Contemplative Inquiry

This blog is about contemplative inquiry

Tag: Earth spirituality

POEM: WOLF VOICE

Happy New Year to all readers of this post! My very best wishes for 2015. I offer a poem by Martin Pallot, a wolf’s life-world in the northern winter.

Martin is my fourth poet from the collection ‘Moon Poets: Six Pagan poets’ published by Moon Books and edited by Trevor Greenfield. Martin has been writing poetry since the early 1980s, mainly inspired by Nature and his pagan beliefs. He admires the early poets and story tellers and the way they engaged the ear, as well as the mind of their audience, and encourages people to say his poetry as well as just reading it. The collection as a whole also includes work by Tiffany Chaney, Lorna Smithers, Robin Herne, Romany Rivers and Beverley Price.

Wolf Voice

Wolf, howling to the moon,

The wind hears your words,

The earth feels your voice,

Sending out your spirit sound,

Calling to the great She wolf

Who shakes the stars from her fur.

Loping in the light of her one great eye,

Silver, shadowing the pack path,

Snow, scented by the passing prey,

Guides you on your killing way.

The trackless whiteness,

Sculpted by spirits of the air,

Into shape of deer and bison.

These insubstantial ghosts,

A pulsating presence in your

Preternatural eye.

When the kill is made,

The pack song rises,

To thank the She Wolf

For her gift of life,

To the den of generations.

And the moon,

Resting on a bed

Of winter branches,

Smiles, to hear

The voice of Wolf.

A CONTEMPLATIVE DRUID EVENT

Thanks to the interest generated by Contemplative Druidry, members of the Gloucestershire contemplative group have set up an entity called Contemplative Druid Events. So far we have a blog at http://contemplativedruidevents.tumblr.com/ and a forthcoming retreat.

The retreat is being held on the weekend of 17-19 April 2015 at Anybody’s Barn, Birchwood Hall, Storridge, Nr. Malvern, Worcestershire WR13 5EZ.  Details of the retreat can be found on the blog.

I am excited by this prospect. It provides the opportunity to work with a larger group of people and to learn from them. Contemplative Druidry doesn’t come with a long specific tradition or an inherited set of practices and teachings. As modern Druids, we are engaged in an exploratory and co-creative enterprise. Events will extend the experience and understanding of participants and facilitators alike.

At the same time we do have a vision of what we are offering, and a sense of how the retreat will work. We will use the Friday evening to enter sacred space and move into introductions and a culture setting process. I consider the way in which we enter into relationship with the space and each other to be a highly significant part of the event and not just a warm up or preamble. It does much to determine the quality of living presence in the space, as important as any practice or activity. As for practices and activities – there will be sitting meditations and an introduction to what our existing local group calls “Awen Space”. Other offerings may include chanting, sacred movement, outside walking meditation and ‘lectio divina’ from the book of nature. We will likely make use of a fire pit on the Saturday evening.

The retreat also gives us the chance simply to be, alone and with fellow travellers, in a beautiful nurturing space. (After the opening process, every activity is an invitation to the participants, rather than a demand on them.) We will work with a maximum of sixteen people, including ourselves – there are five of us with facilitator roles from the Gloucestershire group. This is not the full capacity of the centre we are using, for we wanted a spacious environment on the physical as well as other levels.

I have a strong belief in this way of working and look forward to sharing it with new people.

NATURE LANGUAGE

Philip Carr-Gomm wrote an essay, Deep Peace of the Quiet Earth: the Nature Mysticism of Druidry, as his foreword to Contemplative Druidry (1). Emma Restall Orr talked about her own nature mysticism in a recent radio interview, published on Joanna Vander Hoeven’s Down the Forest Path blog (2). Last year Thich Nhat Hanh, the Vietnamese Buddhist scholar and teacher who leads the ‘Community of Interbeing’ (and is now perhaps near the end of his journey) wrote a deceptively simple-seeming work called Love Letter to the Earth (3), with chapter headings like: We are the Earth, Practices for Falling in Love with the Earth and Ten Love Letters to the Earth.

These prompts have led me to reflect more deeply on how I use Nature language and what, specifically, I mean by it. Thich Nhat Hanh’s starting point (3) is a helpful one: “at this very moment the Earth is above you, below you, all around you, and even inside you. The Earth is everywhere. … The Earth is not just the environment we live in. We are the Earth and we are always carrying her within us. Realizing this, we can see that the Earth is truly alive … we can begin to transform our relationship to the Earth.”  The overall point, familiar enough yet made here with fresh elegance and clarity, is one with which Druids and Buddhists alike can find a ready resonance. But its main effect on me this time round was to get me wondering about the language of Nature.

What do I understand by Nature? For me, the key word is Nature rather than Earth. The Earth is a subset of Nature, larger than you and me who are indeed contained within it, but still a subset. In my understanding, Nature is simply what there is. And ‘what there is’ seems to us, in this culture at this time, to have exploded out of a remarkably fertile emptiness, into the 3D and time-bound reality that our perceptions somewhat mesh with, and of course a great deal more outside our normal range and beyond our range entirely. We humans are wholly natural with all our known and realised potentials – and others too that are but dimly intuited and largely untapped.

We cannot individually encompass the whole of Nature. We must choose, at whatever levels of relative awareness, where to put our efforts and attention. Thich Nhat Hanh is pretty clear about his: he has a strong intent, which involves a mutually sustaining balance of contemplation and action. My key ‘contemplative’ choice, not feeling very accomplished, is to enter more fully into the Heart identity I spoke in my Heart Language post. This seems like a good thing for me, and likely to improve my relationships and connections, particularly with my local world – the Earth and its inhabitants. I could call it extending the human side of human nature, a natural thing for a human to do.

(1) Nichol, James (2014) Contemplative Druidry: People, Practice and Potential Amazon CreateSpace and Kindle Direct Publishing

(2) http://downtheforestpath.wordpress.com/2014/11/07/interview-with-emma-restall-orr/

(3) Thich Nhat Hanh (2013) Love Letter to the Earth Berkeley, California: Parallax Press

CONTEMPLATIVE DRUIDRY: PEOPLE PRACTICE AND POTENTIAL

Since last February I have been working with others on a book about contemplative Druidry. It has now been published and it is available on Amazon.com and Amazon.co.uk in paperback and on Kindle.

‘Contemplative Druidry: People Practice and Potential’ was written to show that contemplative approaches are growing in modern Druidry, and to look at ways in which they might be fostered. Practices discussed include solo and group meditation, contemplation in natural settings and contemplative arts.

In my approach to this project, I decided to take a snapshot of contemplative Druidry in a particular place and time. The place is England, with a particular (though not exclusive) focus on a Druid contemplative group meeting in Gloucestershire. The time is March-July 2014, where 15 Druids responded to a questionnaire either through face-to-face interviews or in writing.

The questionnaire was designed to let respondents talk freely about their understanding of ‘contemplative Druidry’ and its value in their lives. They first discuss relevant aspects of their early lives, such as love of the outdoors, the literatures that fed them, and forms of numinous and psychic experience that they had but could not language or contextualise. They talk about their spiritual questing, often in the arenas of Paganism, Shamanism and Earth spirituality more widely, as well as their specific attraction to Druidry. Then they discuss their contemplative practice and influences on it, in some cases, from other traditions such as Buddhism, neo-Gnosticism and mystical Christianity. Overall there is the sense of an identifiable contemplative thread within Druidry (or Druid thread within contemplative spirituality). There is a sense of a form of spiritual expression to nurture and develop.

The idea of a book offering a variety of voices was further strengthened by Philip Carr-Gomm, who has led the Order of Bards Ovates and Druids (OBOD) since 1988.  His foreword ‘Deep Peace of the Quiet Earth: the Nature Mysticism of Druidry’ is a significant contribution in its own right, speaking of a contemplative turn in Druidry as “an idea whose time has come”.

With the permission of the posters and commenters, the book includes two threads from the Contemplative Druidry Facebook Group – ‘Contemplation and Mysticism’ and ‘Pilgrimage’ as Appendices. These are more international in flavour, and date from August 2012.

The people who joined me in responding to the questionnaire were: David Popely, Elaine Knight, Eve Adams, JJ Middleway, Joanna Vander Hoeven, Julie Bond, Karen Webb, Katy Jordan, Mark Rosher, Nimue Brown, Penny Billington, Robert Kyle, Rosa Davis and Tom Brown. My heartfelt thanks to all of them and everyone else who has supported this book and the work that stands behind it.

ELDERS AND MEMORY

A Guatemalan story illustrates the traditional role of elders. The Goddess of Water has been dismembered and her heart captured by the Lords and Ladies of Death. Her (non-divine) partner collects her bones together and descends into the infernal realm to recover her heart. He succeeds at a price, returning to the earth’s surface with only a toe bone and a tooth to go with the recovered heart of the Goddess, himself do badly wounded that he dies.

Four elders – Grandmother Growth, the Father of the Mountain, the Old Woman and the Old Man – now intervene. Covering the body of the man and the toe bone, tooth and heart of the Goddess with a blanket, they sing their wisdom. ‘The world wept and whimpered in the ground while the two gods and two old humans sang the ancient life-giving songs’ (1). After the old ones have nearly exhausted their repertoire of 200 songs, the blanket is lifted. Man and Goddess (now a mortal woman) have revived and are whole. The elders comment, ‘it’s the same every year’.

The story contrasts the distinctive roles of the younger and older generations. For the former the action presents a vivid and dramatic trial. The old ones participate through their knowledge of the ‘ancient live-giving songs’ and with the relative detachment of those who’ve seen it all before. They have not ‘retired’ but they have progressed to a different and more reflective way of making an impact on their world, using their resources as culture bearers.

Martin Pretchel, who recorded this story, spent his life ‘married to the meaning’ of such stories. In the Guatemalan Highlands of the 1980’s the indigenous Mayan community was under enormous pressure and threat. Martin, a mixed ancestry outsider from New Mexico, joined several hundred old Mayan men and women and ‘like a friar I became another of their wool-blanket-wearing order, dedicated to remembering back to life She who had been dismembered and therefore do what we could to keep Holy Nature dancing’.

The story telling activities of the elders are not simply forms of reminiscence. They can a front-line in the defence of land, life and culture. (Martin Pretchel eventually took refuge from threatened assassination in an unfriendly US embassy and was promptly deported.) It seems that deep Bardistry, maintaining the long cycles of cultural memory, and current political witness go hand in hand.

  1. Martin Pretchel The toe bone and the tooth London: Thorsons, 2002
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