contemplativeinquiry

This blog is about contemplative inquiry

Tag: The Druidcraft Tarot

PEACE AS PURPOSE

This image, the 3 of Wands from The Druidcraft Tarot (1), is one of purposeful effort beginning to be rewarded. The process is gradual but the promise is there. A young man looks with confidence at the world in front of his eyes. He seems at ease with himself, a young man resting in peace.

He has never really died in me, despite the ups and downs of life. Indeed I am better connected with him now than when I was actually young. I sometimes bubble up with an energetic optimism unlinked to any particular context. Delusional? I don’t think so. It is more the sense of a true nature, ageless and timeless, sustaining me in every time and season.

The image on the card suggests a wider resiliency of nature and organic growth. The purpose and intention of the fire element is in alliance with the regenerative powers of the earth. The sun is seen indirectly in the health of the plant kingdom, and indeed of the young man himself.

I consider my own purpose at this time of my life. I think of some old Druid liturgy that I have re-written for my own practice, without much changing the original meaning: “Deep within my innermost being I find peace. Silently, within the stillness of this space, I cultivate peace. Heartfully, within the wider web of life, may I radiate peace”. I understand ‘peace’ to be an active agent in human affairs and not a passive or negative absence of conflict. It is a value, and stance, to understand and act on more deeply over time.

At the level of personality, I do not consider myself a natural for this form of witnessing and action. I am a work in progress, to say the least. Hence the importance of formal spiritual points of reference and a formal practice. I need these kinds of support. Writing this blog helps too. I see it as contributing to a peer community conversation. This community is not closely defined and is subject to change. It does not, in itself, provide any identity or role other than the reading and writing of posts. But it is good to have a purpose working within it. I aim, overall, heartfully to radiate peace, at least at the level of discourse and values.

(1) Philip and Stephanie Carr-Gomm The DruidCraft Tarot: Use the Magic of Wicca and Druidry to Guide Your Life London: Connections, 2004. Illustrated by Will Worthington.

INTIMATIONS OF RENEWAL

I took this picture on the North Somerset coast (UK) last September. It is an autumnal and sunset picture, which paradoxically offers me a vision of renewal. The location is Weston-super-Mare, at the Brean Down end and facing the Island of Steep Holm. It is a place that draws me, and I wrote about it at the time (1).

Elaine and I will be spending time there in September this year, investigating a possible move. We both have reasons for wanting this, and it has been in our minds for awhile. But the uncertainties of Covid-19, its wayward management in England, and our own separate health problems have slowed us down.

I have become unused to moving. On my return to the UK in 2003, I lived in Bristol before coming to Stroud at the end of 2008. By that time I was already familiar with this old Cotswold mill town, more recently the birthplace of Extinction Rebellion.. For many years I was essentially living a Stroud/Bristol life. It hardly felt like moving.

In the new plan, Bristol will still be our city. But I’m a different person now, and the move feels like a major operation. Almost daunting. I feel stable and secure in my current home, and a part of me is tempted to cleave to the apparent stability and security of a familiar property and community.

Another part is concerned with the energetic costs of stagnation. Yesterday I drew the 4 of Cups card from The Duidcraft Tarot (2). I am using the pack as a simple psychic mirror, rather than for classical divination. I draw a card when I feel a need to check-in with the oracle. In this instance, I found myself faced with a jaded youth. I am neither jaded nor a youth, But I do feel as if I have been in Stroud for long enough. I catch myself at times in moods of lassitude and an undefined discontent. I am looking for a different experience, and knowing this helps me to raise my energy levels and recover a willingness to take risks. Writing about it is an energiser.

The risks themselves are modest. Weston is familiar to us and the distance not great. There are shared pragmatic reasons for the choice. Beyond these, we both look forward to open ourselves to the local energy of earth, sea and sky in the liminal space where they meet. I also like the notion of living in the English west country, where I was born, and having the opportunity to re-connect with the psychogeography of the region and in particular its coasts, more deeply.

I vividly remember seeing this solitary crow on last year’s visit. It was busy, head down, making a living on the muddy, still estuarial beach. It was a peaceful moment, framed between sunlight and shade. I stepped into peace myself, better to capture the moment and to avoid disturbing the bird. I felt alive and receptive to the setting, which even then felt like a potential home.

Only time will tell.

(1) https://contemplativeinquiry.blog/2020/09/23/

(2) Philip and Stephanie Carr-Gomm The DruidCraft Tarot: Use the Magic of Wicca and Druidry to Guide Your Life London: Connections, 2004. Illustrated by Will Worthington.

A TAROT CONTEMPLATION

An attentive juggler keeps two coins in the air. As I contemplate the coins, they speak to me of well-being, health, and blessing, rather than every day money. They are coins of a different order, and they draw me into the card.

I was glad to pick the two of pentacles, from The Druidcraft Tarot (1), in my first use of cards for many months. I knew I wanted only one card in the moment of picking it up. The image, when I saw it, gave me the pleasure of recognition, of something about this feeling right for me. A relaxed juggling of no more than two coins seemed spacious and doable. I thought, ‘I can walk into the picture and be the figure on the shore-line. I can put myself into this flow of movement and attention with these coins’.

Now within the image, I notice that I have my back to the sea, and I assume a prior knowledge that the boats are friendly and capable of outrunning bad weather. I experience pentacles as having a protective resonance, so long as I am active in my own protection. I feel that, somehow, my juggling of the coins is a part of that protection, and protects the boats as well. I do not have a story about why this should be the case, but I trust that it is. That is all I need to do.

Bringing myself back into my normal state, I feel trust in my current direction, even though I cannot fully articulate it. I feel trust in my existing resources, of which the Tarot and my ease with it are two. I think about moving between different states of attention, in ways that are spacious and not overloaded. My contemplative inquiry is not now about asking fundamental questions or exploring new avenues. It seems more to be about balance and flow and living from an underlying stillness.

(1) Philip and Stephanie Carr-Gomm The DruidCraft Tarot: Use the Magic of Wicca and Druidry to Guide Your Life London: Connections, 2004. Illustrated by Will Worthington.

DANCING SEAHORSES II

I have already written about the Dancing Seahorses image (1) found on a Pictish stone from Aberlemno in the Scottish county of Angus. After seeing the stone on a visit there, in 1992, I bought Marianne Lines’ painting. I have felt strongly involved with this image ever since. I think of it as a friend and guide. In a sense, this post is about the modern use of archaic images by people, like Druids, who are drawn to them.

I do not know the intentions of the original carver. beyond celebrating beings who are half of this world, half of the otherworld, and who embody powerful water energies for Celtic peoples on the Atlantic coasts of Britain, Ireland and Brittany in ancient times. They are remembered in folklore to this day. I do know that the carving made a strong impression on me, when I first saw it on the stone itself. It stayed in my imagination, and over time has deepened and grown new meanings.

Four years after acquiring the painting, I had the image tattooed on each arm. By that time I knew of the way in which it had influenced the cover design for R. J. Stewart’s The Prophetic Vision of Merlin (2). This variant form was used to refer to the story of the young Merlin at Vortigern’s subsidence prone tower in Snowdonia, prophesying his way out of becoming a human sacrifice, and identifying two contending dragons under the foundations. In the book illustration, there is a yin-yang reference, with a suggestions of interdependent primal forces, each of which already contains the seed of the other, seeking balance and alignment. In the Western Mysteries quest for healing and transfiguration, the energy bodies of the land and of humans are deeply interwoven.

There is another, more recent level of understanding, that I derive from the painting and tattoos, but not evident in The Prophetic Vision of Merlin. I see both the dancing seahorses and a second image, behind and containing the immediately apparent one. As I wrote before, “the space where the horses legs are raised defines a shape, suggesting a head. The very emptiness there is a paradoxical mark of presence. To me it became the head of a goddess, with the seahorses then becoming her body. Still clearly appearing as a water being, her arms – if they are arms – are raised in blessing”. I would now add that in this way, she demonstrates the dance of emptiness and form. They are balanced. Neither is privileged over the other. The Celtic knot points both to interconnection and infinity.

I identified the Goddess whilst gazing directly at the original Dancing Seahorses picture, which hangs of a wall directly above my altar. However I believe I received a subconscious nudge from the High Priestess card in The Druidcraft Tarot (3). She wears the image herself. Her hands are raised. She stands as the Goddess. In the Druidcraft narrative, she “represents the magical power of stillness and depth”. For me, the Goddess in Dancing Seahorses represents the ultimate union of emptiness and form, and the rebirth of the cosmos in each moment. Her representation combines the aware potential of the void and a primal aquatic generativity that can inhabit other elements. The Druidcraft priestess is human, but one who wears an image that bespeaks the divine to me, and her role asks for “stillness and depth”.

In my work, the entry into stillness and depth is, firstly, to enter into I-Thou communion with the primal Goddess (Modron) and then to recognise my own true nature, as (mythically) her divine child (Mabon) – sensitive and busted open to the world. This recognition becomes a prayer of gratitude and a surrender of my passing private concerns to Who I really am.

Words and pictures are not enough, but, cherished and contemplated lovingly over time, together they can point the way..

(1) https://contemplativeinquiry.blog/2020/06/25/dancing-seahorses/

(2) R. J. Stewart The Prophetic Vision of Merlin London & New York: Arkana, 1986

(3) Philip & Stephanie Carr-Gomm The Druidcraft Tarot: Use the Magic of Wicca and Druidry to Guide Your Life London: Connections, 2004 (Illustrated by Will Worthington)

The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

The Blog of Baphomet

a magickal dialogue between nature and culture

This Simple Life

The gentle art of living with less

Musings of a Scottish Hearth Druid and Heathen

Thoughts about living, loving and worshiping as an autistic Hearth Druid and Heathen. One woman's journey.

The River Crow

Witchcraft as the crow flies...

Wheel of the Year Blog

An place to read and share stories about the celtic seasonal festivals

Walking the Druid Path

Just another WordPress.com site

anima monday

Exploring our connection to the wider world

Grounded Space Focusing

Become more grounded and spacious with yourself and others, through your own body’s wisdom

The Earthbound Report

Good lives on our one planet

The Hopeless Vendetta

News for the residents of Hopeless, Maine.

barbed and wired

not a safe space - especially for the guilty

Down the Forest Path

A Journey Through Nature, its Magic and Mystery

Druid Life

Pagan reflections from a Druid author - life, community, inspiration, health, hope, and radical change

Druid Monastic

The Musings of a Contemplative Monastic Druid

sylvain grandcerf

Une voie druidique francophone as Gaeilge

ravenspriest

A great WordPress.com site

Elaine Knight

Dreamings, makings and musings.

Body Mind Place

adventures beyond the skin-bag