Contemplative Inquiry

This blog is about contemplative inquiry

Tag: Nature

A PICTURE ON THE WALL

I imagine a fairly distant future. People are living underground or in domed settlements. The population, though nothing like today’s, is recovering. It is gaining in confidence and ambition. They hope that by continuing their own genetic modification, and terra-reforming the planet, they will be able to live outside again. They have museums, and the stretch of wall above is a prized artefact from a half-legendary pre-apocalyptic time.

What do observers make of it? What, if anything, do they know about birds? Can they name and recognise a ‘duck’ without expert input? If so, do they have any idea of why the representation on the wall is not entirely naturalistic? What about the conventions of thought bubbles and question marks? Would even the curators know about graffiti, and their role in late pre-apocalyptic culture? How do they stand with the notion of ‘humour’?

Conceivably, they know little about us and our intentions. The memory of us may be disturbing to them. This image may be seen as a riddle and a mystery – somewhat magical, somewhat uncanny. It may create a mixture of fascination and unease, ensuring its place as a guaranteed magnet for visitors.

What stories do our remote descendants tell, when contemplating this relic of the past? What, for them, does the picture on the wall say about us? Would we want to know?

SACRED SOUNDSCAPES

“Concepts of animism can take many forms. … The idea of the land being capable of speaking to humans was probably widespread in ancient sensibility. Sacred soundscapes were simply a natural corollary.

“The basic notion of the land having speech, or being read like a text, was lodged deeply in some schools of Japanese Buddhism – in early medieval Shingon Esoteric Buddhism, founded by Kukei, for instance. He likened the natural landscape around the Chuzenji temple and the lake at the foot of Mount Nantai, near Nikko, to descriptions in the Buddhist scriptures of the Pure Land, the habitation of the buddhas. Kukei considered that the landscape not only symbolised but was of the same essence as the mind of the Buddha. Like the Buddha mind, the landscape spoke in a natural language, offering supernatural discourse: ‘Thus, waves, pebble, winds, and birds were the elementary and unconscious performers of the cosmic speech of buddhas and bodhisattvas,’ explains Allan Grapard (1994).

” …. ….

“Throat singers in Tuvan, an autonomous republic within the Russian Federation, developed their vocal art originally as a means of communicating with their natural environment, not for entertainment. Throat singing involves the production of resonant sounds, overtones and whistles within the throat, nasal cavities, mouth and lips, and was used to provoke echoes or imitate natural sounds like waterfalls or wind. The master throat singers can select precise locations inside caves where the resonances are exactly right to maximise the reverberations of their songs. They even wait until atmospheric conditions are perfect for the greatest effect. It is in essence a technology of echoes. At one locale, where a singer called Kaigal-ool performed in front of a cliff face, ethnomusicologist Theodore Levin reported that ‘the cliff and surrounding features sing back to the musician in what Kaigal-ool calls a kind of meditation, a conversation I have with nature‘ (Levin & Suzukei, 2006).

“It is only in our modern culture that we have stopped listening to the land within a spiritual context. If we could fashion a modern, suitably culturally-ingrained animistic model, we would treat the environment with much more respect.”

Paul Devereux, in his Foreword to Greening the Paranormal: Exploring the Ecology of Extraordinary Experience August Night Press, 2019. Edited by Jack Hunter. See: http://www.augustnightpress.com

FEELINGS AND CONTEMPLATION

“In meditation, when a wave of feeling comes to visit – a grief, a fear, an unexpected anger or melancholy – can you stay present with that wave, breathe into it, let go of trying to ‘let go’ of it, and simply let it be, let it live, let it express itself right now within you? Can you notice the impulse in you to resist it, to refuse it, distract yourself from it and move away from your experience? Don’t judge or shame yourself for that impulse either, for wanting to have a different experience that you’re having – it’s an old habit, this urge to disconnect, this impulse to flee, this addiction to ‘elsewhere’.

” But see, today, if you can stay very close to ‘what is’, see if you can actually connect with the visiting feeling, gently lean in to your experience as it happens. Instead of shutting down, moving away, denying the energy in the body, can you gently open up to it? Can you flush it with curious attention? Let it move in you? Stay present throughout its life cycle, as it is born, expresses what it has to express, and falls back into Presence, its oceanic home?” (1)

The extract above is from a piece by Jeff Foster called When We Push Feelings Away. I support his approach, though I don’t now make firm distinctions between an activity called ‘meditation’ and the spontaneous flow of attention. I can stay present with the wave of feeling, and breathe into it, whether I’m ‘in meditation’ as a defined practice or not.  Meditation, once exotic and formal, has become naturalised. My contemplative life is pared down and minimalist, holding a strong sense of the sacred in daily life, including the work of self-healing. Jeff Foster continues:

“… One day, deep in meditation, perhaps, we remember, all feelings are sacred and have a right to exist in us, even the messiest and most inconvenient and painful ones. And we remember to turn towards our feelings instead of turning away. To soften into them. To make room for them instead of numbing them or ignoring them. …. So much creativity is released, so much relief is felt, when we break this age-old pattern of self-abandonment and repression, go beyond our careful conditioning, and try something totally new: staying close to feelings, as they emerge in the freshness of the living moment, waving to us, calling to us, seeking their true home in our heart of hearts.”

Jeff Foster calls this piece Pushing Feelings Away. I like his concern with holding and acceptance within what he calls Presence. I call my overall path a Sophian Way, and not The Sophian Way, because it is a solitary path that morphs and shifts.  Jeff Foster works with personal feelings from a transpersonal, non-dual  perspective that I find very Sophian, characterised  by wisdom, contemplation and compassion. My own path brings together this approach with the Eco-spirituality – or ‘Nature Mysticism’ – catalysed by my experience of modern Druidry.

(1) Jeff Foster The Joy of True Meditation: words of encouragement for tired minds and wild hearts Salisbury: New Sarum Press, 2019

NINESPRINGS

IMG_20191020_091537This is my image of Autumn for this year. Before Samhain. Before most of the fall. Leafy and watery. The sun is still an influence, a soft one. I took the picture this morning whilst walking in Ninesprings (one word), the gem of the Yeovil Country Park.

I took a number of pictures and then had to stop and just be there. It’s a carefully managed area, hardly wild nature. But it has a long history in roughly it’s present form and is linked for me with positive childhood memories. It is a great place to visit again, and balm for the soul. And it is more than that. The English West Country is my motherland. This place represents it, in my consciousness a half degree lusher than where I live now. When here today – without turning it into too much of an exercise – I found myself entering rapport with the spirit of place and renewing the connection.

IMG_20191020_090619_burst_03

POEM: A SPECIAL DAY (CHOSEN FOR ELAINE)

Today

is a very special day.

Today we celebrate

sun and rain,

light and dark,

the cycles of life,

the great turning

of the wheel.

Today we celebrate

every leaf on every tree,

every feather on every bird,

every drop of water in every stream.

Today we celebrate

green growing ones and winged ones,

two leggeds and four leggeds,

all who walk, crawl,

swim or fly.

We celebrate

each breath of air,

each morsel of food,

each beat of our hearts,

each healthy cell.

We celebrate

the profound miracle

of being alive

in this body

in this moment

on this planet.

Today,

like every other day,

is a very special day.

Kai Siedenburg Poems of Earth and Spirit: 70 Poems and 40 Practices to Deepen your Connection with Nature Our Nature Connection, 2017

(Poem shared on the occasion of my wife Elaine’s birthday. It was transcribed for me  on a card sent to me on my own birthday last month. It prompted me to buy the collection, which I recommend.)

 

ARNE NAESS AS PHILOSOPHICAL VAGABOND

“Naess embodies the spirit of philosophy in its original sense as being a loving pursuit of wisdom. It is a deep exploration of our whole lives and context in pursuit of living wisely. The essence of Socratic inquiry is to know ourselves. From his work on Pyrrhonian scepticism to his … positive statements on pluralism and possibilism, Naess says he is a ‘philosophical vagabond’ or ‘wandering seeker’, what the ancient Greeks called a zetetic’” (1).

In 1968 Arne Naess (1912-2009) published Scepticism (2) two years before resigning as chair of philosophy at the University of Oslo to devote himself to environmental problems. Part of this book focuses on Sextus Empiricus (150-225 CE), the last recorded Pyrrhonist philosopher in a line going back to Pyrrho of Elis (c360-c272 BCE).

Pyrrhonists, as described by Sextus Empiricus, neither made truth claims nor denied the possibility of making them. Instead, they cultivated a deeply embedded attitude of suspension of judgement (epoche), allowing possibilities to stand open within the process of continuing inquiry. Such a turning away from the drive for intellectual closure enables peace of mind (ataraxia) in our engagement with the richness and diversity of experience. As Naess says, the Pyrrhonist philosopher “leaves questions open, but without leaving the question. He has however given up his original, ultimate aim of gaining peace of mind by finding truth because it so happened that he came by peace of mind in another way.” (2)

Naess was not himself a Pyrrhonist, but clearly valued the Pyrrhonist frame of mind. He took something from it into his later work, as is made clear in Alan Drengson’s introduction to Naess’s Ecology of Wisdom (1):

“… there is never one definitive interpretation of philosophical texts; there is never one description of an event and all processes are complex interactions involving changing forces and relations, internal and external. Experience and the processes around us form changing patterns or gestalts. The nature of reality is multidimensional and creative. … Our spontaneous experience is so rich and deep that we can never give a complete account of it in any language, be it mathematics, science, music or art … As a deep questioner and seeker, Naess remains free of dogmatic and monolithic doctrine about the world … [which]  partly explains why he celebrates a movement supported by diverse people with many world views”.

I enjoy this view of inquiry, and feel inspired to carry it forward more consciously in my own work. My sense is that it will bring my inquiry more into the world, without its losing its contemplative core.

(1) Arne Naess Ecology of Wisdom UK: Penguin Books, 2016 (Penguin Modern Classic. First published 2008)

(2) Arne Naess Scepticism Abingdon, UK: Routledge, 1968

See also:

https://contemplativeinquiry.wordpress.com/2019/04/27/pyrrho-scepticism-arne-naess/

https://contemplativeinquiry.wordpress.com/2019/04/25/spiritual-truth-claims/

 

DEFINING ‘SECULAR’

Stephen Batchelor’s Secular Buddhism (1) explores what a “nonreligious, this-worldly, secularised Buddhism” might look like. This post is part of my own inquiry into what it means to feel ‘secular’ whilst  engaged in ‘spiritual’ practices and connected with modern Paganism. Batchelor uses ‘secular’ in three overlapping senses:

  1. A general contemporary usage where ‘secular’ stands in contrast to whatever is ‘religious’ – the two terms being clearly polarised whilst not very clearly defined.
  2. A Latin derived sense of ‘this age’ (saeculum) – referring to “those concerns we have about this world, that is, everything that has to do with the quality of our personal, social and environmental experience of living on this planet”.
  3. A Western, historical-political sense, acknowledging a 2-300-year period of ‘secularisation’ that has transformed the whole culture to the point where most people can live “almost their entire lives without giving religion a thought”.

Stephen Batchelor talks about an “uncompromisingly secular reading” of the Buddha’s teaching, in which “one returns to the mystery and tragedy of the everyday sublime. Instead of nirvana being located in a transcendent realm beyond the human condition, it would be restored to its rightful place at the heart of what it means each moment to be fully human”. He is an admirer of Ludwig Feuerbach, a student of Hegel who came to reject his teacher’s emphasis on the primacy of Spirit in the unfolding of history and advocated instead a liberal, materialist and atheist view of the world. “Feuerbach’s basic idea is simple. ‘Religion’, he wrote in the preface to his most famous book, The Essence of Christianity (1841) ‘is the dream of the human mind. But even while dreaming we are not in heaven or the realm of Nothingness. We are right here on earth’”.

In this way, Batchelor acknowledges all three senses of ‘secular’: a distancing from traditional religious belief, an affirmation of the world and time, and the rise of modern secular belief systems – Feuerbach was an early influence on Karl Marx. I like the way Batchelor teases out these meanings, especially his acknowledgement of ‘movement in time’ aspects as well as ‘not religious’ ones. I am more open and agnostic about the language of ‘heaven or the realm of Nothingness’ alongside that of being ‘right here on earth’. If we treat these as states rather than places, then I can see them intertwined dimensions of being. But I do not hold this as an ideology.  I stand, rather, in openness and unknowing: the direct experience of At-Homeness in a flowing now is my ground and source, with or without a cosmic warranty.

Another sense, that of interconnectedness in the web of life, grows out of my At-Homeness – and this is firmly situated in place, time, and history. That place and time, right now, is one of distress, division and confusion, facing runaway climate change as a collective existential threat. My inquiry asks to to be alive to this collective wounding, and to contribute to a healing. In previous inquiry phases, I worked with modern Druidry and Paganism, focusing largely on the ‘nature’ aspect, but also on the powers of imagination and deep cultural stories. I then turned to other paths with a stronger emphasis on contemplative practice and its benefits. There is a treasure trove of resources in all of these these explorations, and I shall continue to draw upon them in my new inquiry cycle.

(1) Stephen Batchelor Secular Buddhism: Imagining the Dharma in an Uncertain World New Haven & London: Yale University Press, 2017

REVISED ‘ABOUT’ APRIL 2019

Over the lifetime of this blog I have made frequent revisions of its ‘About’ statement. Most are small. Occasionally, I make a major revision which I also publish as a post. Below is my revised and edited ‘About’ of 19 April 2019.

I am James Nichol and I live in Stroud, Gloucestershire, England. The Contemplative Inquiry blog started in August 2012, and includes personal sharing, discursive writing, poetry and book reviews. It explores contemplative themes and their role in human flourishing within the web of life.

In my own journey, I have found an At-Homeness in a flowing now, not linked to any specific doctrine. For me, this experience and stance enable greater presence, healing and peace. They also support imaginative openness and an ethic of aware interdependence.

I began this work within British Druidry. I continue to follow an earth-centred and embodied spiritual path, ‘secular’ rather than ‘religious’. I draw on diverse traditions, especially resonating with naturalist, eco-existentialist, pantheist and animist currents within and beyond modern Paganism.

I am wary of metaphysical truth claims, including materialist ones, with an ultimate stance of openness and unknowing. At the time of this revision, I am exploring a tradition initiated by the Greek Pagan philosopher Pyrrho of Elis, who developed his own school of contemplative scepticism after a visit to India.

My book, Contemplative Druidry: People, Practice and Potential, was published in 2014.  https://www.amazon.co.uk/contemplative-druidry-people-practice-potential/dp/1500807206/

A NEW INQUIRY CYCLE

After an eight-month silence, I feel prompted to write again. These months have featured both continuity and change in my contemplative life. I have decided to stay with the theme of Contemplative Inquiry, framing my work as a new inquiry cycle.

I  wrote in August 2018 that ‘I find ‘healing and grounding in a flowing now, the site of an unexpected At-Homeness’*. At the same time my ‘Sophian Way’ has taken what might be described as a secular turn, as a loving friendship with wisdom and its source. In this respect I follow in the footsteps of those ancient Greeks who invented philosophy (love of wisdom) as a new space somewhat independent of their gods and traditional stories.

They used this space to ask, more directly, questions about being human, about what it is that supports human flourishing, and looked for new ways of understanding the world in which they found themselves. I have come to value contemplative life mostly as a context and support in relating to myself, other people, culture and nature. Hence, again following the Greeks, my contemplative life and inquiry include (using their own terms) therapeutics, ethics, politics and aesthetics. Contemplative presence warmly holds the life of the body, feelings, mind and imagination. It is their ground and home. The inquiry moves beyond that space, and into the wider world.

In early posts, I will look in more detail at ways of working that now guide me, offer a new understanding of Sophia, engage with a deeper exploration of the term ‘secular’ and look at the problems raised by metaphysical truth claims and how I deal with them. I hope that these posts will establish the note of the new inquiry cycle.

 

POEM: FIELD AND SKY

At the sallow’s* gap

we step through the hedge

and are nothing but field and sky.

Hares race, lurching

to a tussle,

their frenzy printed in the soil.

The kestrel soars –

pausing, head down,

to sew with the finest needle.  (1)

I like this poem for two reasons. The first is as a beautifully written nature poem. The second is the experience it triggered for me in the second and third lines:

we step through the hedge

and are nothing but field and sky.

It is as if the hedge is a portal, and stepping through it takes us into another world, changing us into field and sky. Yet it is the same world, experienced differently. In this version we contain the natural world, holding the lives of hare and kestrel.

Contemplative moments like this – whether directly in nature or evoked in poetry – can take me out of my  boundaried sense of self and place me more fully in the flow of experience and relationship. In their afterglow, I feel a certain poignancy at the fragile, ephemeral, not-to-be-taken-for-granted quality of such connections.

*salix caprea, also called pussy willow

(1) Colin Oliver High River Sudbury: Downstream Press, 2006 (Available from poetry section of the shop at http://www.headless.org/ )

 

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