contemplativeinquiry

This blog is about contemplative inquiry

Tag: Contemplative Druidry

WILD WRITING

I look at the picture with fresh eyes. It is already a record of the past, and it is much too still. Yet I feel drawn towards this image. I enjoy the tree shapes in their starkness. I sense resilience in the plant life pictured here. I am writing now with sunlight intermittently on my shoulder, and the sounds of wind and rain beyond my strong glass doors.

I am also reflecting on writing as a practice. Natalie Goldberg (1,2) writes books about this and her description of ‘writing practice’ seems to me to have two entirely compatible meanings. The first is that it trains people for the writing of poems, stories and novels. The second points to a form of life practice flowing from the view that “writing is the crack through which you can crawl into a bigger world, into your wild mind” (1).

In Wild Mind: Living the Writer’s Life Natalie Goldberg compares writing practice with journaling. “Journal writing has a fascination with the self, with emotion and situation. It stops there. Writing practice lets everything else run through us; in writing practice, we don’t attach to any of it. We are aware that the underbelly of writing is non-writing. Journal writing seems to be about thought, about rumination and self-analysis. … We want to get below discursive thought to the place where mind – not your mind or my mind but mind itself – is original, fresh. It’s not you thinking. Thoughts just arise impersonally from the bottom of our minds. That is the nature of mind – it creates thoughts. It creates them without controlling them or thinking them … Writing practice knows this, knows how we are not our thoughts, but lets the thoughts, visions, emotions run through us and puts them on the page.” (1)

In her earlier book, Writing Down the Bones: Freeing the Writer Within, Natalie Goldberg quotes Jack Kerouac as saying that a writer should be ‘submissive to everything, open, listening’. She also recommends that “we stay in the trenches with attention to detail”, avoiding escape into abstraction. She points to poetry in particular, “because it brings us back to where we are. It asks us to settle inside ourselves and be awake”. She reproduces the famous William Carlos Williams poem:

“So much depends

upon

a red wheel

barrow

glazed with rain

water

beside the white

chickens.”

I remember this poem from my childhood. I liked it a lot, but couldn’t find anything to say about it in the class room when it was expected that I would. I was embarrassed then. I wouldn’t be now.

Natalie Goldberg also practices Zen Buddhism, with Katagiri Roshi until his death and more recently as an ordained member of the Order of Interbeing founded by Thich Nhat Hanh. She acknowledges the role of Zen in developing her insights into the creative process. I find her approach, including her practical exercises, very helpful.

(1) Natalie Goldberg Wild Mind: Living the Writer’s Life New York, NY: Open Road Integrated Media, 2011 (first published 1990)

(2) Natalie Goldberg Writing Down the Bones: Freeing the Writer Within Boulder, CO: Shambhala, 2016 (30th anniversary edition)

BLUEBELLS BEFORE BELTANE

Seeing bluebells

In verdant grass.

Will summer really come?

ME AND MY INQUIRY

My inquiry moves slowly. But it doesn’t stand still. So from time to time I update the ABOUT section of my blog. Sometimes I discuss my changes in a post. Occasionally it seems as if the blog has its own life and writes itself through me. I’m not sure that I would claim the word Awen here, but I can end up surprised at what appears.

This time there seems to be a settling, an emphasis on continuity. I recommit to a contemplative inquiry, grounded in modern Druidry and with the inquiry process itself as my core practice. I am now assuming that this will be lifelong. In the past I have tended to believe that the inquiry would eventually lead to a conclusion of some kind, or become redundant for other reasons. Another project would then emerge – or maybe I would retire from projects and put my feet up. That belief has gone, for my inquiry is no longer a ‘project’.

As I was writing this morning, I became conscious of the change. ‘My inquiry’, I wrote ‘has shifted from a focused experiential investigation into a more relaxed, at times meandering process that brings illumination, healing and peace’. I have always had, in the back of my mind, prestigious models of both academic and spiritual inquiry that do not encourage relaxed meandering. In the academic models, results like ‘illumination, healing and peace’ are beside the point. In the spiritual ones, they are mostly reckoned to be very hard-won. But there it is. I am moving into a life-lived-as-inquiry space by softening and reframing my idea of inquiry. I seek support and nourishment rather than new and different ‘results’. Looking at these words now, they seem obvious, not even new – but I’ve only just caught up. It does seem, experientially, as if the blog has become the voice (spirit?) of the inquiry and intervened to educate me. It’s an odd feeling.

Here is the new ABOUT text:

“I am James Nichol and I live in the city of Gloucester, England. My contemplative inquiry began in 2012. It is grounded in modern Druidry, though I have drawn on the enduring wisdom of many times and places. I am also influenced by the current turn towards an eco-spirituality that meets our own historical moment. The inquiry itself is my core practice. I see it as a lifelong journey. In my blog I include personal sharing, discursive writing, photographs, poetry, and book reviews.

“Over the years, my inquiry has shifted from a focused experiential investigation into a more relaxed, at times meandering process that nonetheless brings illumination, healing and peace. In the contemplative moment,  I am living presence in a field of living presence, at home in a living world. This is not dependent on belief or circumstance, but on the recognition of what is given, in joy and sorrow alike. I find that this simple recognition encourages a spirit of openness, the acceptance that nothing stays the same, an ethic of interdependence and a life of abundant simplicity.

“My book, Contemplative Druidry: People, Practice and Potential, was published in 2014. It includes a foreword, Deep Peace of the Quiet Earth, by Philip Carr-Gomm. There are major contributions in the main text from 14 other Druids offering diverse perspectives on the topic: https://www.amazon.co.uk/contemplative-druidry-people-practice-potential/dp/1500807206/

APRIL AND ‘DRUID MINDFULNESS’

Where I live, April 2023 brings qualities and freshness and new growth. My heart meets the moment as I walk in the bracing breeze. Sunny and overcast periods succeed each other. Moving through this enlivening space, I naturally welcome the energy of change it embodies.

But it’s not quite that simple. There’s an underlying turbulence too, which can easily challenge my balance. Slogans like ‘I am the sky. Everything else is weather’ aren’t enough. I, as natural man, have to ground and embody them. They have be be aligned with my felt sense.

I wasn’t sure how to talk about this when I discovered that someone else had done it for me. Philip Carr-Gomm, who until recently led OBOD (Order of Bards, Ovates and Druids), offers a regular podcast: Tea with a Druid. No 249 is about ‘finding calm in chaos’. It is up on YouTube as: https://www.youtube.com/watch?v=Ew4pD3OJen8

Philip suggests that the best way to deal with chaos, turbulence, or the everyday stress of modern life, is to turn to the stillness inside. Then it becomes possible to stay in the moment whilst expecting nothing. It takes work to get there – to identify ways of finding stability and calm even when all around is unstable and unpredictable.

Philip understands modern Druidry as a tradition of ‘mindfulness in natural settings’, whether real or visualised. The stillness found in those settings isn’t a dead stillness but a living one – leaves rustle, waves crash. The refreshment is somewhat different from that of a more abstract meditation where we sit with thoughts and feelings, finding the space beyond. In the podcast, Philip takes us through a meditation of the kind he describes. I thoroughly recommend it to anyone, whether or not involved in Druidry.

Returning to my recent walk, and the record of it, I see branches, buds and sky. I remember the movement in the sky, and a slight quivering of the wood. Records have their limitations. The stillness wasn’t one of complete stasis, as it may appear below. My current response is complicated by the human gift of memory, which is not the original experience. I am also absorbing someone else’s input. I am in a completely different here and now. But I am held within an enlivened tranquility, not at all that of the ‘tranquiliser’, and this is certainly a wonderful resource. Gratitude to the culture that has enabled it.

GREENING

Lately I have been seeing more catkins and leaves amongst the elegant branches of their trees. A vivid green is present on the ground. As yet the changes are tentative. But they hold the promise of new life and growth. There’s a freshness here, enhanced by strong breeze. I notice and feel energised, walking down the path.

The changes have not gone very far, but the trend is now clear. For me, it shows up well against a blue sky. In this changeable season, I see possibilities for my own life, now that I am settled and in good health. These too are in their early stages, showing signs of promise more than accomplishment. My inner wisdom warns me not to move past ‘promise’ into ‘accomplishment’ too speedily or strivingly. Promise has its own season.

EMERSON: ‘IMMORTAL BEAUTY’

“Crossing a bare common, in snow puddles, at twilight, under a clouded sky, without having in my thoughts any occurrence of special good fortune, I have enjoyed a perfect exhilaration. I am glad to the brink of fear. In the woods too, a man casts off his years, as the snake his slough, and at what period soever of life, is always a child. In the woods, is perpetual youth.

“Within these plantations of God, a decorum and sanctity reign, a perennial festival is dressed, and the guest sees not how he should tire of them in a thousand years. In the woods, we return to reason and faith. There I feel that nothing can befall me in life, – no disgrace, no calamity, (leaving me my eyes), which nature cannot repair.

“Standing on the bare ground, – my head bathed by the blithe air, and uplifted into infinite space, – all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am a part or particle of God. The name of the nearest friend sounds then foreign and accidental: to be brothers, to be acquaintances, – master or servant, is then a trifle and a disturbance. I am the lover of an uncontained and immortal beauty.” (1)

In the first paragraph above, I hear my own experience, described in a mid 19th century American voice. I share the sense that the exhilaration comes partly from the land, woods and sky themselves and partly from the continuing life of the child within us.

In the second paragraph, I feel at home with with the overall sentiment, whilst having to work a little with Emerson’s terminology. At the beginning I am not sure what he means by ‘God’. I do understand that ‘plantations of God’ restores innocence, as well as wildness, to the term ‘plantation’. (Emerson was a notable abolitionist.) I also note that the woods are a domain where reason and faith are brought together, in a time and culture where they seemed to be in conflict. Nature isn’t just a word for material reality. Nature is a source of protection and healing that goes beyond the mundane.

The third paragraph makes Emerson’s transcendentalism clear, and with it the true power of contemplation. ‘Standing on the bare ground … uplifted into infinite space – all mean egotism vanishes. I become a transparent eyeball. I am nothing: I see all”. God and Nature become Universal Being, from which ‘I’ am not separate. To be simply present in this space, with no agenda and nothing in mind, is to be “the lover … of an uncontained and immortal beauty”. The nature of our experience is a living nature we perceive, are part of, and relate to – not a reified externality. An open, enlivened receptivity to this reality can allow a deeper awareness (for Emerson, that of the Divine in us) to declare its presence.

(1) Ralph Waldo Emerson Nature Boston, Mass: Thurston, Torry and Company, 1849

NOTE: According to Wikipedia, Ralph Waldo Emerson (1803-82) “was an American essayist, lecturer, philosopher, abolitionist and poet who led the transcendentalist movement of the mid-19th century” who gradually moved away from the religious and social beliefs of his contemporaries, formulating and expressing the philosophy of transcendentalism in his 1836 essay Nature”. He wrote most of his important essays as lectures first and then revised them for print. “Emerson’s ‘nature’ was more philosophical than naturalistic. … Emerson is one of several figures who took a more pantheist or pandeist approach by rejecting the view of God as separate from the world”.

MARCH 2023: WINTER PUSHES BACK

Where I live, March has so far been a contest between the coming of spring and a winter that won’t let go. The city of Gloucester has been relatively insulated, but we have still had sub zero nights and low day time temperatures. There has been snow that didn’t settle, cold hard rain and occasional high winds. There have also been frequent periods of sunshine – still cold, still rainy, yet a joy to be out in. Underneath this changeability, the period of daylight grows longer.

A canal side walk shows a more subdued world than last year, and a sense of latency, as though life is waiting to see what will happen next. The wheel of the year turns as ever. What to expect on the ground has become less certain. The climate crisis is visibly in process, with the consequence of vast changes in the arctic now making themselves felt here. We could say that the Cailleach is angry and mobilising. But what this means for our day-to-day weather isn’t always clear.

As I experience these shifts (not so dramatic in themselves in the here and now) I can’t help thinking about culture as well as nature. Climate has moved down the formal political agenda – again. Outright denialism and repression of information about relevant topics still aren’t over. Sir David Attenborough, who has been making nature programmes since the beginning of broadcast TV, will not be having his most recent one (6th and last of a new series) shown live by the BBC. It will be available only on iPlayer.

Supported by groups like WWF (World Wildlife Federation) and RSPB (Royal Society for the Protection of Birds), this programme highlights the destruction of nature in Britain and looks at rewilding as part of the solution. There are allegations that the restricted availability of this content stems from a fear of offending Conservative politicians and the right wing press. The BBC has issued denials but I have not seen any other plausible reason put forward. Yet this is about conservation: in older meanings of ‘conservative’, the protection of nature and the exploration of rewilding could readily have become a conservative cause. They have been, in the past – think about Theodore Roosevelt and the National Parks movement in the USA.

From a Druid and Earth spirituality perspective, the desacralisation of nature, and the emergence of a wasteland culture, lie at the heart of this problem. This is not new. It has being going on for a long time, for many reasons – religious, economic and political – driven by people with widely different projects and motivations. I know that there is much creative work going on to develop better understandings and positive projects. But it still saddens me that the balance of power and resources, especially in a renewed time of wars and the threat of wars, remains so troubling.

In my personal life I am happy and optimistic. I can feel sad about what is going on around me without being defined or disabled by my grief. Moments of fear and sparks of anger, too. They need not be driven away. They too have an honoured place at the table. They are part of the larger whole, and, lived with emotional intelligence, a way of bearing witness and a spur to action in the world.

POEM: THIS TURNING WHEEL OF TIME

I have a mixed response to this poem. I find it insightful, and I want to share it. I also find it theatrically harsh and sweeping. It feels like being shaken awake by an over zealous friend whilst gradually emerging into daylight at my own pace. I am not sure whether this is mainly due to Kabir or to his followers and successors, right down to translator Andrew Harvey. For Kabir never wrote anything himself – his songs were written down by others before being copied and circulated far and wide.

Make your own choice, friends.

Seek Truth while

You’re still in a body.

Find your own place.

When you’re dead

What house will you have?

O my friend,

You just don’t get

Your one true chance.

Don’t you see

In the end

No-one belongs to you?

Kabir says: it’s brutal

This turning wheel of time.

(1) Kabir Turn Me To Gold: 108 poems of Kabir Unity Village, MO: Unity Books, 2018 Translations by Andrew Harvey Photographs by Brett Hurd.

See also https://contemplativeinquiry.blog/2021/01/30/turn-me-to-gold/

TAO TE CHING AND THE DARK NEW MOON

“The Tao Te Ching is at heart a simple book. Written at the end of the sixth century B.C. by a man called Lao-tzu, it’s a vision of what our lives would be like if we were more like the dark new moon.

“Lao-tzu teaches us that the dark can always become light and contains within itself the potential for growth and long life, while the light can only become dark and brings with it decay and early death. Lao-tzu chose long life. Thus, he chose the dark.” (1)

Red Pine’s translation of the Tao Te Ching has been around in its present form since 2009, but I have come across it only recently. It has given me a new lens on this much loved ancient text. Red Pine is the nom de plume for Bill Porter, who was born in Los Angeles in 1943, grew up in the Idaho Panhandle, served a tour of duty in the US army (1964-7) and went on to study anthropology. Dropping of graduate school in 1972, he moved to a Buddhist monastery in Taiwan for four years before becoming involved with English language radio stations in Taiwan and Hong Kong. In 1993 he moved back to America, since which time he has been an independent scholar specialising in Chinese Buddhist and Taoist texts.

The word Tao (road or way) is made up of two characters, one meaning ‘head’ and the other meaning ‘go’. Red Pine cites a modern scholar of comparative religion, Professor Tu Er-wei, to suggest that : “the ‘head’ in the character tao is the face of the moon. And the meaning of ‘road’ comes from watching this disembodied face as it moved across the sky”. He also reminds us that the symbol Taoists have used since ancient times to represent the Tao shows the two conjoined phases of the moon.

China was divided in Lao-tzu’s time. and he was based in the state of Ch’u, described as being on the ‘shamanistic periphery’ of Chinese culture. The Ch’u rulers took for their surname hsiung (bear) and they called themselves Man or Yi, “which the Chinese in the central states interpreted to mean ‘barbarians’… The influence of Chu’s culture on Lao-tzu is impossible to determine, but it does help us better understand the Tao Te Ching, knowing that it was written by a man who was no stranger to shamanistic conceptions of the sacred world. Certainly as Taoism developed in later centuries, it remained heavily indebted to shamanism”. Specifically in relation to the Tao Te Ching, “Lao-tzu redirects vision to that ancient mirror, the moon. But instead of pointing to its light, he points to its darkness. Every month the moon effortlessly shows us that something comes from nothing”. For it is the new moon that holds the promise of rebirth. The first verse of his translation reads:

The way that becomes a way

Is not the Immortal Way.

The name that becomes a name

Is not the Immortal Name.

No-name is the maiden of Heaven and Earth.

Name is the mother of all things.

Thus in innocence we see the beginning

In passion we see the end

Two different names

For one and the same.

The one we call dark

The dark beyond dark

The door to all beginnings.

At other points in the text, according to Red Pine, Lao-tzu says that the Tao is between Heaven and Earth; it’s Heaven’s Gate; it’s empty but inexhaustible; it doesn’t die; it waxes and wanes; it’s distant and dark; it doesn’t try to be full; it’s the light that doesn’t blind; it has thirty spokes and two thirteen-day (visible) phases; it can be strung like a bow and expand or contract like a bellows; it moves the other way (relative to the sun, it appears/rises later and later); it’s the great image, the hidden immortal, the crescent soul, the dark union, the dark womb, the dark beyond the dark. These can all be seen as lunar images.

There is of course a place for the light as well. We approach the elusiveness and namelessness of the Tao through Te – virtue, both in a moral sense and as the power to act. Without the Tao, Virtue would have no power: without Virtue, the Way would have no appearance. These are the two poles: the Tao, the body, the essence, the Way; and Te, the light, the function, the spirit, Virtue. In terms of origin, the Tao comes first. In terms of practice, Te comes first. The dark gives the light a place to shine. The light allows us to see the dark. But too much light blinds. “Lao-tzu saw people chasing the light and hastening their own destruction. He encouraged them to choose the dark instead of the light, less instead of more, weakness instead of strength, inaction instead of action”.

This is not the only way to read, or work with, the Tao Te Ching. For me, it’s not the kind of text that offers fixed meanings and interpretations. But it does seem clear to me that a lunar inspiration, and lunar imagery, stand behind this work and are part of its construction. I feel enriched by having this pointed out and demonstrated through Red Pine’s translation.

(1) Red Pine Lao-tzu’s Taoteching: with Selected Commentaries from the past 2,000 years Copper Canyon Press, 2009 https://www.coppercanyonpress.org/ (First edition published in 1996)

ANGLO-SAXON PAGAN GODS

This post is based on Ronald Hutton’s third lecture in the Gresham College series on early Pagan history in Britain (1). Hutton notes that the Anglo-Saxons arrived at a later date than the Romans, but with a religion that is less well-known. Why? He explains that it came as a foreign importation that did not mix well with existing traditions, whether Christian or Pagan. Moreover the Pagan Anglo-Saxons left no written records about their own practices, and their conversion to Christianity came too soon for a substantial body of archaeological evidence to accumulate.

Nonetheless the early Anglo-Saxons have had a lasting influence on English culture. They occupied a land that had experienced a major system collapse. A place which had once had towns, stone buildings, country houses, factories, substantial military installations and a money-using, trading economy, now made do with subsistence farming and wooden buildings, ruled over by rival petty kings. On the whole, the Saxons didn’t bring this about. It’s what they found, and they were troubled by the ruins of past power and prosperity as an example of what fate (wyrd) could do. They wondered, too, what had happened to the people (giants?) who had built the now ruined structures that they saw around them. Anglo-Saxon poetry (for example The Wanderer) reflects on this poignancy.

To get glimpses of Anglo-Saxon religion, Hutton says, we look to Roman accounts of their continental ancestors in Germany, narratives from later English Christians, and still later Icelandic sources describing a world view that is seen as cognate with the early English one. Their most important god was Woden, evidenced in place names and the family trees of early English kings. He is described as the King of the Gods, and patron of rulers, voyagers, and skills. He is a wisdom figure who can also be a cunning deceiver and an enchanter. In this he resembles the Norse Odin, the German Wotan – and also, in certain respects, the Roman Mercury. But this doesn’t mean a one-to-one correspondence: Woden, unlike Odin, is shown with the full use of both eyes. Other significant gods were Thunor (with similarities to Thor, Donner, Taranis and Jupiter), Tiu the war god (compared to Mars) and Frigg – goddess of love, fertility and abundance (like Freya, and Venus).

Other gods are named, though we know little about them – Seaxnet, Ing, Geat, Hreda (a goddess of the earth) and Eostre (concerned with dawn and spring). The names of more local and tribal deities are lost. There were sacred places – on hills (Hearg = modern English Harrow) and on level ground, especially near roads (Weoh). There were specific places linked to deities near burial mounds. The only known candidate for a Pagan Anglo-Saxon temple is Yeavering in Northumberland, but even that might be a royal hall. Little is known about the priesthood. There was no equivalent knowledge-bearing class like the Celtic Druids. Kingship was a semi-sacred role and kings could be blamed for disasters. Shadowy non-human figures (elves) co-existed with humans in the world and were seen as harmful. They lacked the glamour found in Irish and Welsh stories about such denizens of the wild places – forests and hollow hills.

We have a wealth of information from grave goods. There is a fairly even split between burial and cremation. Ashes from cremations tended to be kept in urns. These were decorated, primarily with serpent imagery. The swastika was also popular, as a fire image. In the case of inhumations, people were buried facing east, accompanied by grave goods that would be useful for an afterlife. These included crystal and glass beads, combs and razors, belts and knives (as eating utensils). There is relatively little gender distinction in the choice of goods, except that weapons were associated with men. (Even here Hutton notes the revision now being brought about by DNA examination of bones in Scandinavia, and confirming the presence of high status women warriors: could the same be true of the Pagan English?) From the sixth century, the Pagan Anglo-Saxons used burial mounds. Towards the end of the Pagan period, high status burial could be rich and elaborate – the most famous example being at Sutton Hoo in East Anglia, first excavated in 1939. This can be seen as a response to growing prosperity and the rise of Christian competition.

597 CE marks the first mission from Rome to the southern English. (Northumbrians were first introduced to the new religion by Celtic monks based in Iona.) In 665 CE the last English kingdom was formally converted. Penda the powerful Pagan Mercian king fought the Christian kingdoms, but for loot, power and glory, not for his religion. He did not stand in the way of his son’s conversion. There were no wars of religion or clearly identified martyrs on either side. Christianity offered many political, diplomatic and commercial advantages to the ruling class. The Christians were highly organised, determined and had a unified creed to rally around. These characteristics seem largely absent on the Pagan side. Official Paganism was over in the Anglo-Saxon world until it faced the Viking invasions that began in the 790s. Even then, the now Christian Anglo-Saxons did everything they could to resist them, partly as a matter of faith.

(1) https://gresham.ac.uk/watch-now/anglo-saxon-gods/

selkiewife

Selkie Writing…

Charlotte Rodgers

Images and words set against a backdrop of outsider art.

Professor Jem Bendell

Strategist & educator on social change, focused on Deep Adaptation to societal breakdown

Towint

The pagan path. The Old Ways In New Times

The Druids Garden

Spiritual journeys in tending the living earth, permaculture, and nature-inspired arts

The Blog of Baphomet

a magickal dialogue between nature and culture

This Simple Life

The gentle art of living with less

Musings of a Scottish Hearth Druid and Heathen

Thoughts about living, loving and worshiping as an autistic Hearth Druid and Heathen. One woman's journey.

The River Crow

Druidry as the crow flies...

Wheel of the Year Blog

An place to read and share stories about the celtic seasonal festivals

Walking the Druid Path

Just another WordPress.com site

anima monday

Exploring our connection to the wider world

Grounded Space Focusing

Become more grounded and spacious with yourself and others, through your own body’s wisdom

The Earthbound Report

Good lives on our one planet

The Hopeless Vendetta

News for the residents of Hopeless, Maine.

barbed and wired

not a safe space - especially for the guilty

Down the Forest Path

A Journey Through Nature, its Magic and Mystery

Druid Life

Nimue Brown, David Bridger - Druidry, Paganism, Creativity, Hope

Druid Monastic

The Musings of a Contemplative Monastic Druid