Contemplative Inquiry

This blog is about contemplative inquiry

Tag: contemplation

AN UNDERSTANDING OF ‘GNOSIS’

My last post was about working with ancient texts. Here I look at the term ‘gnosis’ in the Gospel of Thomas. I am indebted to the commentary of translator Jean-Yves Leloup. Here he reflects on logion 5, whose text I include  in a note below.

“Gnosis is not a system, not another ideology through which we are to interpret and understand the world. On the contrary, it means opening our eyes to what we are already looking at, right in front of us, not searching somewhere else.

”  … Things are not hidden in themselves; they are open – the veils hiding them are in the habits of our own vision, so crude, so overloaded with memories and assumptions about reality, distorting what is before us …

“Gnosis is a long-term work of recognition, of purity of attention so as really to see what is in front of us. The consequence of this attention is that we become what we see and what we love … If we look at chaos, we will reflect chaos. If we look at light, we will reflect light.” (1)

I am glad that this commentary provides more than scholarly exegesis. Leloup says in his introduction that he wants to offer “a meditation that arises from the tilled earth of our silence. It is my belief that it is from this ground, rather than from mental agitation, that these words can bear their fruit of light “. In this way Leloup dreams the myth onwards for our time, and passes the baton to his readers. Both a blessing, and a responsibility.

(1) Commentary on Logion 5, The Gospel of Thomas: The Gnostic Wisdom of Jesus Rochester, VT: Inner Traditions, 2005

(Text translated from the Coptic with commentary by Jean-Yves Leloup; foreword by Jacob Needleman. English translation by John Rowe  Original French edition published 1986).

The translated logion reads:

“Yeshua said:

Recognize what is in front of you, and what is hidden from you will be revealed.

There is nothing hidden that will not be revealed.”

NOTE: See also

CHILD OF THE NOW

BEYOND THE EQUINOX

these dark mobile clouds

racing through the autumn sky

as the soft light fades

Picture taken, 6.55 pm, 27 September, sunset in Gloucester, England.

LIMITATION

A familiar scene, in its equinoctial clothing. My experience of it is made different by a recent fall, in which I fractured my left humerus bone near the shoulder. I am left-handed, so it’s the ‘wrong’ side for a break. Happily my wrist and fingers remain flexible, and I don’t need surgery for the fracture. It could have been much worse.

Nonetheless Elaine, still depending on a rollator for walking, and I have to be resourceful and strategic in leaving and re-entering our apartment. Essentially I specialise in legs and she specialises in arms, though we each have some capacity in the other’s domain. We’re a team, after all. We work together. But we aren’t getting out much for the time being.

I look out a little wistfully and write a bit ouchilly. I feel limited and constrained. I also feel loved and supported. I’m a little foggy in my thinking, but I don’t see an episode like this as time off from my contemplative inquiry. All experiences are there to be acknowledged, moment by moment, day by day. Otherwise the practice becomes an alienated exercise, or performance, separated from the ups and downs of life. In reality, it sits ever-present within them.

I look within myself. I look across at Elaine. I also look out of window to connect with the world outside and its changes over the year. The grey sky is typical for this September, but blue sky is too. Variation is the overall story. It’s an inherently changeful and unsettled time. I’m intrigued by the way in which Robinswood Hill retains its green cover, when the town trees are in an advanced stage of turning. I’m alive.

NUMINOUS IMAGES: SKY TO EARTH

Recent days have been rich in numinous images. Images that for me mark the divinity within our material reality. Above, the recent full moon: clear light at the centre and a blood moon halo suggesting a link with the earth, later to manifest in an eclipse. The sky  is deep violet leaning into indigo. The shaded trees absorb the energy of the sky as well as of the earth. The whole image feels moving and inspiring – an image for contemplation which doesn’t need esoteric analysis. Its simple presence is enough.

The same is true for the images that follow. Immediately below is a day time sky image. The day was frequently stormy, with high winds and hard rain.  Dark clouds testify to moments of lightning, loud thunder and tumultuous rain. But the image itself records a period of respite. In a gap between the clouds, blue sky can be seen and the light pours strongly in.

Rain on a window pane is central to the next image. The rain drops are the primary subject. What’s on the other side (a balcony garden) isn’t entirely clear in the picture and doesn’t need to be. I experience a great sense of cleansing and refreshment here – the water of life as it falls from the sky, each drop itself an ocean. I look out from my interior space, two stories above the ground floor, and connect with this bounty.

The two remaining images come from  a recent walk on Alney Island – outdoors and on normally marshy ground. The first is a woodland space with its fresh entangled green. The ground still looks drier than it sometimes does, yet I  sense health and recovery here. In the second image, I see a re-greened path with benignly rioting verges. Seeing what I see, I follow the green path.

WATER ON THE PATH

Walking on a familiar path, I found a trail of puddles in front of me. It felt exotic and refreshing. For this had been a parched and dry place for a many months. I dimly recall a past life of finding puddles a minor nuisance – almost an obstacle. Not today. They brought joy and fascination.

I found myself contemplating these small accumulations of fallen rain: noticing their shapes and patterns, seeing how the water creates mud so easily from dried soil, watching the slight movement fallen leaves in these tiny ponds. The circumstance of the long dry period and its ending made rainwater and its effects interesting and worthy of attention in ways that seemed new and almost strange. I opened myself up and became present to them, before moving on.

On my way home I was caught by a brief deluge. I made a brief video of rain on a puddle. I got wet too, yet it somehow completed my walk.

A NEW DAY

the pink clouds of this dawn

illuminate a waiting day:

welcome rain may fall.

LATE AUGUST 2025: SETTLING INTO AUTUMN

It is evening and for me autumnal. The sky offers the water a soft light, seemingly pink and grey. The water reflects this back, adding its own hint of mist. It is a tranquil scene.

For the first time this year, I feel a tug towards the Equinox, just under a month away. These canal waters are gentle, but they are drawn from the River Severn, site of the Severn Bore (1). Perhaps the waters are nudging something  – maybe the water – in me.

A little later, facing into the declining sun (below) I see the sunset and its effects. I notice the concentrated power of the orb as it appears to reach the earth, and the way in which this energy disperses into the sky. The colour coding shifts from intense white to yellow to red-orange to an orange becoming increasingly grey. I live at latitude 52 north, and the sunset is getting earlier every day, now 8.15pm. Another autumnal feature.

Autumn is also the season of the fruit harvest. This year, many people are commenting that the fruit harvest is arriving early. Below, against the background of a clear blue daytime sky, an apple tree is fruiting. The tree is close to Gloucester Cathedral and may belong to it. Medieval Gloucester was a place of churches and priories. It was also a place of orchards, many of them cultivated by monks and friars. The picture points to natural and cultural continuity, though the  fruit are early this year. I am no longer at a point tension between seasons. I am already settled in autumn.

(1) The Severn Bore is a natural tide phenomenon occurring in the River Severn in England, where a large wave surges upstream. It’s caused by the Atlantic tide pushing into the Bristol Channel and funneling it into the narrowing Severn Estuary, creating a more powerful wave that can be up to two meters high and a speed of up to 21 km/h. The Bore travels up the Severn Estuary, from Awre to Gloucester, a distance of 25 miles. It is strongest in the equinoxes (especially spring) and a popular challenge for surfers, kayakers and paddleboarders.

ELAINE: IMAGES FROM A HEALING JOURNEY

In the picture above, my wife Elaine sits at ease on a softly majestic chair. The occasion is the opening of a new University of Gloucestershire building refashioned from an empty Debenham’s department store. Primarily it is for the university’s faculties of education, psychology and social work.

It is also for the local community. The city’s public library is being amalgamated with the campus one. This will be on the bottom floor together with shared study spaces and meeting rooms.

Elaine has chosen one of the plusher available chairs to begin her ownership of a space that is likely to become important in our lives. I see her as showing that she is back in the world, 16 months after her accident in Gran Canaria and all the related health problems that manifested as a result of it.

The picture below is from early October last year, 6 months after the accident. Elaine is in transition from wheelchair to rollater, at least in our immediate neighbourhood. Being outdoors at all under her own steam is new. To me she looks tentative and inward. Looking at the picture now, Elaine says she looks marked by suffering. It is certainly a very different picture from the one at the top.

The two pictures together show healing in later life to be a long process making serious demands on the person who is healing. It is a joy for me to see Elaine’s transformation.

PARK TREES IN A DRY SEASON

Yesterday evening I went to my local park and was struck by changes in the trees. I seemed to have walked into a premature autumn. Trees were shedding leaves. To me, the trees in the picture above appeared distressed.  Looking at them again now, I wonder about disease as well as simple unseasonal shedding.

In the park, I found beauty too, with new colours becoming manifest. In my part of the world, the latter part of August has always included intimations of Autumn. But 2025 feels unusually dramatic and unusually early. Some trees, like the horse chestnut below,  seem to be shedding their leaves particularly fast.

Other trees seemed to be weathering this period more easily, like these medlars now  bearing their fruit –  bringing autumn into August in an apparently unstressed way.

Standing back, I could see new patterns in the no longer quite so green Greenwood. They illustrate new conditions and are, for better or worse, harbingers of a new time. There will be more changes. I hope that the trees will continue to adapt and stay in place for many years to come. But nothing is certain, in this time of climate crisis and the rise of willed ignorance about its severity.

The sunsets continue to get earlier. I walked into one as I left the park. The sun asserted it’s power in a late stage of its descent. It’s been a hot summer as well as a dry one. I took this  powerful, almost too powerful, late summer solar image with me as I walked back to my home.

ROWAN’S LATE SUMMER SIGN

Where I live, late summer is often the warmest time of year, and the driest. This is likely to be the case in 2025, already a warm dry year. But in the sun’s apparent annual journey, it is also a time of waning. Sunrise is an hour later than at the solstice, and sunset is forty-five minutes earlier. This change will accelerate from now on.

I do not see waning as negative. There is power and beauty in this ‘waning’. In the rowan (aka mountain ash) picture above, the berries are moving from tentative orange to bright scarlet, an effect of the seasonal changes in the light. Rowan is an ogham tree, linking a group of indigenous Irish and British trees to an ancient Irish alphabet. Its Gaelic name luis means bright or flame.

Looking at the year as a whole, some of the berries will still be holding on beyond midwinter, by which time the tree, which can live for up to 200 years, will be making its annual comeback. At that time, as described in William Anderson’s justly venerated in Green Man poem (1):

The hungry birds harry the last berries of rowan

But white is her bark in the darkness of rain

‘I rise with the sap’, says the Green Man

‘I rise with the sap’ says he. (1)

The resilience of the tree runs throughout its year and lifetime. In  late summer specifially, this resilience is manifested in berries at their brightest, against the backdrop of a still blue evening sky.

Traditionally Rowan has strong associations with protection, spiritual  protection not least. According to The Green Man Tree Oracle (2), ‘it can also offer insight into danger through the invocation of higher wisdom’. Ancient Druid shamans were said to breathe in the smoke from rowan fires to initiate a trance state that allowed them to predict coming danger.

The Druids also planted rowan, as well as oak and ash, in their sacred groves. But Celtic Druids were not the only people to place a high value on the rowan tree. Our modern word rowan is probably descended from the Norse runas – narrowly translated as ‘charm’ but in fact bringing the wider runic and Norse traditions with it.

When I encountered the rowan I was strongly moved by it. It stood out from everything else.   I had previously decided not to take pictures on my walk, but felt compelled to change my mind. I didn’t need ancient lore to feel more alert and heartened. It’s just that the framing it provides added cultural depth.  The encounter with rowan put a spring in my step and was a highlight of my evening.

(1) William Anderson Green Man: archetype of our oneness with the Earth Harper Collins: London & San Francisco, 1990

(2) John Matthews & Will Worthington The Green Man Tree Oracle: ancient wisdom from the greenwood  London: Connections, 2003

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