Contemplative Inquiry

This blog is about contemplative inquiry

Tag: August

LATE AUGUST 2025: SETTLING INTO AUTUMN

It is evening and for me autumnal. The sky offers the water a soft light, seemingly pink and grey. The water reflects this back, adding its own hint of mist. It is a tranquil scene.

For the first time this year, I feel a tug towards the Equinox, just under a month away. These canal waters are gentle, but they are drawn from the River Severn, site of the Severn Bore (1). Perhaps the waters are nudging something  – maybe the water – in me.

A little later, facing into the declining sun (below) I see the sunset and its effects. I notice the concentrated power of the orb as it appears to reach the earth, and the way in which this energy disperses into the sky. The colour coding shifts from intense white to yellow to red-orange to an orange becoming increasingly grey. I live at latitude 52 north, and the sunset is getting earlier every day, now 8.15pm. Another autumnal feature.

Autumn is also the season of the fruit harvest. This year, many people are commenting that the fruit harvest is arriving early. Below, against the background of a clear blue daytime sky, an apple tree is fruiting. The tree is close to Gloucester Cathedral and may belong to it. Medieval Gloucester was a place of churches and priories. It was also a place of orchards, many of them cultivated by monks and friars. The picture points to natural and cultural continuity, though the  fruit are early this year. I am no longer at a point tension between seasons. I am already settled in autumn.

(1) The Severn Bore is a natural tide phenomenon occurring in the River Severn in England, where a large wave surges upstream. It’s caused by the Atlantic tide pushing into the Bristol Channel and funneling it into the narrowing Severn Estuary, creating a more powerful wave that can be up to two meters high and a speed of up to 21 km/h. The Bore travels up the Severn Estuary, from Awre to Gloucester, a distance of 25 miles. It is strongest in the equinoxes (especially spring) and a popular challenge for surfers, kayakers and paddleboarders.

PARK TREES IN A DRY SEASON

Yesterday evening I went to my local park and was struck by changes in the trees. I seemed to have walked into a premature autumn. Trees were shedding leaves. To me, the trees in the picture above appeared distressed.  Looking at them again now, I wonder about disease as well as simple unseasonal shedding.

In the park, I found beauty too, with new colours becoming manifest. In my part of the world, the latter part of August has always included intimations of Autumn. But 2025 feels unusually dramatic and unusually early. Some trees, like the horse chestnut below,  seem to be shedding their leaves particularly fast.

Other trees seemed to be weathering this period more easily, like these medlars now  bearing their fruit –  bringing autumn into August in an apparently unstressed way.

Standing back, I could see new patterns in the no longer quite so green Greenwood. They illustrate new conditions and are, for better or worse, harbingers of a new time. There will be more changes. I hope that the trees will continue to adapt and stay in place for many years to come. But nothing is certain, in this time of climate crisis and the rise of willed ignorance about its severity.

The sunsets continue to get earlier. I walked into one as I left the park. The sun asserted it’s power in a late stage of its descent. It’s been a hot summer as well as a dry one. I took this  powerful, almost too powerful, late summer solar image with me as I walked back to my home.

ROWAN’S LATE SUMMER SIGN

Where I live, late summer is often the warmest time of year, and the driest. This is likely to be the case in 2025, already a warm dry year. But in the sun’s apparent annual journey, it is also a time of waning. Sunrise is an hour later than at the solstice, and sunset is forty-five minutes earlier. This change will accelerate from now on.

I do not see waning as negative. There is power and beauty in this ‘waning’. In the rowan (aka mountain ash) picture above, the berries are moving from tentative orange to bright scarlet, an effect of the seasonal changes in the light. Rowan is an ogham tree, linking a group of indigenous Irish and British trees to an ancient Irish alphabet. Its Gaelic name luis means bright or flame.

Looking at the year as a whole, some of the berries will still be holding on beyond midwinter, by which time the tree, which can live for up to 200 years, will be making its annual comeback. At that time, as described in William Anderson’s justly venerated in Green Man poem (1):

The hungry birds harry the last berries of rowan

But white is her bark in the darkness of rain

‘I rise with the sap’, says the Green Man

‘I rise with the sap’ says he. (1)

The resilience of the tree runs throughout its year and lifetime. In  late summer specifially, this resilience is manifested in berries at their brightest, against the backdrop of a still blue evening sky.

Traditionally Rowan has strong associations with protection, spiritual  protection not least. According to The Green Man Tree Oracle (2), ‘it can also offer insight into danger through the invocation of higher wisdom’. Ancient Druid shamans were said to breathe in the smoke from rowan fires to initiate a trance state that allowed them to predict coming danger.

The Druids also planted rowan, as well as oak and ash, in their sacred groves. But Celtic Druids were not the only people to place a high value on the rowan tree. Our modern word rowan is probably descended from the Norse runas – narrowly translated as ‘charm’ but in fact bringing the wider runic and Norse traditions with it.

When I encountered the rowan I was strongly moved by it. It stood out from everything else.   I had previously decided not to take pictures on my walk, but felt compelled to change my mind. I didn’t need ancient lore to feel more alert and heartened. It’s just that the framing it provides added cultural depth.  The encounter with rowan put a spring in my step and was a highlight of my evening.

(1) William Anderson Green Man: archetype of our oneness with the Earth Harper Collins: London & San Francisco, 1990

(2) John Matthews & Will Worthington The Green Man Tree Oracle: ancient wisdom from the greenwood  London: Connections, 2003

MOON

This August moon

Full and Risen

Transforms an urban scene.

(Picture taken at 9.45 pm Friday 8 August.)

HARVESTING INSIGHT

Noticing a single corn stalk under our neighbouring birch trees, I wonder whether the seed simply blew in or was planted by an unknown hand. If the latter, what was their intention? I realise that I will never know.

I do know how much I enjoy its presence in this space at this time. I experience it as a miracle inviting gratitude and it has marked the seasonal moment for me, this first harvest of a now declining year.

With increasing clarity I understand that I do not work well with personified and individualised images of the divine. Something seems subtly off, as if I am failing to sound my own authentic note in the Great Song of the world.

I believe that we are given different gifts in our encounters with the Cosmos, leading to legitimately different understandings. When I lean in to the notion of divine personality – even when using the term ‘Spirit’ in that sense – I am not fully living my own truth. I subtly disempower myself and weaken my connection.

For in my universe, when I rest in my own clarity, there is no separation between nature (including culture) and spirit. In the awkward activity of identification and labelling, I answer to terms like animist, panentheist and nondualist.

These words are approximations, with the power to be distracting and slightly depressing. I can find words that point to my experience well enough. But the explanatory words, the more formal and generalised terms, feel clumsy. There’s a necessary level of unknowing that these isms don’t recognise.

When consciously living in spirit, I am neither alone, as a single human person, nor am I with another being. I am simply in a different dimension of embodied awareness, supported and empowered by the bubbling source from which I spring. For me, Nature is more than the ‘nature’ of dualist spiritualities and of the scientific humanism that grew out of them.

As I harvest the learning, or relearning, of this lesson, I renew my commitment to practice and path, once again revising the beginning and end of the modern Druid’s prayer (1). I move from from ‘Grant, Spirit your protection, and in protection, strength … ‘ to ‘In spirit I find protection, and in protection, strength …’. I end with ‘and in the love of all existences, the love of this radiant Cosmos’ rather than ‘the love of God/Goddess/Spirit and all goodness’. These small changes formalise and anchor my understanding.  For me, they are an important affirmation, illuminating my path.

(1) Traditionally, this prayer runs:

Grant O God/Goddess/Spirit, your protection,

And in protection, strength,

And in strength, understanding,

And in understanding, knowledge,

And in knowledge, the knowledge of justice

And in the knowledge of justice, the love of it

And in the love of it, the love of all existences

And in the love of all existences, the love of God/Goddess/Spirit and all goodness”.

NB Providing the options of God/Goddess/Spirit is I think an OBOD (Order of Bards, Ovates and Druids) innovation. The original version, from the late 18th century, simply said ‘God’. Some modern Druids say ‘God and Goddess’.

‘I SWIM WITH THE SALMON’

“The hazels are rocking the cups with their nuts

As the harvesters shout when their last leaf is cut;

‘I swim with the salmon says the Green Man,

‘I swim with the salmon’, says he.” (1)

‘I swim with the salmon’ is a bold, clear statement. It evokes powerful images that leap out of their place in the flow of William Anderson’s poem. Green Man as a whole takes us on a wheel-of-the-year journey beginning on 22 December, successively featuring thirteen trees for four weeks each. The hazel is the ninth tree, whose time runs from 3-30 August. As the poem indicates, this is a harvest period, and the last month that fully belongs to the summer. It is also a time when you may find Atlantic salmon swimming home to spawn, though spawning doesn’t begin until October.

In this post I celebrate salmon naturalistically, through an account of their extraordinary life cycle. I am especially aware of the River Tay in Scotland, mostly thanks to a 90 minute documentary The River: a Year in the Life of the Tay (2). My personal experience of the Tay is limited to visits to Dunkeld, Perth and Dundee, where I nonetheless fell in love with the river and its powerful energy.

Salmon begin their lives in mountain streams, as far upstream as their parents have been able to reach in their autumn/early winter spawning period. The new generation undergoes a remarkable series of transformations (3), hatching as alevin or sac fry when the water warms in spring, and growing into parr with camouflaging vertical stripes. They remain in the same environment for two or more years, by which time, as smolts, they have developed a bright silvery colour with scales that easily rub off. Driven by growth hormones, the 10% of smolts who survive to this stage experience the mutations necessary to become salt water fish and make their journey to the ocean.

They spend another two or more years in the North Sea, travelling north into Norwegian waters, becoming sexually mature, with a darkening of the silvery scales, before embarking on their homewards 120 mile journey up the river to its headwaters. They are much larger than they were when on their way out. The largest salmon ever caught in the Tay, in the 1920’s, was over five feet long.

To return to their own birth-place (remembering exactly where they come from) they have to navigate waters that include rapids and waterfalls, evade osprey and human anglers, and achieve the feats of leaping for which they are famous. “The salmon is able to jump upstream not by fighting against the current, but by utilizing its knowledge of the reverse current which flows beneath the surface current” (4). They are returning to their native headwaters in order to spawn and begin the cycle again. 98% of Atlantic salmon spawn only once and die soon afterwards: their adult bodies, equipped for a salt water life, never fully re-adapt to fresh water and this makes them vulnerable.

Swimming with the salmon is not for the faint-hearted. At the present time the population of Tay salmon is in severe decline (70% in the 30 years to 2019) although the river is relatively clean and is now managed to prevent over-fishing. The effects of the climate crisis in the Atlantic are the most likely cause for the decline of Tay salmon, as for Atlantic salmon in general. Yet even in decline they remain magnificent. Long before the Celtic Iron Age, during it, and for long afterwards, they were abundant in the rivers of Britain, Ireland, and other Atlantic maritime countries. With their complex shape-shifting capacity, their far-journeying years at sea, their uncanny homecoming knowledge and their extraordinary leaps, they seem marked out for another life, in human song and story. I would like to think that the salmon’s mythic reputation can help to save it in this interconnected world.

”’I swim with the salmon says the Green Man,

‘I swim with the salmon’, says he.”

(1) From:  William Anderson Green Man: Archetype of our Oneness with the Earth Harper Collins: London & San Francisco, 1990 See also: https://contemplativeinquiry.blog/2017/05/11/poem-green-man/

(2) The River: A Year in the Life of the Tay 90 minute documentary made for BBC4 in 2019. Presented by writer and naturalist Helen MacDonald. See: https://youtu.be/ZEmAXQIrDeg?si=wlaI0bNtM6YWevAf The film is well worth watching, covering the journeys of the salmon and much more.

(3) Salmon Wikipedia

(4) Philp and Stephanie Carr-Gomm The Druid Animal Oracle: Walking with the Sacred Animals of the Druid Traditions Fireside: London, 1994 Illustrated by Will Worthington. The face of their salmon card is pictured at the top of this blog.

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