Contemplative Inquiry

This blog is about contemplative inquiry

Tag: Druidry

SOPHIAN REMINISCENCE

For me, sacred images are sometimes filled with life and potency and sometimes not. The important ones  explode as gifts from the hinterlands of the psyche. They are intensely moving, perhaps shocking, certainly state altering. They may be nurturing and easy to welcome. They may be surprising and demand unlooked-for adjustments. Over time they may continue to be influential, changing and developing with me. They may become formal and emblematic – no longer living yet still anchoring insight. Eventually they may fade. Such images are not possessions. Attempts to grasp or hoard them do not work.

I call my path a Sophian Way. I have an icon of Sophia on my desk and I check in with her from time to time. It still feels authentic and makes sense to me. At the same time, I am aware of how much has changed since Sophia erupted into my life twelve years ago.

In the summer of 2007, I was immersed in my OBOD Druid studies. It was one of the few times in my life when I have cleared whole days for ritual work, and whole days for recovering afterwards. I found the work generating its own momentum, in some ways fulfilling the agenda of my course and in some ways pointing in a different-seeming direction. Images and dreams of dove feathers, either falling or lying on the ground – and then their actuality – became very prominent. Key images and ankh images were present as well.

The powerful dove imagery evoked Goddess associations from the Pagan tradition and Holy Spirit from the Judaeo-Christian one. To honour both, I found a reference in a modern Gnostic group ( www.thepearl.org/ ) that seemed to fit:

“Mortals have been created to dwell in the Garden of delights. … In the Garden stands the holy Tree of Life. High in its branches sings a bird. Listen to the voice of the bird, for when you are properly aligned with heaven and earth, she will tell you all things. … This bird or dove is also called Sophia”.

This felt like an authentic, and unifying, message for me because of its attitude towards the Garden. I as a human belong there. My belonging is not in question. There is one tree, the tree of life. The ‘knowledge’ aspect, such a disaster in mainstream Christianity, is very different here. There’s no apple to pick from the bough, but a bird who will sing to me. But something is expected of me, all the same, if I want to enhance my life and understanding. I am asked to align myself with heaven and earth. If I do this, I am assured that “she will tell you all things”. I don’t understand this as a discourse on metaphysics. I understand it as me listening in another key, listening to bird song in this metaphor, and so refining my sensitivity. For me, the imagery of the tree and the singing bird high in its branches is as resonant of a Shamanic or Pagan world view as it is of a Gnostic or Christian one. I do not have to choose.

The Pearl website turns to Joseph Campbell, a modern spokesman for the meaning of myth, on this point. He says: “people say that what we’re all seeking is the meaning of life. I don’t think that’s what we’re really seeking. I think that what we are seeking is an experience of being alive, so that our life experiences on the purely physical plane will have resonances within out innermost being and reality … as we get to know our innermost being we receive the keys that open up a life that is truly Life, for it is everlasting”.

My own sense of the ‘Life everlasting’ doesn’t pre-suppose an afterlife, re-incarnation, or any other world. Eternity, if anywhere, is present in the now. The song of the bird represents a neurosomatic wisdom, not a cognitive one, of living connectedness within one stream of life.

What I like about this reminiscence is that I have been given a chance to renew my sense of Sophia by returning to source. The original work is well-documented, so I haven’t had to rely on memory. I had completely forgotten about the ‘Pearl’ group. I’m also glad that I’ve seen more than first time round in terms of the tree and birdsong. At the time, I just recorded the images and threw down the references. It has renewed my relationship to the Sophia image in the now.

For information about OBOD see

OBOD | Order of Bards, Ovates & Druids | Druidry

POEM: RAPT FORM

FIRE upon Night the way flashing

Cove within Earth the seed receiving

South into North of us –

Eagle upon mountain and the light ascending

The Bowl of the daily dark descending

Stars beyond the shore of us

The Centre stays and the pattern fixes

The Centre moves and the diagram mixes

For many and more of us.

The Eye shines as the cast is shining

The Bowl gathers darkness as the shade is spreading

The Pentagram weaves its tent overheading

The stars and the Polestar turning and twining

Until the rotating of day.

O day and night O night of time

[the weft upon the warp of rhyme}

I backward step to the abyss

Where Form ends and Nothing is –

Where Nothing ends and All-Thing is.

Ross Nichols Prophet Priest and King: The Poetry of Ross Nichols Lewes: The Oak Tree Press, 2001 (Edited and introduced by Jay Ramsay)

“Ross Nichols, who was a contemporary of Eliot, and rated highly by many including Edwin Muir, was Chief of the Order of Bards, Ovates and Druids (OBOD) until his sudden and unexpected death in 1975. An accomplished prose writer, essayist, editor and water colourist who exhibited at the Royal Academy, we can now see him as one of the ‘Apocalypse poets’ of the 1940’s As Chief of the Order from 1964, his contribution was substantial, re-introducing into modern Druid practice the Winter Solstice Festival and the four Celtic Fire Festivals, which he led at London and in Glastonbury.”(Book blurb)

For information about OBOD see http://www.druidry.org/

LADY OF WOODS AND MISTRESS OF WILD THINGS: MARY MAGDALENE IN PROVENCE

“In the new land, Mary loved to go into the woods for prayer and meditation, just as, in the Holy Land, she had enjoyed retreats into the wilderness of the desert”. Today, 22 July, is St. Mary Magdalene’s day. To honour this, I have chosen to focus on an old tradition that she went to in southern Gaul (France) sometime after Jesus was gone.

The suggestion is that she needed to get away from people in power and a section of the new movement that didn’t want her to teach. It seems she went to Massilia (modern Marseilles). Like Alexandria, the city was a significant Mediterranean port, a Greek foundation with a thriving Jewish community, now under Roman rule. It explains why the Celtic Druids of the region wrote commercial correspondence in Greek, the common language of Mediterranean trade at the time. The city is an entirely plausible choice for an exile in Mary’s position at that time.

Legend says that Mary did not stay in the city but went out into the Gallic hinterland and began a teaching and healing mission. It is not surprising that her lore has incorporated indigenous themes (1):

“One time a young disciple followed her into the woods, wishing to be near her and to see what she was doing. When she passed through a clearing and went into the treeline on the other side, the disciple lost site of her. He ran to catch up, and just as he entered among the trees he found himself surrounded by a pack of wolves, each wolf staring at him in silence. He was frozen with fear and dare not move for fear the wolves would swiftly be upon him. The Lady Mary appeared and said to him, ‘I did not ask for your company. Why are you following me?’ He responded, ‘My Lady I sought only to be near you and see what you were doing’. She said to him, ‘it is dangerous to draw near to a queen without the permission of the king or the queen herself, for her guards are likely to kill a man intruding on her privacy. I go out to meet with my Beloved and it is a private matter. It is unbecoming that you have followed me. Return to your place, and do not come out or go in unless the Spirit of the Lord moves you. Having said this, Lady Mary vanished into the woods. The wolves vanished with her, leaving the young man in awe. Needless to say, the young disciple never followed the Lady Mary into the woods again.

“There were many times the disciples saw wolves going along with the Holy Bride in the woods, as well as other wild beasts. …. There were so many stories of people seeing Our Lady with wild creatures in the woods that many called her the Lady of the Forest, others called her the Mistress of Wild Things and sometimes Lady of the Beasts.”

(1) Tau Malachi St. Mary Magdalene: The Gnostic Tradition of the Holy Bride Woodbury, MN: Llewellyn Publications, 2006

A modern naturalistic account of Mary’s life, including later years in southern France, can be found in: Michele Roberts The Secret Gospel of Mary Magdalene London: Vintage Books, 2007 (originally published by Methuen is 1984 as The Wild Girl)

SEEING: CONTEMPLATIVE DRUIDRY

There is a dance between experience and meaning. Experience informs meaning, yet the meaning given to significant experiences can change over time, in the light of later experiences. Looking back at my introduction to Contemplative Druidry (1), I now sense that my contemplative journey was triggered by a kind of Wild Seeing, long before I encountered the work of Douglas Harding (www.headless.org/ ). Here is what I wrote.

“On 22 June 2007 my centre of gravity shifted. It was late morning. I was just outside the Scottish Border town of Melrose, drawn in three possible directions. One was up the hills at the back of the town – the Eildon Hills, the hollow hills where the Queen of Efland took Thomas the Rhymer; True Thomas as he became. The second was the fine, if half-ruined, Abbey and its grounds; a place of Green Man carvings, fruit trees, and the heart of Robert the Bruce. The third was the banks of the Tweed.

“I took the third option and walked into a wholly unexpected and not at all dramatic epiphany. It was triggered simply by noticing and contemplating a wild rose, growing on the banks of the river. It lasted a few moments, just long enough for me to register it, and to experience a subtle shift of awareness in consequence. For some weeks I woke up every day with a sense of joy and connection. Months later, I wrote the verse that expressed it:

I am Rose. I am wild Rose.

I am Rose at Midsummer.

The river flows by me.

Fragile, I shiver in the wind.

And I am the heart’s core, mover of mountains.”

I was aware at the time that I was contrasting three choices in a fairy tale kind of way. The first was the path of magic (the Queen of Elfland). The second was the path of contemplative religion (Melrose Abbey). The third was the path of direct experience (wild rose on the riverbank). I chose the third. The poem best shows the import of this deceptively simple experience, especially in the last line. ‘I am the heart’s core; mover of mountains’ is more than a nature mysticism. I speak not only as the rose, but as the heart’s core, mover of mountains. I speak from the source.

During its collective life, contemplative Druidry did take its stand in direct experience. It was also very open – we talked of being of like intent rather than like mind; there was no consensus cosmology or belief. On the whole we were naturalistic, but not quite in the humanist or materialist sense. The use of terms like ‘Earth spirituality. ‘nature mysticism’. pantheism’ and ‘animism’ pointed to something more expansive. Now my experiences of  Seeing, support the view advocated by Douglas Harding and described as nondualist and panentheist. In everyday terms we can say that we have two identities, one as humans and the other as the ground of being. Ultimately, there is no separation and so only one true identity. Seeing is offered as a skilful means of learning to recognise this identity, and then to live from it.

My Sophian Way is now firmly in this territory. My challenge is to cleave to the experiential practice and its fruits whilst staying open about metaphysical claims. The intelligence of the heart is nourished by this view and is attracted by the reassurance of a clear and simple narrative. The mind wants to stay agnostic and provisional. When mobilised, it can ferret out weaknesses in the view. The Sophian Way is a way of wisdom, as well as a salute to the cosmic mother and healer in the heart. Wisdom invites me to trust the process – maintaining just enough scepticism to avoid attachment to views.

(1) James Nichol , Contemplative Druidry: People, Practice and Potential, Amazon/Kindle, 2014.  https://www.amazon.co.uk/contemplative-druidry-people-practice-potential/dp/1500807206/

DEFINING ‘SECULAR’

Stephen Batchelor’s Secular Buddhism (1) explores what a “nonreligious, this-worldly, secularised Buddhism” might look like. This post is part of my own inquiry into what it means to feel ‘secular’ whilst  engaged in ‘spiritual’ practices and connected with modern Paganism. Batchelor uses ‘secular’ in three overlapping senses:

  1. A general contemporary usage where ‘secular’ stands in contrast to whatever is ‘religious’ – the two terms being clearly polarised whilst not very clearly defined.
  2. A Latin derived sense of ‘this age’ (saeculum) – referring to “those concerns we have about this world, that is, everything that has to do with the quality of our personal, social and environmental experience of living on this planet”.
  3. A Western, historical-political sense, acknowledging a 2-300-year period of ‘secularisation’ that has transformed the whole culture to the point where most people can live “almost their entire lives without giving religion a thought”.

Stephen Batchelor talks about an “uncompromisingly secular reading” of the Buddha’s teaching, in which “one returns to the mystery and tragedy of the everyday sublime. Instead of nirvana being located in a transcendent realm beyond the human condition, it would be restored to its rightful place at the heart of what it means each moment to be fully human”. He is an admirer of Ludwig Feuerbach, a student of Hegel who came to reject his teacher’s emphasis on the primacy of Spirit in the unfolding of history and advocated instead a liberal, materialist and atheist view of the world. “Feuerbach’s basic idea is simple. ‘Religion’, he wrote in the preface to his most famous book, The Essence of Christianity (1841) ‘is the dream of the human mind. But even while dreaming we are not in heaven or the realm of Nothingness. We are right here on earth’”.

In this way, Batchelor acknowledges all three senses of ‘secular’: a distancing from traditional religious belief, an affirmation of the world and time, and the rise of modern secular belief systems – Feuerbach was an early influence on Karl Marx. I like the way Batchelor teases out these meanings, especially his acknowledgement of ‘movement in time’ aspects as well as ‘not religious’ ones. I am more open and agnostic about the language of ‘heaven or the realm of Nothingness’ alongside that of being ‘right here on earth’. If we treat these as states rather than places, then I can see them intertwined dimensions of being. But I do not hold this as an ideology.  I stand, rather, in openness and unknowing: the direct experience of At-Homeness in a flowing now is my ground and source, with or without a cosmic warranty.

Another sense, that of interconnectedness in the web of life, grows out of my At-Homeness – and this is firmly situated in place, time, and history. That place and time, right now, is one of distress, division and confusion, facing runaway climate change as a collective existential threat. My inquiry asks to to be alive to this collective wounding, and to contribute to a healing. In previous inquiry phases, I worked with modern Druidry and Paganism, focusing largely on the ‘nature’ aspect, but also on the powers of imagination and deep cultural stories. I then turned to other paths with a stronger emphasis on contemplative practice and its benefits. There is a treasure trove of resources in all of these these explorations, and I shall continue to draw upon them in my new inquiry cycle.

(1) Stephen Batchelor Secular Buddhism: Imagining the Dharma in an Uncertain World New Haven & London: Yale University Press, 2017

REVISED ‘ABOUT’ APRIL 2019

Over the lifetime of this blog I have made frequent revisions of its ‘About’ statement. Most are small. Occasionally, I make a major revision which I also publish as a post. Below is my revised and edited ‘About’ of 19 April 2019.

I am James Nichol and I live in Stroud, Gloucestershire, England. The Contemplative Inquiry blog started in August 2012, and includes personal sharing, discursive writing, poetry and book reviews. It explores contemplative themes and their role in human flourishing within the web of life.

In my own journey, I have found an At-Homeness in a flowing now, not linked to any specific doctrine. For me, this experience and stance enable greater presence, healing and peace. They also support imaginative openness and an ethic of aware interdependence.

I began this work within British Druidry. I continue to follow an earth-centred and embodied spiritual path, ‘secular’ rather than ‘religious’. I draw on diverse traditions, especially resonating with naturalist, eco-existentialist, pantheist and animist currents within and beyond modern Paganism.

I am wary of metaphysical truth claims, including materialist ones, with an ultimate stance of openness and unknowing. At the time of this revision, I am exploring a tradition initiated by the Greek Pagan philosopher Pyrrho of Elis, who developed his own school of contemplative scepticism after a visit to India.

My book, Contemplative Druidry: People, Practice and Potential, was published in 2014.  https://www.amazon.co.uk/contemplative-druidry-people-practice-potential/dp/1500807206/

ENDING ‘CONTEMPLATIVE INQUIRY’

This blog began in support of a new, specifically contemplative thread within modern Druidry. Over time, this ceased to be the dominant theme and I have looked at many approaches to contemplative spirituality. Gradually, my own approach has clarified as a Sophian Way. At this stage I am not using the metaphor of a path or journey. I am describing a way of life. This includes formal practice, whilst permeating everything. Practices drawn from a variety of sources (including Druidry) now feel naturalized. They have become Sophian. I feel complete.

It is time to let go of this blog. Writing it has helped me a lot. I am grateful to everyone who has companioned me along the way. Letting go is hard, yet also an opening to something else. I will continue to be contemplative and inquiring. Over time I will continue to write. But the forms will change, and for now I look forward to a period of fruitful silence. Within my Sophian Way, I have found healing and grounding in a flowing now, the site of an unexpected At-Homeness. Everything else grows out of that – personal well-being, right relationship, life and expression in the world. It is the fountain that nourishes them all. All it needs is my attention.

This blog will stay public for as long as people continue to read posts. If I start a new project, I will provide a link.

 

PSYCHIC GARDEN: BLACKBIRDS

My wife Elaine and I have a blackbird pair, now with two fledglings, almost at our back door. They have created a precarious nest in a jasmine bush just outside. We have halted all clipping for the time being. Blackbirds have also appeared in Sophia’s garden, my Innerworld sanctuary and space for insight and healing.

The garden, which shifts over time, is now a place of midsummer twilight. It has a fountain at its centre. Water jets high into the air before cascading through a succession of bowls into a wide and shallow pool at the bottom. In the twilight, I find it hard to see clearly, though easy enough to hear. The perpetual movement of water makes its music. Otherwise, the garden is at first quiet.

I hear the blackbirds, two of them, without seeing them. This follows a visit in August last year, when there was only one. At that time, I wrote a post about blackbirds as birds of Rhiannon and other aspects of their place in Welsh mythology and modern Druidry: https://contemplativeinquiry.wordpress.com/2017/08/04/a-bird-of-rhiannon/

Shortly after writing the post, I discovered that Jean Markale, the sage of Broceliande, links the blackbird with Merlin, since merle is the French for blackbird and Geoffrey of Monmouth’s spoken language was French. (It was he who introduced the world to the name Merlin.) Without wanting to debate this derivation, I enjoy the sense of this common, plebeian bird, having such resonance and capacity. It contrasts with the image of the noble, highly trained predator – the merlin hawk – which I grew up with.

Somehow, through this discovery, I feel confirmed and affirmed as a civilian, rather than saint or sage, monk or magician. Those paths are fine, but not my own. Blackbirds are anchored in ordinary life. Yet they do sing at twilight, in ways that move and inspire us.

I take my seat, on the bench that’s offered, recognizing my entry into the fourth quarter of my life, with this lesson in mind.

(1) Jean Markale Merlin: Priest of Nature Rochester, VT: Inner Traditions (Kindle edition) Translated by Belle N. Burke

 

BEING IN TRANSIT

If I ask myself, ‘where is my spiritual centre?’ I do not find an answer within any named tribe. Spiritual friendships, communities of practice and generic webs of connection can all help, and I hope that I give something back. But my path is fundamentally solitary. Perhaps even the notion of having a centre is limiting.

I’ve learned a lot from Druidry. Partly thanks to Druid practice, I experience myself as more fully alive on a living Earth. I honour the wheel of the year as it turns in my locality. In Druidry, I’ve been enabled to explore a contemplative dimension within Earth spirituality. I have also connected with ancestral threads I might otherwise have neglected. But I’m not a polytheist Pagan and I have never felt attracted to Shamanism. I’ve learned from Buddhist tradition too. I’m a meditator. I have a deepened sense of interconnectedness and the call to kindness that goes with it. But I have not adopted the four noble truths as the basis of my path, and I do not seek refuge in Buddha, Dharma and Sangha. I am grateful for my connections to Druidry and Buddhism and will continue to take an interest in their literature. I also sense that, with certain understandings and practices now ingrained, their active roles in my life are over.

My creative edge has for some time been elsewhere. I have been working with the insight that perceptions, apparently of the world, do not establish the existence of a world, but only of perceiving (or awareness, or being). Sensations, apparently of a body, do not establish the existence of embodiment, but only of sensing (or awareness, or being). Thoughts, apparently of a mind, do not establish the existence of a mind, but only of thinking (or awareness, or being). This can seem destructively sceptical, even solipsistic. Yet for many people it signals the possibility of a ‘more than’ (or awareness, or being), rather than a dissociated ‘less than’. Mind, body and world can return enhanced rather than diminished by this kind of exercise, with a sense of a ‘not I not other than I’ connection with primordial awareness or being.

This is the basic stance of nondualist traditions, ancient and modern. In Indian culture, the stripping down and reduction to nothingness is sometimes identified as Vedantic, and the subsequent return and flowering in everything as Tantric. In the Gospel of St. Thomas, a Christian Gnostic text, Yeshua (Jesus) says: “I come from the One who is Openness” and the aspiration of disciples is to make themselves “the abode of Openness, a house that welcomes the breeze, a body that has become transparent, like a crystal flooded with light”. Here, a metaphor concerned with transparency emphasizes power and energy rather than vulnerability and exposure.

I am not a member of a nondualist group, or a Christian Gnostic. But I am moved by these spiritual currents. I am in dialogue with them. I think that ‘being in dialogue’ is a good place to be. For me, certainly now, it has more integrity than formal membership or adherence to a system.

(1) Jean-Yves Leloup The Gospel of Thomas: The Gnostic Wisdom of Jesus Rochester, VA: Inner Traditions, 2005 (English translation and notes by Joseph Rowe. Foreword by Jacob Needleman)

BOOK REVIEW: AUSTRALIAN DRUIDRY

Highly recommended. Australian Druidry is a great introduction to modern Druidry in Australia. It describes the author’s journey to develop a Druidry for her needs. It shows all of us how to deepen into the wheel of the year, looking for cues in natural shifts rather than our calendars. As part of Moon Books’ Pagan Portals series, it is clearly and succinctly written.

For author Julie Brett, “modern Druidry is a path of nature-based spirituality being walked by many people over the world today. It centres on an understanding that is the ‘wisdom of the trees’ as the messengers of the natural world that can help us find guidance in our lives for peace, learning and personal development”. These principles can be taken to every part of the world, including the huge diversity of Australia itself, and customised to work any specific landscape.

Druidry is also a spirituality of recognition of our ancestors. Describing the people of Australia as “diverse as the landscape”, she defines the ancestors as “all the people who have come before us whether in our family or the lines of teachings we have received in our lives, or those who came before us in the land we live on”. This being the case, Australian Druidry is a not only a path “applicable to the Australian landscape and its inhabitants” but also an “invitation to explore and create”.

The author’s story shows a deep personal commitment to this path. This included ten month’s living in the UK, and particularly Glastonbury, England, where she tuned into the traditional landscape of Druidry, and apprenticed herself to local practitioners, before going on to develop her own distinctive practice in Australia. Returning home, she immersed herself in her own landscape, eventually creating a ‘coastal Sydney wheel of the year’. It is based around eight festivals, but with a distinctive resonance, not just up-ending the North European ones: Fire Festival, Storm Festival, Peace Festival, Moon Festival, Hardening Festival, Flower Festival, Wind Change Festival, Barkfall Festival.

The book includes sections on keeping a nature diary, animal symbolism, tree and plant symbolism, and forms of ritual practice. The emphasis is on offering possibilities rather than laying down a new template for people in the coastal Sydney area, or anywhere else. Having unleashed her own creativity, Julie Brett wants readers to unleash their own. At the end of the book, she invites us into the Druids Down Under Facebook group in the belief that sharing experiences inspires us. Australian Druidry is an inspired and inspiring book.

Julie Brett Australian Druidry: Connecting with the Sacred Landscape Winchester, UK & Washington, USA: Moon Books, 2017 (Pagan Portals)

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