This world of dew
is only the world of dew –
and yet … oh and yet.
Kobayashi Issa (1763-1828), translated from the Japanese by Robert Hess. From The poetry of impermanence, mindfulness and joy edited by John Brem. (Wisdom, kindle edition, undated.)
Great contribution by John Halstead to the re-visioning of Animism.
Those who believe in personal gods sometimes have difficulty understanding non-theistic nature worship. I have heard it said that we cannot possibly be worshipping natural phenomena, like the sun or trees; we must be worshiping a divine force “within” or “behind” the natural phenomena, something like Greek dryads or J.R.R. Tolkien’s fictional Ents, the personification of the spirits of the trees.
From a theistic perspective this makes sense. After all, Orthodox Christians do not worship their icons, and Pagan polytheists do not worship the statues that represent their gods. So some theists have difficulty understanding the non-theistic worship of physical nature. They assume that worship requires a conscious person on the other end that appreciates the worship. And if you start with that assumption, then it seems absurd to worship unconscious nature.
On the other hand, many Naturalistic Pagans are uncomfortable with…
View original post 1,581 more words
An empty day without events.
And that is why
it grew immense
as space. And suddenly
happiness of being
entered me.
I heard
in my heartbeat
the birth of time
and each instant of life
one after the other
came rushing in
like priceless gifts.
Anna Swir (1909-1989). Translated from the Polish by Czeslaw Milosz and Leonard Nathan. From The poetry of impermanence, mindfulness and joy edited by John Brem. (Wisdom, Kindle edition, undated.)
I have sat here happy in the gardens,
Watching the still pool and the reeds
And the dark clouds
Which the wind of the upper air
Tore like the green leafy boughs
Of the divers-hued trees of late summer;
But though I greatly delight
In these and the water lilies,
That which sets me nighest to weeping
Is the rose and white colour of the smooth flag-stones
And the pale yellow grasses
Among them.
Richard Aldington in Imagist Poetry edited by Peter Jones London: Penguin, 1972 (Modern Penguin Classics)
The Imagists were a short-lived yet influential movement in early 20th century poetry in the English language. Whilst an organized and at that time mostly young group, they were based in London and included both British and expatriate American members. The Imagist collections of the 1914-17 period include the work of: Ezra Pound; Richard Aldington; H.D. (Hilda Doolittle); Amy Lowell; D.H. Lawrence; William Carlos Williams; Ford Maddox Ford; T.E. Hulme; James Joyce; Marianne Craig Moore; E.E. Cummings; John Gould Fletcher. Years later, T.S. Eliot paid tribute to the Imagists as a formative influence.
The Imagists had three rules, designed to encourage freshness and clarity in observation and precision in expression. For me this gives them contemplative interest. Ezra Pound in particular was fascinated by Chinese and Japanese poetry, then beginning to become available in the West.
In the poem above, I was particularly moved by the way in which freshness, clarity and precision allowed the poet to both feel and contain strong emotion. For me, contemplative spaces embrace such feelings, whilst also providing a clear space around them.
On Monday I completed a Mindful Self-Compassion (MSC) course (1). It was not strictly Buddhist, but the teachers and all the participants were sufficiently Buddhist influenced to have had existing experience of both of mindfulness and loving-kindness practices. At the same time I believe that the overall approach can offer something for anyone concerned with the issues addressed.
One of these is making and living with vows. In this context, we make the vows to ourselves and there are two key criteria. The first is that the vow anchors an intention, rather than operating as a binding contract. The second is that vows flow out of our core values. Hence, we need to get clear about these values before making any vows.
The process for checking core values is a simple one. Bringing warm-hearted awareness to ourselves and our experience, we imagine being near the end of our lives and looking back. We ask ourselves what has given us the deepest satisfaction, joy and contentment. What values did we embody that gave our life meaning? In other words, what core values were expressed in our lives? Possible examples given by the people who developed the MSC programme are: compassion, generosity, honesty, courage, family, loyalty, service, curiosity and nature.
Having done this, we select a core value that we would like to manifest for the rest of our lives and write it in the form of a vow. In the construction of the vow, ‘May I …’ language is recommended. This strengthens a kind of commitment which is about working towards, and deepening into, the expression of the core value, rather than getting tied up in a drama of binary obedience/disobedience.
When making my own vows, I found it good to remember that they are personal and not set in concrete. They can be further changed and developed – or even dropped, if they cease to sit well. They are tools rather than rules. With the two below, I found that care with language was key to the credibility of the vow. Worded to be both simple and demanding, such vows can allow for degrees of fulfilment, and provide a kind of coaching.
May I be loving and compassionate in my personal interactions
Mindful Self-Compassion begins with ‘self’ but doesn’t – and couldn’t meaningfully – stop there. One of its merits is to resource loving-kindness and compassion to others and in the wider world. It is a preventative measure against cold charity and compassion fatigue. In the context of this vow, loving-kindness and compassion are specific terms. Loving-kindness is a basic stance of positive regard, not necessarily fuelled by natural empathy or emotion beyond a basic inclination to warmth. Compassion is loving-kindness in a situation where the other person or being is suffering. MSC, and the wider culture of Buddhist lovingkindness, provide working methods that include being kind to ourselves when we struggle with the stance of loving-kindness and compassion towards others. In working with this vow, I am not dependent on factors like self-image or passing sentiment. I have practices to support me in making the vow meaningful.
May I experience abundance in simplicity
This vow depends on a dance between two qualities that might be thought of as pulling in opposite directions. To the extent I might experience a tension myself, I am challenged to develop my understanding both of ‘abundance’ and of ‘simplicity’. One synthesis, an important one, finds a path through living lightly on the Earth as a personal witness in the face of world-pillaging and climate crisis. There’s a set of lifestyle choices to be made here, finding riches within apparent frugality. But for immediate experience, I go straight to simplicity. By this I mean slowing down, and opening to the simple now. I immerse myself in the texture of what is abundantly here and freely given. I look out of my window at late summery yellow-green ivy … abundance-in-simplicity comes in and sits on my shoulders. The point of the vow is to remind me of the miracle of being alive and to open me more fully to the gift.
We often talk about our ‘path’ or ‘journey’, and this can have a value. Yet at heart spirituality is about being somewhere rather than getting somewhere – recognising the home we have never left.
“The concentration on Aimlessness means arriving in the present moment to discover that the present moment is the only moment in which you can find everything you’ve been looking for, and that you already are everything you want to become.
“Aimlessness does not mean doing nothing. It means not putting something in front of you to chase after. When we remove the objects of our craving and desires, we discover that happiness and freedom are available to us right here in the present moment.
“We have a habit of running after things, and this habit has been transmitted to us by our parents and ancestors. We don’t feel fulfilled in the here and now, and so we run after all kinds of things we think will make us happier. We sacrifice our life chasing after objects of craving or striving for success in our work or studies. We chase after our life’s dream and yet lose ourselves along the way. We may even lose our freedom and happiness in our efforts to be mindful, to be healthy, to relieve suffering in the world, or to get enlightened. We disregard the wonders of the present moment, thinking that heaven and the ultimate are for later, not for now.
“To practice meditation means to have the time to look deeply and see these things. If you feel restless in the here and now, or if you feel ill at ease, you need to ask yourself: ‘what am I longing for? What am I searching for? … What am I waiting for?”
Thich Nhat Hanh The art of living London: Rider, 2017
An aristocratic Zen perspective from medieval Japan. “Though home is of course merely a transient habitation, a place that is set up in beautiful taste to suit its owner is a wonderful thing. Even the moonlight is so much the more moving when it shines into a house where a refined person dwells in tranquil elegance. There is nothing fashionable or showy about the place, it is true, yet the grove of trees is redolent of age, the plants in the carefully untended garden carry a hint of delicate feelings, while the veranda and open-weave fence are tastefully done, and inside the house the casually disposed things have a tranquil, old-fashioned air. It is all most refined”.
Yoshida Kenko A cup of sake beneath the cherry trees Kindle edition of a Penguin Classic. This is a selection taken from Essays in idleness and probably written around 1329-31 CE. Translated into English by Meredith McKinney.
The son of an administration official, Kenko was born Urabe Kaneyoshi and served as guards officer in the Imperial palace. He became a Buddhist monk in later life, living in a hermitage within a Zen monastery. He has been seen as the most important Japanese literary figure of his day, retaining something of a secular lens on the world despite his monastic standing. He also wrote: “it is a most wonderful comfort to sit alone beneath a lamp, book spread before you, and commune with someone from the past whom you have never met.” I like him for writing that sentence, and I like being able to read it.
I can wade Grief –
Whole pools of it
–
I’m used to that –
But the least push of Joy
Breaks up my feet
–
And I tip –
drunken
Emily Dickinson
Silently and serenely, one forgets all words,
Clearly and vividly, it appears before you.
When one realizes it, time has no limits.
When experienced, your surroundings come to life.
Singularly illuminating this bright awareness,
Full of wonder is the pure illumination.
The moon’s appearance, a river of stars,
Snow-clad pines, clouds hovering on mountain peaks.
In darkness, they glow with brightness.
In shadows, they shine with a splendid light.
Like the dreaming of a crane flying in empty space,
Like the clear, still water of an autumn pool,
Endless eons dissolve into nothingness,
Each indistinguishable from the other.
Chan Master Sheng-Yen The Poetry of Enlightenment: poems by ancient Chan Masters New York: Dharma Drum Publications, 1987
This is the first section of a longer piece by Hongzhi (in this text transliterated as Hung Chi), who lived in China from 1097-1157. He developed a version of what we now call mindfulness meditation called Silent Illumination.
The Crane Bag, Joanna van der Hoeven’s forthcoming book*, offers an introduction to the ritual tools and practices found in the Druid tradition. It achieves this briefly, simply and with a light touch – as books in the Pagan Portals series are designed to do. Yet it much more than a tick box guide. It provides context and meaning, showing the modern evolution of the Druid tradition itself.
The author makes it clear that she wants readers “to develop their own path in their own time in their own fashion”. Re-enchantment is both path and goal. With proper use, the crane bag “can further the Druid in working with the tides of nature, finding his or her own place in the environment, living in balance, harmony and peace”. The movement overall is “toward reintegration with the natural world”.
At its simplest, the crane bag is the container for Druid ritual tools and as such enables the practices. Bag and tools provide the practitioner with “something tangible to express the spiritual”, acting as a portable “map of the soul”. Behind the crane bag lies an ancient Irish story beginning with the contention between two sisters and the transformation of one of them, Aoife, into a crane. The story is beautifully told and its relevance clearly explained in the first chapter of the book.
In ritual, a period of time and an area of space are set apart and dedicated. This is not to create a lasting duality of sacred and mundane, but a step on the way to experiencing everything as sacred. “Ritual helps us to step back from the busyness, into another way of being. It is a change of consciousness, where we can shift our perception away from a singular view to a more plural view, realising that we are part of an ecosystem”. There is a clear preference for working outdoors, where awareness can shift more readily, though this is not insisted on.
A Druid’s tools will vary with the Druid. The book identifies the following: a silver branch; a staff; cups/bowls/cauldrons; drums; a sickle or knife; robes; altars; fire/candles; incense. People may make or buy them. Ethical sourcing of tools and materials is discussed in some detail, in line with the values of The Crane Bag overall.
What goes into a ritual is explored under the headings of call for peace; preparing the nemeton; honouring spirits of place, three worlds, four directions, ancestors, deities; ritual action; prayers and magic; offerings; eisteddfod; sacrifice; feast; closing. There’s encouragement to practitioners to craft what is right for them from within this set of suggestions and beyond it. The author adds, “I have been in circles with Christian Druids and Buddhist monks, as well as other religions from all over the world”. What matters in ritual is being present and performing the ritual with mindfulness, so that “any words that you speak, any gesture or movement you make will flow more easily, be more graceful and filled with meaning”.
There’s a final chapter on ‘altered states’. I don’t use the term myself, because it makes an ‘altered’ vs ‘normal’ distinction that doesn’t really work for me in my own life. But I recognise it as a term that is widely and usefully employed. Here, it facilitates valuable discussions of meditation, drumming, chanting and song, sensory deprivation, sacred landscape and sitting out. Three kinds of meditation are distinguished: calming the mind and re-tuning the body, journeying and problem solving. Guidance is offered on each kind. Different suggestions are also explored within the other topics. For sensory deprivation, there are two. One is the Celtic version of the sweat lodge, called teach an alais. The other is total immersion in darkness for a considerable period before being brought out into the light. The author refers to early medieval accounts of this, where it was done in aid of Bardic inspiration and prophesy: imbhas forosna.
I found The Crane Bag a very useful contribution to its topic and highly recommend it.
Joanna van der Hoeven The Crane Bag: a Druid’s guide to ritual tools and practices Winchester UK & Washington USA: Moon Books, 2017
*According to the publisher, the book is due for release on 28 July, and can be pre-ordered through Amazon US & UK, Indiebound and Hive.
music that celebrates Earth and speaks to the heart
Follow the Moon's Cycle
Meeting nature on nature's terms
A little bit of Mark Rosher in South Gloucestershire, England
A monastic polytheist's and animist’s journal
Selkie Writing…
Images and words set against a backdrop of outsider art.
living with metacrisis and collapse
The pagan path. The Old Ways In New Times
Spiritual journeys in tending the living earth, permaculture, and nature-inspired arts
a magickal dialogue between nature and culture
Thoughts about living, loving and worshiping as an autistic Hearth Druid and Heathen. One woman's journey.
An place to read and share stories about the celtic seasonal festivals
Just another WordPress.com site
Exploring our connection to the wider world
Become more grounded and spacious with yourself and others, through your own body’s wisdom
Good lives on our one planet
News for the residents of Hopeless, Maine
All content on this site is now located at www.jonberrywriter.co.uk
Contemplative Inquiry 