contemplativeinquiry

This blog is about contemplative inquiry

Tag: Cailleach

ELDER (RUIS) ENDING A CYCLE

Elder is the tree of the caileach, the crone, the wise older woman. The image above comes from the Green Man Tree Oracle (1), but for me an earlier work, Liz and Colin Murray’s The Celtic Tree Oracle: A System of Divination (2), offers a more illuminating narrative:

“This Ogham card is linked to the eternal turnings of life and death, birth and rebirth. It represents the end in the beginning and the beginning in the end; life in death and death in life; the casting out of the devils of the old year and the renewal of creativity of the new; the timelessness of the cycle by which the fading of old age is always balanced by the new start of birth.

“The card has no reversed position. The circle will always turn afresh, change and creativity arising out of the old and bringing about the new. All is continuously linked as phases of life and experience repeat themselves in subtly different forms, leading always to renewal”.

In my sixteen tree mandala of the year (3) elder covers the period from 24 November to 16 December, following Yew and preceding Holly. If the winter quarter beginning on 1 November is a time of dying and regeneration, then elder deepens the descent into death signalled by the yew, whereas holly brings in the note of regeneration and makes the transition into rebirth. So it is not surprising to me that in Christian folklore elder provided the wood both for the cross of Christ and the self-hanging of Judas Iscariot. There was also a belief that people living in houses built in the shadow of the elder were likely to die young. Indigenous folklore, more benignly, said that to sleep beneath an elder tree is to wake in the Otherworld. If you stood under an elder tree on Midsummer’s Eve you would see the faery troop go by. Casting away fear, and whatever the weather, we may find magic in this tree.

(1) John Matthews & Will Worthington The Green Man Oracle London: Connections, 2003.

(2) Liz & Colin Murray The Celtic Tree Oracle: A System of Divination London: Eddison/Sadd Edition, 1988. (Illustrated by Vanessa Card).

(3) NOTE: This mandala is based on my personal experience of trees in the neighbourhood as well as traditional lore. Moving around the wheel of the year from 1 November, the positions and dates of the trees are:

Yew, north-west, 1-23 November

Elder, north-north-west, 24 November – 16 December

Holly, north, 17 December – 7 January

Alder, north-north-east, 8 – 31 January

Birch, north-east, 1 – 22 February

Ash & Ivy, east-north-east, 23 Feb. – 16 March

Willow, east, 17 March – 7 April

Blackthorn, east-south-east, 8 – 30 April

Hawthorn, south-east, 1 – 23 May

Beech & Bluebell, south-south-east, 24 May – 15 June

Oak, south, 16 June – 8 July

Gorse, south-south-west, 9 – 31 July

Apple, south-west, 1 -23 August

Blackberry & Vine, west-south-west, 24 August – 15 September

Hazel, west, 19 September – 8 October

Rowan, west-north-west, 9 – 31 October.

See also https://contemplativeinquiry.blog/2020/autumn-equinox-2020-hazel-salmon-awen/

BOOK REVIEW: SOUL LAND

Highly recommended to anyone who values the poetry of place. Natalia Clarke’s Soul Land: Nature, Scotland, Love (1) is a chapbook featuring 22 poems about her connection with Scottish landscape. That connection is intense, and shared in these poems through a powerful and distinctive voice.

The poet grew up in Siberia, enjoying “immersive life and experiences with nature and magic” (2), before being exposed to “intense emotions of love and loss at a tender age”. Her journey took her to England and its publishing industry with a later shift into the field of psychotherapy and a personal spiritual awakening. This is the context for the visit to Scotland “that changed me on a profound level”. She fell in love with what she came to call her “Soul Land”.

In the poem Love Everlasting, she writes:

“My knees touched the greenness

of your body and in

awe I stood amidst a stone

circle feeling protected and

contained.

I lowered myself into your

cooling stream imagining I

washed myself anew”.

The words have both erotic and mystical resonances: perhaps it misses the point even to make the distinction. In another poem The Land of Me, she talks of the land “stealing my soul” and how this theft feels like “the gentlest fall into paradise”.

This is not a song of life and work within a landscape and the human culture it has shaped, and which has shaped it in turn. It is a personal I-Thou connection with a sacred space that the poet visits from time to time. Natalia Clarke is clear and sensitive about this, as shown in Through the Eyes of A Highlander, where we find a different consciousness of place, and in his case, its human history: “Where I see beauty he sees barren landscape … where I feel silence he shudders with sorrow”. Natalia Clarke knows that her sense of home, in this for her newly discovered land, is bound up with her own life and longing, and what she brings to the encounter.

In the later poems we find a closer observation of detail – “water silky soft and the colour of silver … green pine needles hitting my senses with clean potent fragrance”. The land feels more maternal – even, in a sense grandmaternal. In the poem In My Dreams You Visit Me the poet finds herself “transformed into the old Cailleach walking the hills and mountains with deer by her side”.

Natalia Clarke feels blessed in this wild space: “inhaling paradise, assured, grounded, humble, in your exquisite perfection”. Although led by her intuition and her feelings, she shows how her experience of the Scottish landscape has indeed grounded her.

“’All is well,’ the land whispers

into my soul spreading her

seasons around me”.

In a prose conclusion to the collection, Natalia Clarke also spells out the conceptual basis of her way of experiencing and relating. The key terms are ‘home’, ‘soul’s calling’ and ‘nature’. Home is “our secure ground, safety and knowing” with a feeling-tone that is “contented and contained”. She speaks here as a person who has lost her link with her “original motherland” and has needed to find ‘home’ elsewhere. A soul call is “very impulse driven, animalistic and instinctual”, asking us “to be more, to feel more” and join “something beyond yourself, new, meaningful and expansive”. Nature is not simply about solace. Deep understanding of nature can bring both peace and turmoil into our souls, “as processes are parallel within nature and if we tune into nature’s rhythms, we risk deeper understanding of ourselves”. True homecoming, the homecoming that involves soul, asks us to take risks as well as offering safety. For Natalia Clarke, Nature favours the brave.

(1) Soul Land: Nature – Scotland -Love Kibworth, UK: Matador, 2020

(2) https://rawnaturespirit.com/ (The collection can be ordered from this site by clicking on ‘publications’.)

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