God | Contemplative Inquiry

Recently I have been contemplating both my understanding and my experience of Awen. Above is a picture of my Awen pendant, a modern Druid badge of belonging. It is based on the three ray symbol developed by Iolo Morganwg (Edward Thomas 1747-1826). It also depicts the three drops from Cerridwen’s cauldron in the Taliesin myth. Hanes Taliesin, popularised in Charlotte Guest’s 19th CE English translation of the tale, is now a significant influence on modern Druids.

Ten years ago I published Contemplative Druidry (1), a book based on interviews with active Druids about the place of contemplation within today’s Druidry. It included a chapter on Awen, and revealed a lack of consensus about what Awen actually meant to the interviewees. I wrote: “Awen is classically seen in Druidry as the power of inspiration, and in particular the creative force for poetry and prophecy … Many of the participants in this work uphold the tradition in its conventional form. Others seek to extend the traditional meaning better to express their own experiences and aspirations. Some don’t connect with Awen experientially and treat it as a convention – mainly a shared chant which brings Druids together.”

Since that time (2014), the evolution of modern Druidry has continued apace. In recent years, the most inspirational definition of Awen I have encountered is one by Kristoffer Hughes, Chief of the Anglesey Druid Order and a native Welsh speaker. He describes Awen as (2): “the creative, transformative force of divine inspiration that sings in praise of itself; it is the eternal song that sings all things into existence, and all things call to Awen inwardly”. For him, the personified deity intimately linked with Awen is Cerridwen, for him a goddess of “angular, bending magic” whose cauldron is “a vessel of inspiration, a transformative device, a vessel of testing”.

In a sense Hughes is the Pagan inheritor of the Unitarian Iolo Morganwg, who reframed St. John’s “In the beginning was the Word” (3) as ‘In the beginning was the Song’ – “all the universe leapt together into existence of life, with the triumph of a song of joy … and the sound of the song travelled as far as God and His existence are” (4). Hughes sees Iolo as a model of Awen’s influence in the world: “He carried the seeds of Awen and profoundly influenced a future that he could not imagine … He is testament to Awen’s consistent stream and how it too changed its countenance to meet the needs of different people at different times”. The Romantic period Iolo lived into was “a cauldron of new ideas”, with a new era of bardic tradition in its infancy and “occult fascination among the learned of the time increasing in popularity” (2).

Looking beyond Druidry, I think of the words of Kabir, the Indian 15th century CE poet/singer and mystic: “If you want the truth, I’ll tell you the truth. Listen to the secret sound, the real sound, which is inside you” (5). Kabir was a Muslim who was also heavily influenced by Indian Tantric/Vedantic culture. In this culture, OM is the primal originative sound. AUM (so like Awen) is its feminine form, the creative energy or Shakti of the Cosmos giving shape and substance to the material world. For me it is as if the sound itself holds the power, waiting to be discovered, and transcending any specific cultural context. It seems somehow inherently resonant and inspiring; an anchor for empowering states.

In my current practice I work with Awen both as chant (Aah-ooo-wen) and as mantra (inbreath Aah, outbreath wen). I have done this on and off for many years, and I have fairly recently returned to ‘on’. When I work energetically, I seem to become porous to the world. I experience a lightness and a loosening of boundaries. Reality is not fixed and locked down. Into this space Awen can enter, and I find myself in a place of healing, peace and power. This doesn’t have a direct cause-effect link with creative work in the world, but it does mobilise my capacity for such work. This is now my experience of Awen.

(1) James Nichol Contemplative Druidry: People, Practice and Potential Amazon/KDP, 2014 (Foreword by Philip Carr-Gomm)

(2) Kristoffer Hughes Cerridwen: Celtic Goddess of Inspiration Woodbury, MN: Llewellyn Publications, 2021

(3) Holy Bible: King James Version Green World Classics edition, 2017

(4) J. Williams ab Ithel (editor) The Barddas of Iolo Morganwg: A Collection of Original Documents, Illustrative of the Theology, Wisdom, and Usages of the Bardo-Druidic System of the Isle of Britain Forgotten Books, 2007 (First published 1862, from notes and journals left by Iolo on his death at 79 years of age in 1826).

(5) Sally Kempton Meditation for the Love of It: Enjoying Your Own Deepest Experience Boulder, CO: Sounds True, 2011 (Foreword by Elizabeth Gilbert),

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September 26, 2024

TWO VIEWS OF THE DIVINE

In 1986, at the age of 50, Satish Kumar (1) went on an extended pilgrimage of British sacred sites. When staying overnight as a guest of the Bishop of Lincoln, he initiated a dialogue on divinity. In this discussion, divinity is described as God, and masculine language is used throughout. (In other contexts Satish Kumar has been happy to use Goddess references and language.) My own practice is largely non-theistic, yet I am Pagan enough to have been jolted by this limitation. Diverse images, stories and beliefs about the divine continue to inform my heart, mind and imagination. The two views articulated here (both eco-friendly in their way) point to very different experiences and understandings of the divine, and of the world: dualist and non-dualist in formal terms.

“‘It is with great pleasure that I welcome you, Satish, to Lincoln and my house, the Bishop said. ‘Going on a pilgrimage is an ancient tradition, but walking for four months around Britain to its sacred places is not so common.’

“‘I am honoured to be your guest,’ I said. ‘I have been inspired and renewed by being within many churches and cathedrals, but increasingly I am finding all places sacred and the presence of the divine everywhere.”

“‘The Bishop heard my comment with thoughtful silence, and then said, ‘For us, God is above and beyond his creation. We aspire to reach God, but God and the world are not the same.’

“‘In the Hindu tradition the world is understood to be the dance of the God Shiva, and the yet the dance and the dancer cannot be separated. The world is not like a painting, a finished object which when complete is seen as separate from the painter. The universe is a living dance and God in in the heart of all beings and things. We do not separate God and the world.’

“The Bishop pondered and in a gentle voice said, ‘I believe that the world is God’s creation and therefore it is sacred. Human beings must act as responsible guardians and caring stewards. We must love the land and look after the earth in its glorious diversity. We have no right to plunder, pollute, exploit, destroy, kill or in anyway disrespect God’s creation. Like in a family, God is the Father and we are his children, and all members of the family should live in harmony with each other. God’s family includes the animals and the natural world. If we are sensitive and caring, we can live with nature rather than against it. The advance of science and technology requires that human beings live with greater sensitivity than ever before, since we are now equipped with extremely powerful and destructive tools. This destructive impulse is not part of God. God is good and good only.’

“‘For me, Divinity is neither good nor bad,’ I said. ‘It is like pure water and pure air. The human soul is also pure. Good and bad is a matter of perception. For example, from nature’s point of view creeping buttercups and nettles are fine wherever they are; they will grow where the soil is ripe for them. From the human perspective, however, a gardener struggles to remove the buttercups and nettles; he regards them as weeds, and complains when they overtake flowers. The rose and the thorn are part of the same plant – we cannot have one without the other. The analytical mind attempts to separate the good and evil, the decorative and ugly, the useful and non-useful, the weed and the flower. I have seen during my journey people pulling out foxgloves in one area and carefully planting them in another. If we are to live in harmony with God’s family, we need to love the wilderness, the weeds and the wet.'”

From: Satish Kumar No Destination: Autobiography of a Pilgrim Cambridge: Green Books, 2014 (extended 4th edition – first edition 1992)

(1) “Satish Kumar (born 9 August 1936)^[1] is an Indian British activist and speaker. He has been a Jain monk, nuclear disarmament advocate and pacifist.^[3]Now living in England, Kumar is founder and Director of Programmes of the Schumacher College international center for ecological studies, and is Editor Emeritus of Resurgence & Ecologist magazine. His most notable accomplishment is the completion, together with a companion, E. P. Menon, of a peace walk of over 8,000 miles in June 1962 for two and a half years, from New Delhi to Moscow, Paris, London, and Washington, D.C., the capitals of the world’s earliest nuclear-armed countries.^[4][5] He insists that reverence for nature should be at the heart of every political and social debate.” (Wikipedia)

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September 1, 2021

MADE OF THE SUN, MOON AND STARS

“Just as a wave doesn’t need to go looking for water, we don’t need to go looking for the ultimate. The wave is the water. You already are what you want to become. You are made of the sun, moon and stars. You have everything inside you.”

If I had authored the words above, they would be a clear statement of my stance as a modern Druid. In fact they were written by the Vietnamese Zen monk and peace activist Thich Nhat Hanh, who has spent the latter part of his life making Buddhism accessible to westerners. For me, this shows the wider resonance of his core understanding. Indeed he continues by using the language of a third tradition – the best known to most westerners – to develop his theme.

“In Christianity there is the phrase, ‘resting in God’. When we let go of all seeking and striving, it is as if we are resting in God. We establish ourselves firmly in the present moment; we dwell in the moment. We rest in our cosmic body. Dwelling in the ultimate doesn’t require faith or belief. A wave doesn’t need to believe it is water. The wave is already water in the very here and now.

“To me, God is not outside us or outside reality. God is inside. God is not an external entity for us to seek, for us to believe in or not to believe in. God, nirvana, the ultimate, is inherent in every one of us. The Kingdom of God is available in every moment. The question is whether we are available to it. With mindfulness, concentration and insight, touching nirvana, touching our cosmic body or the Kingdom of God, becomes possible with every breath and every step.”

Thich Nhat Hanh The Art of Living London: Penguin Random House UK, 2017

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November 3, 2019

NON-DUALITY AND YOGA NIDRA

This post is built around Dr. Richard Miller’s approach to Yoga Nidra (1) and my response to it. The resource I am working with – a book and a CD – was published in 2005. My concern in writing is with how a “meditative practice for deep relaxation and healing” can also be what one reviewer (2) described as the “perfect tool” for the author’s non-dual teachings. For the recommended practices “require only presence, and as such represent both the path and the goal of non-dual practice.”

The word non-dual is a translation of the Sanskrit advaita, literally ‘not two’. I remember a podcast in which Peter Russell (3), a long-term practitioner and writer in this field, cautioned against a tendency to equate ‘not two’ with ‘one’. He then told an ancient Indian story about the making of clay pots. A potter takes a lump of clay and makes two pots. One clay; two pots. In the Indian tradition, this is a ‘consciousness first’ understanding, and modern versions draw on terms like presence, awareness, ground of being, or true nature to point to our ultimate identity as this consciousness. ‘God’ is also used in this way. The understanding is that we are never separate from this identity, though we may feel separate from it, or forget it, or ‘not believe’ in it. After all, most of our attention is on our individual life in the world with all its pulls, stresses and demands.

Early in his book, Richard Miller describes his first experience of Yoga Nidra:

“Our instructor led us through Shavasana, the traditional yogic pose for inducing deep relaxation while lying completely still on the floor. The instructor expertly guided us into being conscious of sensations throughout our body, as well as to opposing experiences, such as warmth-coolness, agitation-calmness, fear-equanimity, sorrow-joy, and separation-oneness. I was invited to rotate may attention through the sensations elicited by pairs of opposites until I was able to embody these opposing experiences with neither attachment or aversion to what I was experiencing.

“I drove home that evening feeling totally relaxed and expansively present. For the first time in years, I felt free of all conflict, radiantly joyful, and attuned wit the entire universe. I experienced life as being perfect just as it was and felt myself to be a spacious nonlocalized presence. Instead of my usual experience of being in the world, I was having a nonmental experience of the world being within me, similar to experiences I had known as a child”.

Miller’s motivation to continue was “a longing in me to consciously awaken into and fully abide as this sense of presence”. As well as becoming a yoga teacher and psychotherapist he has worked with Direct Path teachings as a student of Jean Klein. He describes the very term Yoga Nidra as a paradox, a play on the words ‘sleep’ and ‘awake’ as it means ‘the sleep of the Yogi’. The implication is that the normal person is asleep to their true nature through all states of consciousness – waking, dreaming and deep sleep – while the Yogi is one who is awake and knows his or her true nature across all states, including sleep. The practice therefore involves both deep relaxation and deep inquiry.

A full practice on Miller’s CD begins with two commitments – one to a form of mindfulness at the edge of sleep where, for the reasons pointed to above, it is OK to ‘fall asleep’ since there is a trust that the process will continue to run at other levels. The second is described as a ‘heartfelt prayer’, articulated as though it has already been fulfilled – for in the absolute, there is only now: Miller gives the example ‘my friend is whole, healed and healthy’. Then the meditation moves through seven stages, the first six of which address specific forms of awareness: body and sensation; breath and energy; feelings and emotions; thoughts, beliefs and images; desire, pleasure and joy; and witness/ego-I. The final stage (sahaj) is our natural state, ‘the awareness of changeless Being’. Each stage provides an opportunity to identify conventionally positive and conventionally negative experiences, and to hold both in a wider embrace. The sixth stage inquires into the very nature of the ‘I’ that believes itself to be a separate witness, enabling the simple being of the final stage. The whole practice lasts about 35 minutes.

I’ve been looking for an evening practice to complement my morning one. After only a week, it has the right feel, the right format and the right length for me at this point in my life. Over the last three or four years non-duality has become my common sense. During this period I have worked a good deal with the ‘Seeing’ experiments of Douglas Harding’s Headless Way (4) and also with substantial resources from Direct Path teachers Greg Goode (5) and Rupert Spira (6). A non-dual view, as a working assumption, is now both cognitively and experientially well installed.

I don’t have a deep interest in non-dualist metaphysics for its own sake. I am deeply committed to this world and my human life. What I find is that a non-dual model of reality adds to my experience of human life in the world, and cannot be separated from it. I find myself leaning in to this nourishing and illuminating possibility, and committed to commit to living by it. Roger Miller’s Yoga Nidra has met me where I am. I am very grateful for this gentle, life-affirming, and subtle practice, which helps to maintain me on this path.

(1) Richard Miller Yoga Nidra: A Meditative Practice for Deep Relaxation and Holding Boulder, CO: Sounds True, 2005

(2) Stephen Cope, author of Yoga and the Quest for the True Self and The Wisdom Of Yoga

(3) https://www.peterrussell.com/

(4) http://www.headless.org/

(5) Greg Goode The Direct Path: A User Guide Non-Duality Press, 2012 (UK edition)

(6) Rupert Spira Transparent Body: Luminous World: the Tantric Yoga of Sensation and Perception Oxford: Sahaja Publications, 2016

Contemplative Inquiry

Tag: God

October 17, 2024

AWEN