Contemplative Inquiry

This blog is about contemplative inquiry

Tag: contemplation

A SAMHAIN SHIFT

An old man, left handed like me, pauses over his writing. He is held in his concentration, and somewhat lost to the world. He faces away from the sky and the crescent moon. He relies on an interior candle to light him. But the moon sees and influences him anyway. None of the seven swords is drawn for martial combat. He wields a quill instead: the metaphorical sword of discrimination is an essential feature of thinking and writing, and sometimes it can bite. The number seven suggests a level of experience and resource, perhaps also a creative pleasure in his task. He’s been around a bit, taken a few knocks, and had his epiphanies as well. He perseveres on the journey, come what may.

The image comes from the first of a three card Druidcraft Tarot (1) reading. I did it on 26 October, early in the run up to Samhain and before the October moon was full. I had just completed a ritual that ended my formal contemplative inquiry within and beyond Druidry. I am still a Druid. I am still temperamentally inclined to contemplation and inquiry, both separately and together. There will be a great of deal continuity in my practice. But the structure of a dedicated project has quietly disintegrated, now redundant, and this needed a formal recognition. The image above reveals a constellation of consciousness, energy and activity that is now in the background. There, it has a continuing presence and influence – as a kind of internal ancestry. In the foreground, something new has the freedom to emerge.

The card below indicates how I stand now. Whereas I found it easy to identify with the Seven of Swords image, the Prince of Pentacles came as a shock. But the teaching behind the Tarot is that time runs differently in the psychic realms and doesn’t exist in the causal. Child and youthful parts of me still live. The young adult depicted here is at home and confident in the material world. He is not a compulsive warrior like some of his brothers but will take a stand when needed, using skilful means. He is an Earth defender. Health, home and material security matter to him and in these domains he leans toward practicality and realism about the world he is living in. He turns towards this world, not away from it, and does not position himself as above the battle. He is a counterweight to some of the spiritual movements I have explored in my inquiry, which would think of him as ‘unevolved’. He has, however, been an active presence over my last couple of years of relocation and now steps forward to reclaim an acknowledged space in my life.

The third card of the triad is the Six of Wands, and traditionally indicates what may be emerging. The sixes are all auspicious, suggestive of balance, union, and integration. In the active energised fire element, it suggests success, through the image of a landowner and his servants returning home after a successful outing with his hawk. The card seems to ask me what I understand by success at this time in my life, and how much I value it. What motivates and energises me to be successful by my current criteria? What skills, resources and help might I need to achieve successful outcomes? What role might magic play?

I notice, here and now, an unfamiliarity with this way of approaching life. I have thought of myself as too old, with no worldly ambition and nothing I need to prove. This card may be challenging me to review those understandings. Have I lapsed into limiting self-caricature? Have I overdone retirement? Asking those questions I find that I do still have energy and resources, and that I am also concerned about overestimating them. Balance and proportion matter, and I do not want to be consumed or over-taxed by a new project. Nonetheless, this reading opens up space and potential for new active ventures in the world. This reading, overall, has facilitated a significant Samhain shift in my sense of possible futures. For this is a season of not only endings, but of beginnings too.

(1) Philip and Stephanie Carr-Gomm The Druidcraft Tarot: Use the Magic of Wicca and Druidry to Guide Your Life London: Connections, 2004 (Illustrated by Will Worthington)

‘LIGHT ETERNAL’ AT GLOUCESTER CATHEDRAL

Gloucester Cathedral – https://gloucestercathedral.org.uk – is very good at its public outreach and events. From 19-28 October this year it has allowed the whole building to become an installation, Light Eternal by Luxmuralis – https://projectionartgallery.com.

My wife Elaine and I went there early on Sunday evening, 22 October. It was my first visit, her second. She was very happy to repeat the experience. The picture above depicts entry to the building, and a brief walk towards what became a full immersion. The light effects and imagery were accompanied by a soaring and joyful music. The ancient building was packed with people sharing this experience. I was pleased to be held in such a celebratory space.

As I understood, or rather felt it at the time, the two images immediately below seem to show time and materiality coming into existence in an act of creation that speeds almost out of control. Certainly, for me, the rapidly changing sequence of images demonstrated a tremendous movement, power and energy. It looked, in those moments, more like sheer cosmic exuberance and play, than any kind of plan.

The installation as a whole had still spaces as well. It took advantage of the cathedral’s medieval architecture, where light and their colour could enhance its majestic serenity.

I also noticed the skill with which the installation incorporated medieval iconography, though I confess that it went past me in something of a blur. There was so much going on, and I found that I could not concentrate on individual images, or even identify them, as much as I would have liked. Then I let go, and surrendered to the experience as a gestalt.

Even the nooks and corners of the building that were largely left alone were washed in the magic of the light. I valued being briefly able to focus on them, their very plainess bringing something to the experience.

Finally, below, I show the tree of life, as light. It is an icon about which so many traditions have had so much to say, for such a long time. Certainly, it acted as a spiritual anchor for me, in that space: a comfort to a practising Druid. I loved the almost delicate fecundity of the portrayal. Gratitude to the Cathedral for enabling this installation, and to Projection Art Gallery for providing it.

PHILIP CARR-GOMM: PEACEMAKING

I was moved and inspired by Philip Carr-Gomm’s recent Peacemaking podcast on his Tea with a Druid. In the first five minutes he checks in with his live viewers, as is his custom, and finds a theme of anxiety and distress about world events. He speaks of the need for ‘islands of sanity’ – enclosures of calm and peace. He introduces the hope that the people gathered together by the podcast itself can become one. A guided meditation later in the podcast does the job. The gathering becomes an enclosure of calm and peace in real time. It still worked for me well after the event. Such is the magic of Druidry.

Before the meditation, Philip explains the role of Druids, ancient and modern, as peacemakers. The ancient Druids were exempted from military service and had a pan-Celtic authority. A Roman author depicts Druids as walking between warring tribes, urging calm and asking the fighters to put down their weapons: they were “shaming Mars before the Muses”. The God of war and destruction had to bow down before the Goddesses of creativity and inspiration. The Druids of that time were also lawmakers and judges. In Ireland, St. Patrick valued their Brehon Laws so highly that they were written down and continued in force. Peacemaking, peacekeeping and jurisprudence worked together.

In modern Druidry, Philip emphasises the attention given to peace in ritual, where the intention is to begin and end in peace both inward and outward. Our Druid prayer asks for justice, because where there is justice in the world there is also peace. Justice isn’t about killing. It’s about peace: right action, right speech, right thought, right behaviour. We trust the power of prayer and of consciousness directed by love. Sitting in meditation or prayer influences the people involved, and creates a field of consciousness and energy which acts as a patch of calm and peace in bad psychic weather.

I recommend readers to watch the video and, if you are willing, enter into its meditative space. I also include The Modron Prayer (Modron being the Ancient Mother) in this post, as a way of ending it:

“Deep within the still centre of our being,

May we find peace.

Silently, within the quiet of the Grove,

May we share peace.

Powerfully, within the greater circle of humankind,

May we radiate peace.

May peace prevail on Earth.

May it be so. May it be so. May it be so.”

LIMINAL BEAUTY AND THE FAITH OF A DRUID

6.15 pm, 6 October 2023. The experience has gone. The images remain. At a surface level, I can use them to trigger memories of my early evening walk. Chiefly, I remember being surprised at how early the twilight was. I hadn’t caught up with the year and was almost shocked. I have caught up now, nearly a week later, as the darkening process speeds up and we approach Samhain. In today’s world, my country will experience a dramatic boost on 29 October as our clocks ‘fall back’. The 6.15 of one day will become the 5.15 of the next.

Looking at the images more deeply, really looking, and giving them time, I can let them nourish me. I connect with their liminal beauty. Both images present me with land, water, sky, and hints of the fiery sun. But they do so in different ways.

In the image above, I am mostly drawn to the energy of water. The variation in shade emphasises movement and different ripple effects. Land, trees, and artifacts are all in silhouette, but the water has light and shade. It is the water that feels most alive. There is variation in the clouds too, with their patterned layers and subtle access to sunlight just above the trees. But they are not as mobile as the water. The sunlight itself seems very subdued. It’s still there, though very much in the background.This is not yet a night sky.

In the image below the water is strong too, but my eyes are drawn above to the clouds, which here are more dramatic. The residual power of waning sunlight is very clearly present. For me, there’s a sense of the tree tops yearning upwards as they reach for the gifts of the sun whilst it still retains a presence. Although I am contemplating images and not immersed in the landscape I have a strong sense of living presence in a field of living presence. In this state I feel a conceivably irrational confidence in life and the world.. A fragile kind of faith, that my heart cannot resist.

HEALTH PROBLEMS

We’ve lost the chance to sugar the pill.

This is a very bad result.

This situation won’t stay still.

This is a very bad result.

The problem came from an animalcule.

This is a very bad result.

Small and unseen – yet we look like fools

This is a very bad result.

Much more lethal than Covid 19

This is a very bad result.

The most toxic critter ever seen

This is a very bad result.

Coincidence it must surely be

This is a very bad result

That it came from my brother’s laboratory.

This is a very bad result.

Synchronicity? Cause and effect?

This is a very bad result.

Whatever the case we’re completely wrecked.

This is a very bad result.

One per cent will survive this thing.

This is a very bad result.

I hope it’s the one that I am in.

This is a very bad result.

I wrote this piece some months ago, still digesting the experience of the Covid 19 pandemic, the public health response to it, and the continuing presence of the virus in our world. I had also been reflecting on formal political messaging – government as public relations and media theatre, the intense pre-occupation with opinion polls and beauty contest elections – together with halting and inconsistent approaches to real-world problem-solving.

Writing of this kind is part of my Druid path and not a separate activity. My practice might have a contemplative foundation, but contemplation isn’t everything. The inheritance of Bardistry, and engagement with the wider world also matter. Currently, I feel a pull towards working for the healthy use of language, and challenging its corrupt and unhealthy deployments. T. S. Eliot once talked about poets being tasked to ‘purify the dialect of the tribe’. That’s not quite my language, but I can appreciate what he is pointing to.

I have recently been given another nudge, by Naomi Klein’s book Doppelganger: A Trip into the Mirror World (1) where she talks about the rise of ‘conspiracy influencers’ in a world where governments and corporations have deservedly lost our trust. “Conspiracy influencers perform what I have to think of as a doppelganger of investigative journalism, including many of its stylistic conventions, while hopping over its accuracy guardrails”. She goes on to say that “the end result of being surrounded by this kind of discourse is … a state of continuous disbelief” that replaces real threats with distorted versions of themselves. Hence the belief that “the problem with Covid was not a highly infectious disease being fought half-heartedly by for-profit drug companies and hollowed-out states, but an app that wanted to turn you into a slave”.

Klein also helps me to see a connection between the defence of language and contemplative spirituality. She speaks of calm as form of shock resistance. “When people and societies enter into a state of shock, they lose their identities and footing”. In the midst of such break down, the effect of conspiracy culture is to maintain panic and confusion. She suggests that some conspiracy culture influences are simply part of the panic and confusion. Others, more knowingly, manipulate it for ulterior ends. If shock induces a loss of identity, calm returns us to ourselves. “I write to tame the chaos in my surroundings, in my own mind, and – I hope – in the minds of my readers as well. The information is almost always distressing, and, for many, shocking, but in my view the goal should never be to put readers into a state of shock. It should be to pull them out of it”. Of her chosen work overall she says: “the role of the researcher-analyst is plain: to try and create some sense, some ordering of events, maps of power”. Clarity, calm and purpose support each other.

(1) Naomi Klein Doppelganger: A Trip into the Mirror World London: Penguin Random House, 2023

“DULL, DREAMY, MOON-STRUCK”

Contemplative states come in different varieties. In today’s culture, we tend to privilege an alert language of mindfulness, presence and awakening. Through these tools, we learn take more responsibility for our own experience – not so much for what happens (though our effective agency may improve), as in how we respond. At a deeper level, we learn to embrace the gift of experiencing, even when specific experiences are unwanted or painful. We lean in to the at times heart-breaking miracle of human life.

There are other, also potent, ways to contemplate. In the following extract from his magical realist novel Atlantis (1) John Cowper Powys presents an archaic, more than human world, with a very different take on consciousness and our place in the cosmos. We are on the island of Ithaca, in the later life of its King Odysseus, following his belated return from the siege of Troy and resumption of control at home. We begin in a moment of great collective foreboding – something terrible is happening or about to happen. This is coincident with the old king planning a final voyage. In this place and time, a young boy encounters Atropos, oldest and most powerful of the three Fates. He intuitively grasps that sentient beings help to weave their own destiny simply by falling into states “wherein we simply escape for a moment from the trouble of being a conscious creature at all”.

“The longer Nisos Naubolides looked into the eyes of Fate and the longer Fate looked into the eyes of Nisos Naubilides the more clearly did the later realize that the imperishable frame of Atropos, the ‘one who could not be turned’, was made of a substance drawn from a level of existence outside both time and space, though cunningly adapted to play its part in each of them.

“The boy proved how ‘clever’ he was by imbibing, like an inexhaustible draught of timeless experience, much more at that moment than the mere physical nature of the oldest of the Fates; for there came over him in a trance that was more than a trance the surprising knowledge – and this … was really with him to the day of his death – that Atropos helps us in the creation of our individual fate by an infinitely long series of what some would call nothing but blind, stupid, dull dreamy, moon-struck ‘brown studies’, many of which take place inside the walls of houses, and others when we are moving about on our ordinary errands outside.

“In these interruptions of our ordinary consciousness we fall into a brainless, idea-less moment of dull abstraction in which we cease to think of anything in particular but just stare blindly and dully at some particular physical object, no matter what, that happens to be there at the moment. This object, in itself of no particular interest, and never selected for its real purpose is merely an object to stare at, lean upon, rest against and use as a trance=background, or brown-study foreground, or, if you like, a shoal beneath a stranded consciousness, or a reef of brainless abstraction, wherein we simply escape for a moment from the trouble of being a conscious creature at all.

“Nisos showed how born he was to be an interpreter if not a prophet by his complete acceptance – as from the trunk of his spruce-fir he faced the Mistress of Fate as she leaned against the trunk of her spruce-fir – of the revelation that our individual destiny is made up of an accumulation of brainless, uninspired brown-study moments of abstraction wherein we cease to be organic living creatures and almost become … things of wood and stone and clay and dust and earth, almost become what we were before we were intelligent of instinctive creatures: almost – but not quite!

“For, as our young friend looked Atropos in the face, there was permitted to him what is permitted to few among us mortals during our lifetime, namely the realization of what actually happens to us when we fall, as we all do, into these day-dreams. At that moment as Nisos Naubolides now knew well, all over the surface of the earth there were living creatures, many of them men, women and children, many of them horses, cattle, lions, wolves, foxes, wild asses and tame pigs, sheep and goats, rats and mice, who were standing or crouching, lying or sitting in one of these brooding trances when dazed or dreaming, we are asleep and yet not asleep.”

(1) John Cowper Powys Atlantis London: Faber & Faber, 2011 ebook edition.

NOTE: John Cowper Powys (1872-1963) grew up mainly in the English West Country, went to Cambridge University and then became a teacher and lecturer, mostly in the USA where he lived for about 30 years. On returning to the UK, after a short spell in Dorset, he settled in Wales in 1935 where he lived for the rest of his life. His best known works are Wolf Solent, A Glastonbury Romance, Maiden Castle, Weymouth Sands, Owen Glendower, Porius and his Autobiography. His literary editors describe him as having a “weird, mystical, brilliant and obsessive imagination.”

See also:

JOHN COWPER POWYS: PORIUS AND TALIESIN

THE BLESSINGS OF TIME

UNDERWORLD DREAM

In the last segment of a complex dream, I am somehow bonded with a young woman. We are both at the end of our teens. We are not related and there’s no erotic buzz, or, if so, only a faint one. We are joined, rather, in a quest to visit the surface of the earth. No-one we know or know of has ever been there, but there are stories of such journeys in the past.

Our quest has been widely talked about in the busy, crowded underground community of which we are part. Opinions about its wisdom vary. There are longstanding fears of the uncanny Uplands. But this journey to the surface, and to a specific building traditionally understood to be or have been there, matters to many people. For us and our supporters, there’s a sense of pilgrimage about this enterprise. We understand it as a sacred mission. It might lead to consequential encounters – new and healing connections – contradicting our ingrained aversion to the open surface world. Or of course, in a variety of ways, it might not.

Our ascent will be either in an remarkably plush-looking lift or by climbing a long spiral staircase that looks shabby and undermaintained. Arrived at the bottom of the lift, we hesitate. An ancient AI, presenting as a humanoid robot, manages this lift. They sing its praises but we don’t trust them. Our instincts say that the staircase is the right way to go. My companion and I both suspect that whilst lift and staircase are adjacent at their underground departure point, they may be more distant at the top. They may lead to different destinations. The choice between them matters, and intuition is our only guide.

My companion moves decisively to the bottom of the stairs and begins to run up them. I follow, also running. We continue to bound up the stairs, regardless of possible weaknesses in their structure. I experience a flash of gratitude for the renewed youth that allows me to do this. Then I wake up.

EQUINOX TRANSITIONS 2023

I am grateful to the Druid community for its varied ways of working with the 8-fold wheel of the year – especially when the festivals are placed in the context of the gradually turning wheel. Within that patterning of both nature and experience, I find the equinoctial periods and my response to them the least predictable of times.

The picture above shows a pre-equinoctial evening in Weymouth harbour, Dorset, England, round about 6 pm. I found this moment gentle and relaxing. The soft sunlight on the houses, boats and water seemed like a welcome home. I was born only 30 miles from Weymouth and it is part of my childhood landscape, my motherland. I took the picture on 18 September, the first day of my first visit for decades. I felt as if I was in a final afterglow of summer, content on familiar ground.

My wife Elaine and I spent only four days in Weymouth. Even over this brief period, we both had a strong sense of the advancing dark, in the mornings and the evenings alike, a shifting alternation of night and day that increasingly favoured night. One of our days was also dominated by high winds and driving rain, followed by a night in which we felt damp and chilled to the bone, unused as we now are to old buildings.

That night I had a rare experience of broken sleep and uncanny dreams. Eventually I woke up fully to a startling level of condensation on old window panes, obscuring an otherwise stunning view. For me this equinoctial period has, at least psychically, emphasised a shift towards the dark rather than a moment of poise and balance. Not a full dark, perhaps, but drained of colour, direction unknown.

The turning of the wheel never stops. On 23 September, the morning of the equinox, I felt the pleasure that can come from enjoying home after a break. I also noticed that the world beyond our many balcony doors was very clearly proclaiming a victory for the darker half of the year. This will be the setting for my journey for some time to come.

Whereas in the world I feel currently secure, I am conscious of uncertainties within. I do not quite see my critical-creative direction. In my 75th year, I wonder about ‘creative ageing’ (an old catch-phrase for me) and ‘critical wisdom’ (a new one). Hot air? Or genuine signposts? The Weymouth visit has stirred me up, but to what specific purpose I don’t yet know.

DEEP ADAPTATION AND CRITICAL WISDOM

In recent months I have felt an increasing pull towards better understanding our current ecological, cultural and political crises. From a Druid perspective, I am mindful of my commitments to nature and all beings, and accountability to all our ancestors and descendants. From a contemplative perspective, I am bearing witness to the world in which I breathe: any ‘beyond’ is accessible only from within. From an inquiry perspective there is much to inquire about.

So Jem Bendall’s new book, Breaking Together: a Freedom Loving Response to Collapse (1), is important for me both to learn from and to write about. In this post I describe two concepts that I see as driving the book: ‘deep adaptation’ and ‘critical wisdom’. Bendall explains these concepts in a way that gives me questions to ask and tools to use. Boiled down, they are not complicated. The words that follow are his, not mine.

Deep Adaptation

“Deep Adaptation refers to the personal and collective changes that might help us to prepare for – and live with – a collapse of the societies we live within. Unlike mainstream work on adaptation to ecological and climate change, it doesn’t assume that our current economic, social and political systems can be resilient in the face of rapid climate change. The ethos is one of curious and compassionate engagement with this new reality, seeking to reduce harm and learn from the process, rather than turn away from the suffering of others and nature.

“There is an emphasis on dialogue, with four questions to help people explore how to be and what to do if they have this deep outlook on the future.

“What do we want to keep and how is a question of resilience.

“What do we need to let go of, so as not to make matters worse, is a question of relinquishment.

“What could we bring back to help us with these difficult times, is a question of restoration.

“With what and who shall we make peace as we awaken to our mutual mortality, is a question of reconciliation.”

Critical Wisdom

“What I term ‘critical wisdom’ is the elusive capability for understanding oneself in the world that combines insight from mindfulness, rationality, critical literacy, and intuition.

“A capability for mindfulness involves our awareness of the motivations for our thought, including our mind states, emotional reactions and why we might want to ‘know’ about phenomena.

“A capability for rationality involves an awareness of logic, logical fallacies and forms of bias.

“A capability for critical literacy involves awareness of how the tools by which we think, including linguistically constructed concepts and stories, are derived from, and reproduce, culture, including relationships of power.

“A capability for intuition involves awareness of insights from non-conceptual experiences including epiphanies and insights from non-ordinary states of consciousness.”

For me, Jem Bendall provides an invaluable set of questions to ask and tools to use under the headings of Deep Adaptation and Critical Wisdom. The questions refine my understanding of Deep Adaptation. The combination of understandings that lead to wisdom are, as a set, new to me, though I was already aware of the individual elements. ‘Critical Wisdom’ reframes my sense of wisdom, more clearly experienced as a dynamic processes of wise-ing.

(1) Jem Bendell Breaking Together: A Freedom-Loving Response to Collapse Bristol: Good Works, 2023 (Good Works is an imprint of the Schumacher Institute – see also https://www.schumacherinstitute.org.uk). I can certainly recommend this book now, on the grounds of both its wide knowledge and deep wisdom. I may write a full review in future.

NB: Jem Bendell is a world-renowned scholar on the break-down of modern societies due to environmental change. A full Professor with the University of Columbia, he is a sociologist specialising in critical integrative interdisciplinary research analysis on topics of major social concern. His Deep Adaptation paper influenced the growth of the EXtinction Rebellion movement in 2018, and he created a global network to reduce harm in the face of societal collapse (the Deep Adaptation Forum). Although recognised as a Young Global Leader by the World Economic Forum in 2012, Bendell has been increasingly critical of the globalist agenda on sustainable development.”

THE WISDOM OF COMPASSION

“Toward all beings maintain unbiased thoughts and speak unbiased words. Toward all beings give birth to thoughts and words of kindness instead of anger, compassion instead of harm, joy instead of jealousy, equanimity instead of prejudice, humility instead of arrogance, sincerity instead of deceit, compromise instead of stubbornness, assistance rather than avoidance, liberation instead of obstruction, kinship instead of animosity.” (1,2)

Humanism extends our circle of care to all humans, clearly a high bar in our current state of culture. Druidry, certainly an animist Druidry embracing deep ecology, asks us to extend it further – to all beings. At first glance, it seems like a complicated and demanding ask in a world where life lives off other life, and where cooperation and competition necessarily co-arise. Yet for some people this stance towards the world is (or becomes) natural.

The passage in my first paragraph offers guidance on the Bodhisattva path in Mahayana Buddhism. Followers of the path let go of any quest for personal liberation to work for the liberation of all beings. Sometimes this is understood as a postponement of personal liberation, but the deeper insight is that ‘personal’ liberation makes no sense. In an interconnected and interdependent cosmos, only the liberation of all counts as any liberation at all.

In the Diamond Sutra (3) the definition of ‘beings’, put into the mouth of the Buddha himself, is as broad and inclusive as possible: “however many species of living beings there are – whether born from eggs, from the womb, from moisture, or spontaneously; whether they have form or no form; whether they have perceptions or do not have perceptions, we must lead all these beings to the ultimate nirvana so that they can be liberated.” Then the Buddha adds: “And when this innumerable, immeasurable, infinite number of beings has become liberated, we do not in truth think that a single being has been liberated”.

Thich Nhat Hanh (3) understands this last statement as saying “a true practitioner helps all living beings in a natural and spontaneous way, without distinguishing the one who is helping from the one who is being helped. When our left hand is injured, our right hand takes care of it right away. It doesn’t stop to say: ‘I am taking care of you. You are benefitting from my compassion’. The right hand knows very well that the left hand is also the right hand. There is no distinction between them. This is the principle of interbeing – co-existence, or mutual interdependence. ‘This is because that is’.”

I am not a Buddhist. I do not share the classical Buddhist views of karma and reincarnation. I do not associate final physical death with the term ‘liberation’. But I am aware of not, ever, being on my own – even when being, in the world’s terms, solitary. Apparent boundaries between me and my world are too soft: relationships are happening all the time. With this sense of the world in mind, the words below, repeated from the first paragraph, seem like common sense.

“Toward all beings maintain unbiased thoughts and speak unbiased words. Toward all beings give birth to thoughts and words of kindness instead of anger, compassion instead of harm, joy instead of jealousy, equanimity instead of prejudice, humility instead of arrogance, sincerity instead of deceit, compromise instead of stubbornness, assistance rather than avoidance, liberation instead of obstruction, kinship instead of animosity.” (1,2)

(1) From the Perfection of Wisdom in Twenty-five Thousand Lines translated into English by Edward Conze, Large Sutra on Perfect Wisdom Berkeley, CA: University of California Press, 1975 and cited in (2), below

(2) Red Pine, The Diamond Sutra: the Perfection of Wisdom. Text and Commentaries translated from Sanskrit and Chinese Berkeley, CA: Counterpoint, 2001 See: https://www.counterpointpress.com

(3) Thich Nhat Hanh The Diamond That Cuts Through Illusion: Commentaries on the Prajnaparamita Diamond Sutra Berkeley, CA Parallax Press, 201

NOTE: Versions of the Diamond Sutra appeared as written texts in Sanskrit in the 2nd century C.E. and this version was translated from Sanskrit into Chinese in the early 5th century C.E. Works of this kind were used more for recitation and chanting in monastic settings than they were for silent reading.

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