Contemplative Inquiry

This blog is about contemplative inquiry

Tag: Contemplative Druidry

CONTEMPLATIVE DRUIDRY 2016

The next month is a busy one for contemplative Druidry. Our group in Stroud has its first meeting next Tuesday. Towards the end of January Elaine and I will be working with another local group that meets to explore sacred traditions. Then on 7 February we are running  a Dark of the Moon Workshop day retreat in London, at Treadwell’s Bookshop’s workshop space, 33 Store Street, London WC1 E7BS. Our specific intent is to  greet the dark of the moon at the time of Imbolc and the first stirrings of the Earth. The programme will include contemplative exercises, subtle energy work, silent sitting and Awen space group meditation. As with all of our public events, anyone willing to work within a Druid framework for the day is welcome.

The end of January also sees the publication of a new Moon Books anthology Pagan Planet: Being Believing and Belonging in the 21st. Century – see http://www.moon-books.net  and Nimue Brown’s presentation of the book. I have a piece in it on practising contemplative Druidry. Since I wrote it I have become even more convinced that contemplative Druidry is not a distinct form of Druidry, but rather a flavour, or way of working within it. We can create specific environments and practice frameworks that enable contemplative practice, and understand them as an option within a range of options.

More broadly, I think that the contemplative meme is now well recognised. My 2014 book Contemplative Druidry: People Practice and Potential is still finding new audiences. The Contemplative Druidry Facebook group, which I stopped administering in 2013, continues to thrive, now with a membership of over 1100. Elaine’s blog at http://contemplativedruidevents.tumblr.com/ and the Contemplative Druid Events Facebook page have received increasing increasing attention in the last couple of months, perhaps in part due to the Contemplative Druidry article in the Samhain 2015 edition of Pagan Dawn. Other events are planned for later in the year.

I’ll continue writing about these and other developments in this blog.

POEM: THE MOON IN DEWDROPS

Simplicity and complexity, elegance and wisdom combined in the poetry of Japanese Zen. I notice that I respond more strongly to such poetry than I do to didactic texts about meditation and philosophy.

 

To what shall

I liken the world?

Moonlight, reflected

In dewdrops,

Shaken from a crane’s bill.

 

I particularly love this poem. The apparent naturalism of the imagery makes it powerful and accessible to anyone. Yet for me, this poem also brings up wider issues about reading and interpretation. The poet’s location in place, time and culture do make a difference. Ehei Dogen (1200-1253) was one of the first to transmit Zen Buddhism from China to Japan and was founder of the Soto School. His poem is a waka – a 31 syllable form predating the invention of haiku. Dogen is a key figure in both Japanese Buddhism and Japanese literature.

In Mahayana Buddhism, the Buddhism of all Japanese schools including Zen, the moon stands for Buddha-nature. So the poem teaches a familiar Mahayana truth that the moon (Buddha-nature) is completely reflected in every one of the countless dew drops (all things) without discrimination, namely one in all, all in one. This understanding is accompanied by a sense of fragility and impermanence within nature – strongly present in Japanese culture independently of Buddhism and reinforced by Buddhist teaching. Dogen gives us elegance and complexity in a 31 syllable form.

Hee-Jin Kim*, a modern Zen scholar, takes this further, bringing out Dogen’s sensitivity to history as well as to nature. He draws attention to the word ‘shaken’: each dew drop holds a full yet shaken reflection of the moon. Dogen lived in what was seen as a dark and ill-starred time in Japanese history. Many Buddhists thought that even their path was compromised and talked of degenerate dharma (mappo). Kim understands Dogen as resisting this ideology of despair whilst fully aware of the collective turmoil. On this reading, the poem asserts that timelessness is experienced within, and only within, momentariness, even when the times are stressed.

 

To what shall

I liken the world?

Moonlight, reflected

In dewdrops,

Shaken from a crane’s bill.

 

* Hee-Jin Kim Dogen on meditation and thinking: a reflection on his view of Zen Albany, New York: State University, 2007 (At the time of publication Hee-Jin Kim was Professor Emeritus of Religious Studies at the University of Oregon. He is also the author of Dogen-Kigen: Mystical Realist).

THE WOODCARVER

Khing, the master woodcarver, made a bell stand

Of precious wood. When it was finished,

All who saw it were astounded. They said it must be the work of spirits.

The Prince of Lu said to the master carver:

“What is your secret?”

Khing replied, “I am only a workman.

I have no secret. There is only this:

When I began to think about the work you commanded

I guarded my spirit. I did not expend it

On trifles, that were not to the point.

I fasted in order to

Set my heart at rest.

After three days fasting,

I had forgotten gain and success.

After five days,

I had forgotten praise and criticism.

After seven days

I had forgotten my body

With all its limbs.

By this time al thought of your Highness

And of the court had faded away.

Al that might distract me from the work

Had vanished.

I was collected in the single thought of the bell stand.

Then I went into the forest

To see the trees in their own natural state.

When the right tree appeared before my eyes,

The bell stand also appeared in it, clearly, beyond

doubt.

All that I had to do was to put forth my hand

And begin.

If I had not met this particular tree

There would have been

No bell stand at all.

What happened?

My own collected though

Encountered the hidden potential in the wood;

From this live encounter came the work

Which you ascribe to the spirits.”

 

Merton, Thomas (1965 & 2004) The Way of Chuang Tzu Boston & London: Shambhala.

 

Chuang Tzu, one of the great figures of early Taoism, lived around 300 BCE. The frontispiece of this edition says: “He used parables and anecdotes, allegory and paradox, to illustrate that real happiness and freedom are found only in understanding Tao or Way of nature, and dwelling in its unity. The respected Trappist monk Thomas Merton spent several years reading and reflecting on four different translations of the Chinese classic that bears Chuang Tzu’s name. The result is this collection of poetic renderings of the great sage’s work.

 

 

 

 

 

THE WAY OF SOPHIA

“A Sufi mystic was staying with Rabiya. His name was Hasan. He must have heard Jesus Christ’s statement: ‘knock and it shall be opened to you. Ask and it shall be given to you. Seek and you will find it’. So every day in his morning prayer, afternoon prayer, evening prayer, night prayer, five times a day he said to God, ‘I am knocking, Sir, and I am knocking so much. Why has it not opened up to now? I am beating my head against your door, Sir. Open it.

“Rabiya heard it one day. Rabiya heard it the second day. Rabiya heard it the third day. Then she said, ‘Hasan, when will you look? The door is open. You go on talking nonsense – ‘I am knocking, I am knocking’ – and the door is open all the time. Look! But you are too concerned with your knocking and asking and desiring and seeking, and you cannot see. The door is open.” (1)

For me Rabiya is the Sophia in this story, the teacher and guide. Sophia emerges in the eastern Mediterranean. She is most associated with contexts that are urban, multicultural and entranced by the power of the written word. She inherits the rose from Aphrodite and Isis, and the grove from Asherah, the lost goddess of Israel. She becomes a traveller, eastward bound on the Silk Road, taking other names.

The Sophia of my experience is not quite the being of the traditions, though the traditions have fed me (2, 3). As a living presence, anam cara and guide, she undermines my pompous attempts to impose narrative order on the cosmos and thus possess the infinite. She stands for creative mythology, continuous revelation, and a compassionate free spirit. Infinitely sceptical and infinitely believing, she embraces the life of the senses, feeling and thinking. Yet she points also to other possibilities: nourishment in the silent heart of being, and the energy of what Coleridge called the primary imagination and Druids call Awen.

  1. Osho Zen: the path of paradox New York, NY: Osho International Foundation, 2001
  2. Caitlin Matthews Sophia Goddess of Wisdom, Bride of God Wheaton, ILL: Quest Books, 2001
  3. Anne Baring & Jules Cashford The myth of the Goddess: evolution of an image London: Arkana, 1993
  4. Samuel Taylor Coleridge Biographia Literaria: or biographical sketches of my literary life and opinions London: Dent, 1965 (Edited with an introduction by George Watson)

 

STOCKTAKING

Golden SeedIn 2014 The Order of Bards Ovates and Druids (OBOD) celebrated its 50th anniversary. It’s now just over 22 years since I first joined. Where am I now?

I remember being reassured by the way in which OBOD was able to hold a point of tension between two seemingly competing narratives. The first was the sense of living relationship with the land and the inheritance of ancestral stories. The second was an open and generous universalism. Without the first, the second could be vague and vapid. Without the second, the first could become culturally inward-turning and defensive. I’ve always been grateful for this balance.

As part of the 50th anniversary year, Sharon Zak and Maria Ede-Weaving put together The Golden Seed: Celebrating 50 Years of OBOD as “an anthology of prose, poetry, images and crafts” (including a DVD) created by OBOD members and friends. It is still referenced at http://www.druidry.org though currently unavailable. In my own entry I said I was more comfortable with a language of “practising OBOD Druidry” than “being an OBOD Druid”. That’s how I still see it and I would now want to add that this practice itself sits within a (for me) larger framework that I would name as the Way of Sophia. This has been true for quite a while, and I will write about it more in the future. Here I just want to say where my Druidry continues to fit.

There are two huge lessons that I draw from Druidry. The first is about how to do solo practice. I can’t now imagine a core solo practice that doesn’t take place in a sacred circle, woven of ritual and liturgy. Allowing a slow evolution of movement and liturgy, I gain insight into my purpose and intent in a way that offers both clarity and embodiment. Within that circle, I include body and energy work and also some form of sitting meditation: the precise forms vary. There’s also an aspect of healing and blessing. Thanks to the OBOD distance learning course, this approach to practice has become second nature. Someone could have given me a list of instructions to this effect on the back of an envelope and I might have had a go with different aspects from time to time before coming across something else on the back of another envelope. But I had the chance to build an evolving practice over an extended period, in a way that was both self-directing (I have an allergy to gurus) and within a tradition that made support and guidance available (I also don’t operate brilliantly if unwitnessed and alone). This combination is quite rare in spiritual education, and it’s a great privilege to have a continuing relationship with this work on the mentoring side. The course covers a lot of other ground as well. But this was the piece that was transformational for me.

The second lesson concerns two intertwining challenges. Both are connected to the contemplative inquiry I’ve been involved in for just over four years. One is the challenge of responding to the Order’s invitation to members to take initiatives and offer varying forms of leadership, whilst still (if we so choose) being held within the collective and feeling part of it. The other is the contemplative journey itself. This has involved the further evolution of solo practice, but more importantly to the co-creation of an innovative house-style in group work and in particular of Day Retreats for small groups. I and my colleagues seem to have a good handle on this now, both within our own local group and in the wider community of Druids and fellow travellers.

These lessons are my guide as to where to put my energy within Druidry, offering contexts of connection, service and nourishment.

 

CONTEMPLATIVE CHANGE

Tides in a life. A sea-change. My contemplative inquiry is gentling, in its fifth and final year. I began with charged and focused intent. Willing a change in self and world, I surrendered to a vision. I accepted the risk of becoming driven, of being one-eyed and obsessional to the point of self-caricature. Mr. Contemplative.

I don’t believe it’s ever been quite that bad. Loving and accepting love matter more to me than seeing through the eye of the divine, to the extent indeed that the two are even different. Contemplative traditions and their practices, even when adequately customised, internalised and working effectively, have never been my absolute priority. Nonetheless the intent to live from a deeper dimension, fed by an inner spring of stillness and spaciousness, has been a key life direction during this period.

I can sense a difference now, a relaxation. For me there’s a point at which enhanced study and practice in any field encounters a law of diminishing returns. I’ve got what I’m going to get out of the exercise. The field itself may be one of infinite possibilities – yet I reach a point of needing to begin a process of detachment where I recognise the fruits of my inquiry and ease in to a new normal.

The new normal incorporates what I need, or can take in, from the inquiry process. I’ve had this experience twice before, in relatively recent years. The first was a doctoral project about a developmental approach to ageing: the idea that later life offered specific potentials for growth and creativity not generally recognised in mainstream culture. As a project, this was summed up in the thesis itself, and I moved on. But the core idea continues to guide me. The second was the current version of the OBOD distance learning course, which also had a specific summation – and also continues to inspire me. I’m not sure whether to document my contemplative inquiry in this kind of way – my book Contemplative Druidry was something different, a collaborative piece which opened up the topic in a Druid context. A more personal piece is something to ponder over the next year.

In terms of fruit, there are a few things that I can say now. The first is that I’ve got a contemplative practice that I’m at ease with. I notice that I’m spending less time on it than at the height of the inquiry period. This feels like a natural adjustment. More importantly, I celebrate finding spiritual companions, with whom I have been able to develop group practices that are both contemplative and relational. For example, we’ve got a tried and tested model for how a local group can work, a model for day retreats, and a model for weekend retreats. These are developments that I expect to take forward. Our local group has a day retreat this Saturday (21 November), and my partner Elaine and I are offering a Dark of the Moon day retreat in London on 7 February 2106 – see http://contemplativedruidrevents.tumblr.com – so I may have more to say about these in future posts. We plan a residential retreat for next April.

I don’t want to get consumed by organising and facilitating small group events. But I certainly expect them to outlive the inquiry, and to make them part of the new normal as I broaden my overall field of attention once more.

 

CONTEMPLATING SOUL

What do we mean by soul? Why does it matter? For me, soul is a bandwidth of experience rather than a detachable entity. James Hillman described it as “a world of imagination, passion, fantasy, reflection, that is neither physical nor material on the one hand, nor spiritual and abstract on the other, yet bound to them both. By having its own realm psyche has its own logic, psychology – which is neither a science of physical things nor a metaphysics of spiritual things”. As Jung’s successor, he believed that “psychological pathologies also belong to this realm. Approaching them from either side, in terms of medical sickness or religion’s suffering, sin and salvation, misses the target of soul”.

As a champion of soul, Hillman is contrastingly a bit grumpy about spirit, another bandwidth of experience, which according to him “always posits itself as superior, operates particularly well in a fantasy of transcendence among ultimates and absolutes … strait is the gate and only first or last things will do … if people choose to go that way, I wish they would go far away to Mt. Athos or Tibet, where they don’t have to be involved in the daily soup … I think that spiritual disciplines are part of the disaster of the world … I think it’s an absolute horror that someone could be so filled with what the Greeks called superbia to think that his personal, little, tiny self-transcendence is more important than the world and the beauty of the world: the trees, the animals, the people, the buildings, the culture”.

Hillman’s sense of soul is deeply intertwined with “a style of consciousness – and this style should not even be called polytheistic, for, strictly, historically, when polytheism reigns there is no such word. When the daimones are alive, polytheism, pantheism, animism and even religion do not appear. The Greeks had daimones but not these terms, so we ought to hold from monotheistic rhetoric when entering that imaginative field and style we have been forced to call polytheistic”. Then, he says, soul can show its patterns through imagery, myth, poetry, storytelling and the comedy and agony of drama – releasing “intuitive insight” from the play of “sensate, particular events”.

A universe of soul is a pluralistic universe, a world of Eaches rather than the One or the All. For Hillman oneness can only appear as the unity of each thing, being as it is, with a name and a face – ensouled by and within its very uniqueness. He quotes William James as saying: “reality may exist in distributive form, in the shape of not of an all but of a set of eaches, just as it seems to be … there is this in favour of eaches, that they are at any rate real enough to have made themselves at least appear to everyone, whereas the absolute (wholeness, unity, the one) has as yet appeared immediately only to a few mystics, and indeed to them very ambiguously”.

For me this is where the terms Oran Mor (Great Song) and Web of Wyrd – from the Celtic and Northern traditions respectively – come into their own. The diversity and uniqueness of every note in the song, of each position within the web, are fully honoured and acknowledged. But these metaphors do also speak of a song and a web. Their unity is a unity of interconnectedness and relationship. Our current scientific metaphor of the Big Bang is a bit similar, in giving us a vast universe (or multiverse) bursting from a point at which time and space themselves originate. This image will doubtless change and may come to be seen as a ‘local’ presence/event (?) within a yet ‘larger’ system (?) ‘beyond’ our knowledge. But it offers a sense of being of the same stuff, and having a common source which in time bound 3D terms we come from and in eternal terms we simply are. Some non-dualists make much of this second aspect and frame it as an affirmation of divinity. But I see such an ultimate unity-at-source as a weak aspect of any identity I can usefully lay claim to and I’m agnostic veering sceptical about any evolutionary teleology or ‘as-if’ intentional drive. The gift  – a gift, certainly, evoking deep gratitude even in the absence of a discernible giver – is my precious, vulnerable, fleeting human life, time and space bound though it is. That’s why I value Hillman’s lens of ‘soul’, whilst also choosing to incorporate ‘spiritual’ disciplines into my own life.

  1. Hillman, James The Essential James Hillman: A Blue Fire London: Routledge, 1990 (Introduced and edited by Thomas Moore)

ANCESTORS

I watched the BBC series The Celts: Blood, Iron and Sacrifice recently and felt depressed – addicted as well, but depressed. My problem? I didn’t feel connected to anybody in the story. I couldn’t fully empathise. I acknowledge descent from people like them – probably in a humbler station of life than those who got the attention. I could offer gratitude and respect for their fecundity/virility, for their resilience, for doing the best they could with the life on offer. I felt uneasy at the display of their mortal remains on TV. But connection? Not really.

So where would I look for living ancestry? If we take the Eurasia of the time as a whole we find, as part of the cultural mix, an acute consciousness of something painful and awry in the military-aristocratic cultures of the day, perhaps in the very cosmos itself. We can follow this as a persistent theme in powerful emergent literatures. Such indeed was the revulsion that some teachers and writers became world and life denying. But that’s not true of everyone. The words below, attributed to the early Chinese Taoist Lao Tzu, seem grounded enough:

Brim-fill the bowl,

It’ll spill over.

Keep sharpening the blade,

You’ll soon blunt it.

Nobody can protect a house full of gold and jade.

Wealth, status, pride

Are their own ruin.

To do good, work well, and lie low

Is the way of the blessing. (1)

In Athens, a little closer to home, Socrates suggested that our highest good lies in our moral centre and best self, and that all external goods, such as bodily pleasure, health and social reputation are correspondingly of subordinate value. Essential good was to be sought within rather than in externals. Socrates himself was famous for the simplicity of his way of life. His ascetic follower Diogenes, a kind of crazy wisdom master described by Plato as “Socrates gone mad”, is said to have had a late life encounter with the young Alexander of Macedon, soon to become ‘the Great’. Alexander asked Diogenes if there was anything he could do for him, reckoning that if Diogenes came up with something it would establish a relationship of patronage and dependency. Diogenes was sitting against a wall and had been enjoying the sunshine until Alexander came along and loomed over him. So he requested the King to stand away from his sun. Alexander went on to fight his way through the Persian Empire all the way to India. There he cornered a group of gymnosophists (= naked sages, either Jain or Yogi) and happily repeated his pattern of asking clever questions and receiving sagely answers.

I am not a follower of Lao Tzu, Socrates or Diogenes, but I do feel connected to them. I have involved them in my contemplative inquiry. In this sense they are my ancestors. Edited and mythologised though they may be, they speak to me over the centuries. I realize that literary wisdom comes out of older, oral traditions. Humans are capable of wisdom and it doesn’t depend on writing. The Tao Te Ching is an anthology of verses passed from teachers to pupils who were expected to memorise them. I understand that their initial recording and publication were controversial in their day. Socrates and Diogenes didn’t care much for writing: they left that to others. I do not doubt that there were paths and people of wisdom in the Celtic-speaking lands – people who stuck by the way of personal relationship and oral transmission in their teaching: this is, after all, the rumoured way of the Druids. I just doubt that we would find them amongst the princes, warriors and court Druids presented in The Celts: Blood, Iron and Sacrifice.

So my Samhain thoughts this year turn to exemplars, teachers and sharers of wisdom – firstly and obviously those who are publicly known and remembered; secondly and perhaps more importantly with those who remain unknown but whose invisible influence has leavened the life of the world.

  1. Lao Tzu: Tao Te Ching: a book about the Way and the Power of the Way (New English version by Ursula K. Le Guin, with the collaboration of J. P. Seaton, Professor of Chinese, University of North Carolina, Chapel Hill) Shambhala: Boston & London, 1998.

SAMHAIN GIFT

Pentacle_background_whiteA Samhain gift from Sophia. Here, the pentagram image stands for a cycle of meditations, a pathway to wisdom. We move from peace (bottom left, the earth position) to joy (right hand, the water position) to love (left hand, the air position) to healing (bottom right, the fire position) to wisdom (top, the spirit position) and back to peace again.

It seems that for me inner peace, as well as being a condition of any real peace, is also the beginning of wisdom. Inner peace is a blessing and it is also a skill. We can learn how to access and develop it, though for many of us it doesn’t come easy.

The learning and practice are likely to involve encounters with distraction, agitation and turmoil. I find that there are two ways of addressing this – one is to have ways of diminishing and dispersing them; the other is to find a still point of peace within the distraction, agitation and turmoil themselves. Peace has its place within aroused states as well as calm ones. Essentially, I experience peace as a fundamental at-homeness, an affirmative being and belonging in the world.

Peace is the bedrock. But it isn’t everything. Rather, it opens possibilities. The first is joy, a kind of joy that comes from within peace. This joy may be still. It may be flowing. It may be calm. It may also be ecstatic. Peace and joy together create a very powerful internal state and in my view form the basis for the outward turn to love and aware engagement. This in turn enables the energy of healing – in relation to self, other and world.

The step to wisdom is next, though it assumes a parallel work of knowledge-building and understanding outside the meditative setting.  Wisdom depends on these, yet is qualitatively different. In my experience it’s the qualities nurtured by intentional contemplative practice that make the difference.

In this view I acknowledge the influence of the Mahayana Buddhist idea of prajna, where wisdom is a union of spiritual knowledge (jnana) and compassion. The core text of Mahayana Buddhism is the Prajnaparamita Heart Sutra (1), with prajnaparamita represented as a deep meditative state and also personified as Prajnaparamita mother of the Buddhas, just as further to the west Sophia has been represented as the mother of angels. In the text of the Heart Sutra the Buddha Gautama Siddhartha provides instruction to his disciple Avolokitesvara, who went on to develop a powerful female alter ego as the great Chinese bodhisattva Guan Yin – another Sophian figure.

The Sophian pentagram first came to me as a compelling image; then as a sequence of words. From there I quickly identified specific practices (already individually familiar) to work with the named qualities and states. It feels as if I’ve been given a direction for the next phase of my personal inquiry and practice, and it’s good to have that direction as a Samhain gift from Sophia.

  1. The Heart Sutra: the Womb of the Buddhas Translation and Commentary by Red Pine. Berkeley, CA, USA: Counterpoint, 2004

 

CONTEMPLATIVE DRUIDRY IN PAGAN DAWN

PD197-500x500Gratitude and celebrations! The new edition of Pagan Dawn has given me the opportunity to describe contemplative Druid practice, as we have been developing it in recent years, to a wider Pagan and like-minded public.

In the meantime Contemplative Druid Events has arranged three open events for 2016:

7 February Dark of the Moon workshop in central London in Treadwell’s workshop space at 33 Store Street, London, WC1E 7BS. Facilitated by James Nichol and Elaine Knight. We will greet the dark of the moon using contemplative and visionary methods drawn from the evolving tradition of modern contemplative Druidry. Our programme will include contemplative exercises, subtle energy work, animist communion, silent sitting and Awen space group meditation.  Anyone with an interest is welcome to come.

15-17 April Our annual Birchwood Retreat at Anybody’s Barn, Birchwood Hall, Storridge, Nr. Malvern, Worcestershire WR13 5EZ. Facilitated by James Nichol, Karen Webb, Elaine Knight and J.J.Howell. Arrivals from 4.30 p.m. for 6.30 p.m. supper on Friday; departures by 4.30 p.m. on Sunday. Accommodation and full board included. Anyone with an interest is welcome to come.

1 October Contemplative Day in Stroud, from 10.30 a.m. – 4.30 p.m. at the St. Luke’s Medical Centre, 53 Cainscross Road, Stroud GL5 4EX.  Facilitation by James Nichol, Elaine Knight, Nimue Brown and Tom Brown. Anyone with an interest is welcome to come.      At the time of writing there are places on all of these events, though the London one is now filling up. For information on costs please see: http://contemplativedruidevents.tumblr.com or write to grovelight@hotmail.co.uk

For Pagan Dawn, if you’re in the UK, check this link:

https://paganfed.org/shop/pagan-dawn?product_id=96

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