Contemplative Inquiry

This blog is about contemplative inquiry

Tag: Nature poetry

WHEN I WAS A CREEK

When I was

a tree,

I sang and danced

with the wind

and offered

food and refuge

to all who came.

When I was

a cloud,

I floated freely,

bringing

shade and rain

wherever they

were needed.

When I was

a creek,

I flowed effortlessly

around stones

and nourished life

everywhere

I went.

When I was

a seed,

I held

the story

of what

I would become

inside me

until the sun

and rain

let me know

it was time

to share it.

When I was

a flower,

I opened up

to reveal

my beauty

and invited the bees

to share

the sweetness.

Now I am

human

and can do so many things,

yet I am

full of questions

about who I am

and why I’m here.

Kai Siedenburg Poems of Earth and Spirit: 70 Poems and 40 Practices to Deepen your Connection with Nature Our Nature Connection, 2017

CONTEMPLATION

I like this poem for its economy and simplicity, and for its gentle, shape-shifting animism – for the ease with which it moves between identities in nature. For me, there is power and beauty in this, all the better for a relative lack of ornament.

As a human, I do feel a bit set up. Whereas the rest of nature is awarded an innocence and generosity not always evident in the apparent world, we humans are implicitly stigmatised for our questions, and thereby separated from the rest of nature. In our mainstream culture (both religious and secular) we place ourselves above the rest of nature, so the polar opposite perspective does have a corrective value. But it leaves me unsatisfied.

My sense is that the writer is placing herself alongside me, the reader, and the other humans. She is not awarding herself a free pass on the grounds of her vividly present and enacted imaginative empathy. So I would say to her what I say to myself. As I read it, there’s a strong invitation to self-compassion in the last verse.

Our finite minds are as natural as anything on earth.. Our questions about who we are, why we’re here and what to do are part of us. For me, the only way through them is become more skilled in the process of inquiry and to learn to live by its fruits. I value this poem partly through what it evokes directly, and partly because it stimulates useful inquiry.

 

 

POEM: A SPECIAL DAY (CHOSEN FOR ELAINE)

Today

is a very special day.

Today we celebrate

sun and rain,

light and dark,

the cycles of life,

the great turning

of the wheel.

Today we celebrate

every leaf on every tree,

every feather on every bird,

every drop of water in every stream.

Today we celebrate

green growing ones and winged ones,

two leggeds and four leggeds,

all who walk, crawl,

swim or fly.

We celebrate

each breath of air,

each morsel of food,

each beat of our hearts,

each healthy cell.

We celebrate

the profound miracle

of being alive

in this body

in this moment

on this planet.

Today,

like every other day,

is a very special day.

Kai Siedenburg Poems of Earth and Spirit: 70 Poems and 40 Practices to Deepen your Connection with Nature Our Nature Connection, 2017

(Poem shared on the occasion of my wife Elaine’s birthday. It was transcribed for me  on a card sent to me on my own birthday last month. It prompted me to buy the collection, which I recommend.)

 

POETRY FOR THE MERRY MONTH

Below are two versions of late fourteenth century verse, written by an anonymous English author, probably from North Staffordshire or Cheshire. It depicts the turning of the wheel of the year as it moves through spring into summer.

The first version is a mid-twentieth century translation by J.R.R. Tolkien. The second is the original. The poem is embedded in the text of Sir Gawain and the Green Knight, which arguably shows an immature warrior class (King Arthur’s knights) being taken down a peg by the primal forces of nature.

The extract here stands outside the main narrative, which occurs during the Christmas festivities of one year and the Hallowe’en to Christmas period of the next.

“But then the weather in the world makes war on the winter,

Cold creeps into the earth, clouds are uplifted,

Shining rain is shed in showers that all warm

Fall on the fair turf, flowers there open,

Of grounds and of groves green is the raiment,

Birds as busy a-building and gravely are singing

For sweetness of the soft summer that will soon be

On the way.

And blossoms burgeon and blow

In hedgerows bright and gay;

Then glorious musics go

Through the woods in proud array.

After the season of summer with its soft breezes,

When Zephyr goes sighing through seeds and herbs,

Right glad is the grass that grows in the open,

When the damp leaves

To greet a gay glance of the glistening sun”. (1)

“Bot thenne the weder of the worlde with winter hit threpes,

Colde clenges adoun, cloudes uplyften,

Shyre schedes the rayn in schowres ful warme,

Falles upon fayre flat, flowres there schewen.

Bothe groundes and the greves grene are her wedes,

Bryddes busken to bylde, and bremlych syngen

For solace of the softe somer that sues thereafter

Bi bonk;

And blossoumes bolne to blowe

Bi rawes rych and ronk,

Then notes noble innoghe

Are herde in wod so wlonk.

After, the sesoun of somer with the soft wyndes,

Quen Zeferus syfles himself on sedes and erbes;

Wela wynne is the wort that waxes theroute,

When the donkande dewed dropes of the leves,

To bide a blysful blusch of the bright sunne.”

(1) Sir Gawain and the Green Knight, Pearl and Sir Orfeo translated by J. R. R. Tolkien New York, NY: Ballantine Books, 1975

(2) C. Cawley (ed.) Pearl and Sir Gawain and the Green Knight London: Dent & New York: Dutton: Everyman’s Library, 1962

POEM: FIELD AND SKY

At the sallow’s* gap

we step through the hedge

and are nothing but field and sky.

Hares race, lurching

to a tussle,

their frenzy printed in the soil.

The kestrel soars –

pausing, head down,

to sew with the finest needle.  (1)

I like this poem for two reasons. The first is as a beautifully written nature poem. The second is the experience it triggered for me in the second and third lines:

we step through the hedge

and are nothing but field and sky.

It is as if the hedge is a portal, and stepping through it takes us into another world, changing us into field and sky. Yet it is the same world, experienced differently. In this version we contain the natural world, holding the lives of hare and kestrel.

Contemplative moments like this – whether directly in nature or evoked in poetry – can take me out of my  boundaried sense of self and place me more fully in the flow of experience and relationship. In their afterglow, I feel a certain poignancy at the fragile, ephemeral, not-to-be-taken-for-granted quality of such connections.

*salix caprea, also called pussy willow

(1) Colin Oliver High River Sudbury: Downstream Press, 2006 (Available from poetry section of the shop at http://www.headless.org/ )

 

POEM: A WINTER EDEN

Warmest wishes to everyone for the festive season and the coming year. Here and now I don’t have a ‘deep midwinter’ feeling, despite the short days. I’ve been walking by my local canal in a largely green world, with a defining image of sunlight on ivy. Alders are growing catkins. Midges abound. Robert Frost’s poem below, in a snowy New England setting, celebrates the exuberance of life whenever it gets a chance.

A winter garden in an alder swamp,
Where conies now come out to sun and romp,
As near a paradise as it can be
And not melt snow or start a dormant tree.

It lifts existence on a plane of snow
One level higher than the earth below,
One level nearer heaven overhead,
And last year’s berries shining scarlet red.

It lifts a gaunt luxuriating beast
Where he can stretch and hold his highest feat
On some wild apple tree’s young tender bark,
What well may prove the year’s high girdle mark.

So near to paradise all pairing ends:
Here loveless birds now flock as winter friends,
Content with bud-inspecting. They presume
To say which buds are leaf and which are bloom.

A feather-hammer gives a double knock.
This Eden day is done at two o’clock.
An hour of winter day might seem too short
To make it worth life’s while to wake and sport.

Robert Frost

POEM: THE SADNESS OF THE GORGES

Above the gorges, one thread of sky;

Cascades in the gorges twine a thousand cords.

High up, the slant of splintered sunlight, moonlight;

Beneath, curbs to the wild heave of the waves,

The shock of a gleam, and then another,

In depths of shadow frozen for centuries;

The rays between the gorges do not halt at noon;

Where the straits are perilous, more hungry spittle.

Trees lock their roots in rotted coffins

And the twisted skeletons hang tilted upright;

Branches weep as the frost perches

Mournful cadences, remote and clear.

A spurned exile’s shriveled guts

Scald and seethe in the water and fire he walks through.

A lifetime’s like a fine-spun thread,

The road goes up by the rope at the edge.

When he pours his libation of tears to the ghosts in the stream

The ghosts gather, a shimmer on the waves.

Meng Chiao (751 – 814) in Poems of the Late T’ang Harmondsworth: Penguin, 1965 (Translated with an Introduction by A. C. Graham)

POEM: PIUTE CREEK

One granite ridge

A tree, would be enough

Or even a rock, a small creek,

A bark shred in a pool.

Hill beyond hill, folded and twisted

Tough trees crammed

In thin stone fractures

A huge moon on it all, is too much.

The mind wanders. A million

Summers, night air still and the rocks

Warm. Sky over endless mountains.

All the junk that goes with being human

Drops away, hard rock wavers

Even the heavy present seems to fail

This bubble of a heart.

Words and books

Like a small creek off a high ledge

Gone in the dry air.

 

A clear, attentive mind

Has no meaning but that

Which sees is truly seen.

No one loves rock, yet we are here.

Night chills. A flick

In the moonlight

Slips into Juniper shadow.

Back there unseen

Cold proud eyes

Of Cougar or Coyote

Watch me rise and go.

 

Gary Snyder. From The Poetry of Impermanence, Mindfulness and Joy edited by John Brem. Somerville, MA: Wisdom Publications, 2017

 

POEM: THIS WORLD OF DEW

 

This world of dew

is only the world of dew –

and yet … oh and yet.

Kobayashi Issa (1763-1828), translated from the Japanese by Robert Hess. From The poetry of impermanence, mindfulness and joy edited by John Brem. (Wisdom, kindle edition, undated.)

 

POEM: GREEN MAN

William Anderson’s classic Green Man poem has thirteen verses of four lines each, and follows the wheel of the year from the Winter Solstice. As I write we have just reached the sixth verse, which has an off with my head theme. The honey of love is over and speaking through the oak is yet to come.

Like antlers, like veins in the brain, the birches

Mark patterns of mind on the red winter sky;

‘I am thought of all plants’, says the Green Man,

‘I am thought of all plants’, says he.

The hungry birds harry the last berries of rowan

But white is her bark in the darkness of rain;

‘I rise with the sap’, says the Green Man,

‘I rise with the sap’, says he.

The ashes are clashing their boughs like sword-dancers

Their black buds are tracing wild faces in the clouds;

‘I come with the wind’, says the Green Man.

‘I come with the wind’, says he.

The alders are rattling as though ready for battle

Guarding the grove where she waits for her lover;

‘I burn with desire’, says the Green Man,

‘I burn with desire’, says he.

In and out of the yellowing wands of the willow

The pollen-bright bees are plundering the catkins;

‘I am honey of love’, says the Green Man,

‘I am honey of love’, says he.

The hedges of quick are thick with may-blossom

As the dancers advance on their leaf-covered king;

‘It’s off with my head’, says the Green Man,

‘It’s off with my head’, says he.

Green Man becomes grown man in flames of the oak

As its crown forms his mask and its leafage his features;

‘I speak through the oak’, says the Green Man,

‘I speak through the oak’, says he.

The holly is flowering as hay fields are rolling

Their gleaming long grasses like waves of the sea;

‘I shine with the sun’, says the Green Man,

‘I shine with the sun’, says he.

The hazels are rocking the cups with their nuts

As the harvesters shout when the last leaf is cut;

‘I swim with the salmon’, says the Green Man,

‘I swim with the salmon’, says he.

The globes of the grapes are robing with bloom

Like the hazes of autumn, like the Milky Way’s stardust;

‘I am crushed for your drink’, says the Green Man,

‘I am crushed for your drink’, says he.

The aspen drops silver on leaves of earth’s salver

And the poplars shed gold on the young ivy flower heads;

‘I have paid for your pleasure’, says the Green Man,

‘I have paid for your pleasure’, says he.

The reed beds are flanking in silence the islands

Where meditates Wisdom as she waits and waits;

‘I have kept her secret’, says the Green Man,

‘I have kept her secret’, says he.

The bark of the elder makes whistles for children

To call to the deer as they rove over the snow;

‘I am born in the dark’, says the Green Man,

‘I am born in the dark’, says he.

From:  William Anderson Green Man: archetype of our oneness with the Earth Harper Collins: London & San Francisco, 1990

POEM: THE OPENING OF EYES

 

That day I saw beneath dark clouds,

the passing light over the water

and I heard the voice of the world speak out,

I knew then, as I had before,

life is no passing memory of what has been

nor the remaining pages in a great book

waiting to be read.

 

It is the opening of eyes long closed.

It is the vision of far off things

seen for the silence they hold.

It is the heart after years

of secret conversing,

speaking out loud in the clear air.

 

It is Moses in the desert

fallen to his knees before the lit bush.

It is the man throwing away his shoes

as if to enter heaven

and finding himself astonished,

opened at last,

fallen in love with solid ground.

 

David Whyte River Flow: New & Selected Poems 1984-2007 Langley, Washington: Rivers Press, 2007

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