SPIDER
I’ve been busy with spiders over the last few weeks, noticing their variety both indoors and out. There’s one outside my window as I write. Some of this attention has involved removing spiders from the house. As I become more sensitized to their sentience, I’ve grown somewhat ambivalent about this. Yet from a wider household perspective, it does need to be done. The extract below is from David Abram’s Spell of the Sensuous and looks at the life of a spider.
“Consider a spider weaving its web, for instance, and the assumption still held by many scientists that the behavior of such a diminutive creature is thoroughly ‘programmed in its genes.’ Certainly, the spider has received a rich genetic inheritance from its parent and predecessors. Whatever ‘instructions’, however, are enfolded within the living genome, they can hardly predict the specifics of the microterrain within which the spider may find itself in any given moment. They could hardly have determined in advance the exact distances between the cave wall and the branch that the spider is now employing as an anchorage point for her current web, or the exact strength of the monsoon rains that make web-spinning a bit more difficult on this evening.
“The genome could not have explicitly commanded the order of every flexion and extension of her various limbs as she weaves this web into its place. However complex are the inherited ‘programs’, patterns or predispositions, they must still be adapted to the immediate situation in which the spider finds itself. However determinate its genetic inheritance, it must still, as it were, be woven into the present, an activity that necessarily involves both a receptivity to the specific shapes and textures of that present and a spontaneous creativity by which every animate organism necessarily orients itself to the world (and orients the world around itself), that we speak of by the term ‘perception’”.
David Abram The Spell of the Sensuous: Perception and Language in a More-Than-Human World New York: Vintage Books, 1997 & 2017
This book has been an inspiration to many people over the last 20 years, including both naturalist and animist Pagans. The extract comes from a section entitled The Mindful Life of the Body.

The Crane Bag, Joanna van der Hoeven’s forthcoming book*, offers an introduction to the ritual tools and practices found in the Druid tradition. It achieves this briefly, simply and with a light touch – as books in the Pagan Portals series are designed to do. Yet it much more than a tick box guide. It provides context and meaning, showing the modern evolution of the Druid tradition itself.
Clare Cameron (1896 – 1983) was an English poet and mystic, whose life spanned much of the twentieth century. In 1930 her Green Fields of England, centred on footpath travels in the English countryside, was compared to the work of Richard Jefferies and Edward Thomas in the previous generation. At this period, she was involved with the Hermetic Order of the Golden Dawn. For two years the noted occultist Israel Regardie worked for her husband Thomas Burke and wrote the first of his books on the Kabbalah at their home. Later, Clare became associated with the London Buddhist Society under the leadership of Christmas Humphries and formed a friendship with the young Alan Watts, who she succeeded as editor of the journal Buddhism in England (later The Middle Way) when he left for the U.S. in 1938. Gradually Clare moved in a more Christian direction, and for over 20 years she edited The Science of Thought Review, based on the ideas of the mystical teacher Henry Hamblin.
Throughout all these changes Clare drew on her experience of nature as sacred within a spirituality that emphasized the sanctity of existence and the silent background of being. Politically she championed women’s empowerment, non-violence in both aims and methods, the view that interdependence applies to countries as well as people, and the growing attention to environmental causes. She also supported the early development of interfaith dialogue.