Contemplative Inquiry

This blog is about contemplative inquiry

Tag: Creation

SUNSET SKYSCAPE

After a grey and stormy day came a grey and calm sunset. Facing west, I looked up at the sky. I began to contemplate the clouds and the muted influence of the sun.

As this skyscape became my world, the solid earth became a distant rumour. Physical reality became porous, indefinite, and insubstantial. Dissolving into this space, I briefly became part of it, no longer an external observer. This experience was fleeting in time-bound reality but imprinted itself on my memory.

Then a seagull seemed to emerge out of nowhere, a dynamic edge of creative light shimmering about its newly-minted form. For me this moment was both grey and luminous, filled with subtle light.

The bird embodied a tremendous joy in flying, with an elegance not seen on the roof tops or the ground. It flew fast and I didn’t see it for long. After its disappearance I noticed how easy it was to enjoy a grey sunset that I might otherwise call gloomy.

Every year is unique and I wondered, then, whether the summer of 2024 was breaking up early in my neighbourhood. As I write, on a rainy morning two days later, this remains an open question.

The wheel continues to turn, and I find myself turning to the west, leaning into autumn, embracing this season for what it uniquely is. It is much more than a precursor to winter. Autumn has tended to be my favourite season and the one I find the most conducive to contemplative and visionary states.

‘LIGHT ETERNAL’ AT GLOUCESTER CATHEDRAL

Gloucester Cathedral – https://gloucestercathedral.org.uk – is very good at its public outreach and events. From 19-28 October this year it has allowed the whole building to become an installation, Light Eternal by Luxmuralis – https://projectionartgallery.com.

My wife Elaine and I went there early on Sunday evening, 22 October. It was my first visit, her second. She was very happy to repeat the experience. The picture above depicts entry to the building, and a brief walk towards what became a full immersion. The light effects and imagery were accompanied by a soaring and joyful music. The ancient building was packed with people sharing this experience. I was pleased to be held in such a celebratory space.

As I understood, or rather felt it at the time, the two images immediately below seem to show time and materiality coming into existence in an act of creation that speeds almost out of control. Certainly, for me, the rapidly changing sequence of images demonstrated a tremendous movement, power and energy. It looked, in those moments, more like sheer cosmic exuberance and play, than any kind of plan.

The installation as a whole had still spaces as well. It took advantage of the cathedral’s medieval architecture, where light and their colour could enhance its majestic serenity.

I also noticed the skill with which the installation incorporated medieval iconography, though I confess that it went past me in something of a blur. There was so much going on, and I found that I could not concentrate on individual images, or even identify them, as much as I would have liked. Then I let go, and surrendered to the experience as a gestalt.

Even the nooks and corners of the building that were largely left alone were washed in the magic of the light. I valued being briefly able to focus on them, their very plainess bringing something to the experience.

Finally, below, I show the tree of life, as light. It is an icon about which so many traditions have had so much to say, for such a long time. Certainly, it acted as a spiritual anchor for me, in that space: a comfort to a practising Druid. I loved the almost delicate fecundity of the portrayal. Gratitude to the Cathedral for enabling this installation, and to Projection Art Gallery for providing it.

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