WILLIAM BLAKE: ETERNITY
He who binds himself to a joy
Doth the winged life destroy;
But he who kisses the joy as it flies
Lives in eternity’s sunrise.
William Blake Complete Writings Oxford University Press, 1972 (edited by Geoffrey Keynes)
He who binds himself to a joy
Doth the winged life destroy;
But he who kisses the joy as it flies
Lives in eternity’s sunrise.
William Blake Complete Writings Oxford University Press, 1972 (edited by Geoffrey Keynes)
“In this Temple Space (Aeon) you become all things,
and you see yourself no more;
and in that All-Other you become all things
and never cease to be yourself.
“Light and darkness, life and death, right and left, are brothers and sisters. They are inseparable.
“This is why goodness in not always good, violence not always violent, life not always enlivening, death not always deadly …
“All that is composite will decompose
and return to its Origin;
but those who are awake to the Reality
without beginning or end, will know the uncreated, the eternal.
“The words we give to earthly realities engender illusion; they turn the heart away from the Real to the unreal. The one who hears the word God does not perceive the Real, but an illusion or an image of the Real.
“It is impossible to see the everlasting Reality and not become like it.
The Truth is not realised like truth in the world:
those who see the sun do not become the sun;
those who see the sky, the earth or anything that exists, do not become what they see.
“But when you see something in this other space, you become it.
If you know the Breath, you are the Breath.
If you know the Christ, you become the Christ.
If you see the Father, you become the Father”.
Jean-Yves LeLoup The Gospel of Philip: Jesus, Mary Magdalene, And the Gnosis of Sacred Union Rochester, VT: Inner Traditions, 2004 (Translation from the Coptic and commentary by Jean-Yves Leloup; foreword by Jacob Needleman. English translation by John Rowe. Original French edition published 2003.)
Like the Gospel of Thomas, the Gospel of Philip is a Nag Hammadi text, and a central one for a nondual current within Christian Gnosticism. In places the text seems almost Taoist (the fluid inter-relatedness of polarities within a greater unity, the suspicion of words and naming). For me it also resonates with the practice of Seeing in the tradition of Douglas Harding (see http://www.headless.org) It is one of my ‘special books’(see https://contemplativeinquiry.wordpress.com/2019/07/15/
Recently I have noticed a change in my notion of inquiry. I experience, at the same time, both a greater precision and a softening in my understanding of ‘inquiry’. Rupert Spira (1) makes a helpful point.
“This path is sometimes referred to as self-inquiry or self-investigation. However, these terms – translations of the Sanskrit term atma vichara – are potentially misleading. They imply an activity of the mind rather than, as Ramana Maharshi described it, a sinking or relaxing of the mind into ‘the heart’, that is, into its source of pure Awareness and Consciousness. The term may, therefore, be more accurately be described as ‘self-abiding’ or ‘self-resting’, and is the essence of what is known in various spiritual and religious traditions as prayer, mediation, self-remembering, Hesychasm in the Greek Orthodox Church, or the practice of the presence of God in the mystical Christian tradition.”
At the time of writing, I have three means of heart inquiry by this definition. The first is quintessentially Sophian – a repetition, synchronised with the breath, of the name Ama-Aima (pronounced ahh-mah-ahee-mah). In its tradition of origin (2). this Aramaic name for the Divine Mother brings together Her transcendental and immanent aspects, and the repetition of the name invokes Her light energy and presence, which is the light energy and presence of the cosmos. As I breathe the name, entering into its pulse and vibration, I begin to find that this presence-energy is breathing me, until the distinctions themselves disappear. I treat this work formally, as a sacrament or mystery, and part of a daily practice.
The second is Seeing, and the practices of the Headless Way, described as ‘experiments’ in that family. – see www.headless.org/. I use a variety of these practices depending on the circumstances. The advantage of Seeing is that I can drop into it at any time during the day.
The third is the rawer approach laid out by Jeff Foster (https://lifewithoutacentre.com/ ), which turns the ‘Light of Oneness’, back onto the experience of the struggling human. It flows from his own journey of “venturing into the darkness of myself” (3), before “breaking through the veil of dualistic mind to a Light that had been there all along”. Here, we enter into a loving encounter with whatever experience is happening and finding a way to accept – not the content of the experience itself, which may be horrible and need resisting – but the reality that this is the experience that is happening, the one demanding attention. Loving attention to our struggles may not stop suffering but can make them more workable. As with Seeing, I can drop into this meditation at any time – by slowing down, breathing and just being there, with loving curiosity and attention. It works with mixed and good experiences too.
I find that a combination of these practices serves me well. Reading, writing and digital media of relevance to the practices support my sense od direction and my understanding.
(1) Rupert Spira Transparent Body, Luminous World: The Tantric Yoga of Sensation and Perception Oxford: Sahaja Publications, 2016
(2) Tau Malachi Gnosis of the Cosmic Christ: a Gnostic Christian Kabbalah Saint Paul, MN: Llewellyn Publications, 2005
(3) Jeff Foster The Joy of True Meditation: Words of Encouragement for Tired Minds and Wild Hearts Salisbury, UK: New Sarum Press, 2019
I’m thinking about special books. Many spiritual traditions have special books and they are given tremendous authority. For the committed practitioner, the prescribed way of working with them is some version of Lectio Divina. This goes beyond knowing what the book says and giving our assent. We need to bring the words alive through a contemplative immersion. As deep and devoted readers, we learn to identify layers of meaning and apply them in our lives. Checking out our experience in the light of what is written, we learn to mould our experience in accordance with the writing. There is no room for a mixed or negative assessment of the text itself or wish to depart from it. The furthest we can go in this direction is through a device like Hebrew midrash. This a form of commentary, sometimes taking the form of stories, that can stretch an original meaning or introduce a new perspective on it.
But for me, the direct value of texts lies in the extent to which they support my practice and experience. The practice and experience themselves are my authority. My original education was literary, reflecting the creative and critical values of the humanities. I am educated in what Samuel Johnson called ‘the art of true judgement’, and also understand that older texts need to be understood in relation to the cultures of their day. I don’t come to this work with a Lectio Divina mindset. But I still like the idea of having special books, of focusing in closely on a few texts of special value to me.
This is partly to counterbalance my natural tendency to be restless and mercurial in my reading. I move rapidly not just between books and ideas but kinds of books and ideas, with quite different understandings of life and the universe. I get multiple overviews at the risk of losing my own thread. I’m also like a magpie in identifying pieces of text that shine, which is great, but supports an attachment to shininess, aka psychoactive writing.
Hence, I now find myself wanting to slow down and consolidate, identifying a small number of special books, selected as Wisdom literature for this stage of my journey, and keeping company with them. I have chosen six. Three are from the ancient world and have been my friends for many years. Three are modern and discuss the Harding method of ‘Seeing’ ( www.headless.org/) , in which I am increasingly experiencing as a support for my Sophian Way. I’m not going to say more about them in this post, but I will feature them in future ones. Here is the list:
Lao Tzu Tao Te Ching: A Book about The Way and the Power of The Way Boston & London: Shambhala, 1998. (New English version by Ursula K. Le Guin with the collaboration of J.P. Seaton)
Thich Nhat Hanh The Other Shore Berkeley, CA: Palm Leaves Press, 2017 (A new translation of the Heart Sutra with Commentaries)
Alan Jacobs The Gnostic Gospels London: Watkins Publishing, 2005 ( My focus is on four texts: The Gospel of Thomas, The Fable of the Pearl, The Gospel of Philip and Thunder)
Douglas Harding Head Off Stress: Beyond the Bottom-Line London: The Shollond Trust, 2009 (First published by Arkana in 1990)
Douglas Harding Look for Yourself: The Science and Art of Self-Realisation London: The Shollond Trust, 2015 (First published by The Head Exchange Press in 1996)
Karin Visser The Freedom to Love: The Life and Vision of Catherine Harding Salisbury, UK: New Sarum Press, 2019 (First edition 2016
Tau Malachi is the Bishop of a Christian Gnostic Church, the Ecclesia Pistis Sophia, also known as the Sophian Fellowship. In his, Sophian, tradition, Sophia is essentially God the Mother and Mary Magdalene is the Christ Sophia, born at the same time as Jesus of Nazareth, the incarnation of the Christ Logos. Tau Malachi’s St. Mary Magdalene: The Gnostic Tradition of the Holy Bride collects, and reworks oral tradition developed over a long period and in different cultures.
This tradition shows the Gnostic affinity to what we would now describe as Goddess, Pagan and Tantric themes, whilst remaining distinctively Gnostic and Christian. The mainstream church is explicitly criticized for “following in the way of Peter, who rejected the Bride and placed himself as an enemy to her”. As a result, “many secrets and mysteries she had to tell were not received”. The conflict between Mary Magdalene and Peter is indeed an early-appearing narrative, also described in at least four Gnostic texts dating from the second and third centuries C.E. – The Gospel of Thomas, The Gospel of Philip, The Gospel of Mary Magdalene, and Pistis Sophia). The Gospel of Philip also includes an account of the close relationship between Mary Magdalene and Jesus. Another early work in the Jacobs collection Thunder (also known as Thunder Perfect Mind) gives a voice to the repression of the Divine Feminine, whilst also pointing to a transcendence of opposites.
To provide a flavour of Tau Malachi’s collection, I offer the extract below:
“The Holy Bride has seven faces, the principal face being Our Lady in Red, St. Mary Magdalene. But she also has six other faces, all of which were embodied in Lady Mary. The three bright faces are Maiden of Light, Mother of the Royal Blood, and Crone of Ancient Knowledge; the three dark faces are the Mistress of the Night, Queen of Demons and Hag of the Void.
“These are as seven veils of Bride Sophia. Unless the Holy Bride reveals herself to a person, those who know her cannot speak the mysteries of the seven faces. It is she who must choose her lovers and bring them into herself.
“Without breaking our vows to her, however, we can say this: these faces correspond to the seven rays of the Light-transmission, and within every face there are seven faces; thus, there are forty-nine faces of Bride Sophia. The fiftieth face of Sophia is Mother Sophia, and those who behold it attain the perfection of understanding called Primordial Wisdom. Of these it is said, ‘their crowns are in their heads’.
“Let one who seeks to understand this invoke the Holy Bride, seek their revelation, and contemplate deeply what is said here. Remember what the Lord said: ‘seek and you will find; ask and you will receive; knock and the door will be opened unto you’. The Holy Bride is the everlasting door, the gate of all-gnosis.”
In the story below (1), Greg Goode explores what he calls literal and non-literal meaning – though I would frame it as a tension between verbal and non-verbal communication. The context is the teaching style of the Direct Path some years ago. Greg himself is a successful student and teacher of the Direct Path and models a demystified and dialogical style of presentation in his own work. I find this type of reflection as a welcome sign of democratization in spiritual inquiry and teaching.
“Back then [in the early 1990’s] satsang was taught by a chosen few, who never got up in front of people without reporting their membership in a spiritual lineage stretching back to Ramana Maharsi or Nisargadatta Maharaj. Among satsang students, the most valued goal was to become a teacher. The process of becoming a teacher was surrounded by mystery, celebrity and excitement.
“Imagine attending a satsang the way they were back in the 1990’s: the teacher sits in a plush armchair at the front of the room, while audience members sit on hard folding chairs. On the table next to the teacher is a row of three or four framed photos, showing a progression of spiritual teachers starting with Ramana Maharsi and ending with the very person sitting in the armchair. Imagine the satsang beginning with the teacher saying the following:
“’This is not about me. You may look at me sitting up here in this chair in front and wonder why I am here and you are not. I am just like you. Even though I am up here, and you are not, it doesn’t mean that I am special.
“’I don’t even consider myself to be a teacher. I never wanted to teach. It was my teacher who asked me to teach. He gave me the gift of satsang, and I am here giving it to you.
“’The gift of freedom in satsang is the highest that can be given. It is the most intense form of love and the profoundest happiness imaginable. I wish to share it with you. ‘”
“This is a classic example of non-literal meaning contradicting literal meaning in a way that rhetoricians call apophasis, or ‘affirming by denying (illustrated by the popular phrase ‘if you deny it, you supply it’). When a candidate for political offices says, ‘and I won’t mention my opponent’s financial problems’, you know what’s coming next!
“In our example of the satsang monologue, the literal interpretation of the teacher’s opening statements is that he’s just like his audience members. “But everything else about the situation, from the seating arrangements, to the row of photos, to the teacher’s self-consciousness as a giver of satsang, to his disavowal of teacher status -tells a different story. The teacher’s very first sentence isn’t about the audience or about the official satsang topics of consciousness or enlightenment. It’s about him. He goes on to mention himself a total of thirteen times in eleven sentences. This focus is squarely on him, and, according to the non-literal meaning of his speech, he emerges not the same as the others, but very different indeed. He becomes the teacher who has been specially selected to bear the most precious gift of all. This is a case in which being open to non-literal meaning provides access to a deeper and more subtle understanding of a situation.”
(1) Greg Goode After Awareness: The End of the Path Oakland, CA: Non-Duality Press, 2016
When I was
a tree,
I sang and danced
with the wind
and offered
food and refuge
to all who came.
When I was
a cloud,
I floated freely,
bringing
shade and rain
wherever they
were needed.
When I was
a creek,
I flowed effortlessly
around stones
and nourished life
everywhere
I went.
When I was
a seed,
I held
the story
of what
I would become
inside me
until the sun
and rain
let me know
it was time
to share it.
When I was
a flower,
I opened up
to reveal
my beauty
and invited the bees
to share
the sweetness.
Now I am
human
and can do so many things,
yet I am
full of questions
about who I am
and why I’m here.
Kai Siedenburg Poems of Earth and Spirit: 70 Poems and 40 Practices to Deepen your Connection with Nature Our Nature Connection, 2017
CONTEMPLATION
I like this poem for its economy and simplicity, and for its gentle, shape-shifting animism – for the ease with which it moves between identities in nature. For me, there is power and beauty in this, all the better for a relative lack of ornament.
As a human, I do feel a bit set up. Whereas the rest of nature is awarded an innocence and generosity not always evident in the apparent world, we humans are implicitly stigmatised for our questions, and thereby separated from the rest of nature. In our mainstream culture (both religious and secular) we place ourselves above the rest of nature, so the polar opposite perspective does have a corrective value. But it leaves me unsatisfied.
My sense is that the writer is placing herself alongside me, the reader, and the other humans. She is not awarding herself a free pass on the grounds of her vividly present and enacted imaginative empathy. So I would say to her what I say to myself. As I read it, there’s a strong invitation to self-compassion in the last verse.
Our finite minds are as natural as anything on earth.. Our questions about who we are, why we’re here and what to do are part of us. For me, the only way through them is become more skilled in the process of inquiry and to learn to live by its fruits. I value this poem partly through what it evokes directly, and partly because it stimulates useful inquiry.
Today I tweaked my morning practice, strengthening it as part of a Sophian Way, and recognising how this Way stands at the heart of my life, and has deepened over time.
When I stopped posting for a period of several months, I wrote (1): “within my Sophian Way, I have found healing and grounding in a flowing now, the site of an unexpected At-Homeness. Everything else flows out of that – personal well-being, right relationship, life and expression in the world. It is the fountain that nourishes them all. All it needs is my attention”.
I wouldn’t now say “all it needs is my attention”. Resting in the flowing now is not enough. I want a greater sense of a specific spiritual culture and point of reference. I also said that ‘Sophian Way’ was not using “the metaphor of a path or a journey”, but “describing a way of life”. I now see the Sophian Way, quite literally, as a path, a journey and a way of life.
Some years ago, I was moved by a powerful image. It arose within a visualisation of being in a rose garden (Sophia’s garden) and watching the fountain at the centre – the source of life. The image zoomed in to drops of water flying from the top, scattering outwards, destined to hit a wide sculpted pool at the bottom. Zooming in further, I found a single, separate drop, and froze it in the midst of its descent. It was sun kissed, I as I recall.
I didn’t ‘become’ the drop, at that time. But from my observer position I knew that it was me: one drop, and the whole of H2O. The story of the drop is of separation (and fleeting individual shape) and of fall (or leap, or dance). Then it re-joins the whole and something else happens (oblivion from a drop perspective, still H2O in the bigger picture: no change there).
This was gnosis as a sign-posting experience, not fully embodied, but still vivid, recurrent (outside formal practice settings as well as within them) and easily brought back. It nudged me towards the Way of Sophia, best described in conceptual language as a non-dual Gnosticism. It is Gnostic because it recognises an intelligence of the heart, which, when cultivated, can lead to self-knowledge and the realisation of our original nature (described as divine in Western Way teachings).
Non-dual is admittedly a problem word, because it defaults to readily into ideology and dogma (‘Down with Dualism!’ or ‘I’m more non-dual than you are’). In fact, ‘non-dual’ cannot be opposed to something else called ‘duality’ or to anything else. It makes room for all stories, including those that are dualistic. As Jeff Foster has written (2): “what we are really trying to do when we say ‘non-duality’ is point to life as it is right now, before the appearance of concepts and labels; before thought creates a world of things: table, chair, hand, foot, me, you, past, future”. ‘Non-dual’ points to “an intimacy, a love beyond words, right at the heart of present moment experience. It’s a word that points us back home”.
Going forward, I want to pay more detailed attention to my Sophian Way, and to the Gnostic and non-dual streams that flow into it. Where looking beyond these sources of inspiration, I will discuss their relevance to me and my path.
(1) https://contemplativeinquiry.wordpress.com/2018/08/20/
(2) https://www.lifewithoutacentre.com/writings/what-is-nonduality/
“There once lived a princess called Sophia who was not only charming and incomparably beautiful, but also (true to her name) the very perfection of wisdom. One day, three suitors arrived at her palace – a brave knight, a love-struck poet and a rude swineherd.” (1)
First, Sophia receives the knight and inquires how many dragons he has slain. The answer is “practically none”, but the knight asserts that his sword is of “finest steel” and he vows to undertake the “immense task” of slaying every dragon in the land – all for the love of Sophia. In so doing, he hopes for her favour and blessing as he sets out on this quest to become worthy of her. Sophia gives him her favour and blessing, and off he goes on his strenuous, challenging and time-consuming adventure.
Second, Sophia receives the poet, who offers his “adoration and the poor songs it inspires”. He hopes that this devotion will win his heart. He asks to remain in the palace, so as not to be too far from the princess, whilst also assuring her that he will not “take advantage of this boon and come too near you”. Sophia tells him how much she values his devotion and offers a pleasant room “from whose windows you will sometimes be able to see me walking in the rose-garden”.
Finally, the swineherd bursts in, “admitted by extremely reluctant officials”. He simply blurts out “I want you and nothing else, and I want you now”. Sophia is outraged, comparing him unfavourably with his rivals. She is on the point of throwing him out, when he says: “before you do that, let me tell you something: “your knight is in love with chivalry and dragon hunting, and that’s why he’s happy to wait for you indefinitely. As for your poet, he’s in love with love and his own love-poems, and that’s why he promises to keep a respectful distance. The truth is that both are frightened of you. But true love casts out fear, and I’m not frightened of you, and I claim you right away.”
There is further discussion. Harding’s bold talkative swineherd questions the harmfulness of dragons in and as themselves, as opposed to the way the knight likes to see them. He also says that his devotion surpasses that of the poet, because it is “inseparable from union”. Eventually Sophia agrees to the match, saying: “Marry me now, rude swineherd, and deserve me later”.
This parable favourably contrasts direct path spiritualities with the gradual paths offered by most traditions. It is an affirmation of his own Headless Way (2).
(1) Douglas Harding Sophia’s Three Suitors, Chapter 25 in Look For Yourself: The Science and Art of Self-Realisation London: The Shollond Trust, 2015 (First published by The Head Exchange in 1996)
“The healing journey is not about ‘getting rid’ of the unwanted and ‘negative’ material within us, purging it until we reach a perfect and utopic ‘healed state’. No. That is the mind’s version of healing. Healing is not a destination. True healing involves drenching that very same ‘unwanted’ material with love, presence and understanding. For what we attend to, we can love.
“Meditation just means looking with fresh eyes, being aware and awake to what is, flushing our embodied experience with attention, and thus can only ever happen in the newness of the present moment.
“You can drop into this space of meditation wherever you are and whatever you are doing. On the bus or train or resting cross-legged and eyes-closed in your living room, walking through the forest or through a shopping centre, or sitting on a park bench or in a doctor’s waiting room.
“You can do it alone or with others. Every moment of your life, there is always the wonderful possibility to slow down, breathe deeply and get curious about where you are. To begin again, to see life through the eyes of not knowing. To stop thinking about your life in the abstract, to stop seeking some other state or feeling, to stop running towards another moment, and really fully experience this unique instant of experience.”
Jeff Foster The Joy of True Meditation: Words of Encouragement for Tired Minds and Wild Hearts Salisbury, UK: New Sarum Press, 2019
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