In the outer circle of my mandala of the year (1), hazel presides over the days from 16 September to 8 October.
In the middle circle, divided into quarters, the one beginning at Lughnasadh/Lammas is represented by a salmon.
In the inner circle, where there is no sub-division, I have three seed pearls standing for the Awen. The Autumn Equinox is a time when images from the three layers of the mandala line up particularly well. (See NOTE below)
The lore and legend surrounding hazel have a stronger hold on me than the physical tree, though I do find hazels in my locality. For the ancient Celts, the tree was linked with wisdom and known as the food of the gods. Irish tradition (2,3) speaks of the sacred salmon who swim in a pool surrounded by nine hazel trees. This pool was known as Conla’s Well or the Well of Segais and it is the source of the River Boyne. When the trees drop their nuts into the water below, the salmon eats them and so carries them into the sea and back in their annual spawning run. “The cycle was seen as a metaphor for the passing of wisdom from age to age and from person to person” (2). The ancient Druid temples of Newgrange, Knowth and Dowth are to be found in the Boyne Valley.
Ireland and Western Britain are watery places, well-located for intimations of wisdom in watery forms. In modern Druidry, circle work makes links between the west, water and autumn, understood as the quarter following Lughnasadh/Lammas. There are suggestions, too, of love and intuition flowing together in harmony. The Autumn Equinox stands at the point where the light half of the year gives way to the dark half – not suddenly, or violently, but as part of a gentle transition, where the qualities are more or less balanced on both sides of the divide. Tradition also gives us the image of the Well of Segais as “a shining fountain, with five streams flowing out of it” (3). Here, the invitation, at least for ‘the folk of many arts’, is to drink from the five streams (the five senses) and from the fountain itself (the source of life). In a nutshell, our wisdom is best served by drawing on both the life of the senses and on the flow of inner inspiration (Awen). Neither needs to be sacrificed to the other.
(1) See the ‘house’ section of: https://contemplativeinquiry.blog/2020/08/12/meditation-wisdoms-house/
(2) John Matthews & Will Worthington The Green Man Oracle London: Connections, 2003. Also source of the image at the top.
(3) Philip and Stephanie Carr-Gomm The Druid Animal Oracle: Working with the Sacred Animals of the Druid Tradition London: Fireside, 1994 (Illustrated by Will Worthington)
NOTE The two pictures below give a rough sense of the mandala, and of relationships at the Autumn Equinox, though not the way it looks as a mosaic in my innerworld. The tree images are taken from The Green Man Tree Oracle (2). They stand in for the ones in my mandala, which are more naturalistic and sometimes involve more than one plant: hazel, west; rowan, west-north-west, yew, north-west; elder, north-north-west; holly, north; alder, north-north-east; birch, north-east; ash & ivy, east-north-east; willow, east; blackthorn, east-south-east; hawthorn, south-east; beech & bluebell, south-south-east; oak, south; gorse, south-south-west; apple, south-west; blackberry & vine, west-south-west. The selection as a whole is based on my personal experience of trees in the neighbourhood as well as traditional lore. The elemental images are from R. J Stewart The Merlin Tarot London: Element, 2003. Illustrated by Miranda Grey.