Contemplative Inquiry

This blog is about contemplative inquiry

Tag: Spirituality

KABIR: WATER IN THE HOLY POOLS

There is nothing but water in the holy pools.

I know, I have been swimming in them.

All the gods sculpted of wood and ivory can’t say a word.

I know, I have been crying out to them.

The Sacred Books of the East are nothing but words.

I looked through their covers one day sideways.

What Kabir talks of is only what he has lived through.

If you have not lived through something, it is not true.

Kabir Ecstatic poems Boston, MA: Beacon Press, 1992 (The English translations are free enough for Robert Bly to call them ‘versions by Robert Bly’. There is an earlier set of translations published by MacMillan in New York in 1915 by Rabindranath Tagore assisted by Evelyn Underhill under the title Songs of Kabir. Whilst I don’t follow Bly in calling the English of the earlier work “useless”, I do find that Bly’s interpretation has more passion and power. The Bly work includes an insightful afterword Kabir and the transcendental Bly by John Stratton Hawley).

REBLOG: Q AND A: WHAT IS THE SONG OF THE WORLD?

This is a reblog of a reblog, with Joanna van der Hoeven’s Down the Forest Path blog as the intermediary. I too find the Oran Mor a very resonant image. Great that’s it’s getting more attention.

Joanna van der Hoeven's avatarDown the Forest Path

A brilliant blog post by Alison Leigh Lily, which has sparked something very special in my path through the forest!

The latest issue of the Alternative Religions Educational Network’s newsletter just came out this past weekend, and I was excited to be included as one of those featured in an interview with the editor, Christopher Blackwell. We chatted about my background being raised in a liberal Catholic tradition flavored by my father’s Irish heritage, and how that shaped my spiritual journey towards Druidry as I live and practice it today. It was great fun! One thing we touched on was the Oran Mór, or the Song of the World. Chris asked me to talk a little bit more about how this cosmological concept is reflected in my Druidry. You can read the excerpt here, or check out the whole interview.

via Q&A: What is the Song of the World?.

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EVENTS UPDATE

The Contemplative Druid residential retreat (17-19 April 2015). at Anybody’s Barn, Birchwood Hall, Storridge, Nr. Malvern, Worcestershire WR13 5EZ. is now fully booked. However anyone interested should still contact us as there is a waiting list and there is the possibility of future residential retreats.

Looking ahead, we will have a presence at Druid Camp (29 July – 2 August 2015) and we will also be  holding an open Contemplative Day in Stroud on 3 October 2015, from 10.30 a.m. – 4.30 p.m. at the St. Luke’s Medical Centre, 53 Caincross Road, Stroud Gloucestershire GL5 4EX. This will be facilitated by James Nichol, Nimue Brown and Elaine Knight. We will work with a maximum of twelve other participants, continue to build on the working methods we have developed in our local group over the last three years..

Contact grovelight@hotmail.co.uk for further information or to make a booking.

See http://contemplativedruidevents.tumblr.com for fuller events information, including the Stroud day on 3 October. For Druid Camp information see www.druidcamp.org.uk and www.facebook.com/groups/druidcamp/

HEARTFULNESS & EMBODIMENT

I decided to kindle a Mindfulness 101 book* and do a spot check out how far my own practice meets ‘mindfulness’ criteria as currently understood. I was glad to find – as a wayward intuitive Druid – that I still seem to be incorporating the essential principles. I especially enjoyed the comment: “Ask someone from Tibet where their mind is and they may point to their chest – the word for mind and heart in Tibetan, and many other eastern languages, is the same. When we practice mindfulness, we’re recalibrating our centre downwards – as such, the practice might better be described as ‘heartfulness’ or even ‘bodyfulness’.” On this reading mindfulness becomes “an open hearted awareness of what’s happening, and learning from what we find” so that something which in English sounds like a quality of thinking in fact brings us down from our heads and into our whole bodies. Body sensations are driven at a deeper level than thought, which is why we can’t change how we feel simply be thinking about it. “By bringing attention to sensations within the body … we work with them more skilfully.”

My personal practice includes devotional, energetic and meditative elements with the meditative slightly more emphasised than the others. It includes a review of body, senses, life energy, feelings, thoughts and images. It also includes a period of either breath meditation or ‘choiceless awareness’. All of these elements are in the mindfulness book. What re-assured me most was the implicit validation of my recent choice of Duidsg mo chridhe/dooshk mo chree (awaken my heart) as an affirmation and reminder phrase during this period. This phrase comes from a Ceile De Fonn, and called to me strongly when I chose it. I’d already thought of ‘heartfulness’ as my preferred term for an awakened state – a fuller, more spacious and generous kind of presence than is conveyed to me by the term mindfulness itself. So I liked getting synchronous support from a book about mindfulness practice.

* Ed Halliwell Mindfulness: how to live well by paying attention Hay House Basics

Information about the Ceile De is available on http://www.ceilede.co.uk

BOOK REVIEW: CELEBRATING PLANET EARTH A PAGAN/CHRISTIAN CONVERSATION

61CwdX9mE3L__AA160_Highly recommended and available for pre-order via Amazon.  This blog is an enthusiastic early alert concerning Celebrating Planet Earth, edited by Denise Cush The book comes out of a weekend ‘conversation’ held at the Ammerdown Centre near Radstock, Somerset, England, from 31 January-2 February. Originally devised as a Druid/Christian event, it was widened to include other Pagans and was intended to generate “dialogue, reconciliation and renewal”. The hope was that the participants could explore their prejudices and preconceptions, learn more about each other, and find common ground in ‘Celebrating Planet Earth’, as the event was called. The book’s contributors were all involved in the conversation.

The book is aimed at Pagans and Christians interested in making connections; academics and undergraduate students in Study of Religions taking courses on inter-faith dialogue, Paganism and Christianity; and anyone with an interest in inter-faith activities. Some of the contributors are academics in the field, but as well as academic input, there is a practical emphasis on personal spirituality and ritual practice.

I’m part of the core audience. Whereas I experience the spiritual path as ultimately beyond names and forms, I stand in the world as a Pagan Druid. I had a Christian upbringing and in recent years I have learned from the Buddhist tradition, as well as Christian-based movements such as Sophian Gnosticism and the Ceile De. All of these have supported me in my own practice and in my personal concern with developing a stronger contemplative current within Druidry. So I’m at ease with what Philip Carr-Gomm, Chosen Chief of the Order of Bards, Ovates and Druids (OBOD), calls “fusion paths” in his chapter in this book.

From where I stand the ‘Celebrating Planet Earth’ more than meets its aims. It’s a feast. I felt that each contributor had thoroughly earned their place in it. It is divided into three parts, before moving on to editor’s reflections and conclusions. I want to say something about one chapter that spoke to me particularly strongly from each of the parts, as the best way in a short space of honouring the collection as a whole.

The first part is about ‘Addressing Our Fears and Prejudices’ and for this I pick out Graham Harvey’s chapter, ‘Fears and prejudices: a Pagan view’. For me, he has a very helpful analysis of what the task is and how to accomplish it. He makes it clear that “not everyone thinks alike” or should be expected to and that diversity has room for healthy opposition – properly handled, this can be a real gift. He makes the subtle point that the negotiation of difference is not just about fear and prejudice. It is also about avoiding the presupposition that “others are like us but not quite … that other people mean what we would mean when we say or do things”. Hence we need a refined quality of listening to avoid “talking past each other”.  On the question of fear and prejudice specifically, he suggests that the two things to remember are that we should indeed “resist and challenge the small visions and petty fantasies that are imposed on others” and that “when we talk about what people do, rather than what systems are alleged to do, we will keep diversity in clear view”. He usefully writes down polarised lists of what ‘Christians’ and ‘Pagans’ are contrastingly stereotyped as standing for – and invites us to make a reality check on the items in the list. It’s a very useful way of opening the reader up to the actual experiences of individuals and groups in later chapters.

The second part is about ‘Possibilities for Co-operation’ and for this I pick out Tess Ward’s chapter, ‘Better together: transformation through encounter’. Early in her life as an ordained priest, Tess Ward went into her own version of Dante’s ‘dark wood’, a wilderness in which she needed to die to one life so as to be born into another. She lost her existing theological frameworks and says of that time: “in that wilderness, what sustained me was not theology, but poetry, silence and nature”. Without leaving her Church, she found pointers in Buddhist ideas (Anthony Gormley, Pema Chodron), Earth paths and feminist spirituality. She quotes Carol Christ as saying: “awakening suggests that the self needs to notice what is already there … the ability to know is within the self, once the sleeping draft is refused … for women, awakening is not so much a giving up as a gaining … a grounding of selfhood … rather than a surrender of self”. She also quotes Kenneth White’s poem ‘Labrador’ – “I was loathe to name it too soon – simply content to use my senses – feeling my way – step by step – into the new reality”. As, renewed, she moves back into the world and her role, she knows that interventions in the world only have value when they come from personal experience. She shares with Matthew Fox the view that the result of such a crisis is not to abandon one’s own tradition “but to demand more of it”. She now leads celebrations of the Celtic Wheel of the Year as an affirmation of her transmutation of faith within a Christian framework. Partly this is an enhanced appreciation of being grounded in the natural world and its cycles. Partly it is an appreciation of the place that resources outside her traditional faith have had in deepening her journey.

The third part is about ‘The role of ritual practice, myth, music and for poetry in each tradition and in inter-faith encounter’. For this I pick out Alison Eve-Cudby’s chapter: ‘Woven together: can Christians and Pagans engage in shared ritual?’ The author has a leading role in the Ancient Arden Forest Church in a burgeoning movement of Forest Churches. She describes this movement as “a small and growing number of Christians responding to the Call of the Earth”. Ancient Arden has an emphasis on ritual and her formal answer to the question she poses is a carefully contextualised ‘yes’. She says: “if we take earth celebration, care and connection as our basis for doing ritual together, to contribute towards re-enchanting the land in this time of ecological crisis then I think that shared ritual is possible”. She offers a fresh and energised discussion of ritual and its purpose. She describes ritual as an embodied event, and a process of framing in which dramaturgy, rather than theology, is the organising principle. Whereas logocentric approaches assume that the symbolic system expressed in ritual must be coherent, performance as an unfolding event lays out symbols in a way that reveals their inconsistencies and contradictions. The work therefore involves negotiating and holding these within the ritual container. We fashion rituals that enable liveable, regenerated worlds. Ritual is a transformative process, “the pattern of actions is designed to synchronise the awareness of the different participants – human, non-human and other than human”.

The book’s conclusions suggest that meeting itself was of great benefit, and make it clear that the people involved want to continue their work in some way (topic based subgroups are mentioned). I would simply add that this book is a gift to us all, and that I am grateful for it.

FUINN II: THE POETRY OF PRACTICE

I’m a Pagan Druid, happily placed in a tradition that values poetry and seership over dogma and system building. I experience my practice as a sort of poetry. In this poetry of practice, I am held in a compelling myth of origin, an ever-now origin, and I have found a new way of working with it.

My new collection of Fuinn (Ceile De chants in Scottish Gaelic) includes a very simple one which goes A Hu Thi (ah – hoo – hee) repeated over and over again. The Ceile De interpretation, a Celtic Christian one, is that this chant “represents the three stages of the unfolding of creation … A– the Great Mystery draws in its breath … Hu – that breath is breathed out, and creation is born from out of the Mystery … God becomes matter … Thi – the Divine nature, beingness and intention acts within the field of intention … Some Ceile De would say that this final stage represents Christ Consciousness.”

It’s a bit different for me. I’ve been working with this Fonn daily for a couple of weeks now.  I don’t chant. I use slow deep breathing with a silent awareness of the sounds. I find that for me, the A sets up a sense of latency, a subtle pulse and vibration on the brink of becoming. I feel it in the quality of my inbreath, as a kinaesthetic song. Hu the outbreath feels more vigorous and intentional; there’s a real sense of movement, expressed as exhalation – the breath moves out from my body, through my nostrils. Thi breathed in feels like the delighted expression of a new reality, one that I share in, distinct yet inseparable as a sentient being. This generally brings up feelings exhileration, gratitude and joy. It leads me on to the use of another Fonn as a contemplative and devotional prayer, which I wrote myself using my collection of Fuinn as a model.

A Brighde, A Brighde, solus an domhain; A Brighde, A Brigdhe, Brighde mo chridhe

A Vree-jah, A Vree-jah, solus an dowan; A Vree-jah, A Vree-jah, Bree-jah mo cree

Brighde, Brighde, light of the world; Brighde, Brighde, Brighde my heart

Brighde is the breath, the practice and the Fuinn. When writing my Fonn I wanted to build a felt sense of Brighde as cosmic birther, initiator into being, with a seat in my heart.  Her name evokes power and the prayer invokes relationship – identified as She is with primal generativity and the deep powers of life and land, and also One who inspires skill and accomplishment in those She supports and fosters. Through my experience of relationship and connection, deep levels of feeling and intuition are satisfied, in some way met. I feel empowered, with a sense of having more resources available to me. Why would this be? I don’t really know. What I do know is the value of practice as poetry, and the magic it holds.

The Ceile De can be found on http://www.ceilede.co.uk

LONDON, ANYBODYS BARN, DRUID CAMP

Elaine and I returned from London last week feeling pleased about our half-day introduction to Contemplative Druidry there. We were lucky (and grateful) for the colleagueship of Julie Bond and to be working with a supportive group. As people with different backgrounds and experiences, who generally didn’t know each other well, we worked together in an attentive and accepting atmosphere and were readily able to deepen into stillness. I for one was moved by this alone, as well as feeling confirmed in the belief that contemplative approaches have a role to play in Druidry and Paganism more widely.

Contemplative Druidry as we champion it doesn’t have a set of traditional teachings with which leaders nourish (or poison) their nestlings. We do talk about the book ‘Contemplative Druidry’ and the bones of what we do in our home group in Gloucestershire. But this is just to share the diverse perspectives of people who’ve been developing relevant ideas and practices in recent years. We describe our history and our practices not to impose them, but to seed possibilities, offer frameworks and then co-create new experiences with new people. I think that we managed this, in a promising way, in London.

I’ve recognised (or re-recognised) my personal preference for working in small, defined and intentional groups – however fleeting their life may be. It doesn’t take much to set the note for a small motivated group – culture-setting though the provision of some background, introductory sharing and a little lean ritual to provide definition and a safe container. In this work, I like an alternation between silence and speech. The process of deepening is supported by sharing and reflection. These define the context for our silence and stillness, as we gently move between narrative expression and simple being. Such a movement allows a group to co-create a collective moment in which all individuals can have a stake without surrendering their own existing understandings.  And for this I think that a small group (up to about a dozen or so) is best. Much beyond that, and the event has to be run a bit differently – tilting towards a more managerial approach or risking a relative loss of definition, or both.

We have two further ventures in the fairly near future. The first is our April retreat at Anybody’s Barn near Malvern. We have decided to reduce the numbers of available places both for the reasons above and to make the accommodation more spacious for those who attend. We already have enough bookings to go ahead, and at the time of writing have room for just 3 more people. I look forward to seeing how our way of working develops over a two day and two night period, and also to working with two other companions from our Gloucestershire home group (JJ Middleway and Karen Webb) as well as Elaine.

The second is Druid Camp 2015, which itself has a contemplative theme overall this year, including a dedicated working space co-ordinated by Nimue Brown, another member of the Gloucestershire group and also part of Contemplative Druid Events. Within this larger Druid Camp programme, Druid Contemplative Events will have a two hour session. Offering our session inside a bigger event (probably about 300 people) will be an opportunity to look at where ‘Contemplative Druidry’ may be going in the wider world (now that the meme is out there), and how our own approach fits in. Because the larger community will have already been created, we’ll be able to work with a larger than usual group in our session.

I see the Contemplative Druid Events journey as a continuous inquiry – a cycle of development, action and reflection followed by re-development, action, reflection … and so on, hoping thereby to improve Contemplative Druid Events’ ability to provide introductory sessions, workshops and retreats. These are still early days.

See http://contemplativedruidevents.tumblr.com for retreat information and http://anybodysbarn.co.uk/ for retreat accommodation. For Druid Camp information see www.druidcamp.org.uk and www.facebook.com/groups/druidcamp/

FUINN

Elaine and I returned from London yesterday afternoon, feeling pleased about our London venture. I’ll say more about that in a later post. Suffice it to say here that we found a ready interest in the possibilities of Contemplative Druidry and hope to return to London later in the year.

We discovered that the fourth CD of the Ceile De Fonn series had been delivered through the mail in our absence. Fonn is a Gaelic word that simultaneously means song, state of mind and the Land. The Fuinn (plural) are sacred chants which “work on many different levels, they harmonise the three parts of us that relate to the three meanings of the word itself – the spiritual, the otherworldly and the physical”. Indeed the Ceile De tradition “uses the imagery of three worlds that, when healthy, blend harmoniously: … the soulful, the spiritual and the physical and are represented here by the Sea, the Sky and the Land. When we are at one with the One we see that these three worlds are also One; our perception has changed and we have discovered ‘the Kingdom of Heaven'”.

The fourth CD was recorded earlier this month, around the time of Imbolc, and has a strong Brighid theme. I bought it in response to my own strong sense of a Brighid current in my own life and practice during the same period – one that goes well beyond the simple acknowledgement that Imbolc is widely seen as Her time. My spiritual note isn’t quite that of the Ceile De, which currently stands as a form of Celtic Christianity in which Brighid is honoured beyond the level of her customary sainthood. But many of the Fuinn, or words from them, presented here can fully support my own Pagan path through chanting, mantra meditation and contemplative prayer. I have worked with Fuinn before, and also have a paidirean (pronounced pahj-urinn) – a set of rosewood prayer beads with (in my case) an equal-armed gnostic cross bound by a circle. Now, with these new chants, I am coming back to them.

For me, experientially, Brighid is the Goddess of inner alchemy and ruthless compassion, and not quite the figure evoked by the Ceile De, though I can respond to Her gentler manifestations as well. But I feel a strong attraction to Gaelic, and Scottish Gaelic in particular, as a sacred language. I like chanting and listening to chants. I like being reminded that ‘contemplation’ in my own practice interweaves meditative, devotional and energetic elements. During recent weeks I have felt a closer connection to Brighid and I will opening myself more systematically to this connection in the coming period.

The Ceile De can be found on http://www.ceilede.co.uk

BOOK REVIEW: ENCHANTING THE SHADOWLANDS

product_thumbnailIn formal terms, this is a five star review of Enchanting the Shadowlands, a book of numinous poems and short stories by Lorna Smithers. She describes it as “gathered from my local landscape in response to an imperative from a Brythonic god called Gwyn ap Nudd”. If you have any interest in the lingering subtle resonance of the old Celtic and pre-Celtic world in parts of England like the poet’s native northwest, you will appreciate this volume. If you have any interest in ‘awen’ as an inspirational force or creative current, and what it is to be ‘awenydd’, you will appreciate this volume. If you have any interest in poetry and landscape, or what is now called psycho-geography, you are likely to appreciate this volume. I strongly recommend this book.

More deeply, I am hoping in a small way to share something of the magic of the work as I have experienced it. I find that the best way in is to say that, for me, the resonance of the project, its feeling-tone, can be found in the first two verses of ‘A Journeying Song’, one of the later poems in the collection.

1: Horse and Hound

She will carry me

down invisible horse paths.

He will lead us

to invisible lands.

She will carry me

beyond the stolen skyline.

He will lead us

to where horizons end.

2: The Dreaming Land

The dream is not a dream

it is the life force of the land.

A living memory,

it is the dawn. It is the damned.

The dream is not a sleep.

It is a wakefulness

of past people and their dreams.

It is mistakes and shining laughter.

When I read these lines, I can feel myself riding the mare who will “carry me down invisible horse paths”, led (in my mind’s eye) by a large and shaggy hound. I can easily accept that, surrendering to the instinctive wisdom of these animal powers, I might find myself beyond a “broken skyline” at a place where “horizons end”.  I can settle into the felt apprehension of a Dreaming Land where the dream is not a dream, but “the life force of the land, a living memory” and a “wakefulness of past people and their dreams”. The words are a portal to the living reality of the experience itself. In that sense, these two brief verses stand as a microcosm of the whole book.

Peneverdant/Penwortham, the locality described, is a watery place. Its first human inhabitants are called “The Dwellers in the Water Country”, drawn by the obvious attractions of auroch and deer and also by destiny and “the dream of a bard”.

They came with the splash of oars

and the steady splash of feet

drawn by auroch, deer and destiny,

the dream of a bard

who saw the green hill rising

from a wilderness of carr and marsh.

The awenydd poet’s own seership, her own process of inspired and connected reaching back, is caught in her ‘Prayer for Netholme’.

I write this prayer for the White One

Who loaned to me a mare of mist,

Led me across the marsh of time

And granted me the seer’s gift.

For later periods, the poetry is sometimes dialogical with older texts – such as the Domesday Survey of 1086, or James Flockhart’s ‘De Mowbray:A legend of Penwortham’. The latter is referenced in in ‘St. Mary’s Well, Twilight’ – a poem that also includes finely wrought observation of nature and the meaning it makes for the observer/the observer makes for it.

The setting sun is casting his vast aura

With a majesty I never dreamt him capable of

Enflaming clouds in luminescent orange and red,

Purple like mountains behind the trees.

The birds are singing as if it is their last dusk song.

I enlist bold robin, blackbird and little wren …

As if this is the evening of all evenings

And will be their last so better make it their best.

It is hard to write freshly about sunsets, though I do think this is well-managed even in the first four lines, especially through bringing in a delighted shift in the observer’s perception, and then going on to dare purple poetry. But what makes this section of the poem for me is the succeeding lines, which create a foreground for the majestic sunset background through the activity of the birds and their commitment to Being while it lasts.

Throughout the book we are aware of the interweaving of two worlds. This is done particularly well in the stories, which are every bit as inspired as the poetry. I was especially moved by the last, called ‘The Brown-Eared Hound: Rivington, October 31st. 1917’. It concerns sudden, shocking bereavement and also a direct experience of Gwyn’s wild hunt. I could almost see a novel, or at any rate novella, in this story – bringing together the world of Wilfrid Owen, D.H Lawrence and Virginia Wolf with that of living Brythonic myth. At the same time the piece as written did everything it needed to.

I don’t think it is possible to do this volume justice in a single review. It’s hard, with poetry. So I’m suggesting that readers also have a look at Crychydd’s review in https://barddos.wordpress.com/2015/02/04 and the author’s own discussions about her work and its continuing development at: http://lornasmithers.wordpress.com/

Lorna Smithers Enchanting the Shadowlands Lulu, 2015

MIND AND LIFE INSTITUTE IN EUROPE

In a previous post on https://contemplativeinquiry.wordpress.com/2015/1/02 I wrote about the Mind and Life Institute which can be found on http://www.mindandlife.org/. Founded in 1987 it was largely the inspiration of the current Dalai Lama. Its aim is to bring together contemplative practitioners and the academic community to investigate contemplative states and their value. Although it has a largely Buddhist orientation, it is not confined to Buddhists.

This post is to draw attention to a Mind and Life European Summer Research Institute on Contemplative Practice, Science and Society from 28 August to 3 September 2015 at the Abtei Fraueninsel Chiemsee, Germany.

This will explore the influence of contemplative practices on mind, behaviour, brain function and health, but are also fostering the development of new fields of research known as Contemplative Neuroscience, Contemplative Clinical Science, Contemplative Studies, and Contemplative Education (see www.mindandlife-europe.org for more details, or check out www.mindandlife.org if you wish to learn more about previous SRIs in the USA).

 

 

 

 

 

 

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