Contemplative Inquiry

This blog is about contemplative inquiry

Tag: Wheel of the Year

POEM: AT THE BEGINNING OF SUNSET

Looking out

from my apparently restricted life

I see the wide world,

expectant.

It is the beginning of sunset,

a critical moment

in the wheel of the day.

Facing east,

I have the sun behind me

still with some warmth –

but on the brink

(I know)

of accelerated descent.

My eastward vision embraces

pale blue sky

pink clouds

wooded hills,

and a residue of sunlight

on the majestic hornbeam

whose leaves have begun to turn.

Early autumn, early evening:

a whole world in seeming suspension

between one state and another.

The wheel turns

through both day and year.

States are not fixed

at any point in time.

Yet to notice the moment

with softened heart

and strengthened sight

makes that moment eternal.

Looking out

from my apparently restricted life,

I see the wide world,

expectant.

SUNSET SKYSCAPE

After a grey and stormy day came a grey and calm sunset. Facing west, I looked up at the sky. I began to contemplate the clouds and the muted influence of the sun.

As this skyscape became my world, the solid earth became a distant rumour. Physical reality became porous, indefinite, and insubstantial. Dissolving into this space, I briefly became part of it, no longer an external observer. This experience was fleeting in time-bound reality but imprinted itself on my memory.

Then a seagull seemed to emerge out of nowhere, a dynamic edge of creative light shimmering about its newly-minted form. For me this moment was both grey and luminous, filled with subtle light.

The bird embodied a tremendous joy in flying, with an elegance not seen on the roof tops or the ground. It flew fast and I didn’t see it for long. After its disappearance I noticed how easy it was to enjoy a grey sunset that I might otherwise call gloomy.

Every year is unique and I wondered, then, whether the summer of 2024 was breaking up early in my neighbourhood. As I write, on a rainy morning two days later, this remains an open question.

The wheel continues to turn, and I find myself turning to the west, leaning into autumn, embracing this season for what it uniquely is. It is much more than a precursor to winter. Autumn has tended to be my favourite season and the one I find the most conducive to contemplative and visionary states.

HIGH SUMMER MORNING

8 am, 14 July. Local woods. A little after the year’s zenith, I am in strong morning sunshine and enjoying its patterns of light and shade. A green portal lures me forward. What will I find on the next part of my journey?

I am am often moved by the effects of light, and drawn to write about them. Each experience is unique. Today, sunlight on tree bark feels warm and playful.

Below, I find a clearly defined shadow shape on the ground, the effect of the sun passing through a fence. This feels playful too, high summer’s friendly face in this place at this time. Contemplation as simple delight.

JULY DAYS 2024

My walking time is still restricted. Perhaps because of this, familiar outdoor spaces have become exotic and magical to my eyes. My limiting circumstances are paradoxically making me more focused and attentive, enhancing my felt quality of life. I am readier to find joy in simple, passing experiences.

On my contemplative walks, the shapes and colours of trees move me deeply. Grasses and sky have a similar impact. I am very aware of these July days. I am very aware of summer. I am very aware of my place in the world as the year turns in my immediate neighbourhood.

A little further away, I stand on a canal bridge (below) and look back towards the city, which seems distant and small. Water and sky give me space and perspective. I let the elements of water and air nourish me at a time when I am largely grounded.

Close up at the water margin, I find light shining on the water. There is energy and movement here. The power of the sun is present in both a shifting luminosity on the water and the flowering resilience on the bank.

I shift into a meditation on the four classical elements – earth, water, air and fire – and how they work together to make the fifth (life, spirit) possible. Consciously engaged with the four, I can stand as the fifth, resourcing my individual life within a world of impermanence and interbeing.

OLD MIDSUMMER’S EVE 2024

23 June 2024, around 8.15 pm. I’m enjoying my first contemplative walk for some days. I’m looking at an old wall, once part of the Llanthony Priory estate in Gloucester. The day has been one of rising temperatures and humidity. Even now, as the shadows deepen, I feel an energy and expectancy in the evening light.

The Priory here was for a time the largest landlord in the city and its surrounding district. In those days, midsummer was celebrated on 23/24 June. The Church celebrated the birth of John the Baptist, at the opposite end of the year from that of Jesus. (His beheading is remembered on 29 August). Popular celebrations on the evening/night of 23 June involved bonfires, and local festivities could be attributed to the saint, the season, or both.

In many cultures, the year has been divided into two contending halves, whether at the solstices, the equinoxes, or with the Beltane/Samhain division. Traditional Christianity flirts with this theme. I might think of summer and winter kings, king-slaying and the Goddess. I might also think of John, Jesus, and their respective human fates. In the case of John, Salome and her royal mother Herodias are a presence, along with their fateful demand for his head. These stories are not the same, but in the European Christian imagination they have at times been interwoven.

I might also think of the Green Man maturing to the point where he can “speak through the oak”, as “its crown forms his mask and its leafage his features” (1). To speak through the oak is to speak at another level, or from another dimension, a developmental moment that occurs at the year’s zenith (life’s zenith?) This maturation flows from from a willingness to surrender to a greater power. The purely personal direction can only be towards winter and death. But that’s not the whole story, even to a ‘sacred agnostic’ like me (2.) This is the midsummer evening’s tale that intrigues me the most.

The image below comes from a small patch in Llanthony Priory’s current garden, on the site of the original physic garden. I simply found it beautiful.

(1) Green Man Poem In:  William Anderson Green Man: archetype of our oneness with the Earth Harper Collins: London & San Francisco, 1990 See: https://contemplativeinquiry.blog/2017/05/11/poem-green-man

(2) https://contemplativeinquiry.blog/2024/02/16/sacred-agnosticism

MIDSUMMER DREAMING 2024

In the original edition of The Dreampower Tarot (1) The Sleeper is an androgyne figure in a field of corn and poppies. Their face is turned towards the flowers. Their right arm is outstretched, with palm and fingers turning a little towards the ground. Their forefinger hints that we should look to the earth and underworld for healing and inspiration. The whole image evokes deep evening slumber.

In this midsummer period, I’m in a regime of going to bed early, before the light has gone. It reminds me of delicious childhood moments and I feel comforted. During this period I have tended to dream of abstract images and unfathomable events, with background sounds so soft that I can barely hear them.

In these dreams, I have no language and can make no real sense of anything. I’m OK about this, because I’m aware of being aware and safe in awareness without the slightest ability to formulate a sentence like this one. The recognition is primal and wordless. At times, I experience a push towards understanding of a sort, but it is not (yet?) agitated or dominant in consciousness. I seem, in this dreaming (as perhaps once in pre-natal life), to be in realm of divinely simple potential.

When I wake up in the early morning. at this time of year, I find light again, and a different feeling of wonder. Using my resources of language and culture, I am able to make cognitive sense of my world once more. The gift of the dream is that my everyday experience feels, for a while, strange and new. It makes room for the luminosity and magic that I can easily forget in my ‘waking’ hours. The morning light outside my window confirms their presence here. They nourish me, and I am porous to the world.

(1) R. J. Stewart The Dreampower Tarot: The Three Realms of Transformation in the Underworld London: The Aquarian Press, 1993 Illustrated by Stewart Littlejohn

INSIDE LOOKING OUT

I spend time inside looking out. The sky changes a lot. Its shifts are rapid and dramatic. The trees change too, but over longer periods of time. The high levels of rain this year have encouraged an exceptional verdancy and abundance. Looking out, I can almost forget that I am in a block of newish flats in an old urban area. The person walking on the pavement below seems dwarfed by the splendour of the leaves. The road is very quiet for a late morning. The wheel of the year turns, approaching its summer zenith in this part of the world.

I am settling in to a higher number for my official age. In social gerontology, there are (or have been) three kinds of ‘old’: young-old (50-64), middle-old (65-74) and old-old (75+). I am now old-old and statistically immune from premature death. These classifications don’t quite fit my lived experience, but they are a sort of landmark all the same.

Elaine and I have been together for nine days following her repatriation and subsequent stay in a local hospital. We are learning how to live a new phase of our relationship where she has high needs and is housebound, and I am in a ‘caring’ role in the institutional sense of that term. We are learning as we go along and doing our best to be conscious about our experience as well as practical in an ‘activities of daily living’ sense. I think we are doing OK. We are establishing new patterns of day to day life and Elaine’s capacity is increasing.

Mostly I leave the flat only for shopping and other practical tasks and, because we are so well situated, these don’t take long. On Saturday Elaine and I both felt comfortable and confident with me going out on a one hour recreational walk. I continue with a regular practice and journaling. I still practice within a Druid circle (grove) and I find this healing and re-energising. At the same time my work has been referenced more to five personal commitments rather than to tribal membership, religious devotion or spiritual metaphysics. Recently I have been contemplating my commitments and checking out whether they still work for me. These are:

1. I will work from the stillness of the centre.

2. I will cultivate good will towards self, others, and the wider web of being.

3. I will cultivate positive health and well-being, within whatever constraints may apply.

4. I will cultivate discernment, creativity and wisdom, to the best of my understanding and capacity.

5. I will cultivate a life of abundance in simplicity, living lightly on the earth.

I do see a danger in lists like these: they can become a frozen and pious – an internal rhetorical performance. For me, contemplative inquiry keeps my commitments alive, suggesting revisions if necessary. This is my direction, going forward, in the unfolding chapter of my life.

FESTIVE MOMENT

On 12 May I wrote: “I hope soon to get some sense of how soon Elaine will come home, and what resources we will need for our lives going forward. It’s my 75th birthday on 25 May, and my best present would be to have Elaine home by then.” (1) Today is 25 May, and my wife Elaine is indeed coming home from the Gloucester Royal hospital. It has felt like a long absence for both of us and we are glad to move into a new chapter of our lives.

Yesterday evening I went Alney Island, a Gloucester wetland, for a brief contemplative walk. The footbridge near Gloucester docks has been repaired and after many months the island is easy to reach again. Back on the island, I loved its sense of growth and abundance in the summer evening light. I felt care-free. I had almost forgotten how much experiences like this nourish me.

This is a festive moment in my life: a significant birthday, Elaine’s return, celebrating a moment in the year that makes me glad to be alive. I feel refreshed, heartened and re-energised.

(1) https://contemplativeinquiry.blog/2024/05/12/unsought-journey/

GREEN RESURRECTION

I am walking among trees, feeling refreshed and renewed after a long winter. This feeling is anchored by the return of leaves. I am present in, and to, the presence of new green. It comes every year, at slightly different times. I’m noticing the beginning of a beautiful verdant period. It’s re-appeared a little early this year and I experience this as a great blessing.

Where I live, the early spring has been wet and windy, often with dull skies. Nature has been alive and active throughout this period, but I have remained wintry in important respects. This weekend has changed me. I am aware of new green leaves and a strengthening sun. The latter may be visually dimmed by frequent of heavy cloud, but the leaves reassure me of its power in the rising year. Although we are still far from a full canopy in the woods, the life-force – in modern Druidry often called nwyfre – is strong. It’s a time for celebration.

MARCH 2024: WIND IN THE WILLOWS

I’m walking in my local park. It’s a dull day in the first half of March. There have been many such days, and I could do with more sun. I certainly feel lifted when it comes. At the same time the days are longer and Mother Nature is busy with the work of spring: an abundance of willow catkins is testament to this.

I get my strongest impression of the strength and fecundity of willow when close up. The individual catkins are clearer, more prominent. The colours are stronger. There’s the sense of a rich and vibrant ecosystem, powerfully alive.

Still images don’t provide movement and sound, or indicate the presence of the March wind. I have tried to capture this in my short video below, illustrating another aspect of this moment in the year. It brought up fond childhood memories of Kenneth Grahame’s The Wind in the Willows which begins with spring cleaning and includes the gently Pagan chapter The Piper at the Gates of Dawn.

Willow became important to me in my early study and practice of Druidry. I began a special relationship with a particular willow in Bristol for many years (2), which continued after I left the city and continues sporadically to this day. I also developed a private tradition of following the wheel of the year through a mandala based on 16 trees, all in easy distance of where I lived, with Willow the focus from 17 March to 7 April, hence presiding over the spring equinox (3). Checking in with the willows is a continuing feature of my walks, though I was a little early this year.

(1) Kenneth Grahame The Wind in the Willows London: Dean, in association with Methuen’s Children’s Books, 1991. (Ist ed. 1908. Illustrated by E. H. Shepard)

(2) https://contemplativeinquiry.blog/2013/1/31/willow/

(3) https://contemplativeinquiry.blog/2021/03/17/tree-mandala-willow/

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