom Publications, 2016

(4) Stephan Bodian Beyond Mindfulness: The Direct Approach to Lasting Peace, Happiness and Love Oakland, CA: Non-Duality Press, 2017

(5) Greg Goode The Direct Path Salisbury: Non-Duality Press, 2012

(6) Rupert Spira Transparent Body, Luminous World – The Tantric Yoga of Sensation and Perception Oxford: Sahaja Publications, 2016

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November 15, 2017

DIRECT PATH

I am working with a set of contemplations devised by Rupert Spira, a teacher in the ‘Direct Path’. Direct means not progressive: the view that there is no need to progress towards a desired spiritual goal, for we have always been at home. Our task is to live from this recognition.

The contemplations are presented in a book and six MP3 CD box set, with 24 guided meditations, each of which lasts for an hour or somewhat longer (1). I have worked with 12 so far. I have fully accepted the pre-suppositions of the teaching for the purposes of my inquiry, willing to discover what happens when I do. For me, it’s a game of ‘as-if’, which works better than either blind belief or defensive wariness.

It is proving a powerful experience, with gifts of tears and fears, safe and beautiful. It leans into lightness and joy. I’m reminded of therapeutic environments years ago. I am fully engaged, at an edge.

Part of the magic lies in Rupert Spira’s combining of Advaita Vedanta, India’s classical renunciate spirituality, with Kashmir Shaivism, a form of Tantra. He says: “the two traditions … are complementary aspects of a complete approach to the exploration of experience and not … at odds with each other …The Tantric path, of which the meditations presented in this collection are a contemporary expression, involves a turning towards experience.

“It is an exploration of objective experience in the light of our enlightened understanding, rather than a turning away from our experience in favour of its background of pure Awareness, as is the case of the Vedantic approach. If the Vedantic path is the path from ‘I am something’ – a body and a mind – to ‘I am nothing’, the Tantric path could be said to be the path from ‘I am nothing’ to ‘I am everything’. If the Vedantic path is one of exclusion and discrimination, the Tantric path is one of inclusion or love”.

I find the Direct Path, when presented in this way, clear, accessible, and effective. My work is solo and self-directed. I am free to engage with the whole of my experience and there is no need for preliminary practices or tribal norming. Yet I do have the assurance of knowing that Rupert Spira and his support team are contactable. These are ideal conditions for me when doing leading-edge personal work.

I am continuing my morning practice, which has been largely consistent over the last eight years, despite shifts of emphasis, and I maintain my link with a local Buddhist group. These are good, stabilizing things to do. But the energy of my contemplative inquiry is now in this new work – Rupert Spira’s programme and other direct path resources.

(1) Rupert Spira Transparent Body, Luminous World – The Tantric Yoga of Sensation and Perception Oxford: Sahaja Publications, 2016

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December 5, 2016

AWEN AND CONTEMPLATIVE DRUIDRY

A Contemplative Druidry (1) reader has asked me to say more about Awen, which had a chapter in the book. Introducing interview extracts in my Awen chapter, I wrote, “Awen is classically seen in Druidry as the power of inspiration, and in particular the creative force for poetry and prophecy. It is what transformed the boy Gwion – though not before further trials and transformations – into Taliesin, the radiant browed Bard. Many of the participants in this work uphold this tradition in its conventional form. Others seek to extend the traditional meaning better to express their own experiences and aspirations. Some don’t connect with Awen experientially and treat it as a convention – mainly as a shared chant, which brings Druids together”.

My self-criticism here is that the chant is itself an experience, frequently state-altering for both the chanters and in a sense for the space. I might have done better to say, ‘some don’t connect with it conceptually’. I see from my interview questions appendix that the Awen question was about meaning. If I did this work again, I would start with the sound, the feeling, and senses of occasion, and work out from those.

Pondering Awen afresh, I find myself drawn to deep human ancestry, and especially the early emergence of speech and music. These brought a new kind of identity: new experiences, new awareness, new feelings, new understanding, new forms of connection and solidarity – new worlds. Unsurprisingly, many cultures have subsequently developed creation stories linking origin with sound. In India, the phrase Nada Brahma tells us that God is sound/the world is made of sound. OM is the primordial sound form, the vibratory essence from which the universe emanates – and the universe needs to emanate only the smallest step (if any) to get to us. Kabir said, “if you want the truth, I’ll tell you the truth. Listen to the secret sound, the real sound, which is inside you” (2). A major philosophical school, Kashmir Shaivism, is referred to as ‘the doctrine of vibration’ (3). It talks of ‘spanda’ as “the primordial vibration at the root of all manifestation, a form of Shakti” (a term equally meaning ‘power’ or ‘goddess’).

Welsh Bardistry gives us Awen and the Taliesin story, which can be read as working with related themes, whilst diverting our main attention to the Bard as trickster/hero. In the old Gaelic world, we have the term Imbhas, equivalent to Awen, and a more touching story about the eating of the salmon of wisdom, in which the old Bard (as I read it) sets himself up to pass on the true nourishment to a promising youth. We also have the notion of the Oran Mor (Song of the World). Frank MacEowan (4) writes: “a conscious knowing of the ancient ‘music behind the world’ has always been woven into the daily awareness of the adherents of various Celtic traditions. In the words of Stuart Harris-Logan, a Gaelic healer, scholar, and author of Singing with Blackbirds, ‘out on the Isle of Barra, the people have long spoken of the Oran Mor as one of the old names of God. The Oran Mor is the Great Song from which all things have arisen’”.

Jason Kirkey (5), an associate of Frank MacEowan, treats ‘Oran Mor’ and ‘Divine Ground’ as synonymous both with each other and with David Bohm’s ‘implicate order’, in which the world of space, time and individual particles are enfolded into an undifferentiated wholeness that provides the holographic pattern (each part contains the pattern of the whole) by which reality unfolds. In Ireland, a sense of the Oran Mor could legitimately continue into Christian times. St. John’s Gospel begins, “In the beginning was the Word, and the Word was with God and the Word was God.” (6) This greatly moved John Scotus Eriugena, the great Irish philosopher/theologian of the ninth century – the time of Viking invasions in north west Europe. In his commentary on the Gospel he says, “John, the theologian – ascends beyond all visible and invisible creation, passes through all thought and intellect, and deified, enters into God who deifies him … John, the observer of the inmost truth, in the paradise of paradises, in the very cause of all, heard the one Word through which all things are made … Therefore, most confidently he cried out, ‘in the beginning was the Word.” (7) True knowledge and experience of the primal Word are divinizing – a remarkable statement for a western Christian of the day. John Scotus had learned Greek at a monastic school in his native Ireland (then not an available option elsewhere in western Europe) and was familiar with neo-Platonist thought. Perhaps that and his indigenous culture together allowed an understanding that the Word calls us to recognize our own divinity.

Modern Druidry was Universalist before it was Pagan, and retains a willingness to learn from other traditions. I believe that we can use the wider cultural history I’ve identified to inform our sense of what we are invoking when we chant the Awen. This chanting is something which Druid contemplative practitioners share with other Druids. Our unique practice is the ‘Awen space’ that follows the chant. Like other Druids, we do not require people to gather together under the umbrella of a common cosmology. It is OK to have different understandings, and it is OK for us to change and develop our personal understandings over time. That said, I end this piece with a reflection about the broad intentions behind our inherited Celtic spirituality, to provide a cultural context for Awen/Imbhas and where they might fit. It’s from Frank MacEowan (8): “The ancient Celts … were … ever yearning to connect with divine inspiration (imbhas), and ever longing to live a life of beauty imbued with connection and spirit. We are also on this path, and the fulfillment of our collective task as a human community lies in the process of actualizing a deeper communion with these same life-affirming powers. Celtic spirituality is an ongoing initiation into a life of beauty and a mindful preparation for the passage of death. The ancient spirituality of the Celtic peoples has always been a dynamic orientation to the ebb and flow of the seasons, daily practices that foster an awareness of the passage of our lives and of thanatology (a vision and study of our death and dying). This vision is of a life ending in a wondrous death journey to a home we have all been away from. When death is really an experience of going home, what is there to fear?”.

(1) James Nichol Contemplative Druidry: people, practice and potential Amazon/KDP, 2014 (Foreword by Philip Carr-Gomm)

(2) Sally Kempton Meditation for the love of it: enjoying your own deepest experience Boulder, CO: Sounds True, 2011 (Foreword by Elizabeth Gilbert)

(3) Mark S.G. Dyczkowski The Doctrine of vibration: an analysis of the doctrines and practices of Kashmir Shaivism Delhi, India: Divine Books, 1987

(4)Frank MacEowan The Celtic way of seeing: meditations on the spirit wheel Novato, CA: New World Library, 2007 (Foreword by Tom Cowan)

(5) Jason Kirkey The Salmon in the spring: the ecology of Celtic spirituality San Francisco, CA: Hiraeth Press, 2009 (Foreword by Frank MacEowan)

(6) Holy Bible (authorized version)

(7) The voice of the eagle: John Scotus Eriugena’s homily on the prologue to the gospel of St. John Great Barrington, MA: Lindisfarne Books, 2000 ed. (Translated by Christopher Bamford, foreword by Thomas Moore)

(8) Frank MacEowan The mist-filled path: Celtic wisdom for exiles, wanderers and seekers Novato, CA: New World Library, 2002 (Foreword by Tom Cowan)

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November 10, 2014

HEART LANGUAGE

I tend to feel most centred and empowered when using heart language. By ‘heart’ I don’t mean the physical heart, or even the heart chakra, but the mystical Great Heart, a place of ultimate stillness, where the microcosm of the human heart opens to the macrocosm. Some people, for example in the tradition of Kashmir Shaivism, think of this as the consciousness that underlies all forms, the divine mind, the Self (1).

There are those, like the Sufi teacher Kabir Edmund Helminski (2) who, for the very best reasons, make a separation between Heart as “the subconscious/superconscious mind and all the faculties that are non-intellectual” and the thinking mind activated by will and reason. For me this creates a separation and dualism. In my world Heart includes the reasoning mind, and continues to hold it at some level, even though the existential angst of the reasoning mind itself may defensively lose connection with the greater whole.

I do however share the view that Heart is accessed through the growth of a sensitive awareness that allows us to be receptive and whole by entering in to a more spacious ‘I’, a more integrated quality of presence. Through a fine balance of passive and active attention we can view the present moment through the eye of eternity, a viewpoint from which many wounds can be healed, many mistakes forgiven, many losses accepted. Whilst Great Heart cannot be grasped or understood through consciousness alone, “we can see with its eyes, hear with its ears, act with its will, forgive with its forgiveness, and love with its love” (2).

1: Sally Kempton (2011) Meditation for the love of it: enjoying your own deepest experience Boulder, Colorado: Sounds True

2: Kabir Edmund Helminski (1992) Living presence: a Sufi way to mindfulness and the essential self New York, New York: Penguin Putnam

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