Silence | Contemplative Inquiry

My last post was about working with ancient texts. Here I look at the term ‘gnosis’ in the Gospel of Thomas. I am indebted to the commentary of translator Jean-Yves Leloup. Here he reflects on logion 5, whose text I include in a note below.

“Gnosis is not a system, not another ideology through which we are to interpret and understand the world. On the contrary, it means opening our eyes to what we are already looking at, right in front of us, not searching somewhere else.

” … Things are not hidden in themselves; they are open – the veils hiding them are in the habits of our own vision, so crude, so overloaded with memories and assumptions about reality, distorting what is before us …

“Gnosis is a long-term work of recognition, of purity of attention so as really to see what is in front of us. The consequence of this attention is that we become what we see and what we love … If we look at chaos, we will reflect chaos. If we look at light, we will reflect light.” (1)

I am glad that this commentary provides more than scholarly exegesis. Leloup says in his introduction that he wants to offer “a meditation that arises from the tilled earth of our silence. It is my belief that it is from this ground, rather than from mental agitation, that these words can bear their fruit of light “. In this way Leloup dreams the myth onwards for our time, and passes the baton to his readers. Both a blessing, and a responsibility.

(1) Commentary on Logion 5, The Gospel of Thomas: The Gnostic Wisdom of Jesus Rochester, VT: Inner Traditions, 2005

(Text translated from the Coptic with commentary by Jean-Yves Leloup; foreword by Jacob Needleman. English translation by John Rowe Original French edition published 1986).

The translated logion reads:

“Yeshua said:

Recognize what is in front of you, and what is hidden from you will be revealed.

There is nothing hidden that will not be revealed.”

NOTE: See also

CHILD OF THE NOW

July 12, 2021

MUSICAL MEDITATION: THE SHAKUHACHI FLUTE

Shakuhachi flute music is a meditation for players and listeners alike. It is dance of sound and silence, of movement and stillness. Some people call it, ‘blowing Zen’. In this music, a rise and fall of notes gives way to space and stillness, which in turn give way to a rise and fall of notes. Eckhardt Tolle identifies shakuhachi flute music as a portal to the experience of consciousness being conscious of itself – and so a direct realization of what he calls the Deep I.

Bamboo flutes first came to Japan from China in the 7th century CE (1). The current shakuhachi was developed in Japan in the16th century. It is called fuke shakuhachi because of the instrument’s role in the Fuke sect of Japanese Zen Buddhism. Monks known as komusu (priests of nothingness, or emptiness monks) who used the shakuhachi as a spiritual tool. Their songs were paced according to the players’ breathing and were considered meditation as much as music.

Their spiritual practice required them to move from place to place playing the shakuhachi and begging for alms. The monks wore wicker baskets over their heads, as a symbol of their detachment from the world. But the world being the place that it is, it was more like a semi-detachment. Travel around Japan was restricted by the Shogunate at that time, and the Fuke only got their exemption by agreeing to spy for the authorities and allowing the Shogun to send out his own spies in the guise of Fuke monks. In response to these developments, several particularly difficult shakuhachi pieces became known as tests. If you could play them, you were a real Fuke. If you couldn’t, you were probably a spy and might very well be killed in unfriendly territory. With the Meiji Restoration, beginning in 1868, the Fuke sect was abolished along with the Shogunate itself, and shakuhachi playing was banned for a number of years.

The Wikipedia article on shakuhachi (1) provides information about the instrument and its capabilities, as well as its current international popularity and the formal link with Zen broken.. There is an International Shakuhachi Society which maintains a directory of notable professional, amateur and teaching shakuhachi players.

(1) https://en.wkipedia.org/wiki/Shakuhachi/ (NB This reference gets you to a page where you will need to type in Shakuhachi)

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June 25, 2019

POEM: IN SILENCE

Be still

Listen to the stones of the wall.

Be silent, they try

To speak your

Name.

Listen

To the living walls.

Who are you?

Who

Are you? Whose

Silence are you?

Who (be quiet)

Are you (as these stones

Are quiet). Do not

Think of what you are

Still less of

What you may one day be.

Rather

Be what you are (but who?) be

The unthinkable one

You do not know.

Oh be still, while

You are still alive,

And all things live around you

Speaking (I do not hear)

To your own being,

Speaking by the Unknown

That is in you and in themselves.

“I will try, like them

To be my own silence:

And this is difficult. The whole

World is secretly on fire. The stones

Burn, even the stones

They burn me. How can man be still or

Listen to all things burning? How can he dare

To sit with them when

All their silence

Is on fire?”

Thomas Merton Silence, Joy: A Selection of Writings New York: New Directions, 2018

Contemplative Inquiry

Tag: Silence

October 7, 2025

AN UNDERSTANDING OF ‘GNOSIS’

July 12, 2021

MUSICAL MEDITATION: THE SHAKUHACHI FLUTE

June 25, 2019

POEM: IN SILENCE