Contemplative Inquiry

This blog is about contemplative inquiry

Tag: Spiritual inquiry

BOOK REVIEW: CELEBRATING PLANET EARTH A PAGAN/CHRISTIAN CONVERSATION

61CwdX9mE3L__AA160_Highly recommended and available for pre-order via Amazon.  This blog is an enthusiastic early alert concerning Celebrating Planet Earth, edited by Denise Cush The book comes out of a weekend ‘conversation’ held at the Ammerdown Centre near Radstock, Somerset, England, from 31 January-2 February. Originally devised as a Druid/Christian event, it was widened to include other Pagans and was intended to generate “dialogue, reconciliation and renewal”. The hope was that the participants could explore their prejudices and preconceptions, learn more about each other, and find common ground in ‘Celebrating Planet Earth’, as the event was called. The book’s contributors were all involved in the conversation.

The book is aimed at Pagans and Christians interested in making connections; academics and undergraduate students in Study of Religions taking courses on inter-faith dialogue, Paganism and Christianity; and anyone with an interest in inter-faith activities. Some of the contributors are academics in the field, but as well as academic input, there is a practical emphasis on personal spirituality and ritual practice.

I’m part of the core audience. Whereas I experience the spiritual path as ultimately beyond names and forms, I stand in the world as a Pagan Druid. I had a Christian upbringing and in recent years I have learned from the Buddhist tradition, as well as Christian-based movements such as Sophian Gnosticism and the Ceile De. All of these have supported me in my own practice and in my personal concern with developing a stronger contemplative current within Druidry. So I’m at ease with what Philip Carr-Gomm, Chosen Chief of the Order of Bards, Ovates and Druids (OBOD), calls “fusion paths” in his chapter in this book.

From where I stand the ‘Celebrating Planet Earth’ more than meets its aims. It’s a feast. I felt that each contributor had thoroughly earned their place in it. It is divided into three parts, before moving on to editor’s reflections and conclusions. I want to say something about one chapter that spoke to me particularly strongly from each of the parts, as the best way in a short space of honouring the collection as a whole.

The first part is about ‘Addressing Our Fears and Prejudices’ and for this I pick out Graham Harvey’s chapter, ‘Fears and prejudices: a Pagan view’. For me, he has a very helpful analysis of what the task is and how to accomplish it. He makes it clear that “not everyone thinks alike” or should be expected to and that diversity has room for healthy opposition – properly handled, this can be a real gift. He makes the subtle point that the negotiation of difference is not just about fear and prejudice. It is also about avoiding the presupposition that “others are like us but not quite … that other people mean what we would mean when we say or do things”. Hence we need a refined quality of listening to avoid “talking past each other”.  On the question of fear and prejudice specifically, he suggests that the two things to remember are that we should indeed “resist and challenge the small visions and petty fantasies that are imposed on others” and that “when we talk about what people do, rather than what systems are alleged to do, we will keep diversity in clear view”. He usefully writes down polarised lists of what ‘Christians’ and ‘Pagans’ are contrastingly stereotyped as standing for – and invites us to make a reality check on the items in the list. It’s a very useful way of opening the reader up to the actual experiences of individuals and groups in later chapters.

The second part is about ‘Possibilities for Co-operation’ and for this I pick out Tess Ward’s chapter, ‘Better together: transformation through encounter’. Early in her life as an ordained priest, Tess Ward went into her own version of Dante’s ‘dark wood’, a wilderness in which she needed to die to one life so as to be born into another. She lost her existing theological frameworks and says of that time: “in that wilderness, what sustained me was not theology, but poetry, silence and nature”. Without leaving her Church, she found pointers in Buddhist ideas (Anthony Gormley, Pema Chodron), Earth paths and feminist spirituality. She quotes Carol Christ as saying: “awakening suggests that the self needs to notice what is already there … the ability to know is within the self, once the sleeping draft is refused … for women, awakening is not so much a giving up as a gaining … a grounding of selfhood … rather than a surrender of self”. She also quotes Kenneth White’s poem ‘Labrador’ – “I was loathe to name it too soon – simply content to use my senses – feeling my way – step by step – into the new reality”. As, renewed, she moves back into the world and her role, she knows that interventions in the world only have value when they come from personal experience. She shares with Matthew Fox the view that the result of such a crisis is not to abandon one’s own tradition “but to demand more of it”. She now leads celebrations of the Celtic Wheel of the Year as an affirmation of her transmutation of faith within a Christian framework. Partly this is an enhanced appreciation of being grounded in the natural world and its cycles. Partly it is an appreciation of the place that resources outside her traditional faith have had in deepening her journey.

The third part is about ‘The role of ritual practice, myth, music and for poetry in each tradition and in inter-faith encounter’. For this I pick out Alison Eve-Cudby’s chapter: ‘Woven together: can Christians and Pagans engage in shared ritual?’ The author has a leading role in the Ancient Arden Forest Church in a burgeoning movement of Forest Churches. She describes this movement as “a small and growing number of Christians responding to the Call of the Earth”. Ancient Arden has an emphasis on ritual and her formal answer to the question she poses is a carefully contextualised ‘yes’. She says: “if we take earth celebration, care and connection as our basis for doing ritual together, to contribute towards re-enchanting the land in this time of ecological crisis then I think that shared ritual is possible”. She offers a fresh and energised discussion of ritual and its purpose. She describes ritual as an embodied event, and a process of framing in which dramaturgy, rather than theology, is the organising principle. Whereas logocentric approaches assume that the symbolic system expressed in ritual must be coherent, performance as an unfolding event lays out symbols in a way that reveals their inconsistencies and contradictions. The work therefore involves negotiating and holding these within the ritual container. We fashion rituals that enable liveable, regenerated worlds. Ritual is a transformative process, “the pattern of actions is designed to synchronise the awareness of the different participants – human, non-human and other than human”.

The book’s conclusions suggest that meeting itself was of great benefit, and make it clear that the people involved want to continue their work in some way (topic based subgroups are mentioned). I would simply add that this book is a gift to us all, and that I am grateful for it.

CONTEMPLATIVE DRUIDRY IN LONDON

This afternoon my partner Elaine and I are travelling to London, and tomorrow we will be joined by our colleague Julie Bond at the Bonnington Centre in Vauxhall, the venue for our Introduction to Contemplative Druidry. It’s a landmark occasion for us, because it’s our first outing under the banner of ‘Contemplative Druid Events’. We are fortunate to have a maturing and deepening local group in Gloucestershire. We have given talks before, based around the book ‘Contemplative Druidry’. But this is the first time we have offered other people an opportunity to share our practice as well as our ideas. We are expecting ten participants as well as ourselves, a good number for us!

This is happening just as I’m experiencing significant shifts in my own spirituality, partly as a result of my personal work, and partly as a result of important moments with others in the course of this month, especially in Imbolc related activities.. I’m not yet sure where it’s going, in precise terms, but it feels rich and fecund. I find myself quite open and sensitive at this time, balancing this out with the demands of a presenter and facilitation role. The result is that I’m feeling a kind of nervous yet deep confidence about engaging with new people in this work.

Our next venture out will be our retreat from 17-19 April, described in http://contemplativedruidevents.tumblr.com/ and on the ‘Contemplative Druid Events’ Facebook page. That will be a further step up, and a focus in coming weeks.

Elaine and I are returning from London on Tuesday, so I won’t be posting again before Wednesday next week.

 

GROUNDED WISDOM FROM KABIR

I read the songs of Kabir, partly for their power and beauty, partly for their touching humanity and partly to learn something as a contemplative practitioner. The songs themselves, according to John Stratton Hawley, have survived in late manuscripts from different parts of India, modified over time by the region, religion and caste position of their listeners. When it comes to translation, Hawley notes that Robert Bly presents a Kabir who stands for self-reliance (like Emerson), principled disobedience (like Thoreau) “and a set of practices that honors the meeting of mind and body and celebrates the intense emotions that connect them (like Bly himself?)”

So I feel I’m in good company when putting two songs together in a way that makes the second answer the first, in the pursuit of my own inquiry. It’s about this: how do I avoid the trap of working on my small personal narcissism only to embed a larger spiritual narcissism?

Here is the first, scene-setting song.

Friend, please tell me what I can do about this world

I hold to, and keep spinning out!

I gave up sewn clothes, and wore a robe,

But I noticed one day the cloth was well woven.

So I bought some burlap, but I still

Throw it elegantly over my left shoulder.

I pulled back my sexual longings,

And now discover that I’m angry a lot.

I gave up rage, and now I notice

That I am greedy all day.

I worked hard at dissolving the greed

And now I am proud of myself.

When the mind wants to break its link to the world

It still holds on to one thing.

Kabir says: Listen my friend,

There are very few that find the path.

Here, in the second poem, I find a way through – by not going anywhere. I read the “wanting-creature” below to be bound up in ‘Spiritual’ wanting, rather than the average sensual kind.

I said to the wanting-creature inside me:

What is this river you want to cross?

There are no travellers on the river-road, and no road.

Do you see anyone moving about on that bank, or resting?

There is no river at all, and no boat, and no boatman.

There is no tow rope either, and no one to pull it.

There is no ground, no sky, no time, no bank, no ford!

And there is no body, and no mind!

Do you believe that there is some place that will make the soul less thirsty?

In that great absence you will find nothing.

Be strong then, and enter into your own body;

There you have a solid place for your feet.

Think about it carefully!

Don’t go off somewhere else!

Kabir says this: just throw away all thoughts of imaginary things,

And stand firm in that which you are.

Kabir Ecstatic poems Boston, MA: Beacon Press, 1992 (The English translations are free enough for Robert Bly to call them ‘versions by Robert Bly’. There is an earlier set of translations published by MacMillan in New York in 1915 by Rabindranath Tagore assisted by Evelyn Underhill under the title Songs of Kabir. Whilst I don’t follow Bly in calling the English of the earlier work “useless”, I do find that Bly’s interpretation has more passion and power. The Bly work includes an insightful afterword Kabir and the transcendental Bly by John Stratton Hawley).

UPDATE ON CONTEMPLATIVE DRUID EVENTS

After the publication of Contemplative Druidry last October, I set up Contemplative Druid Events together with my partner Elaine Knight, supported by other members of our local group – particularly Nimue Brown, Julie Bond, JJ Middleway and Karen Webb. Our main purpose is to organise, publicise and run a limited number of contemplative Druid events for the wider Druid community and others of like intent. We will also respond to inquiries from people wishing to join a Druid contemplative group or start one of their own.

We have arranged three events for 2015:

  1. A half day introduction to contemplative Druidry in London on Sunday 22 February
  2. A weekend retreat near Malvern from Friday 17- Sunday19 April
  3. A contemplative Druid day in Stroud on Saturday 3 October

For more information, or to arrange a booking please go to our dedicated blog at http://contemplativedruidevents.tumblr.com/

These events are all in southern England. I am open to going further afield, and other colleagues might be. In this regard I am happy to hear proposals from people who are willing to gather together their own group and to negotiate times, programme and costs.

Overall our vision for the contemplative thread in Druidry is that it will develop organically, with initiatives coming from different sources and taking different forms. We don’t seek to own or manage this development under the banner of Contemplative Druid Events, though we do see a value in offering programmes of our own on a modest scale.

FAIRY TALES, ANIMAL HELPERS AND ‘THE PROBLEM OF GOOD’

Recently I came across an article about fairy tales, which included brief reviews of several books and some general observations. The author was Rowan Williams, the former Archbishop of Canterbury and head of the Anglican Communion. Below, and without further comment from me, I include an extract which caught my attention.

“There is a clear strand of social resistance running through much of the old material, a strand repeatedly weakened, in not denied, by nervous rewriting. But this depends on the conviction underlying all this sort of storytelling: that the world is irrationally generous as well as unfairly hurtful. There is no justice but there is a potentially hopeful side to anarchy, and we cannot tell in advance where we will find solidarity. Or, to put it in more theological terms, there is certainly a problem of evil in the way the world goes. Yet there is also a ‘problem of good’ – utterly unexpected and unscripted resources in unlikely places. And at the very least this suggests to the audience for the tale a more speculatively hopeful attitude to the non-human environment as well as to other people. Just be careful how you treat a passing fox, hedgehog or thrush.”

See also http://www.newstatesman.com/culture/2014/12/rowan-williams-why-we-need-fairy-tales-now-more-ever

 

‘CELEBRATE … MORE THAN’: SHARING A PRACTICE

Earlier in December I shared ‘Awen space’, a Druid contemplative practice from my local group. Today I’m sharing something from my solo morning practice. It’s a set of statements that originally grew out of a traditional ‘who am I?’ inquiry but have now morphed into something else. They are partly a means of scanning and personal review  – and partly a celebration or even re-enchantment of identity, supporting a gradual shift in my experienced centre of gravity.

The specific statements may look fixed but in practice they are in process: they shift and evolve over time. My rule of thumb is that they have to describe experiences I live and embody, or have at least touched into. I can borrow other people’s language, but I can’t use anything here on a purely liturgical or aspirational basis.  I find this a dynamic and valuable way of working, I think largely because tailored to my emergent experience and understanding. If taken off the shelf, as a formula, these statements might not have had so much power. I suspect that this is a form of practice that has to be customised by the individual practitioner to work well, despite (or even because of) its transpersonal direction.

I celebrate my body and my senses – and I am more than my body and my senses.

I celebrate my life energy – and I am more than my life energy.

I celebrate my feelings, thoughts and images – and I am more than these.

I celebrate my everyday self-sense and the web of story it weaves – and I am more than that everyday self-sense.

I am the song in the heart; I am the healer in the heart; I am the wisdom in the heart.

I am the space inside the breath, and the stillness in that space.

Living presence, in a field of living presence.

Already enough and already at home. Awen.

THE MYSTIC SENSE

In his book on Zen Paganism (1), Tom Swiss has a chapter called The Mystic Sense. He includes Mystic, a poem by D.H. Lawrence.

 

They call all experiences of the

senses mystic, when the

experience is considered.

So an apple becomes mystic

when I taste in it

the summer and the snows, the

wild welter of earth

and the insistence of the sun.

 

Swiss notes, “one specific, wonderful deep type of beauty comes … from the perception of a relationship between our immediate subjective experience and the broader world”. He adds that depending on our social conditioning and religious training we may come to conceptualise this in terms like ‘cosmic consciousness’, ‘the presence of the divine’, ‘the perception of emptiness’, a feeling of ‘oneness with the universe’, or of ‘sacredness’ or an experience of ‘no-mind’. They are all expressions of the mystical sense, and we have entered a period in which we can let go of any residual belief that this sense is a rare possession, or the exclusive province of a few spiritual specialists and champions.

The way we make meaning and find a language for such experiences may still be heavily conditioned by culture and still be used to justify the truth of dogmas that have in reality “only provided a filter” and “determined what color glasses” we are wearing when we “behold the Clear Light”. But behold it we do, in many different ways, and “with practice we can develop this sense”. Indeed we can “even manage to perceive the mystical experience from multiple perspectives, to swap the glasses for a couple of different colors”. In this context, Swiss reminds us that “this is one of the goals of ceremonial magic, as practised by occultists and Pagans” and not at all confined to still, meditative states.

 

  1. Swiss, Tom (2013) Why Buddha touched the earth: Zen Paganism for the 21st. century Stafford, UK: Megalithica books

AWEN SPACE

I’ve heard it said that attempting to describe actual spiritual practice is folly. It’s like pinning up butterflies for display – you retain the husk whilst losing the flight. But sometimes the endeavour seems worth the risk. I want to talk about the group practice of ‘awen space’ that forms a part of my Druidry.

My local contemplative Druid group met for two hours last Tuesday, 9 December. We connect for two hours in the afternoon on the second Tuesday of every month, except for May and November – a pattern that has now lasted for just over a year. In those months we meet for a full Saturday, sometime after the festivals of Beltane and Samhain. The days offer the advantage of time for a greater variety of practice, the presence of people from outside our local catchment area, and an introductory space for new members. 19 people are now at least provisionally involved, and we have decided to close the group. The Tuesday sessions offer a greater sense of continuity, a more intimate atmosphere, and even greater focus and simplicity. Attendance currently fluctuates between five and nine. This week eight of us were present.

Our usual structure for a two hour session tends to be

  • Pre-meeting for greetings and refreshments
  • Entry into sacred space through a brief ritual opening
  • Group check in
  • A period of silent sitting meditation (about 20 minutes)
  • A move into the awen field (for about 35-40 minutes)
  • Group check-out
  • Exit from sacred space
  • Farewells

Although our use of ritual is lean and parsimonious, it is a very important part of this process. It is the first step in making our attention intentional, and in turning a domestic hearth into a nemeton. Over time, we have tended to favour putting our personal check-ins and check-outs within the nemeton, since we are entering into sacred relationship as well as sacred space, tuning into each other as part of the practice – not just as a preliminary or warm-up. We use a talking stick process for this, to emphasise the intentional and ritualised aspect of what we are doing.

I think of the awen space as being the most distinctive part of the session. We enter the space through a repeated chanting of awen – how much, or whether we ‘cascade’, depends on our sense of the moment – and then enter silence, consciously together rather than meditating side by side as in the simple sitting meditation that precedes this practice. We may maintain this collective and relational silence or we may choose to sing, chant or say things. In this sense it is an interactive practice albeit a subtle one. It is most powerful when we can hold back from entering into actual dialogue and exchange whilst at the same time moving with the current of communication and relationship which we are generating both through our silence and our utterance. There’s a fine point of balance and tension here. When the awen space is over – it’s over, so it’s not strictly timed. There’s a person whose job it is to lead us both into and out of the space and they make the call. Usually it reflects everyone’s sense of the appropriate ending. We chant awen on our way out of this space as well as into it.

In this context we experience awen, Druidry’s subtle magic, as an energetic field in which we are inspired to be more open and receptive to each other – and at times to find authentic here-and-now language for our felt sense of co-presence and connection within an enlivened space. So it’s something within and between us when we are together, not so much a lightning flash from above. Sometimes our experience completely flows; sometimes it’s more halting. The space gives us a mirror, say rather an echo, of what we bring to it on the day. The physical space matters too – on Tuesday it was a space of wood burner glow and tiny lights in a deepening dusk, and a circle of people working gently together. For me, the feeling-tone and the imagery of this space, lodged in the shifting ever-now of memory, are my key reference point for ‘contemplative Druidry’ as a unique spiritual note. And I am made even more grateful to be able to practice in this way with a group of good companions.

 

BOOK REVIEW: THE AWEN ALONE

jhp53e87afc5058eThe Awen Alone, by Joanna van der Hoeven, is an economically and elegantly written introduction to modern Druidry for readers with a serious interest in practising. I like the use of awen, Druidry’s subtle magic, as the key word in the title. In the way that the author uses the term, it gets us straight to the point of why we practice.

The introduction skilfully builds rapport by bringing us into the rhythm of a normal working day. Only it isn’t quite everybody’s normal – it’s a reframed normal for a re-enchanted world and an intentional relationship with it. Joanna starts, in a matter-of-fact way, with a “Hail to the Day and Days Sons; farewell to Night and her Daughters” and ends with “Farewell to Day and Day’s Sons; hail to night and her Daughters”.  In between, there are grumbles about the price of ethical toiletries alongside an affirmation of their value; a commitment to emotional intelligence amidst the stresses of working life, a noticing of what is going on in the landscape whilst travelling and in the garden at home, a soft threshold prayer to Nemetona, Lady of the Sanctuary, and a period of formal meditation.

The messages I would get from this as an inquiring reader are the intended ones. Druid life is shown to be the same life as anyone else’s, albeit lived with a distinctive quality of wonder and attention. Moreover, it is entirely possible to live such a life without being part of a Druid community.

The book is carefully structured into three parts.

  • The first is about the basics of Druidry. It covers current views of Druid history; looks at what Druidry is; investigates the meaning of the key term awen (more about this below); explores deity in Druidry (some modern Druids are theistic and others not); affirms connection to ancestors (of blood, place and tradition); and describes the eightfold wheel of the year and its celebration.
  • The second is about Druidry in practice. This looks at the roles of meditation, prayer, inner pathworking (guided meditation), outer pathworking (walking with awareness outside); altar creation and sacred space; seasonal rituals and other work connected with the seasons; and craft names.
  • The third is about creating one’s own path and includes chapters on designing Druid ritual, daily practice and a more general consideration of “walking your own path”.

All of this work is well presented and gives a good overview of the way many Druids today think and practice. For me however, the really distinctive feature of this book is its discussion of awen. Awen is classically thought of as creative inspiration in a sudden, lightning flash form. But Joanna links awen, as inspiration, to the breath. The air we breathe is all around us. We take it in and give it back, a little bit changed. “The inspired Druid exhales the inspiration gained”. Awen is right here, in the web of what is, inherently present in the communication and relationships which make our interdependence work, enabling our creative choices and their results. For Joanna, awen is therefore linked also to our responsibility for personal awakening:

“Awake to our own energy and stretching out towards the energy of nature around us, we begin to see just what awen is.  It is the opening of oneself … to see into the nature of all beings and indeed to see into the nature of simply being. … For awen to exist there must be relationship. We cannot be inspired unless we are open and we cannot be open unless we are in relationship, whether that is with the thunder, the blackbird or a god”. Joanna develops this theme further, seeing a cyclical process of giving and receiving at the heart of awen as we release ourselves “into the flow”. Ultimately we can be so attuned to “the threads that connect us all” that we can be inspired all the time – moving into the “bigger picture” of a compassionate and integrated life.

With this view of awen, at least as I understand it from reading the book, Joanna integrates her ‘Zen’ more fully into her Druidry. In the original Zen Druidry book, ground breaking as it was, I still had a sense of their being on parallel tracks. Thus The Awen Alone, although an introductory book, also offers an evolutionary step in the ‘Zen’ iteration of Druidry. For this reason it has importance not only to the inquirer and the newcomer, but to also to any Druid practitioner interested in the questions raised by this valuable work. Highly recommended.

Joanna van der Hoeven (2014) The Awen alone: walking the path of the solitary Druid Winchester: Moon Books

A CONTEMPLATIVE DRUID EVENT

Thanks to the interest generated by Contemplative Druidry, members of the Gloucestershire contemplative group have set up an entity called Contemplative Druid Events. So far we have a blog at http://contemplativedruidevents.tumblr.com/ and a forthcoming retreat.

The retreat is being held on the weekend of 17-19 April 2015 at Anybody’s Barn, Birchwood Hall, Storridge, Nr. Malvern, Worcestershire WR13 5EZ.  Details of the retreat can be found on the blog.

I am excited by this prospect. It provides the opportunity to work with a larger group of people and to learn from them. Contemplative Druidry doesn’t come with a long specific tradition or an inherited set of practices and teachings. As modern Druids, we are engaged in an exploratory and co-creative enterprise. Events will extend the experience and understanding of participants and facilitators alike.

At the same time we do have a vision of what we are offering, and a sense of how the retreat will work. We will use the Friday evening to enter sacred space and move into introductions and a culture setting process. I consider the way in which we enter into relationship with the space and each other to be a highly significant part of the event and not just a warm up or preamble. It does much to determine the quality of living presence in the space, as important as any practice or activity. As for practices and activities – there will be sitting meditations and an introduction to what our existing local group calls “Awen Space”. Other offerings may include chanting, sacred movement, outside walking meditation and ‘lectio divina’ from the book of nature. We will likely make use of a fire pit on the Saturday evening.

The retreat also gives us the chance simply to be, alone and with fellow travellers, in a beautiful nurturing space. (After the opening process, every activity is an invitation to the participants, rather than a demand on them.) We will work with a maximum of sixteen people, including ourselves – there are five of us with facilitator roles from the Gloucestershire group. This is not the full capacity of the centre we are using, for we wanted a spacious environment on the physical as well as other levels.

I have a strong belief in this way of working and look forward to sharing it with new people.

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